Aug 162021
 

 

Today we premiere a song from Lustmord, the debut album of Sentiero Dei Principi, the solo work of Nicola Redavid from Bari, Italy, in advance of its October 1 release by Esercito della Chiesa Dorata. But before we turn to the music, we want to share information about the concepts that underlie the album, because it will shed further light on the sensations of the music itself, and on Nicola Redavid‘s characterization of the style as “romantic black metal”.

The album’s title is a German word meaning “lust murder”. As described by Sentiero Dei Principi, it is a theme “that brings to mind scenes of violence but which at the same time contains a less raw and more psychological meaning, useful for what is the vision of childhood (where love is not necessarily understood as a relationship between lovers but also as a “child/parent” relationship), which is hit by events and traumas that lead to a sort of ‘death of love’. The traumas of childhood then have repercussions on development and adulthood, becoming partly responsible for crimes such as lust murders”. Continue reading »

Aug 162021
 

 

Those of you who are already familiar with the releases of the distinctive French label Antiq Records know that the bands who gather beneath its banner have an affinity for tales and tunes of bygone ages and old instruments, often melded together with the ravaging power and intensity of metal. And to that congregation of talents Antiq has added Paydretz, a French black/folk metal project featuring members of Véhémence, Himinbjorg, Hanternoz, Grylle, Belenos, and Wÿntër Ärvn.

Paydretz’s striking debut album is entitled Chroniques de l’Insurrection, set for release on October 8th. It’s a 14-track musical narrative of “the War in the Vendée” that took place in France between 1793 and 1796. This was a counter-revolution, an uprising among the French peasantry and a few royalist noblemen in the Vendée region during the Revolution’s reign of terror in Paris. It achieved a series of military victories before the counter-revolution was finally (and brutally) suppressed.

The song we’re presenting today, “Sous le Bannière Blanche“, is the sixth track in this opus. Its title refers to the white royal flag, as opposed to the Revolution’s tri-color flags of blue, white, and red. Later on in history and on the album (to borrow Antiq’s words), “defeats and fatigue of the wartime made the peasants weary of the situation and they abandoned the uprising (around 1800 and the arrival of Napoléon), so this is quite the rising of power of the album, and afterwards it declines to more bitter rage and discouraged feelings”. Continue reading »

Aug 152021
 

 

For today’s black metal column I’ve included reviews of two EPs, a pair of new videos, and just a sampling of tracks from two recently released albums that I want to recommend even though I don’t have enough time to give them proper reviews. Hope you find something to like.

FIAT NOX (Germany)

I decided to begin today’s collection with a song that will get your pulse racing. Part of that effect derives from the hammering propulsive drive, the wild and sinister fieriness of the riffing, and the scalding savagery of the vocal tirades. But the song is also a thriller because of its dynamism — from the skull-popping beats and infectious yells to the bubbling bass solo and the sweeping melodic blaze behind it. Continue reading »

Aug 142021
 

 

Upon awakening this morning I gave some passing though to concentrating on one or two albums and trying to write something that might pass for a review or two. As you can see, the thought didn’t last long, and I instead dove back into the giant list of new songs and videos that had become the source of the giant two-part roundup I compiled yesterday. And that led to this further compilation… though it does include one album review after all.

CARCASS (UK)

“I’d describe this album as dad rock.” So says Jeff Walker about the new Carcass album, Torn Arteries. The song that premiered (here) at Rolling Stone along with an excellent animated video (created by created by the inimitable Costin Chioreanu), an extensive history of the band, and a very enjoyable interview of Walker, is definitely more of a rocking song than most others in Carcass‘ storied discography, but the song’s rapidly chugging riff, worming leads, squirming solo, and booming drums do get their hooks in the head. Moreover, Walker’s vocals are damned nasty, and there’s a devilish atmosphere surrounding the song as well. I like it! Continue reading »

Aug 132021
 

 

This is Part 2 of a mountainous round-up of new songs and videos that surfaced during the last week. If you haven’t perused Part 1, it’s here. Before cutting these 16 offerings into two pieces I arranged them in alphabetical order by band name, and so here we have L – Z. Musically, this one might be even more wide-ranging than what you’ll find in Part 1.

LLNN (Denmark)

“Although the song begins with spacey ambience, it quickly falls forward into a mighty chug that’s then handed off to vocalist-guitarist Christian Bonnesen‘s stone-scraping howls. It only gets heavier from there, as avalanching bass rumbles and violent drums bash the groove into the ground with the force of King Kong punching the earth.”

That’s what Revolver’s Eli Enis wrote in introducing the premiere of this next song two days ago, presented through a video that depicts an entity from beyond our solar system swallowing our planet whole. And it is indeed a humongously heavy track, and a creepy one. Continue reading »

Aug 132021
 

 

It’s a rare day when I have no premieres to write for our site, and no posts to edit and format from any of our other writers either. So I spent the extra time listening to more than the usual number of new songs and videos released this week, and found a whopping 16 of them I wanted to recommend.

Rather than put them all in a single post, which might have been like hitting you in the mouth with a bag of nails, I’ve divided them into two parts, arranged alphabetically from the beginning of Part 1 to the end of Part 2 — beginning with A and finishing with Z.

ALDA (US)

It’s been a long wait for something new from this very talented Washington State black metal band, but now they’re back with a new album named A Distant Fire, and a first advance track from the album that’s a sure sign the wait has been worthwhile. Continue reading »

Aug 122021
 

 

(Comrade Aleks has brought us another excellent interview, this time with a member of the Spanish death metal band Bizarre, whose debut album Invocation Codex is set for release on October 29th by Transcending Obscurity Records.)

There’s a Russian proverb “To run ahead of the train”, which means to make haste and do something earlier than it’s really needed. But I’ve had another “Lovecraftian” period these recent months and found Bizarre’s Invocation Codex promo in my mailbox with the label’s description “Lovecraftian horror”. I couldn’t skip it!

The album is scheduled for October 2021, but as another proverb says – “Strike while the iron is hot” (and “steel is strongest so say we all”). These death metal variations on a theme of “holocaust of ecstasy and freedom” are performed in a savage and uncompromising way, and no bullshit – this four men from Spain are competent in the things they do.

I got in contact with Bizarre’s guitarist Juanpa “Evilead”, and he confirmed the band’s interest in an interview. but… things turned slightly another way and in the end we have this nice chat with Germán “Obszen” (guitars, bass). Continue reading »

Aug 122021
 

 

An evocative title, this one: “In the Wood of Hanged Men“. If you let your mind dwell upon it, you might imagine a nightmarish experience, a vision of rotting flesh descending like pendulums from gnarled black branches, swaying to the movement of their own ghastly clockwork or simply gazing down with hollow eyes from the angles of broken necks. Maybe you can imagine their own terrors… maybe you can still hear them scream….

It’s a chilling vision, and a fitting title for the music itself, which is itself profoundly unearthly and terrorizing. What you might not expect is that this diabolical, ultra-disturbing, creation by Pa Vesh En is almost capable of simultaneously creating a fugue state, an appalling spell that somehow radiates through the shattering violence and becomes arresting. Continue reading »

Aug 112021
 

 

Lo and behold, I again found time to prepare a round-up, right here in the middle of the week, thanks to the fact that our album premiere today was written by Mr. Synn instead of moi (and if you haven’t read that and listened to the new Fawn Limbs record, don’t forget to do it).

For today’s collection of new songs and videos I again decided to include a mix of both very well-known names and deeply underground ones, again arranged in alphabetical order. I enjoyed them all, and hope you will too.

BENEDICTION (UK)

It’s great to see Benediction performing in this video, a reminder of how much we have missed from the plague-driven banishment of shows. The song, as you may already know, is a grim and ravaging heavy-hitter that kicks into a savage scamper before slowing into a doomed musical apocalypse. And man, Dave Ingram‘s deep, fully rounded growl is (as always) spine-tingling. (He also made this video.) Continue reading »

Aug 112021
 

(Andy Synn wrote the following review and introduction of our full streaming premiere for the new album by the trans-Atlantic band Fawn Limbs, which will soon be released by Roman Numeral and Wolves And Vibrancy.)

Even those who love Metal at its most brutal, its most technical, its most chaotic, must admit, when push comes to shove and their back is against the wall, that the pursuit of extremity, pure extremity, purely for its own sake, ultimately leads to an inevitable and inescapable evolutionary dead end.

Or, should I say, an almost inescapable dead end… because while it’s true that over-specialisation will ultimately limit the growth of any species band – once you’ve attained a certain level of maximum brutality, terminal velocity, inhuman technicality, where else do you have to go? – certain artists, certain entities, have still managed to discover new and unique ways to survive, and even to thrive, while continuing to push their own limits in different, but no less extravagant, ways.

The secret to achieving this, of course, is realising that extremity isn’t a linear scale. It’s a spectrum. One which extends in multiple directions and allows for multiple interpretations and expressions of what it means to be truly “extreme”.

Which brings us, at last, to the new album from Fawn Limbs, which finds the terrible trio choosing a new, yet also disturbingly familiar, path to follow, which leads to a place called… Darwin Falls. Continue reading »