CAPSULE

 Metal News  No Responses »
Jul 112010
 

Into the Moat is (or maybe was) a head-spinning metal band from South Florida. They released their second album, The Campaign, in the spring of 2009, and we thought it was one of the most riveting tech-death albums of the year.

Into the Moat had its genesis almost a decade ago as a one-man project started by a dude named Matthew Gossman, and as that project evolved into a full-fledged band, he remained the drummer and a key creative force in the band’s music.

A couple weeks ago we saw a news item reporting that Gossman had joined another South Florida band called Capsule, and around the same time Gossman published a video blog that disclosed a few other details (at this location) — such as the fact that he recently graduated from college with a bachelor’s degree in business administration and that other guys in Into the Moat are also in school, which explains why the band has been dormant, with no news for almost a year.

Because we’re such big fans of Into the Moat, we decided to check out Capsule’s music, just to see what attracted Gossman (apart from the fact that the other dudes in the band are old friends). And when we did that, we had one of those “holy shit!” moments — you know, the kind that make us start gurgling out one of these posts.  (more after the jump . . .) Continue reading »

HUNGERSNOT, DAMMIT!

 Album Reviews, Metal News  11 Responses »
Jul 102010
 

We spent most of the past week picking through the sonic wreckage of North African metal and finding all sorts of exotic gems. It was one more reminder (as if we needed one) that the world of metal encompasses an immense variety of music, and the sound continues to evolve all over the world. What other musical genre can match it?

In celebrating the diversity of metal, it’s a fitting way for us to cap off the week by bringing Trollfest to your attention. This Norwegian band is sort of a global village unto themselves. Try wrapping your mind around this concept: speed metal plus oompa music plus Balkan folk tunes plus middle eastern melodies plus Converge-style hardcore shrieking plus more speed metal plus beer and vodka plus more speed metal.

Sound tempting? No? Well, see if this recent press release increases your interest:

When a band that defines its music as “true Norwegian Balkan metal” chooses to debut a track from its new album on July 9 so that it can celebrate the Constitution Day of Palau (an island lying in the Pacific, and one of the world’s youngest and smallest sovereign states) it is going to be a safe bet that the album will cross geographical boundaries in sound and influence.

Getting more interested?  How ’bout this: That debut track is called “Die Verdammte Hungersnot”. We’re pretty sure “verdammte” means “damned” in German. What do you think “hungersnot” means?  (more after the jump, including musical dementia for your consumption . . .) Continue reading »

METAL FROM NORTH AFRICA (Part 3): ODIOUS

 Album Reviews  7 Responses »
Jul 092010
 

Sadly, we now come to the end of our 3-part post on Metal From North Africa, though we will revisit the subject in the future. To close this out, we’re back to Egypt, where we started, and a band called Odious.

Odious has been around since 1998, and as best we can tell, they were one of the first Egyptian extreme metal bands to release a professional album — 2007’s Mirror of Vibrations. Before that, they self-released and distributed a demo EP called Summoned by Night, which led to their signing in 2005 by a Greek label called Sleaszy Rider Records and the release of that 2007 album.

Of all the music we’ve reviewed in this survey, it’s probably the most challenging to hear, but it may be the most interesting. It’s the most uncompromisingly faithful to traditional black metal, but also the music that most heavily incorporates not only oriental music but also traditional instruments.  (more after the jump . . .) Continue reading »

METAL FROM NORTH AFRICA (Part 2): SAWLEGEN AND BARZAKH

 Album Reviews  9 Responses »
Jul 082010
 

Today we present Part 2 of our three-part series on North African metal. Yesterday we explained that we started down this dune-swept road by looking for Egyptian metal. Somewhere along the way, we stumbled across bands from some other North African countries, including the subjects of today’s post — Sawlegen and Barzakh.

SAWLEGEN

Sawlegen is a Moroccan band. The first of their songs I heard was an instrumental called “Streets of Agrabah”, and it dropped me in my tracks like I’d been shot through the skull with a nail gun.

I tracked down the rest of the songs on Sawlegen’s sole album (2007’s Stories From An Old Empire), and I’ve never heard anything quite like them. “Streets of Agrabah” remains my favorite, but the whole album is a fascinating mix of contrasting styles, and on the whole it’s a riveting experience.

If I were to attempt a high-level description (which I guess I’m now doing), I would say it’s an amalgamation of folk metal and symphonic black metal, but with an infusion of exotic oriental melody and song structures that build to ever-more feverish crescendos. Staying at a high level, and relying on Western idiom, I would also say this album fucking rocks.  (more after the jump, including a song to hear . . .) Continue reading »

METAL FROM NORTH AFRICA (Part 1): SCARAB

 Album Reviews  14 Responses »
Jul 072010
 

On July 5, we tried a little experiment. Indulging in the same kind of presumptuousness that motivates people to tweet about their latest meal or the last time they washed their underwear, we just described the music we’d randomly checked out that morning — whether it was good, bad, or indifferent. None of the bands was known to us, and we didn’t actually like everything we found, but we wrote about all of it anyway — just because that’s what we heard.

A few readers actually seemed to like the idea, and we’re desperate for approval, so we’ll do it again. But not today. Today, we’re doing something that’s a little more focused and we’re exercising a bit more judgment. But in a way, this post started just as impulsively as the one on July 5.

We were over at Steff Metal‘s blog and got into a sick mixtape she had created (here), the subject of which was music with an ancient Egyptian theme (though not played by bands from Egypt). That got us to thinking (always a dangerous pastime) and we realized that we knew very damned little about Egyptian metal bands.

So, we started exploring, and the path we wandered hooked us up not only with some really good Egyptian metal, but also with metal from some other North African countries — Tunisia and Morocco, to be precise. We found enough interesting shit that we’re dividing this post into three parts: One band today (Scarab) and the next three over the two following days.

To be clear, we’re not pretending this is some kind of authoritative survey. We didn’t do in-depth research, and we didn’t listen to dozens of bands and then selectively whittle down the group. We’re way too half-assed for that. We just jumped into the fast-moving current of the internet and waited to see where we’d be washed up on shore.

And by sheer chance, we wound up with a little bit of everything — some death metal, some oriental black metal, and some progressive/folk metal — but what we found was awesome. So open your minds and your ears and we’ll show you what we found.  (beginning after the jump, of course . . .) Continue reading »

BYFROST

 Album Reviews  10 Responses »
Jul 062010
 

For the most part, Bergen, Norway’s Byfrost plays marching songs and battle music for orcs. There are exceptions, which we’ll come to, but their recently released debut album Black Earth is mainly about the inexorable stomp, the headlong charge, the baring of oily teeth, the spiked maces held high. Or at least, those are the images that come to our orc-brained minds as we listen to this riff-tastic new release.

Byfrost is a three-piece band, and as befits this stripped-down ensemble, the music is bare-boned and primal. It lives and dies by the almighty riff, and Black Earth is loaded with them, from both guitar and bass. The pacing and the mood change within the album, but those dissonant hammerblows are a constant.

From the blackened thrash of “Horns to the Sky” and “Wings of the Angel of Death” to the lurching, stutter-stepped march of the title track, to the doom-influenced interlude within “Desire,” Byfrost builds their songs in a verse-chorus-verse structure around deceptively simple chords and rhythms, and then propels them forward in massively powerful repeating loops. The hooks are so sharp and deep that it’s easy to get caught up by them.

The remorseless martial stomp of the music is relieved by guitar solos that vary from soulful arpeggios to heated gouts of pure shred and by down-shifted variations in the pacing. But throughout is the sensation of being shaken like a rag doll by giant, clawed hands in time to a hellish beat.  (more after the jump, including some tracks to stream . . .) Continue reading »

MISCELLANY

 Metal News, MISCELLANY  14 Responses »
Jul 052010
 

Lots of social networking feeds are used in ways we don’t understand. We’re talking about people who use Twitter and Facebook posts and MySpace bulletins to tell the world about their latest bowel movement or what they just ate or their current mood or what they just did with their right index finger. Sometimes it’s funny, and we know lots of bands think it’s good marketing — a way to keep their names in the forefront of people’s heads. But most of this minute-by-minute minutiae is just dull as dishwater, or worse.

But because we’re still feeling slightly guilty about using up today’s NCS space with an extended rant about Dave Mustaine, we thought we ought to do something else before calling it quits for the day. So we’re indulging in that same Twitter-esque impulse to just tell the world what we’ve been doing this morning. Don’t worry — we’ll keep the details of our latest bowel movements to ourselves. This will have something to do with music, though in a completely random way.

It’s just a log of what we’ve listened to and/or watched in our day so far. We’re not even recommending it. It’s just what we did, and like all those tweeters out there, we just presume you’ll be vividly interested.

First up is something that’s NSFW, but since it’s a holiday for most people in the U.S. and since most of our readers are probably out of work anyway, we’ll forge ahead. Plus, it will give us a chance to one-up some of the video nastiness that our guest contributor Steff Metal served up in her post about Metal from NZ a week ago.

This lead-off video, which is brand new, is from an Austrian band called Mastic Scum. It’s for a song called “Construcdead” from the band’s 2009 album, Dust. The song is a bruising piece of street-gutter death metal that’s pretty good. The conceptual theme of the video is someone’s idea of over-the-edge debauchery, framed in a metaphor of vehicular wreckage.

So, if it’s been a while since you snorted coke, shot-up with heroin, cavorted with oiled-up dominatrixes, stuffed your face with food, been bull-whipped, had a golden shower, took it up the bunghole with a black dildo, or dribbled snot uncontrollably — well, you can relive those fond memories by watching this:   (after the jump, of course — and more of our morning log follows it . . . .) Continue reading »

MEGADICK (TO THE MAX)

 IQ Subtraction, Metal News  10 Responses »
Jul 052010
 

Against my better judgment and most of my principles, two days ago I watched the video of the “Big Four” performing on stage together in Sofia, Bulgaria on June 22. In fairness to me, it’s not like I searched for it. I was just scrolling through the latest drivel on Blabbermouth, looking for the occasional item of interest that does occasionally lurk within the drivel, and there it was. All I had to do was click the “play” button.

Still, I paused.   A long time.   For one thing, although I still like Slayer (and “like” is about all the enthusiasm I can muster), Metallica, Megadeth, and Anthrax have no current relevance to me. The fact that they broke major ground once upon a time doesn’t mean it makes sense for me to listen to their music today, when there are so many other bands I’d rather hear. For another thing, I wasn’t a slobbering fan of most of those bands even when they were current.

And for a final thing, I’ve just grown sick to death of reading about this whole “Big Four” tour. For purposes of this NCS blog, I feel compelled to keep up with current events in metaldom, but to hunt for things that really do interest me, I’ve had to pass through a fecal waterfall of interviews, press releases, and blogger babble about this fucking tour. Enough already!

And for a final, final thing, I knew if I watched the damn video I’d have to see Dave Mustaine.

But I watched it anyway. And as jaded as I am about these bands and this tour, I did get a mild thrill out of seeing all four of them on stage playing together. Certainly not because of the music, because “Am I Evil?” is a forgettable song, and no one in this performance went out of their way to turn it into something better.

That was two days ago. And then yesterday came, and I saw a transcription of an interview Dave Mustaine gave on July 1 in Vienna, and I was vividly reminded all over again why that guy makes me wanna projectile vomit and why I should have passed right over that video without pressing play.    (unfortunately, there’s more after the jump . . .) Continue reading »

NOTHNEGAL

 Album Reviews, Metal News  7 Responses »
Jul 042010
 

Fair warning: This will be one extended session of spittle-flecked frothing at the mouth, because we haven’t been this blown away since stumbling into a full-fledged Seattle windstorm last winter. So get the safety glasses on and strap on sanitary masks if you got ’em.

The subject of our enthusiasm is Nothnegal. They’re a band from The Republic of the Maldives that now includes two non-Maldivian heavyweights — drummer Kevin Talley from Dååth and keyboardist Marco Sneck from those Finnish swamplords Kalmah. They’ve got a four-song EP to their credit called Antidote of Realism and they’ve just signed with Season of Mist for the release of their debut album early next year.

Oh yeah, they’re also playing with Arch Enemy this month and touring Europe in the fall with the likes of Rotting Christ, Samael, and Finntroll.

And we’d wager that most of you have never heard of them. Until earlier this week, we hadn’t either. But this band shows all the seismic signs of an impending Vesuvius-sized eruption onto the scene — and based on the band’s output to date, it would be well-deserved.

If you like technically immaculate, headbangingly compulsive, Scandinavian-style melodic death metal played at autobahn speed, stay with us after the jump. Among other things, we’ll stream all four tracks from that EP and we’ll show you how to download a cut from Nothnegal’s forthcoming debut album. Continue reading »

APOCALYPTICA: END OF ME

 Exceptions to the Rule, Metal News  2 Responses »
Jul 032010
 

This seems to be video day here at NO CLEAN SINGING. We didn’t plan it that way, but we just keep running across brand new videos from bands we like.  Here’s one more.

This one veers pretty far outside our usual stomping grounds. It’s another one of those radio-friendly hard-rock songs that Apocalyptica has been putting out with name-brand guest vocalists. This particular offering, “End of Me”, features Gavin Rossdale, former lead singer of Bush and current husband of Gwen Stefani.

So, the song isn’t metal, but it’s an Apocalyptica song, and your NCS co-authors have had way too much headbanging fun at their live shows in Seattle to ignore even a non-metal song like “End of Me”. So, we’re invoking our Exception to the Rule rule and posting the video. It’s a catchy song, it features a bunch of long-haired dudes rocking out on their cellos, and it ends with an ornately dressed woman fading into smoke.

If you’re in the mood for that kind of thing, you can watch the vid after the jump. And if not? Have a nice fucking day anyway. Continue reading »

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