Oct 262014
 

I’m still in Texas visiting family and friends and not listening to much new metal, but before I once again leave the interhole for the real world for the rest of the day, I thought I would share a few things that have been wrecking my earholes this morning.

THE DEATHTRIP

The Deathtrip are a two-man band consisting of UK guitarist Host (Thine) and vocalist Aldrahn (Thorns, Dødheimsgard, ex-Zyklon-B). Their debut album, which was mixed by ThornsSnorre Ruch, is scheduled for release by Svart Records on November 14 and its title is Deep Drone Master. It includes session drums by Dan “Storm” Mullins and Jon Wesseltoft on bass.

Two songs from the album are available for listening — “Flag of Betrayal”, which premiered two days ago on Metal Hammer, and “A Foot In Each Hell”, which surfaced earlier this month. They’re hell-ripping storms of vintage Norwegian black metal with razoring riffs that penetrate deeply and a monstrous offering of inflamed vocal passion — searing music surrounded by the flames of arcane energy. Continue reading »

Oct 162014
 

I’m still more than 2,500 miles from home as a result of the old fucking day job, with precious little time to call my own, but I did take some breaks last night and early this morning, just long enough too explore three short releases that I’ve been meaning to check out. All of them are good, all of them are on Bandcamp, and all of them are either wholly or partly in the realms of black metal.

JØTNARR

I can’t remember which of my Facebook friends linked to this two-song EP, but whoever you are, thank you.

Jøtnarr are a three-man group from Colchester, England, and the title of that two-song EP, which is their most recent release (from December 2013), is Divide the Growth and Stone. Last month they were featured as “Band of the Day” at Terrorizer (here), along with an interview by Kez Whelan, and that may have been how my FB friend stumbled upon them. Continue reading »

Sep 232014
 

 

I sometimes play fast and loose with that “Shades of Black” title, but this time it genuinely fits the music I’ve collected here. The song streams represent many different shades and phases of black metal, and regardless of your preferences within the genre, I suspect you will find something to like before you reach the end. Of course, I like all of it.

VARATHRON

The long-running Greek black metal band Varathron will be releasing their fifth album, Untrodden Corridors of Hades, later this fall.  It comes five years after their last full-length, but based on the strength of the new album’s first advance track, this is one of those cases where I’m inclined to say, “It was worth the wait!”

“Realm of the Obscure” is thoroughly galvanizing, a non-stop rush of multi-faceted riffs that writhe like serpents, stab like knives, and hammer like mallet blows. The acrobatic and often pyrotechnic drumwork is equally varied and matches up beautifully with the varied movements of this long song, and the vocals are thoroughly ravenous. It’s the kind of music that’s voracious and malignant but with a highly seductive melody and an aura of imperial might. Really excellent. Continue reading »

Sep 172014
 

 

I’ve had quite a fruitful morning of listening to new music, and among the fruits I tasted were the following three premieres and one teaser, which I’ve grouped together as examples of razor-edged black metal that will jolt you wide awake.

POSTHUM

That album art at the top of this post is so damned cool. It grabbed my attention immediately and led me to explore what it signified. And what it signifies is the coming of a new album (the third one) by Norway’s Posthum. Entitled The Black Northern Ritual, it’s scheduled for both CD and vinyl release by Indie Recordings on October 13.

Having been seduced by the album cover, I discovered that Norway’s NRK P3 Pyro (the internet radio station of the state-owned Norwegian Broadcasting Corporation) has begun streaming an advance track from the album named “To the Pit”. It’s loaded with riffs and rhythms that both rip and rock, and at its core is a sombre melody that will get its hooks in you. Beautiful guitar solo in this song, too. Continue reading »

Sep 152014
 

 

Usually when I label one of these round-ups “Shades of Black”, I’m focusing on newly discovered black metal songs — but not always. Today, for example, there’s only one song in the collection that’s black metal. But all four songs, in addition to be strikingly good, do share a very dark and dramatic aura.

ATRUM TEMPESTAS

Atrum Tempestas are a Finnish band whose debut album Nêant will be released by Nordavind Records on October 13.  It consists of two long songs and one in the six-minute range, for a total of almost 32 minutes of music. Yesterday Nordavind began streaming one of the two long tracks on Bandcamp — “Quitter ceux qui étaient déjà partis” — and I’m really liking it.

The song is a work of dramatic atmospheric black metal and will probably draw comparisons to the more hard-edged works of Deafheaven as well as possibly Ash Borer and Agalloch. It’s a mix of storming guitar distortion, reverberating clean notes, and shimmering atmospheric melody accompanied by wretched howls. It’s a gripping though melancholy song, and one marked by an effective rhythm section that becomes a source of engagement all its own, especially during the wall-of-sound guitar parts. Check it out below; the album can be pre-ordered at the following Bandcamp link: Continue reading »

Aug 242014
 

Black metal today comes in so many shapes and textures that’s it’s almost as diverse as “death metal”, its original thorned orthodoxy having blossomed into a garden of unearthly delights. In this post I’ve collected the diverse music of five black metal bands who I discovered last week. If there’s one thing they do have in common, it’s a skill in crafting melody (of all things).

MISÞYRMING

Misþyrming (“Mis-thyr-ming”) are an Icelandic band whose name came my way in rapid succession from an e-mail by NCS supporter eiterorm and an Eistnaflug-themed article by Kim Kelly. According to Kim’s article, “The Reykjavik-based project started out as a one-man endeavor and expanded when founder D.G. added drummer H.R.H. (also of Carpe Noctem) on drums.” I’ve written admiringly about Carpe Noctem before, so that kind of made three reasons to go exploring.

Misþyrming’s debut album Söngvar elds og óreiðu will be released in a collaborative effort by Fallen Empire and Terratur Possessions, and two of the songs are on Bandcamp now. The music is incendiary — perhaps the most destructive music of the five bands in this post — but when they back down from the flame-spewing they cast mesmerizing riff spells. And they do a damned fine job of flame throwing (with eerie ambience), too.

Don’t forget this band’s name — I’m confident it’s going to spread. Brilliant stuff. Continue reading »

Aug 172014
 

 

This is a collection of new (or newish) songs I heard yesterday that I wanted to recommend. The music is quite diverse, yet each song contains elements of black metal — hence the “Shade of Black” title. Lots of creativity on display in what you’re about to hear — and a few things that will hit you like a semi-truck with the pedal all the way down.

HOD

San Antonio’s HOD will release their new album Book of the Worm, on September 9 via Arctic Music. The cover art, which I like a lot, was created by Jon Zig. Earlier this week Revolver (Revolver???) premiered a song from the album, and I finally caught up with it — or more accurately, it caught up with me and rode me down into the mud.

The song is “Where Are the Demons”, and the answer is — right here, in this song. It’s one of the best things I believe I’ve ever heard from HOD  — a slashing, galloping, ravaging powerhouse assault, loaded with writhing, head-whipping riffs, frenzied chord progressions, and blistering percussion. It’s a hellish inferno with tremendous surging power, but a very interesting and technically impressive  song at the same time. And the vocals will bring the grizzlies down from the hills.

The album can be pre-ordered here. A previously released track can be heard at this location. And this is where the demons are: Continue reading »

Jul 312014
 

I’ve collected in this two-part post seven very good new songs from four bands that I heard for the first time yesterday. All the songs are from forthcoming albums, and as the title of the post suggests, most (but not all) of them incorporate elements of black metal into the music in varying degrees, and they are all shrouded in darkness. The cover art for each album is also really good. The bands are presented in alphabetical order (Part 1 can be found here) — except for a last-minute addition at the end.

SWALLOWED

I found out about this Finnish band more than two years ago when I listened to (and wrote about) their self-titled 2010 EP (still available here). It’s been a long wait for their debut album, but it finally seems to be on its way. The name is Lunarterial and it’s projected for release on October 14, 2014, through Dark Descent Records and Me Saco Un Ojo. The cover art is the work of Swiss artist Peter Birkhäuser. The new song I heard yesterday is a track from the album called “Arterial Mists of Doom”.

This disorienting song’s huge, slow, nearly atonal chords vibrate with grotesque levels of distortion — and then erupt when you least expect it into ghastly pyroclastic flows moving at blinding speed. The visceral drumbeats and cymbal ticks seem to have a mind of their own, and their unpredictability is also part of what makes the song so arresting. The vocals match up with the doomed, blasted, destructive aura of the music — they’re maniacal, agonizing, horrifying. It appears that Swallowed have made a soundtrack for your nightmares… Continue reading »

Jul 312014
 

 

I’ve collected in this two-part post seven very good new songs from four bands that I heard for the first time yesterday. All the songs are from forthcoming albums, and as the title of the post suggests, most (but not all) of them incorporate elements of black metal into the music in varying degrees, and they are all shrouded in darkness. The cover art for each album is also really good. The bands are presented in alphabetical order (Part 2 will come next):

MONDVOLLAND

It was a sad day this past June when I learned that the Dutch band Mondvollond had decided to call it quits. Way back in January 2012 I lavished praise on Pestvogel, the band’s free, three-song EP that was my jumping on point. The title track in particular got its hooks in me, so much so that I included it in our list of 2012′s Most Infectiuous Extreme Metal Songs.

The knowledge that the band would be releasing a second album made the news of their dissolution somewhat easier to bear. The new album’s name is Kwade Vaart and it features wonderful cover art by Bob Mollema, who also created the great cover art for Pestvogel.

Two of the songs from the new album can be heard now, and they’re just as unusual and powerful as I would have expected. “Wanneer De Hemel Bloedt” begins slowly, with shimmering guitar notes, a booming bass, and clean vocals, and then rapidly escalates into a storm of tremolo-vibrating chords, thundering bass and drums, and caustic howls, with a piercing guitar melody. It’s an intense song, but no more so than the one that follows. Continue reading »

Jul 132014
 

This is a small collection of new songs I discovered yesterday that explore the dark in very different ways. Two of the bands are newcomers, while the last is on the verge of releasing its third album.

SERPENTS ATHIRST

Serpents Athirst are a Sri Lankan black metal band whose discography consists of a 2011 split and a 2012 demo named Prevail. They have a new three-song EP coming out later this year entitled Heralding Ceremonial Mass Obliteration, and one of the new songs is now up on YouTube. I’m assuming that the image on the YouTube clip (above) will appear on the cover of the EP, because I really like it. I really like the song, too.

It’s appropriately named “Ritual Vomitting”, and I’ve listened to it a half dozen times since finding it yesterday afternoon via a link from a Facebook friend. The sound is utterly filthy, with a thoroughly grit-caked and grime-coated production, and for most of its putrid length the riffs and drums just roll forward in a repeating rampage of hammer blows, accented by the tick and shimmer of cymbals — but it’s electrifying. And the echoing vocals are fantastically horrific, ranging from rancid roars to something that sounds like the vocalist is being forcibly turned inside out. I’ll probably listen to it another half dozen times today. Continue reading »