Feb 062012
 

(TheMadIsraeli reviews the new album from Orange County’s Bleeding Through, which is out now on Rise Records.)

Anyone who was around when the metalcore explosion was happening and followed its development should know who Bleeding Through are.  Their revolutionary (and unmatched to this day) combination of hardcore brawn, black metal venom, thrash metal fanaticism, and death metal brutality — all with symphonic overlays courtesy of the only female keyboardist in metal worth a living fuck — has yet to get old for me.

I remember when people were pronouncing Bleeding Through’s demise when founding guitarist Scott Danough left the band after The Truth and thought they would start sucking, but Bleeding Through has been proving everyone wrong ever since, writing their best material on their last two albums, Declaration (2008) and Bleeding Through (2010), which showed that Scott apparently didn’t have much to do with the song-writing process at all.  So what’s the verdict on this band’s new album The Great Fire?

This is their most brutal yet most experimental effort yet.

This is a much faster, much more visceral and frantic Bleeding Through than we’ve ever heard before.  At the same time, this is also the oddest Bleeding Through, mainly due to Marta Peterson’s new-found sense of adventurism in the keyboard and symphonic department.  Adding instruments and sounds that were begging to be incorporated into Bleeding Through’s music — organs, harpsichords, fucking electronic-as-all-get-out pad sounds that are lo-fi as shit — she has helped create a much more blackened atmosphere than has been heard before. Continue reading »

Feb 062012
 

In my observation, nearly everyone who’s a serious fan of metal started out in one particular genre. But I think if you’re passionate about music, the more you listen, the more your interests will expand to encompass different styles. It’s not necessarily the product of boredom with where you started, though that might be part of it. Sometimes, it’s the listener who is changing, and a different kind of music begins to appeal to a different you. And sometimes as your sophistication and knowledge as a listener grow, you simply begin to understand and appreciate aspects of music that once held no interest.

In my case, I’m developing a new-found enjoyment of heavy-riffed stoner metal, a school of music that for me used to start and stop with Mastodon. Don’t get me wrong — it’s not going to replace more extreme forms of metal as my favorites, but I’d be lying if I denied that I’m having fun with it. Most recently, I’ve been having fun with the forthcoming album by long-running UK band Orange Goblin. It’s titled A Eulogy For the Damned, and Candlelight Records is scheduled to release it on February 14. I don’t know if we’ll review it here — I don’t feel particularly qualified to do it myself — but we’ll see.

However, it doesn’t take deep knowledge of the genre to spot a good video for a good song, and that’s what I did this morning. Orange Goblin and Candlelight just released a black-and-white, part-performance, part-animation video for a new track called “Red Tide Rising”. The song is a titanic motherfucker of a headbanging romp, with hooky melodies rising and falling, evil lyrics addressing the rise of Cthulhu, and instrumentation that does its level best to break necks. All those who worship at the church of the riff, come forth and lend your ears to this: Continue reading »

Feb 062012
 

I seem to be on an album-art roll over the past week, featuring the new Gorod cover plus new covers by ValnoirDan Seagrave, and Niklas Sundin, but as long as the grown-ups continue stuffing my Halloween bag with eye-candy, my wide-eyed inner kid will continue to light up.

SoCal’s 16 began recording their new album, Deep Cuts From Dark Clouds, last September. On Halloween they completed the final mix. In early November, they sent it off to Scott Hull (Pig Destroyer) for mastering. And then two days ago Relapse Records announced a release date (April 26) and delivered unto us the album art you see above. They’re pre-selling the CD and LP versions here.

I had a feeling it would be sweet, because the cover art for their last album, 2009’s Bridges To Burn, was one of the best metal album covers ever. In fact, not having heard 16 before seeing that cover, I bought the album about two seconds after I did. Plus a shirt, which still draws looks when I wear it (unless people are looking at the space where my head is supposed to be — that’s always a possibility).

Anyway, the cover art to Deep Cuts is by Orion Landau (Red Fang, Rwake). It’s not quite as striking as the cover for Bridges that Florian Bertmer (Napalm Death, Converge, Pig Destroyer) created, but I guess it would be too much to get two home runs in a row. After the jump, I’ve collected the rest of 16’s full-length-album covers, plus a song from the last album. Continue reading »

Feb 062012
 

Most serious death metal addicts I know rank the early albums of Montreal’s Cryptopsy (recently inducted into DECIBEL’s Hall of Fame) among their personal favorites, especially None So Vile (1996), recorded at a time when the “classic” Cryptopsy line-up was in place — vocalist Lord Worm, Jon Levasseur on guitars, Flo Mounier behind the kit, and Éric Langlois on bass. But I doubt I’ll get much argument when I say that more recent albums — and especially 2008’s The Unspoken King — have greatly disappointed the band’s long-time fans.

The band’s musical decline (at least compared to their early glory days) can be traced to Levasseur’s departure in late 2004. He left, and we got Once Was Not (which was not all bad, in part because Lord Worm was back in the fold, briefly) and The Unspoken King (which just plain didn’t measure up to this band’s legacy).

Well, the great circle of life spins, or some shit like that, and Jon Levasseur is now a Cryptopsian again (since May 2011). My fairly simple mind fairly boggles at the contemplation of what he and co-guitarist Chris Donaldson are going to cook up for the band’s next album. Neuraxis bassist Olivier Pinard replaced Youri Raymond (who replaced Langlois last year), and he will be strong, and of course the paranormal Flo Mounier will continue to be his otherworldly self. And then there’s vocalist Matt McGachy, who will ne’er replace Lord Worm in the hearts of the Cryptopsy faithful, but he’s really not bad, and in any event he will be overshadowed by the instrumental extravagance of his bandmates.

And speaking of instrumental extravagance, after the jump, I have a few tastes of what we have in store for our greedy selves from the “new” Cryptopsy, plus a few more morsels of news about the next album. Continue reading »

Feb 052012
 

groverXIII, bringing the tech metal, with Nami (Andorra), Innerty (France), and Xenocide (Canada)

Nami – Fragile Alignments

Andorra isn’t exactly a hotbed of metal; chances are, the only Andorran band that you’ve ever heard of is Persefone. Well, it’s time to add Nami to that list. This quintet have done something pretty special with their 2011 album Fragile Alignments, seamlessly combining elements of bands like Opeth, Gojira, Cynic, and Porcupine Tree into something that doesn’t necessarily sound like any of those bands.

The amount of talent on display here is impressive, the songs are incredibly memorable and well-written, and the production on the album is clear without sounding overly polished or processed. It’s really a pity that I didn’t find out about these guys last year, because I’m fairly certain they would have made my year-end list. You can stream the first three tracks from Fragile Alignments on Bandcamp, [and here, after the jump] and you can hear the whole thing at the band’s Facebook bandpage HERE. It’s amazing. Continue reading »

Feb 052012
 

(Almost exactly one year after we first wrote about Eschaton HERE, BadWolf reports today on the projected release of their next album and a brand new Eschaton single.)

Eschaton have been on my personal radar for some time, first because they operate completely independently and second because they make some killer tunes. These four (unnamed) Austrian heathens play a very modern style of blackened death metal with melodic death metal influences. I know, it sounds ho-hum. Fear not! Their interpretation of the sound recalls Behemoth, and Andy Synn’s 2010 band of the year, Dark Fortress.

Unfortunately, Eschaton’s record is quite sparse. They released an album called Godmode in 2004, and then a two-song single called An Instrument of Darkness in 2010. I’ve been waiting for a second album ever since.

That wait is over. Eschaton’s second album, Isolated Intelligence, will be released on March 3rd. In anticipation, the band released a single, “Current Void”, this morning. Oh boy. Continue reading »

Feb 052012
 

That dude up there is Greg Burgess, guitarist for Colorado metallers Allegaeon (I said “metallers” to make Trollfiend giggle like a little girl). He can play some guitar, and not just metal guitar: He can tango, bitches!

He just posted a video playing a tango composition on acoustic guitar, which is quite beautiful. But he CAN play some metallz, too. And so can Allegaeon’s Ryan Glisan. Fuck, all the Allegaeon dudes can. Don’t believe me bitches? Well, after the jump, watch the official video for “Nex of Terra”, a song from the band’s self-titled 2008 EP. I fuckin’ love the song. A fine example of Rocky Mountain Scandinavi-ish melodic death metal. It will get your blood pumping. Bitches.

Allegaeon is working on their second full-length album. Highly anticipated. Tango and rock after the jump (and let us know if you have any recommendations for tango metal.) Continue reading »

Feb 052012
 


“An unexpected side effect of the 2010 flooding in parts of Sindh, Pakistan, was that millions of spiders climbed up into the trees to escape the rising flood waters; because of the scale of the flooding and the fact that the water took so long to recede, many trees became cocooned in spiderwebs. People in the area had never seen this phenomenon before.”

That’s the caption for this photo I found someplace. It originally appeared at National Geographic. It’s metal, because it’s creepy as shit. Also, I would not stand under one of those trees, because fuck spiders. I hate ’em.

And that’s how we begin this milestone 50th installment of THAT’S METAL!, a series in which we collect images, videos, and news items that we think are metal, even though they’re not music. I have five more items in this installment, many of which were suggested by NCS readers.

ITEM ONE

This next item came our way via Ben C., proprietor of the newly created Church of the Riff blog. In some countries, you show disrespect to pompous dicks blabbing away at press conferences by throwing shoes at them. Apparently, in Russia you buzz them with flying dildos. Continue reading »

Feb 042012
 

January ended four days ago, so it’s past time for our usual monthly round-up of news about forthcoming albums. I have to confess that this list is even more spotty and sporadically assembled than usual — which is saying something. Various distractions prevented me from keeping a sharp eye out for news about new releases, so I have no doubt this list is incomplete.

Here’s how this round-up usually works: In these METAL IN THE FORGE posts, I collect news blurbs and press releases I’ve seen over the last month about forthcoming new albums from bands we know and like at NCS (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, I cut and paste those announcements and compile them in alphabetical order.

Remember — THIS ISN’T A CUMULATIVE LIST. If we found out about a new forthcoming album earlier than the last 30 days, we probably wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. For example, on this list you won’t see such notable releases as the forthcoming albums from Meshuggah, Enthroned, Unleashed, Psycroptic, Goatwhore, Asphyx, Naglfar, or Autopsy, because we’ve mentioned them elsewhere. Or at least I think we did.

Having said all that, please feel free to leave Comments and tell all of us what I missed when I put this list together. Let us know about albums on the way that  you’re stoked about, even if you don’t see them here! Continue reading »

Feb 042012
 

I was a relatively late-coming fan of Sweden’s Naglfar, discovering them through their 2007 release, Harvest, but I’m now solidly in their camp. Their skillful intertwining of melodic black metal and death metal elements creates music that is both memorable and viciously scathing.

I’m happy to report that as of today, we now have more details about their next album on Century Media, Téras. First, we have the album’s killer cover art by Niklas Sundin (Dark Tranquillity), who has previously designed artwork for bands such as In Flames, Arch Enemy, and At the Gates.

Second, we have specific release dates: March 26th in Europe and March 27th in North America. Third, we have a track list:

1. Téras
2. Pale Horse
3. III: Death Dimension Phantasma
4. The Monolith
5. An Extension Of His Arm And Will
6. Bring Out Your Dead
7. Come Perdition
8. Invoc(H)ate
9. The Dying Flame Of Existence

Since Naglfar and this album cover are on my mind, I decided to collect all of their previous album covers, which are equally eye-catching. That’s after the jump, along with a replay of the first song from Téras. Continue reading »