May 162016
 

Winterhorde-Maestro

 

(We are fortunate to bring you a premiere of a song from the new album Maestro by the Israeli collective known as Winterhorde, with the following introduction by our writer DGR.)

The passage of time tends to make all of us look insane, because when you consider the sheer numbers, a gap of six years between albums looks pretty tremendous. Six years lies pretty far over on the longer side of the “waiting for a new disc” listener spectrum. Yes, so much happens in metal that you almost don’t notice, save for when all of a sudden bands dramatically reappear and drop new albums on us, seemingly out of nowhere.

Winterhorde are one such band, an Israeli symphonic-black metal band whose last album Underwatermoon was released in 2010 — an album which I praised in part because it had the temerity to feature both a boat and a planet on its cover, in a year where it seemed like eighty percent of metal releases either had a boat or a planet as their art. Continue reading »

May 162016
 

The Wretched End-In These Woods, From These Mountains

 

(Andy Synn reviews the new album by Norway’s The Wretched End.)

So, from one band of Emperor-fixated whippersnappers we move to another group of grizzled veterans masterminded by ex-Emperor guitarist Samoth himself. Sun rise, sun set…

Now I’ve said before that not every band has to innovate to be worth your time. It’s still possible to do something unique, even within the confines of an established sound or style. It’s all about character.

Case in point, you’d be hard-pressed to call what The Wretched End do particularly innovative, but then it doesn’t really need to be… the band have still managed to forge themselves a distinctive identity all their own, firmly rooted in the fertile soil of Death/Thrash and based around the simple ideal of writing kick-ass songs packed full of murderously infectious riffs, humongous drums, and visceral, rib-tickling hooks.

The band’s third album, In These Woods, From These Mountains, does deliver a few surprises of its own, however, the most obvious of which is how much more overtly “blackened” it is than either of its predecessors. It seems you can take the boys out of Black Metal, but you can’t take the Black Metal out of the boys… Continue reading »

May 152016
 

Ashbringer-Yugen

 

I didn’t post anything on our site yesterday, which makes only the sixth or seventh day in more than 6 years when I’ve fallen down on the job. As was true most of those other times, I was suffering from a really late Friday night (which included a visit to the first metal show I’ve seen in more than a month) in which I managed to poison myself with the demon alcohol. I think I needed to blow off some steam, but I paid severely for my fun.

Anyway, I will attempt to make up for letting the site go dark on Saturday with this collection of new songs (plus a new video) that I want to recommend, all of which lurk in various corners of the black realms. There’s a lot of music here, and so I’ve restrained my usual verbosity. Presented in alphabetical order by band name.

ASHBRINGER

The second album of Minnesota’s Ashbringer is named Yūgen. It will be released on June 7 by Avantgarde Music on digipak CD) with vinyl coming later via Vendetta and a cassette edition via Broken Limbs Recordings. The first advance track, “Oceans Apart”, appeared early this month and I finally got around to checking it out. It’s as striking and memorable as the album’s cover art. Continue reading »

May 152016
 

Rearview Mirror

 

Over the last couple of months one of the musicians in the excellent Dutch black metal band Kaeck has been turning me on to underground releases from the distant past that I’d never heard (or heard of) before. His own roots in the black metal scene go back decades — far longer than my own — and I’ve realized how much I still have to learn. I’ve already devoted several of these Rearview Mirror posts to bands he has recommended, and this is another one.

The focus of this post is a Swedish band named Niden Div. 187, and specifically the only full-length album they ever released, 1997’s Impergium. Continue reading »

May 132016
 

Agalloch band

 

As if I didn’t have enough to be depressed about, my friend Joseph Schafer from Invisible Oranges just alerted me to the thoroughly depressing news that Agalloch has broken up. Here’s the message that just appeared on their Facebook page:

Following 20 years, 5 full length albums, many tours around the world, and numerous other recordings, John Haughm and the rest of the band (Don Anderson, Jason Walton, and Aesop Dekker) have parted ways. What the future holds for the separate parties remains undetermined. We collectively thank all of our fans across the world. There are also way too many other people to thank who made this band possible. You know who you are.

Continue reading »

May 132016
 

Polyptych-Defying the Metastasis

 

For reasons I’ve explained before, I’ve had less time than usual to surf for new metal, partly because I’ve been getting home so late at night from hospital visits. Last night I made it home a bit earlier than usual, faced again with an enormous amount of stuff in our in-box and a continuing flood of new music appearing on social media. What to do?

I decided to just look at a few of the e-mails we received yesterday, and I had surprisingly good luck with that.  I discovered all the songs you’re about to hear in that way. But first, a piece of welcome news….

POLYPTYCH

Last month we had the pleasure of premiering the title track to Defying the Metastasis, the new album by Chicago-based Polyptych. Today the album has been officially released in digital form (physical CDs will be available by the end of the summer), and the album is so damned good that I thought it was worth spreading the word — and giving you a chance to listen to all of it. Continue reading »

May 132016
 

Above Aurora-Onwards Desolation

 

Onwards Desolation is the title of the debut album by the Polish band Above Aurora. It will be released by Pagan Records near the end of this month, and today we bring you the premiere of a track from the album named “Open the Wounds“.

Above Aurora juxtapose elements of atmospheric doom and black metal as a method of ratcheting tension and then releasing it. “Open the Wounds” is a good example of how well the band have mastered this technique, and of their skill at writing songs that seize the listener’s attention and then continue to exert a magnetic attraction even after the last note. Continue reading »

May 122016
 

Hells-Paradise

 

Tomorrow — May 13Seeing Red Records will release Paradise, the debut EP of a Philadelphia band appropriately named HELLS, and today we bring you a full stream of its six head-wrecking tracks.

When you listen to the music, it will quickly become clear that Paradise is an ironic title. At a minimum, it’s a term that must be understood in context, maybe one reflecting a worldview in which being beaten senseless or asphyxiated brings a glorious release from a daily rain of shit. Continue reading »

May 122016
 

Meshuggah recording

 

Here are a couple of breaking news items that I suspect will be of interest to our readership.

MESHUGGAH

Not long ago Meshuggah posted a 16-second snippet on YouTube, with the words: “Fall.2016. Watch this space!” On Facebook, they embellished slightly: “Fall 2016 – new album, new tours.”

And isn’t that exciting? Continue reading »

May 122016
 

Messa

 

(Our Russian correspondent Comrade Aleks, who usually furnishes us with interesting interviews, brings us a combined review and interview today.)

The Italian band Messa first saw the light of day in 2014, and I believe that this quartet will surprise you with their alchemical combination of doom, hard rock, drone, and prog music. The Aural Music label released Messa’s debut record Belfry on May 6, 2016; they promised obscure and evoking doom, “scarlet doom” as they say. Mark Sade (guitar, bass, ambient stuff), Sara (vocals), Mistyr (drums), and Albert (lead guitar) run this coven; all of them have different musical backgrounds and it directly reflects in their music.

The band’s name speaks for itself, and Marco tells why they picked up this one: “Basically we were looking for a name with a few characteristics: Italian, with a female touch and kind of gloomy. Messa in English means Mass and it means a lot for us and especially for our society around us”. Continue reading »