NO CLEAN SINGING

AN NCS PREMIERE: INHUMAN — “CONQUERORS OF THE NEW WORLD”

Aug 042015

On August 30, Satanath Records and Sevared Records will jointly release the second album by Costa Rica’s Inhuman. The album’s name is Conquerors of the New World, and today you’ll find out how it begins, as we premiere the title track.

Different bands have different philosophies about how to begin an album. Some prefer to set the stage with an instrumental track, something designed to set the mood or begin building an atmosphere (though as often as not that kind of introduction has little to do with the music that follows it). Not this band. They jam the accelerator to the floor without giving you any time to catch your breath — and you’ll have difficulty finding a moment to breathe before it ends, too. Continue reading »

AN NCS ALBUM PREMIERE: BLACKQUEEN — “THE DIRECTRESS:

Premieres 3 Responses »

Aug 032015

It’s not uncommon for metal bands to concoct their own genre terms for the music they create, though more often than not the new terminology is just a grab at attention for music that really sounds no different than what you’ve heard countless times before under age-old genre labels. But after you hear blackQueen’s new album The Directress, you’ll probably agree that the band’s description of their music as “Witch Metal” is just about exactly right — and that no other genre term you’ve heard before does a very good job capturing the album’s esoteric variety.

The Directress was released via Bandcamp on August 1, and those of you who have already discovered blackQueen’s black magic through their previous releases will have already pounced on it. For those who are new to the band or aren’t quite as quick to make the leap, we bring you a full stream of the album at the end of this post, as well as a look at the new video for the album’s opening track, “The Olde Religion”. Continue reading »

WIEGEDOOD: “DE DODEN HEBBEN HET GOED”

Album Reviews 7 Responses »

Aug 032015

(Andy Synn reviews the new album by the Belgian band Wiegedood.)

Like an idiot I’ve been putting this review off for over a month now, shuffling it back into the pack again and again whenever something else comes along and jumps to the front of my mental queue. And that’s extremely unfair to the band and, perhaps just as much, unfair to our readers as well, as De Doden Hebben Het Goed is one fine-fettered slab of pitch-black savagery and anguish.

The Belgian three-piece, whose name is also the Dutch term for “Sudden Infant Death Syndrome” (way to keep it morbid, guys), possess an enviable knack for pumping out a ferocious torrent of rage and fury, whilst maintaining a keen melodic edge, that’s neither weak, nor overbearing. That may not sound like much, but it’s a hard balance to get just right, and these guys make it look like child’s play. Pun intended. Continue reading »

GRIFT, KALMEN, VASTATION, WAR/PLAGUE

RANDOM FUCKING MUSIC 6 Responses »

Aug 012015

I’m spending the weekend at a 2-day picnic for the people I work with at my fucking day job. It’s going to be fun, because the weather’s going to be great, there will be mountains of food and rivers of drink, and the people know how to have a good time. I’m so obsessive about not letting a day go by without new music on this site that I’ll probably still figure out some way to put up a post tomorrow. But I at least have highly recommended new songs from four bands to share with you on this Saturday.

GRIFT

The last time I covered Grift was more than two years ago, when I wrote (here) about their debut EP Fyra elegier. I was very excited to learn recently that this now-one-man Swedish band has recorded a full album named Syner that Nordvis plans to release on September 18. Yesterday, Nordvis debuted a video for one of the new songs, “Svältorna”, and it’s captivating in both sight and sound. Continue reading »

RIFF POWER: APE CAVE, BLACK EARTH, BLOOD RED THRONE, CLANDESTINE BLAZE, MOTÖRHEAD, OBESE, VALDUR

Album Reviews, RANDOM FUCKING MUSIC, SHORT BUT SWEET 14 Responses »

Jul 312015

I have for you a big selection of new and newly discovered songs and videos that I’d like to recommend. As you can tell, I got tired of using the “Seen and Heard” title for these round-ups, at least for today. Also, the riffs really are the kings and queens of most of these songs (but not all). I’m presenting all this stuff in alphabetical order by band name. Genre-wise, the music is all over the place….

APE CAVE

Ape Cave are from Portland, Oregon. At the end of May they released what I think is their debut EP, named Primordium (with the eye-catching cover art above). I found out about it through a link posted by a Facebook friend.

When you press “play” on the Bandcamp stream below, you’ll hear the EP’s final track first. It hooked me hard, and the other two songs are just as good. Ape Cave blend thick, heavy riffs and gut-rumbling percussion with psychedelic lead guitar machinations and raw, wretched vocal vituperation, creating a bleak and often disorienting atmosphere while punching hard enough to rattle your bones. Continue reading »

AN NCS PREMIERE: BITTERED — “HUBRIS AGGRESSION”

Album Reviews, Premieres 5 Responses »

Jul 312015

Today, Friday, July 31, Virginia’s Lost Apparition Records will release Hubris Aggression, the debut album of Bittered from York, PA, and we have a full stream of it to share with you.

Bittered was spawned in 2014 by Paul Folk, founder and long-time guitarist for the Maryland death metal band Exterminance and drummer Dennis Matos, both of whom had played together in other bands that had their roots in punk and grind. Paul Folk and Bittered’s vocalist Kasey Harrison are also members of a grind band called Police State. But although Bittered’s lyrical themes share a political focus with some of the members’ other projects, the music goes off in different musical directions — and there’s not much light at the end of those tunnels. Continue reading »

THE WAGAKKI BAND: “AKATSUKINO ITO”

Exceptions to the Rule, RANDOM FUCKING MUSIC 6 Responses »

Jul 312015

Before I saw the video by the Wagakki Band that you’re about to see, I was at work on a big round-up of new music for later today. And then our Tokyo-based pal Phro messaged me about the video, and I watched it — and felt compelled to get it up on our site without delay.

I counted, and this makes the sixth time we’ve posted about the Wagakki Band at NCS, and they deserve all that attention because they are awesome. This most recent video is for a new song named “Akatsukino Ito”, which will appear on a forthcoming album entitled Yasou-emaki. I want to quote an excerpt from Phro’s post about it at RocketNews24:

“The music features the band’s trademark mixture of rock and traditional instruments, with thundering drums and furious strings that compel the soaring vocals ever higher. The song is almost like a battle cry, which manifests in the video as the members draw swords to face off against a dragon flying through the sky.”

COMPARATIVE METALLURGY: PART 3

Mosh Pit 2 Responses »

Jul 312015

(This concludes Andy Synn’s three-part post about the tendency of metal fans, critics, and bands to compare one band’s music to that of another and the ways in which it works… and doesn’t work.)

So, as I said, my writing process tends to be a little bit… free-form… so much so, in fact, that yesterday’s publication of Part 2 of Comparative Metallurgy was in fact quite different from how I’d originally envisioned it. One whole section was excised and replaced with the anecdotal part instead, which was originally intended to make up the bulk of Part 3, and the excised section put aside for a different feature sometime in the future.

But this raises a bit of a conundrum, as what I originally had planned for Part 3 has already been published, leaving me with no content for the promised column that you’re currently reading (and that I’m currently writing).

However, as always, our loyal readership comes to my rescue, with this comment from Gipson giving me a new idea for Part 3.

“Good piece! I look forward to parts 2, about egregious examples of misuse (should be fun), and 3, which I assume will be about times you really felt got it right.”

So, let it be written, and let it be done… these are the times when (I think) I didn’t get it wrong! Continue reading »

THE MAYHEM FEST AND THE STATE OF MAINSTREAM METAL

Concert Reviews 9 Responses »

Jul 312015

(Wil Cifer attended part of the Rockstar Mayhem Festival stop in Atlanta on July 29, 2015, and has a few thoughts about what he witnessed.)

There is no news like bad news, and the inner webs are quick to let you know it. So it’s no secret that this year’s Mayhem Festival has been getting more than its fair share of anti-hype. Kerry King spoke out against the lineup, saying “you need talent to make people feel like spending that much money”. I’m not sure if that was a self-deprecating stab at his own band or he really feels like going out with some bands the high school kids seem to love is mandatory career suicide.

The Mayhem Fest co-founder has gone on record saying the metal genre is in trouble because there are not many younger bands that have headlining power and blames the older bands for not taking less money, like punk rock bands, in order to benefit the scene. So I was curious when I checked the tour out myself. Continue reading »

SHADES OF BLACK: KRALLICE, POX, NIHILISTINEN BARBAARISUUS

RANDOM FUCKING MUSIC, SHADES OF BLACK 16 Responses »

Jul 302015

Yes, I guess I’m still on a black metal kick, with this collection of new music being the third Shades of Black post in the last five days. I actually have listened to some new songs since the weekend that aren’t in the vein of black metal, and at some point soon I’ll throw that good stuff your way, too. But for now, moisten your lips with this poison….

KRALLICE

Lots of friends who know of my liking for New York’s Krallice shot messages my way this morning to make sure I knew that the band had just released a new album — which did in fact catch me by surprise. This new six-song offering is entitled Ygg huur, a name “stolen from Scelsi” (in the band’s words). That explanation didn’t immediately make sense to me, but after a bit of googling I now know that Ygghur is both a Sanskrit word for “catharsis” and the name chosen by Italian composer Giacinto Scelsi (1905-1988) for a piece he wrote for solo cello. I found a description of Scelsi’s composition that included these words: Continue reading »

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