AN NCS FULL-ALBUM PREMIERE (AND A REVIEW): ARCHGOAT — “THE APOCALYPTIC TRIUMPHATOR”

 Album Reviews, Premieres  4 Responses »
Jan 132015
 

 

(We bring you the premiere of a full-album stream of the new work by the primordial Finnish horde Archgoat, preceded by Will Cifer’s introductory review.)

This album is another argument in favor of the dominance of European black metal. This Finnish band have been spreading the unholy word since the church-burning second wave of black metal in the early nineties. They have left a trail of splits and EPs in their wake, but this is only the band’s third full-length… so it’s kind of a big deal.

Archgoat combine the more classic metal sounds of early black metal with elements of a more grime-coated flavor of death metal than an entity like Mortuary Drape does, even though the two bands circle a similar sonic landscape. Archgoat’s strength is in mid-paced and even crawling tempos, and the mood of the music is often shrouded in a heavy cloak of doom. Continue reading »

OUR LIST OF 2014’S MOST INFECTIOUS EXTREME METAL SONGS: PART 17

 MOST INFECTIOUS SONGS-2014  4 Responses »
Jan 122015
 

Today we come to the 17th Part in the continuing rollout of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

As you may have noticed by now, I have fun not only picking the songs for this list but also deciding which songs to combine in each installment. There’s usually some kind of thematic connection, whether in the style of the music or otherwise. But today there really is no connection — other than infectiousness, of course, and a similar hair-raising power in the vocals.

DOMAINS

For reasons I don’t understand, the 2014 debut album by the Spanish band Domains didn’t appear on many year-end lists. I assume this was solely a result of being too far under the radar, because Sinister Ceremonies really was one of the year’s best and most interesting death metal albums. Continue reading »

AN NCS INTERVIEW: MAGNUS OLSFELT (THE CROWN)

 Interviews  4 Responses »
Jan 122015
 


The Crown – photo by Patrik Skoglöw

(Karina Noctum rejoins us with the following e-mail interview of Magnus Olsfelt of Sweden’s The Crown, whose new album Death Is Not Dead was reviewed by our Andy Synn here and will be released on January 13 (tomorrow!) in the U.S. by Century Media.)

******

1. Ok, I would like to start with a little update about The Crown…

Ok we have the new album to be released next week and we will have a release party gig here in Gothenburg this saturday. Live drummer Henrik Axelsson will join us, but unfortunately he was rushed to the hospital yesterday with bad fever so let’s hope he can recover by Saturday!

 

2. What can the fans expect from the new album? Would you say that the fact that you guys were actually writing a The Crown album this time influenced the sound?

People can expect us doing a new album that we  have done our best and put a lot of effort into. We think it should be listened to as a whole experience, from beginning to end, to have the full ride, with ups and downs and everything. Continue reading »

AN NCS INTERVIEW: JARMO NUUTRE (ODOTA)

 Interviews  4 Responses »
Jan 122015
 

Odota — photo by Berit Lamp

 (Comrade Aleks brings us this interview with Jarmo Nuutre (Blood Pavilion, Hjem, Skull Trading, ex-Talbot) whose new solo project is named Odota.)

 

Odota is a new experimental black metal project of Jarmo Nuutre, who took part in the massive Estonian duet Talbot till 2013. Jarmo has decided to concentrate on his solo career, so he plays all instruments on Odota’s first release Fever Marshal. Subjectively, as a person who is not the biggest fan of black art, I got this stuff, and if you need a reason to pay attention to this record, then here’s an interview with Jarmo.

******

Hail Jarmo! I’m glad that we have a chance to talk, but let me start our interview with the predictable question about leaving Talbot. Let us clarify it at once – is it time to speak about the reasons and is there any chance that you will return?

Hi there, Aleksey!

Well, the main reason for leaving Talbot was that I wanted to focus on my solo stuff once again. Odota, Blood Pavilion, Skull Trading, etc., Hjem too, although I’m not alone there — there’s a singer as well.

Over the years I’ve actually left different bands for the sake of my own projects, so I guess I’m not really good “band-material”. Continue reading »

AN NCS INTERVIEW AND A PREMIERE: VON — “BLACK LOTUS (BASS DEMO)” AND “EXTINCTION”

 Interviews, Premieres  3 Responses »
Jan 122015
 

 

As those who dwell in the underground already know, the seminal U.S. black metal band VON has embarked on an unusual audiovisual project: They are releasing their third album Dark Gods: Birth of the Architects  (which is itself Part II of a trilogy that began with 2013’s Dark Gods: Seven Billion Slaves) in 12 CD installments, with each of the 12 tracks accompanied by part of a comic book named Dark Gods written and illustrated by VON’s founder VENIEN!!! Each CD includes not only a version of a track from the album — which will be released in its entirety in March — but also a bonus track exclusive to the comic book.

Today we bring you a special two-part feature: the premiere of a demo teaser for the album’s 7th track “Black Lotus” along with an instrumental B-side from the CD called “Extinction”, plus an exclusive interview with VON’s drummer “Dirty FvKn! Pistols” and the band’s guitarist “HangMan”. The interview, conducted by e-mail, comes first… the images you will see are preview pages from the comic.

THE INTERVIEW

“Dark Gods: Birth of the Architect” is an unusual project – 12 songs released on a weekly basis, with each song accompanied by an installment of a 12-part “Dark Gods” comic book, with a variety of variant covers. For people who are just learning about this, could you explain the concept behind the story and the music?

Dirty Fvkn! Pistols:
The idea was to take the story each song told individually and release them as though someone was giving you a novel, one chapter at a time. Conceptually we already intended to intertwine them so it just made sense to us. We wanted a record that was more than just a bunch of songs, but rather its own entity within itself. It was important that each piece be the correct fit to make one cohesive unit in the end. Continue reading »

HIGHER “CRITICISM”: RAUNCHY — “VICES. VIRTUES. VISIONS.”

 Album Reviews, Exceptions to the Rule  13 Responses »
Jan 122015
 

 

(DGR gets Raunchy… and he wrote this review. Your humble editor made a few intrusions in italics.)

It’s time to get a little silly don’t you think? We’ve covered a whole lot of really heavy shit over the past few weeks. It feels like we’ve covered a billion death metal bands and ground a million lists to dust. We’ve been in the murk-covered swamps of gore that metal comes from for far too long, and it’s time to lighten shit up around here. And personally, I feel like I’ve done enough with my year-end list, helping out with infectious song nominations, and sharing groups like Unbeheld out there that it’s time to swing the pendulum back in the other direction. This site needs equilibrium — we can’t let people actually think we’re going to take our own name seriously, now can we?

Now, we could go in depth with what the fuck Myke Terry’s been up to lately — given that the man is partially responsible for the name of this site — but that feels a little uncouth. Instead, I propose we check back in with the guys in Raunchy.

More than a year ago I started my only real contribution to a series for the site, a “higher criticism” feature that began as a sort of joking half-take on a whole bunch of Raunchy albums [the last installment of which is here]. It was  a feature partially proposed to me on a dare by other NCS staff, because over the years the band’s name has made them the unfortunate butt of a few jokes and their sound, which combines a hefty dose of pop music with the more modern metal scene, has been one that could turn off people in our usual audience. This is how you wind up with a bunch of people sitting around a table going, “Let’s make the new guy do a Raunchy discog run.” Continue reading »

WEEKEND ROUND-UP (Part 3): MASTERY, ATTEN ASH, GODLESS ANGEL

 Metal News, RANDOM FUCKING MUSIC  8 Responses »
Jan 112015
 

 

Here’s Part 3 of a weekend effort to catch up on what I missed late last week. Part 1 is here, Part 2 is here. I might have one more installment tomorrow morning, unless I suffer an attack of laziness.

MASTERY

Mastery (not to be confused with the Toronto thrash band of the same name) is the solo black metal project of Ephemeral Domignostika of Bay Area black metal groups Pale Chalice and Pandiscordian Necrogenesis . The Flenser will be releasing Mastery’s debt album VALIS on February 17 and recently premiered an advance track named “V.A.L.I.S.V.E.S.S.E.L.”

The song is more than 17 minutes long. Almost all of it is a flame-throwing mindfuck — a berserker blastwave of boiling-in-oil vocals, maniacal drumming, shrieking guitar dissonance, and frenzied bass lines. Except for an unexpected acoustic breather, it’s always just a hair’s breadth away from coming apart at the seams, but I found myself in its grip. Maybe I was just waiting to see if it could succeed in melting down my headphones into a pile of slag. Continue reading »

AN NCS PREMIERE: AETHERIAN — “AS SEASONS PASS”

 Premieres  2 Responses »
Jan 112015
 

Aetherian is a fantastic two-man melodic death metal band from Athens, Greece, whose two previous singles I’ve already lavished with praise: “Drops of Light” (featured here in December 2013) and “Scar of Despair” (featured here last March). Today we have the pleasure of bringing you the premiere of the lyric video for a new Aetherian single: “As Seasons Pass”.

This new song will appear on a forthcoming debut EP entitled Tales of Our Times that will include four other brand new songs in addition to this one. The beautiful cover art (above) was created by Remedy Art Design.

“As Seasons Pass” is further proof of Aetherian’s talent in crafting songs that are immediately gripping and have staying power as well. The song is both a hard-driving gallop and a carrier of dark, entrancing melody, with riffs to die for and lead guitar arpeggios that spiral and shimmer. The song also includes an evocative, beautifully performed acoustic interlude, and powerful vocals that are both gargantuan and ghostly when whispered. Continue reading »

OUR LIST OF 2014’S MOST INFECTIOUS EXTREME METAL SONGS: PART 16

 MOST INFECTIOUS SONGS-2014  10 Responses »
Jan 112015
 

 

We present Part 16 in the continuing rollout of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

Yes, it’s true that we had twerking and clean singing in the last installment of this list. But today we’re getting back to music that’s incinerating, and it burns with a black flame.

THY DARKENED SHADE

In Liber Lvcifer I: Khem Sedjet, the Greek black metal band Thy Darkened Shade created one of the year’s best albums. The music is intricate, technically impressive, and completely engrossing throughout the album’s extensive length — and it’s alive with passion and blazing energy.

The album is also home to one of the year’s most infectious extreme metal songs — “Revival Through Arcane Skins”. As I wrote in my review, one of the album’s most arresting features is the prominence and nimbleness of the bass, and that’s definitely a striking feature of this song in particular — that, and the jaw-dropping guitar and drum performances. Continue reading »

OUR LIST OF 2014’S MOST INFECTIOUS EXTREME METAL SONGS: PART 15

 Exceptions to the Rule, MOST INFECTIOUS SONGS-2014  8 Responses »
Jan 102015
 

Welcome to the somewhat delayed Part 15 in the continuing rollout of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

Because of interference by my day job, I missed adding an installment of this series yesterday, but we’re rolling onward with it today. I’ve thoroughly enjoyed both of the songs in this edition, and I’m pairing them here because both songs are also inextricably linked in my head with the videos that were released for them.

MASTODON

I still think Once More Round the Sun sports one of the best album covers of 2014, by Oakland-based artist Skinner. The album as a whole reflects the band’s continued crossover movement, which began with The Hunter, into the realm of hard rock — albeit with both prog-y and sludgy ingredients still quite evident in the mix. I don’t begrudge them the decisions that led to these two albums, though I don’t consider either one of them unqualified successes either.

Despite those misgivings, Mastodon remain a phenomenal live band, I still get quite a kick out of the vocal tag-team among the band’s three vocalists, and they still turn out some highly infectious songs that are still heavy enough to get their hooks in my head. Which brings me to the next addition to this list. Continue reading »

 Older Entries  Newer Entries