Jan 102015
 

 

Here’s Part 2 of a weekend effort to catch up on what I missed over the last couple of days. Part 1 is here. I’ll have at least one more installment tomorrow.

NAPALM DEATH

Would you believe that by the end of this month Napalm Death will have released their 15th studio album?!? It’s true. January 26 is the European release date and January 27 is the date for North America, and the album’s name is Apex Predator – Easy Meat. It will be released in NorthAm by Century Media.

A couple days ago the second advance track from the album appeared at selected sites on either side of the Atlantic. Its name is “How The Years Condemn”. Lyrically, it reflects bassist Shane Embury’s realization after being hospitalized a few years ago that he had “to make a choice which was either to carry on down the same path of selfish destruction as I had seen some of my friends embark on or stay around for the people I loved and who loved me.” Continue reading »

Jan 102015
 

 

Whenever I let a day or two go by without checking the web or my NCS e-mails to see what’s new, I always miss a lot, because the ocean of metal is always at high tide. Because of my day job, I couldn’t pay much attention to metal happenings over the last two days. But I had a 6-hour flight back to Seattle from the east coast last night and a decent internet connection, so I tried to catch up. And goddamn….

The great and powerful Engine of Metal has awakened after dormancy during the holiday season and it’s now running in the red zone. (Yeah, I just mixed my metaphors, so sue me.) I found more than 20 new songs and videos during that plane flight that I thought were worth exploring.

The net connection wasn’t good enough to stream anything on the flight, so I just made a list, and now I’m going through it. There’s sooo much worth writing about that I’m breaking this round-up into multiple parts that I’ll spit out in pieces today and tomorrow. (I missed an installment of the Most Infectious Song list yesterday, but I’ll get back on track with that today, too.) Continue reading »

Jan 092015
 

 

(Our Russian contributor Comrade Aleks brings us this interview with Alco Tony of the Russian stoner/sludge band Pressor.)

Let me introduce you to a sludge’n’stoner band from the far-away and ancient Russian city of Kostroma – Pressor is its name. The guys have absorbed all the necessary elements of this dirty genre, so Pressor’s way lies through murky and ugly swamps of narcotic nightmares and most horrific dreams. Anton Khmelevskij aka Alco Tony reveals the sacred ancient obscure occult knowledge of Pressor. Alright now!

******

Hello! What do our readers need to know about Pressor?

The main thing is to keep yourself together and not get into postmodernism. Continue reading »

Jan 092015
 

 

(Andy Synn reviews the forthcoming eighth studio album by Sweden’s The Crown.)

Don’t call it a comeback! Call it… actually, I don’t know quite what to call it. After all, it’s been quite a while (over four years, in fact) since The Crown released their original “comeback” album, Doomsday King, with new vocalist Jonas Stålhammar at the helm, and now they’re back again, with a new album and yet another shift in the line-up, as original guitarist Marcus Sunesson and original drummer Janne Saarenpää both departed the band before the new album was recorded.

Not only that, but Death Is Not Dead sees original vocalist Johann Lindstrand returning to the fold for the second time… replacing Stålhammar, who replaced him, after he replaced Lindberg, who replaced him originally… (confused yet?)

So, does this make Death Is not Dead the band’s real comeback album? I don’t know. But I do know that it means more of The Crown for me to salivate over. And that’s never a bad thing. Continue reading »

Jan 092015
 

 

Last month we discovered that Sickening from Firenze, Italy, had completed a third album entitled The Beyond and had released an advance track called “…And then new light” — which turned out to be thoroughly obliterating. Today we have the pleasure of bringing you the premiere of a second song from the new album — “The Prophecies of Eibon”.

Before you hear it, you should be aware that this new full-length is a concept album based on the 1981 cult Italian horror movie The Beyond, which was directed by Lucio Fulci and filmed in part in and around New Orleans, Louisiana. In a vividly gruesome way, it tells the story of events at a hotel that open a doorway to death and lead to the invasion of our world by the dead.

One artifact that plays a role in the movie is an ancient book discovered in the hotel that bears the name Eibon (a name that should be familiar to fans of H.P. Lovecraft). And that brings us to the song you’re about to hear: “The Prophecies of Eibon”. Continue reading »

Jan 092015
 

 

(Well, this is it. The final list in our 2014 LISTMANIA series. And it comes our way from Leperkahn. On Monday, I’ll have a wrap-up that collects final thoughts and links to every list in the series.)

Hello once again, my fellow NCS comrades. This list comes a lot later than I had planned, considering I’ve been off school since the 11th of December. It seems I get better at procrastination with age.

Speaking of school, 2014 was a bit of a big year in that regard. This time last year, I had just submitted my last college applications; now, I’m one quarter deep into my first year at The University of Chicago. Having this massive transition right in the middle of the year, much more drastic than the between-grade changes I’d become accustomed to the past 12 years, made it really hard to make this list. January 2014 might as well have been the Dark Ages, in my mind.

The demands of school also cut into, and continue to cut into, my writing time here. You may have noticed that it’s been a bit patchy (if you noticed it at all), beyond that 10-day stretch where I decided to impersonate Islander with the round-ups. Nevertheless, I still got some reviews and such out in my first full year as a guest writer. Continue reading »

Jan 082015
 

 

Today we bring you Part 14 in the continuing rollout of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

Some of you might question the appearance of today’s two songs on a list whose title includes the words “extreme” and “metal”, appearing on a site whose name abjures clean singing. I have a simple answer for you: It’s my list, and there’s no fuckin’ way I’m leaving these songs off of it.

SÓLSTAFIR

Last month Iceland’s Sólstafir paid a visit to Seattle and performed a show at a cozy venue called Barboza, and I watched it from the second rank of people in front of the stage. I’d seen the band’s amazing set at MDF last year, but it was this show that made me realize something I hadn’t yet admitted to myself — that they are, right now, my favorite band on the planet. Continue reading »

Jan 082015
 

 

(DGR reviews the debut EP by a Canadian band named Unbeheld.)

And so, a new year dawns. We’re already close to a week into it and honestly things don’t seem that much different, other than the fact that we are still releasing a massive spate of lists as well as beginning to hammer our way through the seemingly never-ending and always growing list of infectious songs, eventually creating a huge playlist that will hopefully help people discover a huge batch of new bands when all is said and done.

Normally, around this time, you find all sorts of garbage floating around about resolutions, promises to be better people, “new year, new you”, like the fact that accidentally writing ’14 on all your dates for the next half month is going to somehow change you at the sub-atomic level and some brand new, fresh being is going to be borne of it.

I can’t make too many promises on that front, and given that I already got my scientifically accurate horoscope this year, I can consider that crossed off the list. What I can promise you is a grand NCS tradition of always poring over underground pages, trying to find new bands, writing reviews that are way too long for their own good, occasionally posting utter blasphemy in the form of clean-sung music on this site because it’s so good that people should be able to look past that, and discovering groups and discs far too late to be relevant to the initial burst that comes from a just-released new EP/album. Continue reading »

Jan 082015
 

 

MetalSucks and American Aftermath have premiered individual tracks from Gates of Winter — the second album by Indiana’s Thorr-Axe — and those were tasty appetizers, but now we serve you the main course: a full-album stream.

When I first saw the cover of Gates of Winter, and coupled that with the band’s name, I’m afraid I got the wrong impression. I was expecting tongue-in-cheek, Viking-themed folk metal, with extra cheese. Wrong, wrong, wrong.

There is indeed a narrative concept that gives the album its structure — a tale loosely based on Norse mythology, with some high fantasy thrown in. As the band’s vocalist/guitarist Tucker Thomasson has said (here), “It’s full of frost giants, shit talking, a magic sword forged by a smith producing an incessant stream of f-bombs, and a metric fuckload of ice and snow.”

But the music, the music is something else again. It is no joke. Continue reading »

Jan 082015
 

 

(BadWolf provides his annual list of personal favorites among not-metal albums released in 2014.)

I’ve never written so few lists at the end of the year. During my first year at No Clean Singing, I wrote three separate lists. Many writers compose even more, and I have no idea how they do it. However, each year my format has changed as I think of new ways to think about music. As time goes by, I simplify, I erase boundaries.

There’s only one meaningful distinction in my list this year: metal vs. not-metal. My metal list is currently up at Invisible Oranges, and it serves as my unified vision of 2014 in heavy metal. However, this is my favorite list—my favorite piece of copy that I write each year. There’s something about writing about mainstream music on an underground metal blog that strikes me as fun and transgressive.

More to the point, I always loved reading the opinions of metal heads and musicians about non-metal music. To people outside of the culture extreme music is what sets us apart. Inside the community, however, our tastes in other genres of music can offer interesting window into people’s personalities. I also wonder if the commonalities we find outside of the music reveal something about the threads that other artists and metal share. For example, my #1 album is, I know, fairly popular among metal bloggers, but you’ll have to wade through my bottom nine to get to it. Continue reading »