Mar 142020
 

 

Yesterday was crazy. And no, I’m not talking about the latest coronavirus developments (though those were depressingly crazy too). I’m talking about the ridiculous flood of new songs and videos that were discharged into the electronic ether. Nowadays there are always a lot of new releases on Fridays, but yesterday was a Friday the 13th, and that always triggers a rabid Pavlovian response among bands and labels.

Rather than try to winnow down everything I thought was appealing into a five-or-six song SEEN AND HEARD column, which would have over-stressed my feeble brain, I decided to throw up my hands and resort to the Overflowing Streams format — just shove all these new songs and videos at you with only brief commentary by me.

The thing is, there’s SO DAMNED MUCH STUFF HERE, particularly because I also included a few things that surfaced in the few days preceding Friday the 13th, that I decided to cut it into two parts to make it a little more digestible. Everything is arranged in alphabetical order by band name. If I don’t get the second half ready to go today, you’ll find it here tomorrow along with our usual SHADES OF BLACK column.

AVERSIONS CROWN (Australia)

I was inclined to include this first video simply so I would have an excuse to put Eliran Kantor’s cover art at the top of this page, but wound up digging the song too. Continue reading »

Mar 142020
 

 

(For this new edition of a column devoted to lyrics in metal Andy Synn was fortunate to obtain insights from the two lyricists and co-vocalists of the Bay Area death metal band Vastum, whose latest album Orificial Purge was released last fall by 20 Buck Spin.)

We’ve written about Californian Death Metal crew Vastum several times before here at NCS (and just take a look here if you don’t believe me) but this is, if I’m not mistaken, our first time talking to them directly.

This piece was also meant as a precursor to the band’s upcoming dates in the Pacific Northwest region but – for reasons I’m sure no-one will be surprised by – those have now been put on hold.

Still, any opportunity to learn more about the group’s work, their drives and methods and inspirations, is one well worth taking, so I encourage you all to take some time and enjoy the following edition of Waxing Lyrical, which features responses not just from Vastum’s lead singer Daniel Butler but also his co-vocalist/co-lyricist (and half of the band’s guitar tag-team) Leila Abdul-Rauf, who have together gone above and beyond to provide us with a double-scoop of lyrical insight this time around. Continue reading »

Mar 132020
 

 

(We present Andy Synn‘s review of the ambitious new double album created by Mare Cognitum (California) and Spectral Lore (Greece), which is being released today by I, Voidhanger Records and features cover art by Elijah Tamu.)

Call me a glutton for punishment, but not only is this the second double-album I’m reviewing this week, but it’s actually even longer than the first one!

What makes it different (very different, in fact) is that rather than being the product of just one band’s vision, Wanderers: Astrology of the Nine (and that’s the last time I’m going to be typing that in full) is a split-release from two artists, Spectral Lore and Mare Cognitum, each of whom contributes a full album’s worth of blistering blackened riffage and eerie, extraterrestrial atmosphere.

But wait, there’s more! Not only is the album arranged very differently to a traditional split – instead of grouping the songs by band they’re arranged (mostly) in an alternating pattern, loosely following the order of the planets in our solar system – but the final two tracks are in fact the result of a collaborative effort designed to fuse the best parts of both artists into one collective whole.

Of course, the problem with shooting for the stars is that there’s a lot that can go wrong out there in the formless void… so the question is, have Spectral Lore and Mare Cognitum found a way to boldly go where no band has gone before, or is this one giant leap too far? Continue reading »

Mar 132020
 

 

For decades Seattle has been a spawning ground for a broad array of extreme metal bands who have left their mark on every sub-genre. And now it has given birth to a true monstrosity, a mutilating beast mid-wifed in a sepulchral charnel pit by the muses of death and doom. This mysterious three-headed entity is known as Noroth, and none other than Caligari Records is poised to release their horrifying debut album, It Dwells Amongst Us, on April 10th.

We had a chance to sample some of Noroth’s music and reached out to offer our own putrid catacombs as a home for a track premiere, and it is with fiendish pleasure that we do that now, presenting the album’s opening song, “Shadow, My Patriarch“. Continue reading »

Mar 132020
 

 

As we’ve been reminding you for the last three days in a row, on March 16th Unspeakable Axe Records will deliver a spectacular split release that harnesses the talents of four hellaciously good death metal bands. The last time Unspeakable Axe did something like this was in 2016, when 4 Doors To Death brought together tracks by Cemetery Filth, Ectovoid, Sabbatory, and TrenchRot (check that one out over here if you haven’t already). This time, under the title 4 Doors To Death vol. II, the label is presenting a combination of 12 original new tracks by Nucleus, Ectoplasma, Fetid Zombie, and Temple of Void, amounting to a solid hour of ferocious and frightful metal.

Three days ago we began the roll-out of one track from the split by each of these four bands — one per day. If you haven’t checked out the Nucleus track we brought you on Tuesday, the Ectoplasma song we revealed on Wednesday, or the Fetid Zombie song we premiered yesterday, do that here, here, and here.

And now the time has come to wrap up this series with a song by the fourth band on this split, the Detroit doom-death titans Temple of Void. Continue reading »

Mar 132020
 

 

Roughly four and a half years after the release of their debut album Sanctus Dominus Deus Sabaoth, the Italian death metal band Xpus are rising up again from their dank and poisonous catacombs to deliver a blasphemous new portrayal of discord and death. Their new album In Umbra Mortis Sedent draws upon sinister and slaughtering old-school traditions established through the wickedness of such bands as Morbid Angel, Deicide, Incantation, and Sinister, but Xpus have used these antecedents as foundations for putting their own distinctive mark in the annals of death metal with a black and heavy hand.

Compared to their first record, the new album reveals a significant advance in songcraft and execution. For want of a better word, the music sounds “immense”, not merely in the ravishing power of the sound but also in the harrowing atmosphere of looming supernatural menace and terrifying savagery that it creates. It’s tempting to use the word “majestic” to characterize these pitch-black sensations, but if there is a throne in sight within the band’s creations, it’s an edifice of skulls brutally severed from the spines of the tortured. Continue reading »

Mar 122020
 

 

Welcome to NCS. Watch your spacing — maintain at least 6 feet between you and the cellar-dwellers next to you. If you feel like sneezing, please run for the nearest exit. Sub-vocalize “FUCK! THIS RIPS!” rather than eject spittle into the air at full volume. And as always, pee on your hands as a reminder not to touch your damned face all the time.

I had planned to pack a lot more new music into this feature but my spouse discovered a local pharmacy that’s still selling hand sanitizer, limit two per customer, and insists that I get my ass over there and pick up two more. She wasn’t impressed when I told her to put on a clown nose and dark glasses and go back herself. So, since I have to hurry off, my plan is to prepare another one of these posts tomorrow (by which time I’m expecting to have new tracks by Panzerfaust, Secrets of the Moon, and Black Crown Initiate to consider as add-on’s to what I’ve already got in hand).

AUROCH

On April 24th, 20 Buck Spin will release Stolen Angelic Tongues, a new EP by Vancouver’s Auroch, a band I’ve been devoted to for a very long time. It consists of five tracks that the advance press describes as “drawing upon the magical and spiritual traditions of South America and the Caribbean as their histories, past and present”. As you can see, it also includes tremendous cover art by Lupe Vasconcelos, and it further includes the return of original Auroch vocalist Culain and eerie ambient recordings by Night Profound and Aos Si to bookend the recording. Continue reading »

Mar 122020
 

 

(We welcome back our old friend and former NCS writer Austin Weber, who introduces our premiere of a song from the forthcoming debut album by the formidable death metal band Akurion, as well as a bass-and-guitar playthrough video for the track featuring performances by Rob Milley and Oli Pinard.)

After many years in development, the upcoming debut album Come Forth to Me by Montreal-based death metal supergroup Akurion is finally nearing its release. The album will officially drop on Friday, April 10th, via Redefining Darkness Records.

Although I’ve already helped with a premiere for Akurion — “Year of the Long Pig” at Metal Injection — once it came to my attention that certain premiere partners fell through for today’s item, I felt a need to step in and make the official launch of “Bedsores to the Bone” happen on time.

Akurion has an immediate appeal to me as an uber death metal nerd due to its member’s multi-decade lineage spent playing in Cryptopsy, Cattle Decapitation, Neuraxis, Coma Cluster Void, and many more. That in and of itself is impressive, but honestly wouldn’t mean a lot if the current project we’re highlighting didn’t rule, but Akurion does indeed kick a tremendous amount of ass. Continue reading »

Mar 122020
 

 

On March 16th Unspeakable Axe Records will deliver a spectacular split release that harnesses the talents of four hellaciously good death metal bands. The last time Unspeakable Axe did something like this was in 2016, when 4 Doors To Death brought together tracks by Cemetery Filth, Ectovoid, Sabbatory, and TrenchRot (if you haven’t checked that one out, get your ass over here and do it). This time, under the title 4 Doors To Death vol. II, the label is presenting a combination of 12 original new tracks by Nucleus, Ectoplasma, Fetid Zombie, and Temple of Void, amounting to a solid hour of ferocious and frightful metal.

Two days ago we began the roll-out of one track from the split by each of these four bands — one per day from then through the end of this week. If you haven’t checked out the Nucleus track we brought you on Tuesday or the Ectoplasma song we revealed yesterday, do that here and here. And then come right back to this page to experience today’s premiere, a riveting combination of mayhem and morbidity by Fetid Zombie that goes under the name “Bloodlust Consecration“. Continue reading »

Mar 122020
 

 

 

This marks the second appearance of the Kazakh band SevenSins at our putrid humble site. The first occasion was an enthusiastic review by our long lost friend Gorger of their second album, 2016’s Due Diaboli et Apocalypse. That record revealed a shift in the band’s musical style to a sound that Gorger described as “gentle, melodic, and grandiose symphonic extreme metal, with local seasoning,” integrating metal and symphony in ways that drew “inspiration from classical music, film score, and folk music,” and fluctuated “between waltz and epic drama, with elements of, amongst others, gothic, primitive, and occult undertones”.

With changes in their recording line-up, SevenSins are now returning with a third full-length, to be released on April 19th by Satanath Records (Russia) and Murdher Records (Italy). Its name is Legends Of Kazakhstan, and once again SevenSins have made significant changes in their sound. As one clue, the releasing labels recommend it for fans of Dark Funeral and Watain. As another clue, today we’re introducing a song from the album called “In A Grove of Dancing Birches“, accompanied by a lyric video that creatively displays the words in the band’s native tongue. Continue reading »