Jun 102019
 

 

I wasn’t able to complete the second Part of this week’s SHADES OF BLACK in time to further despoil the Sabbath with it, but as promised, I have at least used it to begin sending the new work-week deep into the void.

Part 1 consisted of advance tracks from forthcoming albums, but for this one I’ve chosen four complete album-length releases that in all but one case arrived last week. As you’ll discover, there are other marked differences between the selections here and those in Part 1, which is another reason I chose this division.

ANDAVALD

As many of you already know, Fallen Empire Records has permanently ceased activity, but its proprietor has not. Instead, he has joined forces with Mystískaos Records, whose previous releases have included music by Chaos Moon, Entheogen, and Vonlaus. The first three releases of this new collaboration include two of the albums in Part 2 of this week’s black metal column. The first of those is Undir skyggðarhaldi, the debut record by the Icelandic band Andavald. Continue reading »

Jun 092019
 

 

My mind is on Iceland today. Soon my body will be too. Ascension Festival looms ahead this week, set to begin on June 13th in Mosfellbær. Anticipating that event, I’ve drawn a few connections with Iceland in today’s SHADES OF BLACK selections. My selections are numerous enough that I’ve divided them into two Parts. Part 1 includes advance tracks from forthcoming albums. What I have in mind for Part 2 are three or four full releases. If I can’t finish writing Part 2 in time to post it today, you’ll see it first thing Monday morning.

However, I’m doubtful you’ll see a SHADES OF BLACK here next Sunday, which will be the day after Ascension concludes. Maybe I’ll be able to scrawl a few words about the just-concluded festival, but probably won’t be able to prepare another one of these columns. For Part 1 of today’s column, the organizing principle is subjective impressions first, objective info second.

VÁSTÍGR

Despite the imposing wintriness of the cover art, this first song has the ebullient mood of a thronged carnival in full swing. The reverberating notes sparkle and dance, soar and swirl. The music grows more frenzied, ever-bursting with extravagant drumwork, and darkness creeps into the atmosphere even before the manic exuberance briefly abates, and moodiness descends. Continue reading »

May 292019
 

 

(We missed our usual Sunday appointment for the SHADES OF BLACK column, but Andy Synn has stepped in to fill that void with this selection of new releases from the black realms.)

Even though we’ve just come off several days of relative quiet here at NCS (due mostly to a certain Deathfest) we’re already at risk of entering another quiet period as Islander (and various others) gets drawn into the day-to-day running of this year’s edition of Northwest Terror Fest.

However, as luck would have it, I’ve got a massive backlog of artists/albums I’ve been meaning to cover, and so have promised that I’ll deliver something new every day this week so that he doesn’t need to worry about juggling both NCS and NWTF at the same time.

So to kick things off I’ve decided to publish my own version of “Shades of Black” to make up for the lack of one this weekend, featuring short reviews of a bunch of bands, taking in a mix of well-known and (reasonably) obscure names, beginning with… Continue reading »

May 192019
 

 

(NCS reader, commenter, and frequent source of musical recommendations, HGD, has graciously stepped in to prepare this week’s SHADES OF BLACK column, as he has done before, given that our regular columnist (that would be me) is again unable to do so because of interference from the job that pays the bills around here.)

With Islander being swarmed with work over the last few weeks, I felt the need to step up and do my part to relieve his burden, if only a little. I’m pleased to present today’s Shades of Black column and hope all our regular and not so regular readers find something here that warms their blackened hearts. — HGD Continue reading »

May 052019
 

 

Like yesterday’s round-up, this SHADES OF BLACK column originally took shape in my head a week ago, but I wasn’t able to post it then. Over the last week (as usual) a lot of new black metal appeared, but my paying job took me out of town and didn’t allow me enough free time to listen to much of it. The week ahead will be similar (a different destination but not much free time).

In this column I’ve combined the music I would have written about last Sunday with just a few new songs I had time to check out this past week. In case you’re wondering, I am aware that Deathspell Omega has disclosed the existence of a new album and has launched the stream of a track from it, and that a lyric video from Abbath‘s new album also surfaced (here) but those are two of many new things I’ve set aside to listen to later so that it doesn’t distract me from getting this column finished!

LVTHN / HÄXENZIJRKELL

I’ve included the music of the Belgian black metal band LVTHN in numerous previous installments of this column, but not since the release of their 2016 debut album Eradication of Nescience, and therefore failed to mention their 2017 EP, The Spider Goddess. That’s well worth checking out if you haven’t already, but today’s focus concerns something even more recent, a new split by LVTHN and the German band Häxenzijrkell (whose music I’ve also written about before). It was released on April 30th, digitally and on 10″ vinyl by Amor Fati (with cover art by Karmazid). Continue reading »

Apr 212019
 

 

To have any hope of finishing Part 2 of today’s column I’ve had to carve off some of the releases I had intended to write about too. Painful decisions to be sure, but between Part 1 and what follows in this Part 2, there’s probably too much music for any normal person to focus on already, and too many threats to your financial solvency if you like all of it well enough to go on a spending spree.

Part 1 was devoted to advance tracks from forthcoming releases (and one new single), but this installment includes complete streams of five new EPs, which ought to be enough to thoroughly burn this Easter to the ground. (Four of them are “name your own price” at Bandcamp.)

DRATNA

In the space of little more than a year, the Northern Ireland one-man black metal band Dratna (which is its creator’s name rendered in a medieval Irish language) has released three EPs of increasing quality and coalescing focus. The first two were Clíodhna and Altar (reviewed here), and the latest is An Cath (The Battle), which was on released April 20th. Continue reading »

Apr 212019
 

 

As you can see, the game plan for this Sunday is to throw more than one installment of this column at you. I’m sticking my neck out because I haven’t started writing Part 2, and will be racing to get it done before I run out of time. In my head, I actually have a line-up for a Part 3 because I’ve found so much black metal over the last week or two that I’d like to recommend, but the odds of getting that done are really intimidating.

For Part 1 I picked advance tracks from forthcoming albums, and one single that will surprise you. For Part 2 I picked some recent full releases.

GARDSGHASTR

We begin with music by a new group composed of known names — Swedish veteran Swartadaupuz of Bekëth Nexëhmü plus Chaos Moon members Alex Poole and Jack and Steven Blackburn, joined by vocalist Glömd. A song from their debut album named “Of Crimson Eyes” debuted in February, and the album’s title track — “Slit Throat Requiem” — surfaced more recently. Continue reading »

Apr 142019
 

 

(Our Norwegian friend eiterorm takes over the SHADES OF BLACK column today while our usual columnist (me) is otherwise preoccupied.)

Islander is overwhelmed with work this weekend and won’t have time to compile the usual Shades of Black. But Shades of Black is the highlight of any casual Sunday, so this time yours truly is compiling the list instead.

DEUS MORTEM

The Polish black metal band Deus Mortem was last featured on No Clean Singing in 2016, with their excellent EP Demons of Matter and the Shells of the Dead. This year, they will be back with their second full-length release, titled Kosmocide. In fact, the release – which will be carried out by Terratur Possessions and Malignant Voices – is only two weeks away (April 28 marks the date), so prepare yourselves for imminent inflammation. Continue reading »

Apr 072019
 

 

This edition of SHADES OF BLACK is different from most, in two respects. First, my paying job (i.e., not NCS) has been crushing me lately, including this weekend, and I don’t have time to accompany what I’ve chosen with my usual impressions and links. Second, there’s not as much music in this post as you might guess from the title of the post. I’ve made the rare decision to include three album announcements at the end of the column even though there’s no music available for streaming yet. I did that because I’m so excited about those announcements.

ROTTING CHRIST

The first item I’ve chosen is Rotting Christ‘s new video for “In the Name of God“, one of the tracks on their latest album, The Heretics, which was released in mid-February and reviewed here by DGR. As he wrote, The Heretics follows what the band have established as their “blueprint” — a “sort of larger-than-life, titanic paradigm of martial prowess turned black metal.” It doesn’t push the genre or the band’s music forward as much as it represents a summing-up of their career so far, playing to their most familiar strengths. “In the Name of God” is but one example of that. Continue reading »

Mar 312019
 

 

I had decided to limit this week’s column to advance tracks from forthcoming albums, but then couldn’t resist adding a single-song EP that was released on Friday (by that band in the post title with the mile-long name). I’m hoping to do another SHADES OF BLACK round-up devoted to highlighting a few recent albums, but since it’s only an idea right now, I’m not going to call this post Part 1; Part 2 may remain only an idea, depending on how the next 24-48 hours go.

Obviously, I really like everything you’ll find in this collection. Some of the music is so scorching it might leave you with third-degree burns. Other tracks are more atmospheric. And I think you’ll be surprised by some of what you find here as well. So please do give everything a chance.

THIS GIFT IS A CURSE

On their last album, All Hail the Swinelord (2015), This Gift Is A Curse made music that ruthlessly takes you apart and sends what’s left of your mind into a very dark place. It was stupefyingly heavy, implacably savage, and frighteningly eerie. We premiered one song from the album and a video for another song, but I failed to review the whole thing. I’ll have a second chance to do right by this Stockholm band, because they now have another album on the horizon. Continue reading »