AN NCS PREMIERE: SHADOWSPAWN — “UNDER THE BLOOD RED MOON”

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Feb 252021
 

 

To bring your week to a fiendishly delicious end, we are fiendishly excited to deliver a very cool video for a very cool song off the forthcoming second album by the Danish death metal band Shadowspawn. The album’s name is Biology of Disbelief, and it will be released by Emanzipation Productions on April 16th.

This new song, “Under The Blood Red Moon“, radiates evil from every pore, and the video does as well, while presenting an interesting juxtaposition of imagery in the rendering of the band members’ performances. There are so many things to like about the song, but one of them that jumps out is Bue Torin Jensen‘s voice. It’s such a voracious snarl, a kind of devouring vortex of savagery — but you can make out every word, and there’s a great temptation to growl and howl right along with him, especially when he extends the word “MOOOOOON“, raising his voice to a blood-curdling scream. (Well, at least you can roar along with him in your head, because few of us can actually make sounds like this with our own larynxes). Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): ANIME TORMENT — “VOID TERROR”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Feb 242021
 

 

Whatever you might guess about the sounds of a band who chose a name like Anime Torment, we can assure you that their brand of death metal is ruthlessly devoted to brutalizing savagery. The horrifying cover art created by Erskine Designs for this Czech band’s new EP Void Terror might be a better tip-off to the crazed slaughtering and bone-smashing cruelty the EP inflicts upon listeners.

That EP is set for release on February 25th by Slovak Metal Army, but you’ll have a chance today to run yourselves through its gauntlet via our early stream of all six songs. Continue reading »

THE SYNN REPORT (PART 131): SUNNATA

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Feb 242021
 

 

(For the February 2021 edition of THE SYNN REPORT Andy Synn reviews the accumulated discography of the Polish band Sunnata, whose newest album is set for release on February 26.)

Recommended for fans of: Yob, Mastodon, Isis

Formed in 2013 from the ashes of the band’s previous Stoner Rock incarnation (some traces of which can still be heard here and there), Polish sound-shamans Sunnata have been on our radar here at NCS for quite some time now but, if I’m not mistaken, this edition of The Synn Report marks the first time that one of our main writers has settled down to actually cover them in any real depth.

So, since the band’s fourth album is set for release on Friday, now seems like the perfect time to try and get to grips with their discography, whose hypnotically heavy vibes and ritualistic rhythms blend proggy Doom and doomy Post-Metal influences with a dose of Sludge-soaked swagger and a dash of gritty Grunge to provide a tasty helping of what I’ve decided to dub “Progressive Post-Doom”. Continue reading »

AN NCS VIDEO PREMIERE: OPIUM WARLORDS — “EARLY IN THE MORNING THE BODY OF THE GIRL WAS FOUND”

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Feb 242021
 

 

For those of you unfamiliar with baseball, a curveball is a pitch that causes the batter to expect it will cross the plate in one place, but instead it dives, or veers, or does both. When thrown well, it’s a nasty thing because it confounds and discombobulates the hitter and may make them feel foolish for swinging and missing so badly.

I actually enjoy throwing musical curveballs at our visitors even though I don’t do it often. Usually people come here expecting harsh, extreme, and perhaps very unsettling sensations, but the music may veer away. Which is what is about to happen.

It’s fitting that today’s veering pitch comes from Opium Warlords, because the man behind the project has himself been a living musical curveball for more than 30 years. Perhaps best known as Albert Witchfinder for his work with Reverend Bizarre, Sami Albert Hynninen has been involved in many diverse projects, and even just focusing on this one, you never know where a new release by Opium Warlords is going to go until you experience it. Continue reading »

AN NCS INTERVIEW: KRANIUM

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Feb 242021
 

 

(This time Comrade Aleks interviews one of the members of the unorthodox Peruvian metal band Kranium, whose roots go back to the early ’90s and whose new album Uma Tullu (which you can stream below) was released on December 1st, 2020.)

Kranium is a legend of the Peruvian underground. The band was formed in 1985 as Murder but since 1986 it’s been known as Kranium. Their early material tended towards savage a thrash/death meta, but years passed, some members left and others joined the band, and their first full-length Testimonios finally was released in 1999. The story behind its making is long and far from easy, as Kranium drew the attention of the Swedish label Plasmatica Records  who promised to fund their recording sessions but had a hard time, and lack of money prolonged recordings for almost three years.

This material appears to be a mix between traditional doom metal with a bit of a raw edge, lyrics in Spanish, and arrangements of traditional Peruvian instruments. I’m surprised that this album is a kind of “lost gem”, forgive me this cliché, and I hope Kranium’s new and authentic-as-always album Uma Tullu (released in December 2020) will reach more listeners all over the world.

The band’s lineup has changed, yet its core remains the same: Eloy Arturo (guitars, songwriting) is one of the founding members, and Mito Espíritu (guitars, wind instruments, charango) has been in the band since 1991 (there was a break for a few years, but it doesn’t make a difference). Dennis Yamazato (drums) has played in Kranium since 2005, and Ian Chang (bass) since 2010. Our current guest Christian Meléndez (vocals, keyboards) is a relatively new member — his experience in Kranium is “just” ten years. But he’s quiet a talkative collocutor, and I’m glad we had this interview. Continue reading »

PAN-AMERIKAN NATIVE FRONT: “LITTLE TURTLE’S WAR”

 RANDOM FUCKING MUSIC  14 Responses »
Feb 232021
 

 

(In this review Andy Synn turns his attention to the new album by Illinois-based Pan-Amerikan Native Front, which was released earlier this month.)

The more I think about Black Metal (and, trust me, I spend a lot of time thinking about Black Metal) the more it occurs to me just what an astounding paradox the genre is.

Founded by a bunch of no-good Norwegian punks (though if you called them “punks” to their faces you probably wouldn’t have enjoyed the response) whose back-story has since been retold and mythologised almost beyond recognition, Black Metal was originally just one big “fuck you” to the rest of the world, a purposefully introverted and isolationist rejection of ideas such as popularity, normality, and musicianship.

And yet, somehow, despite this – or, perhaps, because of this – it’s gone on to become not only a global phenomenon, but one of the most artistically adventurous and progressive genres in all of Metal.

How did this happen? Well, for me, it’s the underlying primitivism of Black Metal which makes it such an unexpectedly universal musical language.

Whether they knew it or not, those crazy kids somehow managed to tap into something truly primal and innately human with those ramshackle early recordings, something which connected with people all around the world and which they could then use as the foundation of their own art, and as a way to tell their own stories.

Stories like Little Turtle’s War. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CANNIBAL ACCIDENT — “NEKROKLUSTER”

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Feb 232021
 

 

Let’s cut to the chase: While the Finnish band Cannibal Accident look like a group of blood-soaked killers who’ve lost their minds, their new album Nekrokluster is one of the best old-school death-grind releases you’re likely to encounter this year. There are many reasons for that, but one of them which might not be expected from outward appearances is that these maniacs turn out to be really good songwriters, and top-shelf in their execution (pun intended).

To be clear, the album is blood-soaked and lethal, and well-calculated to leave its listeners gutted and bone-fractured. But there’s more going on here than obliteration of body and mind — as you’ll discover through our premiere of a full stream in advance of its February 26 release by Time To Kill Records. Continue reading »

BURIED: “OCULUS ROT”

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Feb 232021
 

 

(The subject of this latest recommendation and review by Vonlughlio is the new album by the Dutch band Buried, which was released on February 14th by Brutal Mind.)

Today I have the opportunity to write about a project from the Netherlands named Buried who have been around since 2013 and just released their debut album Oculus Rot via Brutal Mind. Before this release they had a 2013 EP Tenebrous that I have not had the chance to listen to. Therefore, coming into this new album I had no conception of what they would sound like.

However, I did know that three of their members were part of the legendary band Pyaemia, who are held in the BDM community as a classic band due to their 1998 EP Cranial Blowout and their 2001 album Cerebral Cereal. That material is highly regarded as a pure representation of what BDM was at the time of its release. To this day the material is loved and considered as among the great releases of all time in the genre. Continue reading »

BLEEDING ANTLERS: “STAGMATA”

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Feb 222021
 

 

(It looks like Andy Synn had as much fun writing this review of Bleeding Antlers‘ debut album as he did listening to it — and he had a LOT of fun doing that.)

Heavy Metal is, as we all know, a “no fun allowed” zone.

It’s a place for serious musicians to write serious songs about serious subjects, riddled with serious darkness, while wearing their most serious faces.

The thing is, no-one seems to have told London lotharios Bleeding Antlers that, because their debut album, Stagmata (yes, there’s even a pun in the title) is one of the most ridiculously riff-happy and unashamedly fun experiences I’ve had in a long, long time.

Don’t go making the mistake of thinking the band are a joke, however.

While the group clearly aren’t taking themselves too seriously, the music itself is more than capable of standing on its own two (or four) feet, while also answering the age-old question… what would happen if you took the catchiest bits of Candlemass, the hookiest parts of Paradise Lost, added a dash of the grim grandeur of Primordial and a touch of almost Nu-Metal-ish groove, and then laced the whole thing with a hefty helping of folk-goth glamour, Hammer-horror camp, and drunken satanic swagger?

Well, you’d have a hell of a good time, I can tell you that. Continue reading »

SWAMPBEAST: “SEVEN EVILS SPAWNED FROM SEVEN HEADS”

 Album Reviews  No Responses »
Feb 222021
 

 

(This is Todd Manning‘s review of the new album by the SoCal band Swampbeast, which was released in mid-February by Translation Loss Records.)

Outsiders may not realize that there are swamps in Los Angeles, but Death Metal trio Swampbeast have arrived to show us what kind of madness lurks in those fetid waters. Their debut, Seven Evils Spawned from Seven Heads, just issued on Translations Lost Records, is a nightmarish journey of blackened Death Metal that threatens to drown the listener in a miasma of filth.

While not exactly revolutionizing their chosen genre, Swampbeast burst out the gates with a sound of their own, surprisingly well-developed given their lack of history. The hammering assault of opener “Orcs Anvil” echoes the bludgeoning of Entombed’s Left Hand Path, but they also check some Morbid Angel and Black Metal boxes as well. Second track, “The Blind God” adds the subterranean mystique of Portal into the mix to great effect. While the speed of the opener remains, a great deal of evil atmosphere works its way in. Continue reading »

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