Jun 232016
 

Grace Disgraced-Lasting Afterdeaths cover

 

Tomorrow — June 24 — is the official release date for Lasting Afterdeath, the third album by Moscow’s Grace Disgraced. Today we’re helping spread the word about the release by premiering a full stream of the album.

The music is, of course, the paramount factor in deciding whether to add Lasting Afterdeath to your collection, but this is one of those albums that offers a lot of visual enticements, too. The accompanying booklet includes separate eye-catching artwork for each song, as well as gatefold cover art, by Velio Josto. And so before we get to the music, here’s a view of the full cover as well as the art for two of the songs: Continue reading »

Jun 232016
 

Krieg-Photo by Hillarie Jason

 

(Neill Jameson (Krieg) returns to our site with some remembrances about under-appreciated albums from a formative period.)

Recently I did a piece for Invisible Oranges about discovering Alice in Chains and Nirvana as a young boy stuck in the shitty Pittsburgh suburbs in the late 1980s, and that got me to thinking about that period of time for music and how there’s some really great records that almost never get mentioned because people’s tastes generally stick to what they hear about, akin to how so much great early ’90s black metal is missed because of a lack of a controversial narrative to them.

So I figured I’d share a few records that never really got their due from that era in my continuing mission to be on your newsfeed as often as possible without it being for exposing myself at a playground. And we’re off! Continue reading »

Jun 222016
 

Dysrhythmia-photo by Johnny DeBlase
photo by Johnny DeBlase

 

We’ve posted so many “Seen and Heard” collections this week that I decided to give that heading a break, though that’s what this post really is: another collection of somewhat randomly observed news and new music that I thought was worth spreading around. And because we’ve posted so many of these collections recently, I decided to cut back the volume of this particular one, too — though I do think the selections I’ve made here make nice complements to each other.

DYSRHYTHMIA

Guitarist Kevin Hufnagel and bassist Colin Marston could be resting on their laurels after their standout work on the new Gorguts EP, Pleiades’ Dust (not to mention Marston’s performances on the new releases by Withered, Krallice, and his own Indricothere project) , but instead they and drummer Jeff Eber are bringing out a new Dysrhythmia album. Entitled The Veil of Control, it’s the band’s seventh studio full-length and their first since 2012’s Test of Submission. According to today’s announcement by Profound Lore, it will be released on September 23. Continue reading »

Jun 222016
 

NCS The Best of 2016 graphic

 

We’re almost at the halfway point of 2016, measured according to the Gregorian calendar. If you want to be precise, we will reach the halfway point at midnight on July 1; because 2016 is a leap year, there are 366 days in the year. and the 183rd day is July 1. It’s a completely arbitrary point for taking stock of what the year has delivered so far, and because I’ve already started seeing other music sites spreading around lists of the best releases for the first half of the year (such as this one at Metal Injection by our collaborator Austin Weber), I decided to just go with today.

So with the halfway point of 2016 fast approaching, let’s talk about the best releases of the year so far. As long-time readers of the site are well aware, I’m terrible at making “best of” lists. I overthink it, I agonize over it, I have great difficulty comparing metal across different genres, and I have great difficulty choosing among albums I like even within a specific genre. When I contemplate making a “best of the year” list, or even a “best of the half-year” list, my brain tends to just lock up like an engine that’s had a hole punched in the oil pan.

Therefore, as usual, I’m not providing a list of my own — and my fellow regular writers Andy Synn and DGR haven’t sent me lists of their own. So I’m afraid it’s up to you. Continue reading »

Jun 222016
 

Brandon

 

(Comrade Aleks interviews Brandon Marcey, who holds down positions in two very good bands.)

Brandon Marcey is the hairy man from Richmond, Virginia, who successfully combines work in two cool bands at the same time. He has played guitars in misanthropic sludge stoner doom cult Cough since 2010; and the band just released their new long-awaited record Still They Pray on Relapse Records. And besides that, he plays guitars and sings in wicked psychedelic doom outfit Sinister Haze, who finished their first full-length album just a month ago; you can find it on CD due to STB Records’ efforts.

It was difficult, but I believe that we managed to balance Cough and Sinister Haze stories here in one interview. Continue reading »

Jun 212016
 

NOX Formulae-The Hidden Paths to Black Ecstasy

 

This is another day in which we have felt compelled to throw more new music at your head than any normal person has time to hear. Many abnormal people (other than us) won’t have time to listen to all of it either. I tell myself this is why I should continue writing some words about the streams we recommend, as a way of helping listeners choose what to play and what not to play, given their own tastes. Obviously, I’m choosing to ignore the likelihood that no normal person has time to read all the words either.

Between Part 1 and Part 2 of today’s round-up, we’ve furnished new or newly discovered music by 10 bands. Five more are featured below.

NOX FORMULAE

On the distant future day of September 16, 2016, Dark Descent Records will release the debut album of a Greek black metal collective known as Nox Formulae. The album’s title is The Hidden Paths to Black Ecstasy. Yesterday I received a Bandcamp e-mail alert that one song from the album had been set up for streaming, a two-part piece named “Hidden Clan NXN – Pt a. Eleven Rays of Sorat, Pt b. Black Magic Assault”, and that’s the first item in this round-up. Continue reading »

Jun 212016
 

Mindkult-Witch's Oath

 

I had an amazing listening experience last night. I compiled a list of new music I thought might be worth hearing, drawing upon messages that had arrived at the NCS compound via our intrepid pigeon aeronauts and links I had spotted in my Facebook news feed. And then I plowed through them — and found one gem after another, with nary a single meh reaction from start to finish. Perhaps equally remarkable, I had never heard of any of the bands before (I was interested in a journey of exploration, which is why I assembled the list as I did).

Not wishing to leave behind any of the songs I heard, I’ve divided these recommendations into two parts, which have become Parts 2 and 3 of today’s Seen and Heard feature, following DGR’s post earlier today.

MINDKULT

This first song is an exception to our Rule — there are no harsh vocals in it at all, and I thought the clean vocals were quite appealing. They remind me of someone I’ve heard before, but I’ve had trouble placing the resemblance. Yet what really hooked me about the song is the guitar performance; it’s essentially one long, terrifically good guitar solo anchored by a couple of compelling central riffs. Continue reading »

Jun 212016
 

Vektor-Terminal Redux

 

(Austin Weber turns in this review of the new album by Vektor.)

Formerly Arizona-based, now Philly-based prog thrash unit Vektor are an interesting sonic experiment, akin to fellow modern thrashers Revocation as far as taking thrash roots mixed with some progressive death metal influences (and beyond) and creating something new and breathtaking. Their first two releases, Black Future and Outer Isolation, showed a group hungry to prove their mettle in an already crowded re-thrash oriented scene and movement. From those initial sparks of brilliance, Vektor have truly become something even greater this time around with Terminal Redux. Continue reading »

Jun 212016
 

Hannes Grossman

 

(DGR had so much fun stepping up for round-up duty last week that he’s already back with more new songs to recommend. And later today you’re humble editor will throw in Parts 2 and 3 of today’s round-up.)

Just as we managed to post our last series of huge collections of music, even more delicious goodies came to our attention span over the past week whilst we lay on rocks under the sun attempting to capture flies. This time around, music that leaked out within the past few weeks is what we’re hoping to cover — with one notable exception that is a bit more of an anthropology act waiting at the bottom.

Last week saw a handful of huge premieres — including one day at our very site that saw seven pretty huge ones — and we’re hoping to help spread the news. This installment is, again, pretty death-metal-heavy but moreso stuff that has been on the fringes of the genre than stuff that is straightforward blasts and sewage growls. We’re going to cover the tech realm, the thrashier side, the melodic side, and then into one band who covered a vast amount of ground before they went into hibernation. There should also be some pretty hefty names for you all to recognize as well, which made last week fairly exciting to say the least. Continue reading »

Jun 202016
 

Harakiri For the Sky-III Trauma

 

Harakiri For the Sky’s last album Aokigahara, released in 2014, was a revelation — a powerful amalgamation of black metal and atmospheric post-metal that was both blisteringly cathartic and achingly beautiful. To borrow the words of my comrade Andy Synn, “With an undeniable ear for bleak, evocative melody, an impressive array of gleaming lead guitar refrains, and a keen grasp of stellar songcraft, on record the group are a truly immersive experience.” No wonder that this Austrian duo’s new album III: Trauma has been one of our most highly anticipated 2016 releases.

The first advance track from the new album, “Calling the Rain”, was a sign that, if anything, the band may have exceeded the heights reached on Aokigahara. The song is an intense experience, a memoriam to the suicide of an old friend. It’s also intensely memorable, earning all of its 11+ minutes and somehow still ending too soon. And today we bring you the premiere of a lyric video for another song — “Funeral Dreams” — which is further proof that, as fine as Aokigahara was, III: Trauma is even better. Continue reading »