Aug 192021
 

(Here’s Andy Synn‘s take on the new album by long-time NCS favourites Woman Is The Earth, whose new album is released tomorrow on Init Records)

They say, whoever “they” are, that bands are supposed to mellow as they get older.

And while, certainly, this is true in many cases (the new Wolves In The Throne Room, for example, which I almost wrote about instead of this one, definitely feels that little bit more reflective and restrained, and all the better for it) it doesn’t seem like anyone bothered to tell Black Hills trio Woman Is The Earth, as their new album – their first full-length release since 2016’s Torch Of Our Final Night, and their first release of any kind since 2017’s Thaw EP – is more than a match for anything they’ve done before, and proof that their last few years spent in the musical wilderness haven’t dampened their inner fire.

Continue reading »

Aug 192021
 

 

Last fall we made one of those surprise discoveries that’s a source of constant motivation to dig deeper into the underground rather than just paying attention to the names most people already know. That discovery was Conqueror Worm, the debut album released by Anthrazit Records from Sepulchre by the Sea, a genre-bending one-man band who drew inspiration from the works of Edgar Allen Poe. As we explained here, the music explored some adventurous and interesting (and frightening) ideas that were embroidered around a spine of atmospheric black metal.

Now we’re pleased to report that Sepulchre by the Sea will be releasing a new EP on October 1st entitled Ratiocinations. It continues the Edgar Allen Poe theme and is based on the famous, and first ever, detective stories that Poe wrote. And to help spread the word about it, today we’re presenting the video premiere of the EP’s first single, a multifaceted song named “Ghost of the Departed“. Continue reading »

Aug 192021
 

 

The signposts are there for all to see — the spikes and the corpsepaint, the pentagrams and inverted crosses, the image of a cloven-hoofed, goat-headed demon defiling a nun, the arrogant and  insulting blasphemy of the song titles. And thus Azazel return after a six-year hiatus with a new album, their third, entitled Aegrus Satanas Tecum.

These Finnish demons trace their spawning to 1992, with their first evil fruits released in the mid-90s. It was not until 2012, after a long silence, that their first album Jesus Perversions emerged, followed by 2015’s Witches Deny Holy Trinity. And now the new one is set to arrive via Primitive Reaction on September 24th. To borrow from the promotional material (because it sums up the experience so well): Continue reading »

Aug 192021
 

 

If you do a little poking around in the landfill of the internet you can find videos of legends before they were legends, such things as a 1989 rehearsal by Sepultura (here), a bootleg video of Carcass performing in that same year (here), and a Sodom concert from 1988 (here). One thing that jumps out, besides the energy of the music, is just how fucking young they all looked.

The Ukrainian thrash metal band Mortal Vision look damned young too — because they are damned young, in their early-to-mid 20s. But they’ve got that same kind of lightning-in-a-bottle energy you see in early performances by the legends, and a precocious talent for cooking up hell-raising, neck-wrecking music that’s highly contagious. Their label Redefining Darkness Records pitches them as “Schizophrenia-era Sepultura meets Persecution Mania-era Sodom at its finest”, and they are indeed a new force to be reckoned with.

As vivid proof of that, today we’ve got the premiere of an explosive video for “Devastated Existence“, which is a new single off Mortal Vision‘s forthcoming debut album, Mind Manipulation. Continue reading »

Aug 192021
 

 

I thought I could get this round-up finished in time to post it yesterday when most of these songs and videos were hot off the presses, but I got diverted by my day job. But day-old bread is still pretty good bread. (We don’t have any rule against mixing metaphors here.)

AEON (Sweden)

To begin, we worship in the “Church of Horror“, the first song from the first album by Aeon in nine years. It’s a fast one, with a blazing blizzard of jittery riffing and skull-assaulting drums providing the accompaniment to guttural fury directed against pedophile priests and the church that’s sheltered them. Bits of dismal melody and jolting slamtastic groove play a role in this outraged musical tirade, along with a queasy and maniacally quivering solo. If your ass is dragging, this will fix that for you. Continue reading »

Aug 182021
 

 

The gorgeous cover art created by Taya Rostovtseva for the debut album by the U.S.-based atmospheric black metal band Seltar is evocative of the music itself, and of its inspirations. As Seltar’s sole member Invierno explains:

“Shimmering lights silhouette the dense trees, obscuring the landscape. In solitude, the body rests vacant as time evaporates into the ether. A cosmic ancestral energy perfuses the spirit inciting it to depart the physical realm. This intangible power emanating with the accumulated wisdom from distant eras hearkens the lifeforce towards a transdimensional journey to experience worlds beyond. The ego is abandoned. Gazing upon its exhausted earthly chassis, the spirit is enchanted into an ancient passage to attain fathomless vision. Autoscopia is a series of hymns to detach from this dimension and travel to a spectral plane.”

Combining with the artwork and Invierno’s words, we have the premiere of a song from Autoscopia named “Aurora” which provides a further powerful insight into the journey encompassed by the album — which will be jointly released on October 1st by Casus Belli Musica and Beverina Productions. Continue reading »

Aug 182021
 

 

The three members of the Polish war metal band Wrath Division identify themselves by latitude and longitude coordinates rather than names. Finding nothing about the significance of these coordinates in the promotional materials for the band’s debut album, Barbed Wire Veins, we resorted to Google maps, and made these chilling discoveries:

Vocalist: 7°41’22″N 59°57’0″W — the site in Guayana of the 1978 Jonestown mass murder-suicide that killed over 900 men, women, and children
Guitarist/bassist: 34°24’N 132°27’E — the approximate location of the 1945 atomic bomb detonation above Hiroshima, Japan
Drummer/vocalist: 44°6’23″N 19°17’49″E — the town of Srebrenica in Bosnia and Herzegovina, site of the genocidal slaughter of more than 8,000 Bosniak Muslim men and boys during the Bosnian War

And if those examples of humanity’s capacity for self-destruction aren’t grim enough for you, wait ’til you hear the album.

You won’t have to wait long, because we have a stream of all 10 tracks today, just days away from its August 21 release by Godz Ov War Productions and Left Hand Sounds. Continue reading »

Aug 172021
 

 

The Connecticut-based death metal band Xenosis released their third album Devour and Birth in early 2018. Since then, the band has changed, with a revised lineup that now includes second guitarist Keith Benway as well as new bassist and backing vocalist Craig Breitsprecher (of Fires in the Distance), as well as guitarist Kenny Bullard, vocalist Sal Bova, and drummer Gary Marotta (Archaic Decapitator). And with these new members on board, the band’s music has changed as well.

These changes are reflected in the latest Xenosis album, Paralled Existence, which is set for release on October 1st. It would go too far to say that Xenosis have radically transformed themselves — their backbone is still made of a particularly head-spinning brand of technical death metal. But the changes are nonetheless apparent, with greater roles for progressive-metal excursions and groove. We have a prime example in the song we’re premiering today, “Prophetic Blight“. Continue reading »

Aug 172021
 

(Speech Act are a new-ish band from North Carolina, and Andy Synn has fallen pretty hard for their debut album, which was released just last week, despite the fact  that it contravenes our usual rules)

While all of us here at NCS share an abiding love for Metal, there’s definitely certain niches which we each seem to “specialise” in a little more than others.

Islander, of course, tends to stick more to round-ups than reviews, but – either way – if you see something you’ve never heard of, from a band who’ve either only existed for a hot minute or who’ve purposefully hidden themselves away in the shadows for the last several decades, then chances are they’ll be something he’s found and chosen to feature.

DGR, on the other hand, is our go-to guy for Grind, but also often swings the other way (as it were) by providing expert coverage of many of the big (or, at least, big-ish) and/or up-and-coming names from across the scene, and has proven himself a great pinch-hitter in those moments where the rest of us have dropped the ball on something we really should have written something about.

And, of course, then there’s our various (ir)regular contributors (some of whom are very irregular indeed), who each have their own special subjects which they like to focus on.

As for me? Well, while I cover just as much Death Metal and Black Metal (and its many permutations) as the next guy, chances are if you see something here that’s of the proggy or “Post-” variety, or that’s from the Hardcore end of the spectrum, or anything that features a lot of, gasp, clean singing, then it’s probably one of mine… like the album we’re about to discuss.

Continue reading »

Aug 172021
 

 

On their debut EP Shower Me In Death, the German band Sacrifixion have embraced a formulation of death metal that’s rough and raw, hideous and horrifying, maniacal and marauding. They strike with evil intent and visceral, primeval power, managing to seem right on the edge of out-of-control mayhem but also triggering convulsive head movement, while simultaneously giving their songs a creepy, supernatural aura.

With four tracks that rush by in about 13 eviscerating and neck-ruining minutes, Sacrifixion have put their stakes in the ground in vivid fashion, with decapitated heads on top. It’s a hell of a start, and leaves us hungry for their full-length, which is already in the works. And thus we’re sadistically happy to present a full stream of the EP in advance of its August 20 release on 7″ vinyl by Hells Headbangers. Continue reading »