Dec 292016
 

fleshmeadow-umbra-album-cover

 

(TheMadIsraeli reviews the debut album by Norway’s Fleshmeadow and brings us a premiere of a full album stream.)

Ok. This is my REAL last 2016 review. I promise. And it comes with a stream premiere.

Fleshmeadow are in the vein of progressive AND technical black metal that I’ve fallen in love with. When I think of black metal I enjoy, I think of bands like Khonsu, Keep of Kalessin, Dark Fortress, Old Man’s Child. These bands are always doing interesting things, writing superbly crafted riff-storms of frigid ice comprised of foreign alien matter and scathing nihilism toward existence itself — and so is Fleshmeadow.

Fleshmeadow’s  Umbra came out on December 16th, so it’s another one of those releases that has come too late in the month to get its proper year-end recognition. That’s really sad, because if you like more deliberate, progressive, and machine-cold black metal, this might be the best black metal album released in 2016 that wasn’t Khonsu’s The Xun Protectorate. Continue reading »

Dec 262016
 

thunderwar-black-storm

 

(In this post TheMadIsraeli reviews the impressive, just-released debut album by the Polish band Thunderwar.)

Alright. One more review for 2016.

Thunderwar are a rookie melodic death metal quartet from Warsaw, Poland, who bring something of a blackened take to the style. It’s unfortunate that their album was released late this month, as it won’t have a fair chance of being recognized on year-end lists. Maybe sometime in Q1 2017 I’ll do a “Top 10 albums in 2016 left in the dust because they were released in December and therefore came in too late for top albums of 2016 lists because these lists need to be published ASAP for clicks instead of waiting ’til 2017 to give a 100% informed account of 2016’s musical landscape” list.

The timing is unfortunate because for me Black Storm is the most impressive debut of 2016 in this style, alongside Betrayal’s Infinite Circles. Continue reading »

Dec 212016
 

NCS The Best of 2016 graphic

 

(As LISTMANIA continues at our site, TheMadIsraeli provides his year-end lists in graphical form.)

2016 was a rough year for me that kept me from really submerging myself in music the way I would normally want to. While it seems that I managed to listen to many of the releases that really mattered, I do feel like I fell a bit short. I was, however, able to put together three lists: A top-10 death metal list, a melodic death metal list, and an overall top 10 of the year, which you’ll see in the Topster’s collages below.

A few ramble notes before the lists… Continue reading »

Dec 202016
 

brutal-unrest-trinitas

 

(TheMadIsraeli prepared this review of the new album by Germany’s Brutal Unrest, coming in January from Hammerheart Records.)

I don’t demand originality or diversity of sound when it comes to my metal. All I ever ask of you is that if you aren’t going to do something interesting or experimental, write good riffs, show that you have a fundamental understanding of what makes metal great. And so I tend to like only super-out-there experimental/avant-garde/progressive extreme metal, or super-meat-and-potatoes, tried-and-true metal that pays homage to the roots and legacy of the genre.

Brutal Unrest definitely fall into the latter category, a majestic German death metal behemoth that listened to too much Aeon, Deicide, Suffocation, and Dismember and came out sounding exactly like the above album cover looks. Continue reading »

Dec 162016
 

sunlights-bane-album-cover

 

(TheMadIsraeli reviews the forthcoming debut album by Sunlight’s Bane from southeastern Michigan.)

Sunlight’s Bane is the sort of pure vitriol I need in my life. TBVLATEWB (also known as “The Blackest Volume: Like All The Earth Was Buried”) is both an unrelenting powerhouse of feral ferocity and carnage and also an interesting exercise in sub-genre hybridization which, as you may know, is my fucking shit.

An interesting combination of death metal, black metal, hardcore, and grindcore, this album accomplishes a grim and unrelentingly belligerent attack that sticks out from the pack. If you like bands like Anaal Nathrakh, Nails, Dark Fortress, Portal, and/or Incantation I think this album will speak to you inevitably on some visceral level. I’m quite a fan of what this band are doing, and very glad I gave it a shot when I got the promo. Continue reading »

Dec 122016
 

nyn-embrace-entropy

 

(TheMadIsraeli brings us this premiere of a song from the new album by NYN.)

In the interest of full disclosure, the man behind the NYN project (Noyan) is both a fellow blogger (he’s a heavy hitter over at Heavy Blog Is Heavy) and a very good friend — but he’s also an insanely talented death metal maestro. Under the NYN alias he’s put out two albums so far. I keep meaning to write a feature on him and maybe I will sometime soon, but today I’m bringing you a song titled “Embrace Entropy” from NYN’s next album. The album itself is called Entropy: Of Chaos and Salt.

Both the song and the new album feature two notable collaborators, one being lead guitarist Tom “Fountainhead” Geldschläger, who was also a lead guitarist on Obscura’s latest album Akróasis, as well as the man behind Fountainhead, and Jimmy Pitts of Eternity’s End and Pitts Minnemann Project on keyboards. Continue reading »

Nov 232016
 

destroying-the-devoid-paramnesia

 

(TheMadIsraeli reviews the new album by Destroying the Devoid, the solo project of Deeds of Flesh guitarist Craig Peters.)

So… I’m going to have to confess something here.

I really dislike the Unique Leader style of death metal.

I know that’s heresy since they are a popular label now for the genre (and one whose bands NCS has featured regularly), but I’ve never been able to get into the super-machine-tight, super-technical, turned-up-to-11 all the time brand of death metal they are known for pushing. It just isn’t my thing, which is a shame because one of their flagships, Deeds Of Flesh, are obviously a great band — I’ve just been unable to fully appreciate them. I do have great respect for that band’s guitarist and composer Craig Peters, who has immaculate technique and does write interesting riffs from a guitar player’s standpoint.

I will also admit, though, that the subject of this review is making me consider going back and checking out Deeds Of Flesh’s discography in its entirety. Continue reading »

Nov 222016
 

oni-ironshore

 

(TheMadIsraeli reviews the debut album by the band Oni.)

Some of you old-timers might remember that I was super-hyped on Black Crown Initiate. I enthusiastically reviewed their debut EP and while I didn’t review their first album, I absolutely loved it. 2016 rolled around, and Selves We Cannot Forgive rolled around and it was… not the BCI I was hyped on. The album was a complete disappointment in fact, and I was extremely, extremely dismayed that the band had already seemingly fallen off the horse. We’ll see what the future holds, but as to what made me lose faith in the band, it was their conversion to a rather directionless, meandering style of songwriting combined with riffs that were barely riffs.

Oni are poised, already, to kick Black Crown Initiate off their own throne where they once brandished a distinctive brand of technical, groovy, yet poppy and melodic progressive death metal. The two bands share many similarities, but with Oni taking it a step further and adding even more influences and elements. I don’t think you can say Oni sound like BCI, but to my ears they have definitely taken the BCI formula and brought it to the next level, whether doing so consciously or not. Continue reading »

Nov 212016
 

s-gronbech-khonsu

 

(TheMadIsraeli interview S. Gronbech, the man behind Norway’s Khonsu, whose excellent new album The Xun Protectorate we reviewed not once, but twice.)

 

Tell us about yourself, about Khonsu and what made you decide to start this project?

Well, to go really far back in time, my father has always been a hobby musician and when growing up me and my brother Arnt “Obsidian C.” Gronbech from Keep of Kalessin played around with his instruments and recording equipment from a very young age. He had several guitars – both acoustic and electric — a keyboard, and piano, and I think I was 6-7 when I first recorded some of my own music on my his 4 track tape recorder. So listening to music and the joy of making music has always been a part of my family, and without this early environment I would probably never have been a musician today.

My father also felt it would be important to keep learning to play instruments by going to professional lessons, but I didn’t like it very much and he more or less had to force me. I have never been interested in learning to play something someone else has already made, so I came to most lessons unprepared and had not rehearsed. So eventually I quit. I’ve always preferred to improvise and be creative on my own. So I actually have very little knowledge of music theory, and most of the time I have no idea what the chords or scales I am playing are even called. Continue reading »

Nov 172016
 

a-sense-of-gravity-atrament-cover-art

 

(TheMadIsraeli reviews the new album by A Sense of Gravity which will be released tomorrow — along with our premiere of a full-album stream of the music.)

A Sense Of Gravity, like Khonsu (whose new album was also reviewed here recently), are one of those bands with a sound that is so multifaceted and “all their own”, so ambitious in scope and gripping from beginning to end, that it deserves acclaim. They may very well be one of the most important bands metal has to offer right now.

Atrament is my second album of the year, with this and Khonsu’s The Xun Protectorate being pretty much tied. Between them, my longing for heavy, dynamic, emotionally turbulent musical experiences has been well satisfied. A Sense Of Gravity are looking to the future, rooted in a post-modernist realm where Pain Of Salvation and Dream Theater’s progressive ambition and expression are met with the progressive metalcore stylings of Sikth, Textures, and Protest The Hero. It’s a sound brimming with both sophistication and boundless energy. Continue reading »