Feb 072016
 

Nordjevel-ST

 

Once again I’ve collected newly discovered music that could be considered shades and phases of black metal. Unfortunately, on this Sunday I’m pressed for time, and so, with apologies to the bands (who are probably the only people who might actually read my drivel instead of skipping right to the streams), I’m going to have to truncate my review commentary. Somehow, you’ll have to take in the music without me detailing for you what you’re hearing.

NORDJEVEL

I’m not sure how Nordjevel eluded my hawklike gaze. Their self-titled debut album has already been released by Osmose Productions, with several song streams preceding it, yet I only found out about the band and the album a few days ago. Continue reading »

Feb 072016
 

Zatokrev-Silk Spiders Underwater

 

As I explained at the outset of this list, I didn’t have it finished when I began it. I’ve been making it up as I go along, without any pre-set idea of how long it would be. But since we’re now a week into February of 2016, I’m forcing myself to bring it to an end by this time next week. It hasn’t been easy, but I spent hours yesterday going through my still-massive list of song candidates and I’ve now got things in place in my head — or at least these things.

Beginning today and continuing through next Sunday I’ll post three new songs for the list each day. Except for next Sunday’s installment, I know which three I’ll post each day. And at the end, I’ll still have many more songs I’d like to post. But all good things must come to an end, and so this exercise will, too.

For most of the installments in the series up to now, I’ve grouped the songs according to certain themes, usually some kind of genre similarity in the groupings. But for most of the remaining installments, I’m focusing on variety, and grouping the songs together in ways that I think make for interesting listening, moving from one song to the next. To see the other songs on the list up to this point, click this link.

ZATOKREV

This band is so damned good. I feel that they haven’t yet gotten the widespread and tumultuous celebration that they deserve. I picked a song from their last album (The Bat The Wheel And The Long Road To Nowhere) for the 2012 edition of this list, and I’ve picked one for 2015 as well, because 2015 brought us another great new Zatokrev album — Silk Spiders Underwater… Continue reading »

Feb 072016
 

Rearview Mirror

 

Sweden’s Necrophobic was formed in 1989 by drummer Joakim Sterner and guitarist David Parland (who left the band in 1995 to concentrate on Dark Funeral and took his own life in 2013). Their debut album, The Nocturnal Silence, was recorded with Tomas Skogsberg at Sunlight Studios and was released by Black Mark Productions in 1993. It really has not aged in 23 years; it’s still a great album. Six more albums followed, the most recent of which is 2013’s Womb of Lilithu, and it’s a very impressive discography, with a sound that blends ingredients from black metal and death metal while incorporating memorable melodies into a framework of undeniable savagery.

Not surprisingly given the band’s longevity, there have been many line-up changes over the years, with Sterner being the only constant member. In recent years the band has included guitarist Fredrik Folkare (Unleashed, Firespawn) and bassist Alex Friberg (Firespawn).

One of the most recent changes was the ouster of long-time vocalist Tobias Sidegård in 2013 on the eve of Womb of Lilithu’s release after being convicted of domestic violence and sentenced to prison. He has been replaced by none other than Anders Strokirk — the man who was Necrophobic’s vocalist when they recorded The Nocturnal Silence but left the band not long after its release. Continue reading »

Feb 062016
 

Severed

 

In recent years, Iceland has developed a reputation as a spawning ground for excellent black metal bands, but the country’s contributions to extreme metal go well beyond those black arts. And as convincing proof of that, I give you Severed.

I first came across the band’s music back in 2012 when they were using the name Severed Crotch. Even then, I was late to the party. By that point they had released a couple of demos in 2007 and a debut album in 2010 (The Nature of Entropy). Now brandishing a more truncated name (suggestive of more generalized and less crotch-specific violence), the band have recorded a new five-song promo that’s intended to lay the groundwork for their next full-length album.

The band have been gradually releasing songs from the album for streaming since last fall, and today we’re fortunate to bring you the fourth one, a track named “Edge of the Abyss“. Continue reading »

Feb 052016
 

12662707_10208750274420942_448424856174734671_n

 

(KevinP reviews two Florida shows this week by Australia’s Ne Obliviscaris as part of their in-progress U.S. tour.)

I always bemoan the fact that Florida gets the shaft when it comes to tours, whether it’s from US bands or groups from the rest of the world. So when Ne Obliviscaris announced they were coming to Florida, for not 1 but 2 shows, I was tickled pink (to say the least).

Anyone who has known me for more than 5 seconds is aware I have no interest in Butcher Babies or Cradle of Filth, but hey, you can’t really expect a new band on their first US tour flying over from Australia to do a headline jaunt right off the bat.

Upon further inspection of the tour dates, there was a gap in the schedule, conveniently due to the 70,000 Tons of Metal cruise leaving out of Fort Lauderdale on Thursday, February 4th, and returning on Monday, February 8th. Continue reading »

Feb 052016
 

NCS Best of 2015 graphic

 

(Year-end lists… you just can’t kill em’. But Andy Synn has made a habit of crowning our annual LISTMANIA series with one final offering — his selection of the last year’s top songs — and this year is no different.)

Did you REALLY think I was done with lists? Are you really that naive? Oh, how foolish are those who are most willing to be.. umm… fooled. Or something.

Yes, it’s no secret I enjoy making lists, and as such have a particular fondness for the end-of-year period here at NCS, not just because it lets me indulge my numero-erotic list-making proclivities in full (and in public, no less) but also because I sincerely enjoy reading and debating all the other lists we publish and reference and, in the process, discovering bands I’d otherwise overlooked.

The hardest list to pull together though is the list of my favourite songs of the year. Not because of any hard-fought pretence of objectivity (there’s none of that here), but because there’s simply so many options to choose from, with my initial list coming in at well over 100 entries, each drawn from albums across the length and breadth of my Great/Good/Disappointing lists of last year.

But, finally… finally… I managed to whittle it down to the ten selections you’re about to encounter.

I’m not suggesting these are the definitive “Best” songs of the year by any means, they’re just ten tracks which have burrowed their way under my skin and into my brain the deepest.

So, without further ado… Continue reading »

Feb 052016
 

Horrified Of Despair artwork

 

The UK quartet Horrified released an impressive debut album in 2014 by the name of Descent Into Putridity. As the album’s name implies, the music was the kind of nasty, primal death metal that paid its respects to the likes of Autopsy and Pestilence. They’ve now completed work on a second full-length entitled Of Despair, which was mastered by Damian Herring (Horrendous) at Subterranean Watchtower Studios and will be released by Stormspell Records on March 25.

As you’re about to hear (and as you might even guess from the style of the album’s eye-catching cover art by Raul Gonzales), the band have broadened their musical horizons since their debut, taking inspiration from such Scandinavian greats as Dissection, Unanimated, and Sacramentum.

The band’s vocalist/guitarist Dan Alderson described the band’s musical approach for the new album in this way: Continue reading »

Feb 052016
 

Beastwars 2016

 

This week’s flood of scintillating new metal hasn’t crested yet. The last 24 hours brought even more electrifying new songs. I’ve collected five of them here for your listening pleasure.

BEASTWARS

I’m afraid I’ve reached a slavish level of devotion to the music of New Zealand’s Beastwars. I couldn’t be happier that 2016 will bring us a new album. The new one is entitled The Death Of All Things, and it’s the last installment in the post-apocalyptic trilogy the band have been constructing through their music. Continue reading »

Feb 052016
 

Ketzer-Starless

 

(Wil Cifer reviews the new album by Germany’s Ketzer.)

This German band’s third full-length continues to defy genres. It varies on a song-by-song basis as to what shade of darkness these guys are bringing. From the more blackened death metal roar of riffage that is “When Milk Runs Dry” to the punk influence permeating the thrashy moments of almost black ‘n’ roll. It’s the attention to detail and aversion to following a formula that elevates this album above the dozens of other metal releases still sitting in my in-box. The solos are very melodic and add to the song rather than just litter them with shredding.

Ketzer are most often thought of as a black metal/thrash hybrid, though their bassist plays a much larger role in their sound than the bulk of black metal bands. At times this creates almost a groove without conforming to mainstream metal. Continue reading »

Feb 042016
 

Gorod-A Maze of Recycled Creeds

 

Yes, we are now into February and this list isn’t finished yet. I suppose I really ought to give serious thought to wrapping it up, but I have sooo many more attractive candidates still sitting in front of me. Maybe this weekend I can force myself to assemble the final tracks and reach a conclusion next week.  If you have any strength and willpower that I could rent for cheap, let me know.  I promise I’ll give ’em back on Monday.

GOROD

In his review of Gorod’s latest album, Andy Synn declared that “A Maze of Recycled Creeds is right up there with the best the band have produced… and it brings that memorable weirdness factor back into the band’s music with gusto,” helping “to give the album a brash and bold sense of character that makes it stand out from the crowd.” I certainly concur. I can also see the sense in the words Andy chose when he characterized the song I’ve chosen for this list as a “sexy jazz-prog shimmy” with “nimble, furiously funkified Tech-Death riff work”. Continue reading »