Sep 082013
 

Way back in April we reported that Sweden’s Vildhjarta were almost finished with their new concept EP, Thousands of Evils, which will be released by Century Media. They had already unveiled the wonderful cover art and had previously released three teasers on YouTube with snippets of the new music (which can be heard here), and at that point bootleg videos had begun to surface with entire songs from the new EP performed live at the Thallium Festival in Minsk, Belarus. Now, at last, a new studio track from the EP by the name of “Dimman” has made its appearance.

It comes on a Sunday, without warning or fanfare, and I’m guessing it’s a leak. Hell, I’m not 100% positive it’s the entire track. But hey, I listened to it anyway.

“Dimman” is instrumental-only. It descends with an extended acoustic/synth intro that’s both snappy and spacey (and of course there’s a burly bass line booming away, too). Electric guitar joins in for a few healthy measures, and then the thall begins. My colon is still reverberating, even from only a minute and a half of it. Listen next if you’re interested in seeing what Vildhjarta have gotten up to, but listen fast because I doubt “Dimman” will be on YouTube long. Continue reading »

Sep 082013
 

(We all forgot that when DGR joined the NCS staff he was subjected to a mild form of hazing. He, however, did not forget, though he did take his sweet time on the follow-through.)

So, fun story: When I finally became an official writer for NoCleanSinging at the beginning of the year, fellow writer TheMadIsraeli was wrist deep (and at risk of losing a very nice watch!) in his Higher Criticism series – in which he took on a group’s whole discography for something that was part history lesson, part retrospective, part modern day discussion of a group’s music as they had gone through the years. At the time it was Kataklysm, and the idea seemed very sound. It would require a ton of work, but it seemed like a fun way to bring up old discs and expose them to a new audience. Thus, as luck would have it, there would be some joking about how “we should make the new guy go through Raunchy’s discography hurf durf hurr”, followed by repeated head slamming into the keyboard as a sign that the caretaker should probably give them their lunchtime juice box.

Now, I will admit that the name alone tended to cause me to recoil – despite never having listened to any of the band’s music. It always seems like the name Raunchy is the butt of a joke, like it should belong to an R&B boyband, or a nu-metal group. Hell, the name alone has always felt like it was literally (and figuratively, and ultimately) two steps away from either being Rawnchy or R4unchy. Thus, because the name alone is fuck-awful, I’ve always recoiled at the idea of listening to their music. There was a lone voice of support from fellow writer Andy Synn, who has always owned up to having something of a soft spot for the band. I ignored him, because RAUNCHY. Continue reading »

Sep 082013
 

We’re kind of light on the metal at NCS this weekend, and I’m about to explain why.

At the beginning of the summer my wife and I watched a documentary about a band. My wife, to put it mildly, is not into metal, so it was more a question of me going along on her ride than me being behind the wheel. The movie was History of the Eagles. In a word, it was superb.

I suppose it helps to like The Eagles’ music, which I do, but as a look at the rise and fall and resurrection of an unlikely group of very talented and collectively dysfunctional singers, songwriters, and musicians over a 40-year period, the movie is a fascinating story in its own right. (Did you know that The Eagles, Their Greatest Hits 1971-1975, which was released in 1976, was the best-selling album of the 20th Century in the U.S.?  True story.)

Right after we finished watching the movie, my wife asked if we could find out whether the Eagles were touring again — and of course, they are. Because she and I almost never hear live music together and because we haven’t taken even a short vacation together in quite a while, I splurged on a very pricey pair of tickets to an Eagles show in Vancouver, BC, which finally took place two nights ago on September 6, 2013. We hit the road from Seattle that morning.

With five hours of the indie rock and alt-folk favored by my wife blasting in the car on the round trip and a long evening of The Eagles in between, the closest I got to metal until arriving home again last night was driving past The Rickshaw venue on the way into downtown Vancouver. But I couldn’t help thinking about the contrasts with metal that the weekend revealed. Continue reading »

Sep 072013
 

I hate to let a day go by without something new on the site, and although this morning kind of got away from me, I do have three items from yesterday that I thought were worth sharing.

DEMONICAL

I’ve been following this Swedish death metal band since 2010 and have written about them often since then. Their 2013 album is one I’ve been gleefully anticipating and I finally had the chance to hear it last week. Its name is Darkness Unbound, it’s scheduled for release by Cyclone Empire on September 20, and it’s awfully good.

This, however, is not the time for a review. Instead, I simply want to throw your way a new lyric video for a track named “The Order”. Demonical remain thoroughly wedded to the sound and spirit of evil, throwback, Swedish death metal, and man, do they do it right. Wonderful guitar tone, malicious vocals, an air of festering menace, sharp production values — “The Order” will put a charge into any fan of old-school Swedish butchery. Continue reading »

Sep 062013
 

(Leperkahn returns to NCS with this guest review of the debut album by Baltimore-based Noisem.)

Noisem scare me.

Not because of their music of course. I, like most of you, have become accustomed to music most would slander as dreadful, terrifying noise.

It’s because they are 20, 19, 18, 17, and 15 years old. I’m older than half of this band, and I’m still in high school. Meanwhile, these guys have crafted (or perhaps recrafted – this was released initially by a label called Black Mess Productions as Endless Aggression under the band name Necropsy) an album chock-full of some of the best thrash riffs of the year, and have just landed a tour supporting The Black Dahlia Murder. Makes me reconsider just what I’ve been doing with my life, to still be here as a mere blogger.

The young age of these Baltimore thrashers elicits some comparisons to another young-but-fiery band who hit the scene with a bang about a decade and a half ago – Poland’s Decapitated. Both feature virtuosic young guitarists who recruited their younger brothers to drum with dumbfounding speed and precision in their bands (in Noisem’s case, Sebastian Phillips taught his brother Harley how to play drums so that he could switch to guitar). Though Vitek understandably still holds the advantage over Harley, the younger Phillips still beats away at the skins admirably as the band tear through nine tracks of ripping deathrash in about 26 minutes, taking no prisoners and never looking back or slowing down throughout its runtime. Continue reading »

Sep 062013
 

(Here’s the third and final part of Andy Synn’s review of 2013’s edition of the SUMMER BREEZE festival in Germany. Part 1 is here, and Part 2 is here. Once again, Andy provides video that he filmed at the performances.)

The third, and final, day of the festival was a funny one. It seemed (at the time) that this was going to be the day when I only saw a few bands – particularly as I had a long gap planned at one point to do some shopping and eating and such. But, now that I look back on it, I see that I actually watched a good seven full sets, most of them pretty long, five of them from bands I absolutely adore. So, all in all, actually a very, very good day.

 

Oddly enough the first band of the day was to be Portugese goth-metal masters Moonspell, a band I’m not really a fan of, per se, but whose stellar performance at Inferno earlier this year definitely made me want to check them out again.

Consummate showmen, with an enviable brace of infectious songs and killer riffs, the group managed to turn a brightly-lit early afternoon slot into something of a gothic mecca, their passionate performance crafting a clear and well-received connection with the crowd before them.

We were also treated to one of those wonderful “festival moments” when current Tristania singer singer Mariangela Demurtas came out to add her vocals to a fantastic run-through of “Raven Claws” (although her awkwardly sexy dancing and casual clothes felt oddly at odds with the song’s darkly seductive vibe). Continue reading »

Sep 062013
 


(photo by Brandon Hunt)

What I’m about to say won’t come as a complete shock to those of you who read NCS regularly, but it may still be a challenge to wrap your mind around it:  Nick Vasallo, lead vocalist and songwriter for the excellent technical death metal band Oblivion, has a Ph.D. in Music, is a professor at Cal State Polytechnic University (Pomona), and is a composer of classical music whose works have been performed internationally.

But even if you knew all that, you may not know that one of Vassalo’s compositions, and the one that earned him his Ph.D., represents a collision of heavy metal and classical music, and then ultimately a synthesis of the two. The name of the piece is Black Swan Events, and later in this post you’re going to see and hear the premiere of a video of its performance in Berkeley, California, on August 17, 2013.

The integration of metal and classical music in this concerto goes well beyond the fact that it was written for electric guitar, drum set, and orchestra. The integration occurs at a much deeper level, as I’ll do my best to explain in a moment. But first, it may help to know where the title of the work comes from. Continue reading »

Sep 062013
 

We’re going to be a little light on content today because your humble editor will soon be embarking on a drive with his spouse to Vancouver, BC, where we will then engage in various entertaining activities that do not include blogging. I do have one very unusual premiere to bring you a bit later this morning, one guest review, and this round-up of items that tunneled their way into my head yesterday and left its meager contents in a state of satisfying disarray.

SARTEGOS

The ghastly words sound as if they’re bubbling up through a lava pool in a caldera, the air rendered opaque with the suffocating stench of sulphur. Primitive occult riffs vibrate with unholy energy. The muffled thump of drums roll like an avalanche of skulls hitting a barren plain. A twisted guitar melody echoes like the recital of a satanic liturgy across the vault of a hellish cathedral. And damned if the thing won’t hook you right through the gills. That’s “Meianoite No Jardim De Deus”, a song by Sartegos.

Sartegos are one of the few metal bands I’ve ever heard of who make their home in Galicia, an autonomous community in northwest Spain with its own language. In English, the song I heard means “Midnight in God’s Garden”, and it’s as dark as the name sounds. It appears on a 2013 EP entitled As Fontes Do Negrume (“The Origin Of Darkness”) that was recently released on CD by Bloody Productions and is about to get a vinyl treatment by I, Voidhanger Records Continue reading »

Sep 052013
 

Collected in this post are a handful of tours that I decided were worth mentioning, even though only the first one is within my grasp. I’m trying to be less self-centered. This is like trying to levitate, but I should get points for the effort, don’t you think?

BEHOLD…THE ARCTOPUS / BOTANIST / LESBIAN

Earlier today we posted Old Man Windbreaker’s review of the entire discography of Botanist. And only now I come to find out that Botanist will be here in The Emerald City at Highline along with two other stellar bands in little more than a month (October 13). One is the brain scrambling Behold… the Arcoptus (featuring Colin Marston on Warr Guitar, Mike Lerner on Guitar Guitar, and Weasel Walter on drums), and the other is Seattle’s own Lesbian, who are riding a big wave of entirely justified attention drawn by their latest album Forestelevision.

But this turns out to be just one stop on a brief West Coast tour by BtA. On October 12, Behold…the Arctopus and Botanist will be playing together with Agalloch and Eight Bells at Day 3 of the Fall Into Darkness festival in Portland (OR). And on October 11 BtA and Botanist will be playing Oakland along with a Bay Area band named Burmese. Continue reading »

Sep 052013
 

Century Media released Vattnet Viskar’s debut album Sky Swallower on September 3 in North America and it will be out on September 9 in Europe). Previously we featured the first advance track from the album, “Apex”. Not long ago a second song from the album debuted via a music video — “Breath of the Almighty”.

I can’t watch it or listen to it at my current location. I can merely embed it and then come back here when I get a better internet connection and say something. But of course by then you will have seen it, if you know what’s good for you. Here it is: Continue reading »