Mar 082013
 

Hi. This is Day 12 of me being away from home and working like an indentured servant on my fucking day-and-night job. I know there’s been tremendous curiosity about what I am doing. I’m not at liberty to disclose where I am, but I thought I’d share a few details about the nature of the project.

As some of you have guessed, it does indeed involve super-science. My colleagues and I are testing methods for grafting additional penises onto parts of the male anatomy where penises are not usually found. There’s a gamers convention in town, so we’ve had no trouble finding willing test subjects.

We’ve had more trouble finding willing penis donors, so we’ve just been taking them without consent. Because there’s a gamers convention in town, we’ve had no trouble finding people who aren’t actually using their penises, so no harm done. That’s all I can tell you at the moment.

As you know, the demands of the project have almost entirely prevented me from listening to metal or writing about it for almost two weeks. However, the work schedule for today and tomorrow isn’t quite as awful as it has been, so I have a brief window of opportunity to come up for air and see what I’ve been missing. Here’s a small selection of items I found this morning. Continue reading »

Mar 082013
 

(Here we have the latest installment of Andy Synn’s lists of favorite things that come in fives.)

One thing that metal does very well (compared at least to pop, hip-hop, and even most rock music) is the long-form song. Heck, I imagine if I were to calculate the “average” run time of a song from amongst my vast collection, it would definitely come out somewhere between 5-6 minutes. A “short” metal song is often one that goes up to about 4 minutes after all (in contrast to the fact that this would be considered longer than average in the other genres I’ve mentioned).

One reason for this is that metal often needs room to breathe, to develop its melodic (or dissonant) themes properly. Metal revels in space, stretching itself, filling up the space with noise and sound, light and vision. It’s also a genre often synonymous with story-telling, and one which – largely free from the external constraints enforced upon the 3-minute pop song – contends to offer a deeper and more rewarding (and as such, longer lasting) emotional experience for the listener.

Then of course there’s Napalm Death… so, ok, metal isn’t ALL about length and depth (short, sharp impact is certainly a common trade-mark too) but it DOES tend to do long songs very well.

So I’ve chosen five of my absolute favourites, presented in order from shortest to longest. And there’s not a single Opeth song among them. Continue reading »

Mar 072013
 

(In Part 1 of a two-part post, NCS contributor Austin Weber puts the spotlight on three underground bands — Cognizance, The Conjuration, and Replacire.  Part 2 will come tomorrow.)

The new age of music has been creeping into a higher plane of existence for some time, due to more inexpensive and accessible sound-recording equipment intertwined with the development of  many new exciting avenues for independent distribution. Combined with the ability to raise funds without label support, this has leveled the playing field for the creation of new music. But this is a dual-edged sword because it can mean a lack of promotion for many groups who truly are doing great things. This is an article for those kinds of bands.

Cognizance – Inquisition

By now we all know Alex Rudinger left The Haarp Machine and joined The Faceless. What we weren’t made aware of is that he recently did session drumming for a tight group of  young UK death metallers on their debut EP Inquisition. Cognizance create death metal heavily entrenched in a pervading brutality but are smart enough to prop up their songs with memorable guitar playing.

As a group they clearly draw from the absurdly steamrolling nature and rhthms of Beneath The Massacre but make it their own by smoothly matching it with an elegant melodic embrace similar to Fallujah. They just so happen to approach that ballpark but then conveniently step away and find their own place with grace.  Continue reading »

Mar 072013
 

(DGR pitches in with this round-up of recent news and music while I’m still drowning in day-job bullshit.)

Since Islander has once again found himself incredibly busy I figured that I would do my best to get the word out there about a few things that caught my eye earlier on in the week. I had meant to get this up yesterday but unfortunately found myself dealing with jury duty summons – which isn’t that bad in the grand scheme of things – so this one is going up today.

Enough excuses though; this week found a couple of death metal videos hitting the web and one electronics fused industrial death bit of music popping up as well. Since they’ve unfortunately flown under our radar, your lovely knight in shining armor gets to ride in upon his pale horse and capture what he can.

DEVOURMENT: “Parasitic Eruption” Video

We’ve been hotly anticipating stuff by Devourment for some time now and the group finally got to release their album Conceived In Sewage via Relapse earlier this year. Now the band have a music video for the song “Parasitic Eruption” which – music-wise – is an excellent example of exactly what this band is about. Continue reading »

Mar 062013
 

Starting Day 10 of my day-job death march. It’s looking like after today I’ll get a bit of a break — still can’t go back to Seattle, but I’ll have more time off that I can spend catching up on metal. But yesterday was another day-and-night clusterfuck and I had no time to pay attention to music. So this will be another very quick round-up of just a few things I saw that interested me early this morning.

FALLUJAH

This Bay Area band have a new EP on the way, called Nomadic. Yesterday TheMadIsraeli notified me that they premiered a new song from the EP named “The Dead Sea”. I listened to it.

Here’s the message I got from TheMadIsraeli: “I think the term for this is all consuming”. I can understand that reaction. The dramatic introductory music is a great build-up to an explosive start to the song proper. And as the song proceeds it proves to be a galvanizing experience, masterfully interweaving head-smashing death metal aggressiveness and head-swirling prog extravagance. Continue reading »

Mar 052013
 

About to begin Day 9 away from home. Still working day and night on that project for my fucking day (and night) job. Averaging four hours of sleep a night. Brain is fried. Unable to write complete sentences any more.

Wasn’t able to check my NCS email at all until late last night. Had no chance to surf the web for new music. Haven’t listened to metal in 24 hours. Starting to get the withdrawal shakes.

Did see these things when I checked my e-mail.

IMMOLATION

Fucking Immolation’s new album is named Kingdom of Conspiracy. Super-badass cover art was unveiled — created by the immortal Pär Olofsson. Super badass. Continue reading »

Mar 042013
 

(In this post we have a guest review by NCS supporter and commenter Marious.)

Today I’d like to bring your attention to SamarA, an incredible band that I’ve had the privilege to gig and/or barbeque with several times. The band is a force to behold live as fog rolls in, images of nuclear explosion and natural disasters play on the back drop, audio samples loop, and the guitars slowly build up a palpable tension. By the time the first song actually begins and the piercing vocals cut in, chances are good that they have your full attention. I never get tired of seeing these guys.

Continue reading »

Mar 042013
 

(I bet you thought we’d finished our 2012 Listmania series. Think again. BadWolf brings us one more list.)

Three months into 2013, here’s another top 10 about 2012. These are my favorite articles to write every year, and also the most difficult. 2012 in particular was a musical gauntlet. The more promos we get here at NCS and at the other sites I write for, the more metal I listen to, the more I need non-metal records to give myself a break. It’s an infinite feedback loop.

I thought this would be an easy article. So many of my favorite artists in my favorite genres released albums in 2012 that I anticipated the article would write itself. Needless to say, things did not turn out that way. Old favorites like Marillion and Titus Andronicus released middle-of-the-road records. At the same time, I developed a tremendous appetite for hip-hop. One version of this list was entirely populated by rappers, which would have necessitated another top 10 list.

Also, so many metal labels released more-or-less rock records that I debated including them. In the end I opted not to: you know who Graveyard are, and they don’t need me for a cheerleader (seriously, though—listen to Graveyard).

In the end, these ten albums made the cut more-or-less based on play counts alone. They all share certain qualities with my favorite metal albums: intense sound, aggressive or melancholy delivery, vocals. You could call those things the core of my taste. Perhaps they’re also at the core of yours. Continue reading »

Mar 032013
 

Nobody likes a fuckin’ whiner. This is an established fact, even among naturally sympathetic people. However, it does not prevent people from whining. It’s kind of like chewing your food with your mouth open. No one likes to watch that, but it doesn’t prevent people from doing it. So, I’m going to chew with my mouth open now.

I’m on Day 7 of being away from home on a work project that’s still going day and night and fucking up my blog time. I was up ’til 1 a.m. last night working. And when I got in bed I immediately suffered an attack of foot cramps that didn’t really go away until 4 a.m. Basically, I got about 3 hours of sleep and feel like death warmed over at the moment — with another long day and night ahead of me. Fuuuuuuuck.

Still, though bleery-eyed and in a fuckin’ foul mood, I did start my crappy day checking out some new metal, and found the following three items involving three under-the-radar bands that managed to improve my mood.

KRYOSPHERE

That photo above isn’t me, though it kinda looks like I felt when I started the morning. The subject of the photo is Davis Hay, the vocalist for an Eastern Canadian band named Kryosphere. The photo was taken recently by a really talented Edmonton-based photographer whose work I follow — Kafir Judas of Kefkism Design. Continue reading »

Mar 022013
 

Nothing has changed, my blog time is still restricted by paying work, but I still have a few discoveries from the last 24 hours to spread around.

AMORPHIS

These Finnish icons have a new album named Circles that’s coming from Nuclear Blast on April 19 (EU), April 22 (UK), and April 30 (US). Yesterday they premiered a lyric video for a new single that’s being sold right now. The song’s name is “Hopeless Days”. It will be welcomed by die-hard Amorphis fans.

What the song has: Morose lyrics, a captivating melody, a memorable chorus, heavy chugging, a climactic guitar-led finish, and Tomi Joutsen hitting the clean notes cleanly with his distinctive delivery. What the song doesn’t have: Bite. Continue reading »