Feb 142017
 

 

(Here we have a trio of reviews by Andy Synn, who’s still not finished with 2016.)

So it looks like, barring some sort of unforeseen intervention by an outside source, this will be my penultimate catch-up post for 2016, and very soon I’ll be able to divert my full attention to new releases – both from lesser-known acts and from bigger names – from 2017.

In the meantime, however, here are three more killer albums from last year that really deserved a lot more attention and acclaim than they received. Continue reading »

Feb 132017
 

 

The Swedish black metal band Obitus have done something remarkable: They’ve made a 45-minute album consisting of a single song that’s on the attack relentlessly, and yet it’s a harrowing thrill-ride straight through to the end.

Now you can either skip straight to the end of this post and start listening to our stream premiere, or you can continue reading, but I wouldn’t recommend trying to do both at the same time — or trying to do anything else while listening to this onslaught. For those who might be interested in more of a preview before you throw yourself into the tornado, I shall continue. Continue reading »

Feb 132017
 

 

(TheMadIsraeli reviews the new album by Warpath from Hamburg, Germany, which is out now via Massacre Records.)

Warpath are an interesting musical discovery for me. Originally a thrash metal band that had some moderate underground recognition in the ’90s, the band hung it up until the culmination of a reunion that resulted in a subsequent comeback album. Vocalist Dirk Weiss is the only original member, collecting an entirely new lineup. Warpath, in name, has come back, but with a new sound and one that’s impressive. It would be a shame for people to miss out on this.

Bullets For A Desert Session is a powerful testament to hybridization in metal, and an impressive metallic golem of deathly proportions. While thrash metal is still a part of Warpath’s sound, the band have mixed in the metallic heft and drag of bands like Celtic Frost and Crowbar, the filth of High On Fire, and a style of death/thrash that sounds a lot like The CrownDirk Weiss’s vocals are almost like a demonic version of Lemmy Kilmister mixed with the low-end grit of The Crown’s own Johan Lindstrand. Continue reading »

Feb 132017
 

 

There’s a song on the new album by HerezA called “Uništi, Pali, Ruši”, which are the Croatian words for “destroy, burn, tear it down”. Those same words could be the banner for the album as a whole, though the album’s name is equally indicative of what lies within: I Become Death.

This is HerezA’s second album, following their 2015 debut full-length, Misanthrope. The new one is being released today by the Polish extreme metal label Godz ov War Productions, and below we have a full stream of the album for you. Continue reading »

Feb 132017
 

 

This is Part 2 of a post I started yesterday and decided to divide because I kind of went overboard with the volume of music. As I explained yesterday, this 2-parter includes streams of two full albums, three full EPs, two singles (I added one since yesterday), and advance tracks from two forthcoming releases. And lots of my words, of course. In the middle, I’ve spliced one very exciting piece of news… which comes first today.

AORATAS

On Friday, Debemur Morti Productions announced that Naas Alcameth, the mastermind behind Nightbringer and Akhlys, has joined the label with a new project named Aoratas, and an album that will be released later this year.

The announcement included a statement by Naas Alcameth that I’m just going to quote in full. I trust I don’t need to explain why this is newsworthy, but if an explanation is needed, I’d simply point you to the stream of The Dreaming I, which I’ve included below the statement. Continue reading »

Feb 122017
 

 

I tend to go overboard with the volume of music in these Shades of Black posts, but this one includes even more minutes of listening than usual. In this one you’ll find streams of two full albums, three full EPs, one single, and advance tracks from two forthcoming releases. And lots of my words, of course. In the middle, I’ve also spliced one very exciting piece of news.

Due to the size of this post, I’ve divided it into two parts. Part 2 is almost finished, but because of the volume of music here in Part 1 and in yesterday’s post, I think I’ll wait until first thing tomorrow to unveil it.

HETROERTZEN

Hetroertzen is a Chilean band now based in Sweden. I first discovered them through the music on their last album, 2014’s Ain Soph Aur (which I reviewed at length here). Their new album, Uprising of the Fallen, is now set for release by their new label Listenable Records on February 24. Continue reading »

Feb 122017
 

 

Metalheads are geeks (I know, because I am one), and they have long memories. Many of them also love burrowing down the gopher holes of history, trying to learn where things started (yes, I’m a metal gopher, too). And many also zealously honor bands who played pivotal roles in the evolution of genres and sub-genres (and sub-sub-sub genres), even when such bands recorded precious few songs, and did so decades in the past. Which brings me to the Norwegian black metal band Strid.

I first learned about Strid only nine months ago when Neill Jameson devoted part of his NCS series on black metal to the band’s 1994 self-titled EP, and I’ll take the liberty of quoting part of what he wrote about them then: Continue reading »

Feb 112017
 

 

Happy Saturday to one and all, and if you’re not feeling particularly happy, maybe the recommended new music collected herein will improve your mood.

This is another Seen and Heard post, but with a title that’s more specific to the music I chose for this collection. Most of it could be considered shades and phases of death metal or, in the case of the first item, death-themed.

MANTAR

The Spell snuck up on me. I learned about it yesterday through an e-mail from Nuclear Blast Records that included a link to the lyric video you’re about to see. Like virtually everything else I’ve heard from Mantar, it exploded my brain. Continue reading »

Feb 112017
 

 

(Andy Synn wrote the following bovine-themed opinion piece.)

Phew, for a group of people often characterised as “rebellious” and “anti-religious”… we metalheads sure do hold more than our fair share of things as sacred and inviolable, don’t we?

Case in point, a certain article last year (which will, for the moment, remain unnamed) dared to question and criticise a particularly famous and highly-regarded album, which of course led to the expected backlash from the sort of knee-jerk reactionaries who like to say things like “this proves you’re a hipster” or “if you don’t like [x] then you don’t like Metal!”

Now while I don’t want this article to develop into a similar bitchfest (again, for such a supposedly “macho” genre, we can certainly be a catty group when something ruffles our petticoats), I do have to say that I thought the article was well-written, and made some cogent points.

I didn’t necessarily agree with its conclusion, but then nor do I think it was wrong to write it, or that the author was just trying to troll people.

Because it is important, sometimes, to go against the grain. To challenge the prevailing orthodoxy and to try to make people think not just about what they like… but about why they like it in the first place.

Sometimes the sacred cow needs to be slaughtered. Or, at least, lightly stabbed. Continue reading »

Feb 102017
 

 

In December of last year Cyclone Empire released the fourth album by the German death metal band Revel In Flesh, who have been a favorite of mine since I first heard their second album, Manifested Darkness, in 2013. This latest full-length is the group’s strongest release yet. As Jonny Pettersson of Wombbath stated when he named the album to his 2016 year-end list at our site, it’s “their most dynamic release so far”.

One of my own favorite tracks from the album is “Casket Ride”, and so I’m especially happy to share with you the band’s new video for that very song. Continue reading »