Aug 102014
 

Last weekend (August 2-3) I spent two beautiful days in Denver attending the Denver Black Sky Festival. For someone who had never attended a metal festival of any kind before this year, I’ve had three great experiences in a row — MDF in May, Gilead Fest in July, and now Black Sky in August. I’d like to say I deserved it, but who would I be fooling?

The festival took place at The Gothic Theater and at Moe’s BBQ, both located in the same block on S. Broadway. I made the trip with three compatriots from Seattle, and we met my NCS comrade Badwolf from Toledo in what became an MDF reunion (and an unanticipated turning point for BadWolf’s life). We spent Saturday and Sunday at The Gothic, and missed some bands we ideally would have wanted to see at Moe’s, but had to make some tough choices.

The Gothic is a very cool, spacious, multi-level, vaulted-ceiling venue, with a wrap-around balcony on the second level, a big floor, and a great main stage with good lighting. The festival organizers set up a second stage opposite the main one, just in front of the bar at the rear of the floor. They called it “In the Round”, because its location enabled the audience to stand all around the stage; you could stand behind the second stage as well as in front of it (and you could also look down on it from the balcony above). Continue reading »

Aug 092014
 

Happy Saturday. I’m still deep in the heart of Texas with a very unpredictable schedule. Yesterday I didn’t have time to do much listening or any writing, and I’m not sure what I’ll be able to accomplish before flying back to Seattle tomorrow night. But at least I had some time this morning to check out a handful of songs I wanted to hear, and I’ve collected three new ones in this post that I’ve really been digging.

HORRENDOUS

One upon a time our guest writer Kaptain Carbon wrote this about The Chills — the 2012 debut album by the East Coast trio known as Horrendous:

“Horrendous unceremoniously slide into the above-average tier with a knockout death metal record that presents the style with no additives, preservatives, or frilly flavor. This is raw and completely un-distilled death metal extracted from the amber peaks of death metal mountain. Horrendous is the Icelandic yogurt of death metal. What a goddamn weird metaphor. That shit is so expensive. Why does this taste like grass and goats?”

As good as The Chills was, the band’s new album is even better and more multi-faceted. Its name is Ecdysis and it’s scheduled for an October 14 release by Dark Descent. And wow, is that album art fantastic, or what? It was painted by Brian Smith (whose FB page is here). Yesterday, along with the unveiling of the cover, Decibel premiered a song from the album named “Nepenthe”. It’s fantastic, too. Continue reading »

Aug 082014
 

 

(In this post TheMadIsraeli reviews the new album by India’s Demonic Resurrection.)

You know an album is good when you’ve had a hard time getting to the review because you keep listening to it.

I’ve blasted The Demon King by India’s Demonic Resurrection an absolute fuck ton of times.  It’s been about the only metal I’ve listened to in the last week or so (as evidenced by my Last.fm profile, if you were to look for proof).

It should be known by long-time NCS readers that anything spearheaded by Sahil ‘The Demonstealer’ Makhija we eat up like pigs eat slop.  This man knows his metal and is an astounding vocalist and magnificent songwriter, though I have to admit I’ve neglected the existence of his projects in the past.  Demonic Resurrection are an extremely tasty combination of death metal and thrash metal with some 90’s symphonic black metal cheese and power metal seasoning.  It almost feels like I’m listening to a combination of Death, Emperor, and Iced Earth.  It’s something that in theory shouldn’t work, but Demonic Resurrection have been rocking the sound for a while and it really makes them stand out. Continue reading »

Aug 082014
 

 

(DGR reviews the second EP by Lesser Life from Chapel Hill.)

I don’t know exactly who recommended Chapel Hill, North Carolina-based Lesser Life, but I know that their release The Light Will Never Touch You Again appeared on one of the many lists we featured as part of 2013’s annual year-end liststravaganza or what have you will call it. The Light Will Never Touch You Again is a manic release, filled with violence and a heavy dose of grind fed directly into its veins. It is one of those releases that captures nihilism well, and because of that the group have always remained in the back of my mind.

I’ve gotten into the habit of doing random check-ins with bands that pop into my mind, especially the ones who I may not have heard from in a bit, and Lesser Life have been I had consistently kept an eye on until about the end of May. Were it not for my infatuation with their Over In A Millisecond shirt with the artwork from Shining’s V – Halmstad on it, then it would’ve likely stayed that way, a victim of me assuming that they were probably on the two-year album cycle.

However, at the end of July I found myself at the face of a new EP, put out scant weeks after I had taken a breather on keeping up with the band. The title is Go Hence Unto A Swift And Bitter Death, so if there were any worry about the band suddenly shifting course and deciding to write songs about nice things, we can shove those back under the table — because if Go Hence Unto A Swift And Bitter Death is any proof, Lesser Life are still pissed. Continue reading »

Aug 072014
 

 

(DGR wrote this review of a new album with an arresting cover.)

Idylls are a punk group hailing from Brisbane, Australia, that I came across while wandering through different concentric circles on Facebook, bouncing from one band to another as I worked on my screed for a single song by The Fevered. They’re a dense and hefty combination of hardcore punk with a big emphasis on noise, and they have somehow managed to pack a saxophone into the mix — because if you ever needed an instrument to just have wailing notes that are as loud as possible, a saxophone can pack a ton of power into it.

I took note of them especially, because the group have a new album out known as Prayer For Terrene, which they released back in March, meaning this isn’t the most prompt review, but wow, what a find. There exists a pretty good-sized cross-section of punk, hardcore, and noise that I think appeals to heavy metal fans. The punk side of music is, admittedly, one or our blind spots at NCS, and when we do cover it we usually prefer it with artwork depicting bears with bandoliers strapped across their chests. Continue reading »

Aug 072014
 

Jet-setter that I am, I’m on the road again this week in my old hometown of Austin, Texas. Until last night I haven’t had as much time as usual to check out new music or write about it. I missed a lot, and am trying to catch up before having to leave the world of metal for the rest of today.

I discovered so many things I want to bring to your attention that I’ve divided them into three parts, this being the third (Part 1 is here and Part 2 is here).

TRIPTYKON

Triptykon’s new album Melana Chasmata is proving to be one of the year’s favorites for me. The band have apparently made two music videos for the album, the first of which has now been premiered by Decibel magazine. It’s for the song called “Aurorae“, and it was directed by Philipp Hirsch (who previously did the video for Triptykon’s “Shatter”). Continue reading »

Aug 072014
 

Jet-setter that I am, I’m on the road again this week in my old hometown of Austin, Texas. Until last night I haven’t had as much time as usual to check out new music or write about it. I missed a lot, and am trying to catch up before having to leave the world of metal for the rest of today.

I discovered so many things I want to bring to your attention that I’ve divided them into three parts, this being the second (Part 1 is here). The first three items in this round-up are mainly visual.

OBITUARY

Those long-running Floridian death kings Obituary have a new album named Inked In Blood coming out on October 28 via Relapse Records, and yesterday the cover art was revealed. As you can see, it’s brutal. The art is by Andreas Marschall. I’m hoping for equally brutal music. Continue reading »

Aug 072014
 

Jet-setter that I am, I’m on the road again this week in my old hometown of Austin, Texas. Until last night I haven’t had as much time as usual to check out new music or write about it. I missed a lot, and am trying to catch up before having to leave the world of metal for the rest of today.

I discovered so many things I want to recommend that I’ve divided them into three parts, this being the first.

DECAPITATED

In advance of their new album Blood Mantra (scheduled for September 26 release by Nuclear Blast), Poland’s Decapitated have begun streaming a new song entitled “The Blasphemous Psalm To The Dummy God Creation”. It’s being released as a digital single via Amazon, iTunes, Google Play, or direct from Nuclear Blast (here). Continue reading »

Aug 062014
 

MYRKUR

I wrote a feature about this supposedly one-woman Danish black metal band a month ago after discovering a song named “Nattens Barn” (“Night’s Child”) from the band’s forthcoming debut EP on Relapse Records. At the time, I knew very little about the woman in question, but yesterday, through the help of a few readers, I learned a lot of info — conflicting info — plus discovered another new Myrkur song — “Latvian Fegurð”.

The music speaks for itself — and I think it’s quite good; you’ll find the new song at the end of this post. As for the woman behind Myrkur, Relapse released a video in which she speaks (in Danish) of the motivations behind her music, her face mainly obscured behind a mop of pale hair while “Nattens Barn” plays in the background: Continue reading »

Aug 062014
 

(Here’s another installment of Andy Synn’s irregular series devoted to his favorite things that come in fives. As always when he does these things, please feel free to share your own list in the Comments — in this case, your favorite bands you’ve never seen live.)

It’s been a while since I’ve written one of these random little columns. I bet you were beginning to think I’d forgotten about them, hadn’t you?

Well, my strange predilection for numerical lists of my favourite things has reared its ugly head again, and this time we’re dealing with the mournful issue of bands I’ve never (for a variety of reasons) managed to see live!

EXTOL

Let’s start with a big one, shall we? I love Extol. They are one, if not the biggest, of my favourite bands. Their dissolution back in 2007 seemingly put paid to my chance of ever seeing them live, but now they’re back with an amazing new album and are playing a few select live shows… well, let’s just say that there are few things I wouldn’t do for a chance to see and hear them perform! Continue reading »