LISTMANIA BEGINS: THE DECIBEL TOP 40 FOR 2020

 LISTMANIA 2020  16 Responses »
Nov 122020
 

 

Wow, it’s already that time of year again, and wow, I’m aghast all over again at how early this is starting.

It has become an annual tradition at our putrid site to launch our year-end LISTMANIA orgy with the appearance of DECIBEL mag’s Top 40 list, because they always seem to burst from the starting gate sooner than anyone else — and yes, they’ve done it again. But there’s also the fact that, in my humble opinion, it’s still the best print publication out there for fans of extreme metal, so it would be worth paying attention even if they published their list for the first time on January 1, 2021.

The DECIBEL list actually will officially appear in the magazine’s January 2021 edition, which hasn’t yet hit my own mailbox, but DECIBEL again decided (for the fifth year in a row, or maybe the sixth) to scoop their own list rather than letting leeches like me leak it. They published the list on-line earlier today, and so I can now again re-publish their list without too much guilt, beyond the sheepishness that comes from being one of the factors that forced them to start outing themselves in the first place.

Of course, there will be a lot more content in the January issue (which has Judas Priest on the cover), including commentary about each of these 40 albums and why they were selected, as well as dozens of contributor-conceived year-end Top 5 lists, a Hall of Fame feature on Priest’s Painkiller album, and a brand new Venomous Concept flexi disc. You can order a copy of that issue here HERE. Continue reading »

BELTEZ: “A GREY CHILL AND A WHISPER”

 Album Reviews  4 Responses »
Nov 122020
 

 

(This is Andy Synn‘s review of the new album by the German band Beltez, which was released on October 30th by Avantgarde Music.)

What is it about the German Black Metal scene which makes it such a hive of activity and vitality?

Far from the cliched, mechanistic precision which so many still hold as their primary preconception of the country, in my experience it’s awash with bands as emotive and progressive as they are corrosive and aggressive, from the creative complexity of Bethlehem to the ever-evolving darkness of Ultha, from the introverted intensity and extroverted extremity of Infestus and Imha Tarikat to the keening catharsis of Der Weg Einer Freiheit and the gloomy grimness of Farsot… and beyond.

With their last album, 2017’s Exiled, Punished… Rejected, Cologne quintet Beltez took their listeners on an emotional roller-coaster of pitch-black fury and white-hot anguish, which firmly put their name on the map.

But, as good as that record was, A Grey Chill and a Whisper is another beast entirely, one which finds the band expanding their creative vision, adding new shades to their emotional palette and new shapes to their mental architecture, and stretching their skills and their songwriting like never before. Continue reading »

AN NCS INTERVIEW: MATALOBOS

 Interviews  No Responses »
Nov 122020
 

 

(In this new interview Comrade Aleks spoke with Clemente Escalona, drummer for the Méxican melancholic death metal band Matalobos, who have a new album coming out soon.)

 

We had a conversation with Matalobos about three years ago (published here). Back then these guys from Guanajuato had released the EP Until Time Has Lost All Meaning, which was the follow-up to their debut full-length Arte Macabro (2016). And though there weren’t changes in the lineup, Matalobos took their time and meditated over new melodic doom death tunes for some time. Now they’re ready to reveal the result of their work to listeners, and the release date of their new album The Grand Splendour of Death is set for December 4th.

We’ve discussed the new album with the band’s drummer Clemente Escalona alongside a few other topics. Covid-quarantine is at the first place, as always. Continue reading »

AN NCS ALBUM PREMIERE: RAMCHAT — “ZNELO LESOM”

 Album Reviews, Premieres  3 Responses »
Nov 112020
 

 

There is a risk that Znelo lesom, the new album by the Slovak pagan metal band Ramchat, will fly under the radar of lots of listeners, when it should instead come across it like a comet in flight. It certainly made that kind of astonishing impression on this writer, who didn’t know what to expect going into it, having failed to pay attention to any of the band’s previous releases. But now this album is one that won’t soon be forgotten.

The songcraft of Ramchat is, for want of better words, idiosyncratic and mercurial. At a high level, it could be described as a fascinating amalgam of folk-influenced blackened metal and devilish rock that’s capable of generating (among other things) orchestral levels of grandeur, barbaric levels of savagery, bewitching episodes of sinister sonic sorcery, and heart-breaking moments of melancholy. In each song (no two of which are quite alike) the band pack an ingenious array of sonic sensations and moods, and while the changes are often unexpected, there is still a natural flow and integration among them which makes the progressions cohesive rather than jarring.

It’s thus a real pleasure to help put Znelo lesom on your radar screen through our full album premiere today in advance of its imminent November 13 release by Slovak Metal Army. Continue reading »

AN NCS PREMIERE: FUCK THE FACTS — “AN ENDING”

 Premieres  No Responses »
Nov 112020
 

 

A well-educated metalhead friend once told me that the term “grindcore” wasn’t coined to capture the parts of grind songs where the bands chase you around like rabid barbarians, but for the slow sludgy parts where they catch you, pin you to the ground, and methodically beat you with hammers. He didn’t use those metaphorical terms — those are my own embellishments — but you probably know what I’m talking about.

I think at one point I probably researched the origins of the term, but I’ve forgotten what I found. Regardless, grind fans know this dichotomy between high-speed mayhem and down-shifted thuggery, and sometimes it’s tough to predict which aspect will generate the most violent mosh pit at a show (you remember mosh pits, don’t you, even if just barely?).

But in the case of the veteran Canadian band Fuck the Facts, it’s been evident for a long time that “dichotomous” egregiously under-represents their remarkably distinctive and multi-faceted approach to grind. In fact, there’s usually so much more going on in their music that some ingenious word-smith needs to come up with a different genre term for their music altogether. “Grind” really just doesn’t cut it. Continue reading »

TOMBS: “UNDER SULLEN SKIES”

 Album Reviews  1 Response »
Nov 112020
 

 

(This is Wil Cifer‘s review of the new album by Tombs, which will be released by Season of Mist on November 20th.)

I am going to assume that since Mike Hill has been pumping it out with this project for 13 years you know what Tombs is about. If you have read my reviews before, then you know darkness is what I am listening for when it comes to any genre of music. Hill delivers darkness in full here.

Flanked by the same line up that played on the Monarchy of Shadows EP, the band open with the almost thrash-tinged Swedish touch to black metal. In the first song alone (“Bone Furnace”) there are almost all the staples of their sound. A more overt metal chugging powers “Void Constellation”. The songs have a more focused and hooky bite than what I remember coming from the Monarchy of Shadows EP. They have certainly retained the dense guitar sound they have had since The Grand Annihilation. Continue reading »

AN NCS PREMIERE: HORSEHUNTER — “NUCLEAR RAPTURE”

 Premieres  No Responses »
Nov 102020
 

 

In November 2019 Magnetic Eye Records celebrated its first decade of existence by hosting the “Day of Doom” label showcase at Brooklyn’s Saint Vitus Bar. That event featured nine bands on the label’s roster performing back-to-back, and the four headline sets were captured live by engineer Chris Johnson (Deafheaven, Summoner). On December 11th, Magnetic Eye will release those recordings in a series of four records entitled Day of Doom Live, each one devoted to the headlining shows from a year ago at Saint Vitus Bar.

The bands featured in the series are Elephant Tree, Domkraft, Summoner, and the Australian sludge-metal destroyers in Horsehunter, whose discography includes two full-lengths so far, 2014’s Caged In Flesh and their self-titled album released in 2019. Today we present one of the live tracks from Horsehunter’s Day of Doom Live release, and it proves that the band are just as devastating live as they are on their studio recordings — maybe more so. Continue reading »

AN NCS PREMIERE: THE SOMBRE — “A TERRIBLE SILENCE FROM ABOVE”

 Premieres  No Responses »
Nov 102020
 

 

The Dutch musician Maurice de Jong has become well-known as the man behind such projects as Gnaw Their Tongues, De Magia Veterum, Cloak of Altering, Hagetisse, and Golden Ashes, among many others. Each of these entities has its own identity, but it’s fair to say that despite their stylistic divergences they’re often unpredictable, disturbing, and even frightening, and just as often represent de Jong pushing at musical boundaries, or simply punching his fist right through them. And then there is The Sombre, which surprises in a different and mesmerizing way.

For those of you who are discovering The Sombre today for the first time, it is a vehicle through which de Jong pays homage to such early-’90s pioneers of doom/death as My Dying Bride, Anathema, and Paradise Lost. Compared to many of his other projects, the music is more traditional, yet if you might be expecting a formulaic clone of the sounds that inspired the music, perish the thought. De Jong still finds ways of putting sparks into the sounds, and there is also much to be said about the mastery displayed in the carefully crafted sonic ingredients within the music, and the emotional power of the downcast melodies.

The Sombre‘s first album, Into the Beckoning Wilderness, was released last year via Kapmes Records, and just in time to greet the pall of winter, a second album is coming soon. Entitled Shapeless Misery, it will be released on November 20th by Brucia Records. Several songs from the new album have already been revealed, and today we bring you one more — “A Terrible Silence From Above“, which is the song that opens the album. Continue reading »

DEAD AND DRIPPING: “PROFANE VERSES OF MURDEROUS RHETORIC”

 Album Reviews  No Responses »
Nov 102020
 

 

(This is Vonlughlio’s review of the new album by the New Jersey death metal band Dead and Dripping, which was released last month.)

I just love the feeling when discovering a new band that captivates you from the first note and hooks you in for the rest of your existence. That was the case for the one-man project Dead and Dripping,  born in 2016 in  New Jersey, USA.

They released a demo that same year entitled Disillusioned by Excessive Human Consumption, a 22-minute effort that reminded me of the late ’90s and early 2000s golden age of BDM. I discovered the band a year after its inception and got a re-press of that demo, and after all this time I have the same positive reaction as when I heard it the first time. It is aging very well, to say the least. Continue reading »

ANN NCS VIDEO PREMIERE: PLASTICBAG FACEMASK — “SHE’S THE COUSIN OF THE CHAINSAW”

 Premieres  No Responses »
Nov 092020
 

 

By sheer coincidence the two video premieres we’re hosting at NCS today (the other one is here) are devoted to the music of two-person bands. But the music could hardly be more different. In the case of this one, imagine your mind as a pane of glass, and then think of the song as a hammer smashing it into shards.

The song in question is “She’s the Cousin of the Chainsaw“, and it’s off a forthcoming album named Content by PlasticBag FaceMask from Fresno, California. A two-man head-wrecking machine, it consists of Jacob Lee (Keeper, Elder Devil) and Patrick Hogan (Time Bomb, Shrug), who in this project have devoted themselves to creating a schizophrenic hybrid of math metal, grindcore, and death metal. The album will be released on on November 27th via PlasticSkull Records. Continue reading »

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