Aug 192020
 

 

Two active metal bands have adopted the name Sunken, and both of them are releasing excellent albums this year. Because we’ve already devoted some attention to the Finnish doom/death band Sunken at our site, we thought we’d explain up-front that the Sunken whose music we’re premiering today isn’t that one. This Sunken is a Danish collective, and on their newest album they devote their talents to a heart-rending and immensely immersive form of atmospheric black metal.

That album, Livslede, is set for release on September 18th by Vendetta Records. It’s a 43-minute work divided among four substantial tracks and one comparatively brief introductory piece. Those four main songs are long for a reason, and the time is not wasted. Sunken use the time to create experiences of such deep emotional power that it’s hard to imagine how the soul-swallowing effects of them could have been achieved in less time.

It happens that the track we’re bringing you today, at nearly 12 1/2 minutes, is the longest of those four. One of the best compliments we can pay to successful long-form music is that in listening you lose track of time passing, as you lose yourself in the music. And that is certainly a compliment that “Ensomhed” richly deserves. Continue reading »

Aug 192020
 

 

(We present Andy Synn‘s lavish review of the new album by Toronto-based Panzerfaust, which will be released by Eisenwald on August 28th.)

It’s been well-documented, several times now, just how much I love Panzerfaust’s 2019 album, War, Horrid War (part one of the still-unfolding “Suns of Perdition” saga).

Not only was it the album which signalled the band’s effective rebirth – transforming them from relative unknowns into “ones to watch” – but it also snagged them a coveted slot at the 2020 edition of Maryland Deathfest, where they were one of my most anticipated bands of the entire festival.

Sadly, as we’re all too aware, this year’s MDF was cancelled/postponed, so it looks like I’ll have to wait a little longer to experience the explosive power of the band’s live show, but, in the meantime at least, I can content myself with the knowledge that not only is Render Unto Eden (arguably) even better than its predecessor but also one of the most outstanding albums, Black Metal or otherwise, of the year. Continue reading »

Aug 182020
 

 

The Chrome Waves song we’re presenting here has multiple meanings, some intended and perhaps one that’s merely a relevant coincidence. As for the intended meanings, the band’s James Benson (also in Amiensus) explains:

“‘New Skin‘ is quite literally about shedding away your past, and the growth of humans as they begin to learn. It pertains to the way someone is raised is not always the worldview of the entire population of the country, or world. However it also addresses recognizing that there is some type of comfort in going back to how you were raised, and the worldview you grew up around, or the culture.”

That conception is a kind of dichotomy: The process of maturation inevitably involves, to greater and lesser degrees, shedding the skin of where we came from and who we were, sometimes for the better, sometimes for worse. If we’re lucky, we continue to slough away bad habits and bad memories and allow ourselves to become new, but sometimes we lose good things as well. Especially in godawful times, what we’ve left behind can sometimes be worth re-discovering. Continue reading »

Aug 182020
 

 

(Andy Synn combines two reviews in this post, one each for the latest two releases by the Australian band Mesarthim.)

If you want to upset a wide swathe of the Metal and Metal-adjacent public, just play them something by Atmo-Black Trance duo Mesarthim.

Too spacey and synth-driven for most of the Black Metal scene, too upbeat and dancey for the Dungeon Synth crowd, and too abrasive for the Synthwave crew, the duo’s (incredibly prolific) output has proven to be exceptionally divisive over the years, even as it has also attracted an incredibly dedicated fanbase who can’t seem to get enough of the band’s signature blend of bleeps, bloops, and blasts.

That being said, I know I’m not the only one who felt like the group’s most recent works – most notably 2018’s Coma Wall EP and last year’s Ghost Condensate album – didn’t quite achieve the same sense of balance and equilibirum between the various disparate elements of their sound (although not for lack of trying) which helped define the band’s earlier works.

Which makes the recent surprise release of The Degenerate Era, the fifth full-length Mesarthim album in five years, an opportunity to reset and reassess things… for both the band and their fans. Continue reading »

Aug 182020
 

 

Håkan Stuvemark and Jon Skäre are ever-busy men. Stuvemark’s list of active bands includes Wombbath, Skineater, Reek, Pale King, PermaDeath, and Rex Demonus, each one of them providing a different kind of outlet for his musical proclivities. Skäre has been a fixture in Defiatory and Wachenfeldt, in addition to joining Stuvemark in many of those projects just mentioned. But now the two can add one more project to their resumes, because they’ve joined forced to create Consumption.

This new band, in which Stuvemark performs vocals, guitars, and bass, and Skäre is of course behind the kit, was created under the influence of early ’90s Carcass and some old Finnish death metal bands, most prominently Disgrace. Their debut album is named Recursive Definitions Of Suppuration, and it’s our horrid pleasure to share with you today the opening cut, “Fermented Tissue“, in advance of the album’s September 15 release by Iron Blood and Death Corporation. Continue reading »

Aug 182020
 

 

I was about six years late in discovering Golden Bats, a one-man band then based in Brisbane but now ensconced in Rome. I climbed aboard this musical sludge/doom juggernaut in 2017 after the release of the Superplateau EP and then hung on for dear life through the band’s 2018 debut album Residual Dread and a 2019 EP entitled VII, reviewing all of them.

In the recording session that produced Residual Dread, the original plan was to track material for both an album and an EP. But the songs chosen for the album changed once they were all recorded, as some fit better together, so the EP changed as well. And it’s that EP — named VIII — that’s finally being released today, with this premiere as a way of helping spread the word. Continue reading »

Aug 182020
 

 

The Israeli band Zed Destructive shares the name of its founder, who is the vocalist of Winterhorde and the former lead guitarist of Thokkian Vortex. He started the band in 2017 after leaving Thokkian Vortex and began working on music with former Thokkian Vortex drummer Ariel Lior. In time Dani White joined the band as second guitarist, and Daniel Kitchka rounded out the group as its bassist.

Their first record is an album named Corroded By Darkness, which will be jointly released on August 31st by Satanath Records‘ label-partner GrimmDistribution (Ukraine) and Wings Of Destruction (Russia). In the music there are occasional hints of Winterhorde’s air of theatrical drama, but don’t go thinking that Zed Destructive is Winterhorde by a different name, because the music here is a distinctive experience that stands apart, a hybrid of death and black metal that rightly led the releasing labels to recommend it for fans of Deicide, Death, Behemoth, Dissection, Gorgoroth, Marduk, and Dark Funeral. Continue reading »

Aug 172020
 

 

As previously announced in this post, three of our writers (Islander, Andy Synn, and DGR) will be appearing as guest DJs at GIMME METAL in a two-hour show just a few hours from now. This is scheduled to happen today (Monday, August 17th) at 12 p.m. Pacific Time, 3 p.m. Eastern Time, UTC-08:00 (for everyone who counts that way).

The show has been pre-recorded and includes a playlist of metal, with three segments curated by each of the three of us on the show, including our own attempts to speak without sounding like total idiots (but no promises). However, all three of us will also be participating in a live chat as the show goes on, which you too can participate in by registering (for free) at the GIMME METAL site. Continue reading »

Aug 162020
 

 

Here’s the second Part of today’s column about newly discovered black and blackish metal. If you’ve been following my observations about my vacation, I was waylaid in finishing this Part because the golfers returned.

Thankfully, they seemed none the worse for wear despite the heat (which turned out not to be quite as punishing as predicted), though they did give up after 14 holes. Thankfully, they told very few war stories, but did share some spectacular photos of mountain-and-forest vistas from the course (I’ve left one at the end of this column), and then we tucked into lunch and some mid-day whisky, and then I got back to this writing while they immediately began napping.

Anyway, that explains the odd timing of this post.

PATHWAY (Russia)

You may have noticed that I have a weakness for black metal that incorporates unusual instruments, whether it be woodwinds, brass, horsehair fiddles, or medieval lutes. And thus I was probably predisposed to like the music of the Russian horde Путь (Pathway), because the band incorporate the accordion into their distinctive rendering of atmospheric black metal. Continue reading »

Aug 162020
 

 

I passed a cognitive test this morning. It was even easier than “Person. Woman. Man. Camera. TV.” I turned down the offer to ride around in a golf cart and watch four of my idiot friends embarrass themselves in heat that’s expected to hit 100°F before they finish.

Instead I stayed behind in the place we rented for this mini-vacation with another person who also passed the test, surrounded by vistas of forest and mountains. And I listened to a lot of new black metal, and I wrote this post, which comes in two parts.

SKYBORNE REVERIES (Australia)

The first song in this collection is a fiery storm of sound – synths gloriously burning high overhead, the riffing flowing in scintillating waves and flickering in a mad boil, the vocals a mix of a larynx-lacerating torment and ravaged roars. Continue reading »