Jul 082011
 

(The prolific Andy Synn is back with his third post this week. This time he’s reviewing the new album by Chthonic — Takasago Army.)

I love Chthonic. This is not something I am ashamed to admit. I have everything they have ever released with the exception of Where The Ancestor’s Souls Are Gathered. I did, however, find their last record, Mirror Of Retribution, a somewhat lacklustre affair – at least when compared with the two records that preceded it, 2002’s Relentless Recurrence and 2005’s Seediq Bale. The crisp, somewhat dry production robbed their sound of some of its individuality and subtlety, so that although the band performed with a new level of aggression and revitalised extremity, the songs overall were delivered with arguably less flair than on previous albums. That’s not to say there weren’t some great songs on the record. It’s still one I enjoy listening to, but I felt that the focus on more extreme, typically “metal” sounds was a mis-step (albeit a minor one) in the development of their unique sound.

So what does Takasago Army bring to the Chthonic sound? Does it successfully redress the balance of their culturally diverse, ethnic influences and vibrant extreme metallic fervour? Can it rejuvenate their passion for the embrace of their cultural heritage without limiting the totemic metal power they have spent so long building? Read on for the answer… Continue reading »

Jul 072011
 

Can you guess what the update is? Go ahead, make a guess! I’ll even give you a hint. It involves three mouths, four sets of ears, scales, and horns.

Yes! It’s the just-revealed cover art for Mastodon’s next album, The Hunter. It’s not your typical metal-album style of artwork, and it’s not the work of Paul Romano, who was the artist behind all of Mastodon’s previous cover art. Instead, it was created by AJ Fosik, a wood carver who’s also responsible for the backdrop the band uses in their live shows. 

I think it’s damned cool, not only in the composition, but also in the use of vivid colors. You can see some of AJ Fosik’s other work at this location. It’s damned cool, too.

Mastodon is currently in Europe for a summer-long tour that includes all the dates on this year’s Sonisphere festival as well as the Rock Im Park, Rock Am Ring, and Roskilde festivals, among others. The band is also scheduled to play a one-off show at The Gorge near Seattle on July 30, with Soundgarden, Queens of the Stone Age, and the venerable Meat Puppets.

Speaking of the Roskilde Festival in Denmark, after the jump we’ve got some quality fan-filmed video of Mastodon’s July 1, 2011 performance there. Continue reading »

Jul 072011
 

While feverishly trying to finish a few reviews and features I’m way late on, I still can’t help but listen to new songs as they pop up on the NCS radar screen, and I heard two head-smashers over the last 24 hours that I thought were worth sharing — from Halo of Gunfire (U.S.) and I Chaos (The Netherlands).

Actually, we don’t have radar at NCS, though we do have a foil-lined room designed to pick up alien transmissions from space. I think that’s where I received the subliminal instructions to listen to these songs, along with the instruction to paint my face green before going to work today. I always follow the instructions I hear in that room. I don’t wanna risk more rectal probing in the mothership that periodically hovers over the NCS Island. I couldn’t sit down for a week after the last session.

Actually, I haven’t been feverish either. If I worked feverishly, I might make more headway in completing the various writings I’ve started. I think a more accurate adjective for my work-pace would be fitful. Or maybe somnolent.

Where was I? Oh yeah, new head-smashing songs. Both of them deliver a technically exuberant form of modern death metal that I’m starting to classify in my own mind as “smash with flash” — music that melds technically demanding performance with untrammeled aggression, yet not as atonally brutal as the music of bands like Necrophagist or Hate Eternal; music that’s not part of the increasingly saturated (and often soulless) technical genre of “djent”; music that has progressive and even jazz tendencies but doesn’t feel compelled to wimp out with frequent injections of clean singing. (more after the jump . . .) Continue reading »

Jul 072011
 

OK, time to court some (albeit minor) controversy. To compare and contrast with the “Wintermoon Wednesday” piece on post-millennial black metal by Tr00 Nate (unseen at the time of this writing) over at TheNumberOfTheBlog, I’ve decided to list my own picks for the prize.

I’ve left out the obvious choices, so no Satyricon or 1349 – even though the former have transformed themselves post-2000 very successfully, courting both success and controversy in equal measure, while the latter have pushed their hyper-blast style beyond the breaking point, only to discover a new lease on life through their exploration of gnarled, twisted atmospherics.

No Rotting Christ? Or Samael? Nope. I love both of them, but they both had long pre-millennial careers and spent much of the post-2000 stage of their careers exploring less focussed, less black metal sounds — although both have recently released masterful examples of their own focussed and distinctive brands of black metal.

I have left out records which are perhaps less “purely” black metal — records for which a strong case can be put forward that they belong more as “blackened” examples of another genre — so there’s no place for Altar Of Plagues or Withered, both great bands in their own right. No Akercocke either, the sheer weight of their crushing death metal heft disqualifying them for this list.

I have also by choice left out artists/albums I have covered recently. Therefore, no Iskald (though The Sun I Carried Alone IS one of the best black metal albums of the last ten years), or Elite (see HERE for my thoughts) or The Axis Of Perdition (HERE), even though I’d argue that each of them has at least one example under their belt of near perfect post-millennial black metal.

So who have I chosen? Well look upon my choices dear reader, and despair… Continue reading »

Jul 062011
 

Many death metal and grindcore bands have got great names, the kind of names that are fun to trot out when a non-metalhead asks you what kind of music you listen to, just to see the resulting facial expressions. Dying Fetus and Napalm Death are among the names I like to use. Of course, it helps that I actually really like both bands.

Death metal and grindcore song names are good for this purpose, too — like “Unchallenged Hate”. Now, if a non-metalhead asks you what you’ve been listening to today, you can tell them: Dying Fetus’s cover of Napalm Death’s “Unchallenged Hate” — because that’s what we’ve got for you in this post. It was just put up for streaming by Metal Hammer, via Muzu.tv, and because the player is embeddable, we’ve got it for you after the jump.

This is the second Dying Fetus cover we’ve featured, the first one being their cover of “Unleashed Upon Mankind” by Bolt Thrower (here). Both songs are from Dying Fetus’ cover album, History Repeats…, which will be released by Relapse on July 19 in NorthAm and internationally on July 25.

And in other news, the re-issue of Death’s Human album (which we covered here) is now streaming in full — all 49 tracks. The link for that is also after the jump. Continue reading »

Jul 062011
 

Here we go with our latest installment of THAT’S METAL! — where we gather together photos, videos, and news about items that made us think, “Fuck, that’s metal!”, even though they’re not music. We have five items for today. Ready, set, GO!

ITEM ONE (THE EMISSARY OF CTHULHU)

I woke up this morning and staggered outside to make sure the lorises hadn’t taken over the NCS compound while I was sleeping, and what should greet my bloodshot eyes but a pair of giant moths that looked like they’d entered our world from another dimension. One of these things would have made me jump out of my shorts. Seeing two of them convinced me that time is running out and the Elder Gods are about to return and lay waste to our world. Sheeeeit.

I took the photo above of one of the moths, and a photo of the second one is after the jump. Both of the mosts are about 3 1/2 inches in length. Surely we have an entomologist or two out there who can tell us what these things are. Yeah, right.

And if you think these fuckers are strange, wait ’til you see the disgusting creature featured in Item Two. Continue reading »

Jul 062011
 

(Andy Synn is back with his lucky 13th SYNN REPORT.)

Norway’s Elite have a lot to live up to. With their chosen moniker, they have set themselves up to be seen either as foolish pretenders to black metal’s mystic might or as battle-hardened warriors whose very skill with their chosen muse makes them truly worthy of the title they have chosen.

Just as challenging, no matter their own prowess, is the fact that their sound treads ground already bloodied by the storms and sacrifices of some of their country’s greatest warriors. This battlefield was once walked by giants such as Immortal, Enslaved and Emperor, each of whom left blood and chaos in their wake, before moving on to new worlds to sow their seeds yet further.

For Elite, however, there is no thought of following Immortal into the halls of myth and legend, no desire to lose themselves in eldritch contemplation and progression like their forebears Enslaved, no sense of legacy and majesty that might make them challenge the rule of the Emperor. No, Elite are happy only on the battlefield itself, running rampant over their opponents and challenging the mightiest of warriors to single combat, for death or for glory.

Where their forebears have abandoned the battle, moving further away from the bleakness and blackness of occult warfare, Elite remain yet upon the field, collecting the weapons and the bones of the fallen, paying tribute to the lost and the damned, honing their skills over and over to perfection. Their ambition is not to carve out a kingdom for themselves as their ancestors did, but to prove themselves in combat, to face all challengers and crush them with metallic power and primal ferocity. This is not a lack of ambition, merely a different form of it, a form where bloodshed and brotherhood remain more important than majesty and acclaim. (more after the jump . . .) Continue reading »

Jul 052011
 

UK musical comedian Bill Bailey recorded this special message to Metallica during his rehearsals for Sonisphere UK at Knebworth. It made me horn-y:

NCS reader survey question for the day:

What is more metal: Bill Bailey’s performance or St. Anger? Please respond in the Comments.

And, after the jump, you can watch professionally filmed footage of Metallica’s July 3 performance at Ullevi stadium in Gothenburg, Sweden, which was originally broadcast on the Swedish TV channel SVT. Continue reading »

Jul 052011
 

(NCS writer BadWolf has a few thoughts about the new album from Suicide Silence.)

The Black Crown is absolutely Suicide Silence’s most enjoyable record, but it appeals in no way to the group’s traditionalist detractors, which is an asset. The band has absolutely no reason to kowtow: If they make a traditional DM record—which would amount to career suicide from a commercial standpoint—the same cadre of tunnel-vision morons would continue ripping them apart for their past, their taste in Justin Bieber haircuts, their love of neck tattoos.

Haters, acknowledge the progress Mick Lurch and co have made as songwriters in four years: Their debut, The Cleansing, was an overstuffed slop-bucket of random note runs pretending to be riffs; its saving grace is a series of youtube-approved sing-along breakdown-choruses.

Fast forward. Suicide Silence is now a full-blown pop metal band. This is an improvement—pop demands the cleanliness and simplicity they lacked. The redeeming quality SS had at the start was precisely what people hate them for; of course they capitalized on their strengths and reforged the aforementioned breakdowns into choruses and easy riffs.

In other words, Suicide Silence have come out of the closet as careerists. (more after the jump . . .) Continue reading »

Jul 042011
 

I shit you not. This has to be the mother of all happy coincidences.

Four days ago we featured a video update from Fleshgod Apocalypse in one of our posts as a teaser to their appearance on this year’s edition of the SUMMER SLAUGHTER tour, and included the news that the band intended to play new songs from their next album on the tour.

Then, the next day we featured a new video of Vader performing in Germany on June 25 and included the news that Nuclear Blast planned to begin streaming a new Vader song on July 15.

And now, Nuclear Blast Europe has just made new songs from each band available for free download! And finally, my slow-as-molasses wireless data card decided to speed up enough that I could actually download the two songs without waiting all day for it to finish. Both of them will blow the top of your head right off into the stratosphere.  (more after the jump, including streams of the songs and the download links . . .) Continue reading »