Feb 142013
 

“Human collective behavior can vary from calm to panicked depending on social context. Using videos publicly available online, we study the highly energized collective motion of attendees at heavy metal concerts. We find these extreme social gatherings generate similarly extreme behaviors: a disordered gas-like state called a mosh pit and an ordered vortex-like state called a circle pit. Both phenomena are reproduced in flocking simulations demonstrating that human collective behavior is consistent with the predictions of simplified models.”

Thus reads the abstract for a scientific paper published today with the title, “Collective Motion of Moshers at Heavy Metal Concerts”. The authors are four gents at The Laboratory of Atomic and Solid State Physics at Cornell University in upstate New York. To avoid confusion, allow me to repeat: This was written by actual scientists, not stand-up comedians.

The authors described pit action as follows, “Often resulting in injuries, the collective mood is influenced by the combination of loud, fast music (130 dB, 350 beats per minute), synchronized with bright, flashing lights, and frequent intoxication.” Stunningly, they observed that “[t]his variety and  magnitude of stimuli are atypical of more moderate settings.”

They expected to find a broad distribution of speeds and chaotic movement that could not be “well described by simple analytic expressions.” Instead, they found that mosh pits closely resemble the equilibirum state of molecules in classical gases. Continue reading »

Feb 142013
 

(This is Part 4 of a 5-part series about metal culture by guest contributor David Mollica, a trained cultural anthropologist and dedicated metal head. This series is based in part on David’s Master’s dissertation and the interviews he conducted in preparation for writing it. The previous Parts of the series can be found here.)

I had planned on yesterday’s post being about gender and ethnicity, but before I knew it I was well over my self-imposed word limit without a single mention of ethnicity. Maybe I like to talk about girls more than I thought… So today I am going to combine the topic of race with the discussion on exclusivity that I promised deckard cain the other day. Sorry if I get a little brief on these last two posts. I’m starting a new job tomorrow and that blasted real-world thing is interfering with the stuff I care about again!

If you live in a Western country most of the metal heads you know are probably white and if you don’t live in one there is a chance that there aren’t so very many of you. Metal heads in Europe and the US also get accused of being racist often enough, and statements made by people like Phil Anselmo and Varg Vikernes don’t always help to put that image down. However, there are large pockets of fans from almost every ethnic group across the globe, especially in larger cities.

Further, out of the ten people I interviewed, three of them weren’t white. If my group was at all representative of the larger fan base, and things like Sam Dunn’s Global Metal would suggest that they are, it means there are a lot of non-white metal heads out there. They are a group that most academics who study metal have somehow missed. Since I met these people hanging out together in bars it also puts up some strong evidence for something I’m guessing you knew already — most of us aren’t racist.  Continue reading »

Feb 142013
 

The last 24 hours brought three new music videos that I thought were worth throwing your way — three quite different forms of metal and three quite different uses of visual accompaniment, but all worth seeing and hearing. The bands are Incantation (U.S.), Hanging Garden (Finland), and Byzantine (U.S.).

INCANTATION

This seminal NYDM band’s new album Vanquish in Vengeance, their first in half a decade, was released last fall by Listenable Records.  It has been very well-received, and rightly so. It bears the hallmarks of Incantation’s well-defined morbid, crushing style, but with a crisper, more modernized sound, and it’s packed with varied, well-written songs. The album opener “Invoked Infinity” sets the tone for the album, summoning up atmospherics of the occult and the doomed while also ripping flesh with a storm of razor-edged guitar work.

This morning the band premiered a video for the song that captures the mortuary air of the track — because it was filmed in an actual, decaying, turn-of-the-century funeral home. Here you go: Continue reading »

Feb 142013
 

Hey mutants, welcome to the 14th of February at NO CLEAN SINGING. To begin, I’d like to share with you a trio of interesting items I spied last night: a goddamn club tour by the almighty Bolt Thrower, a brand new song by a buncha filthy Finnish trolls, and how daily life might look with robots among us.

BOLT THROWER

It has been known for months that Bolt Thrower will be one of the headliners at Maryland Deathfest this year and will also be making a followup appearance at the Chaos In Tejas festival in Austin, which begins in late May. But yesterday Bolt Thrower announced that they have added a limited string of club dates while they’re here in the States. This is mainly a West Coast thing, so those of you who are scattered throughout the vast wasteland to the east, you have my deepest sympathies.

For all the club shows, Bolt Thrower will be supported by Benediction — and fuckin’ Autopsy will also be on the bill for two of the California dates. Here’s the schedule: Continue reading »

Feb 132013
 

(Here we have another installment in UK-based Andy Synn’s occasional series on favorites of his that come in five’s.  Music is included.)

Chance and coincidence are funny little things. One of the various ideas I had noted down for these “Favourite” columns was a short insight into my own collection of non-musical metal materials, specifically the various merch (shirts, etc) I’d picked up over the years.

So when David appeared on the scene with his series of posts on Metal Culture it seemed like the perfect time to actually put this piece together, and hopefully see what items of your ‘metal uniform’ you guys particularly cherish as well!

The funny thing is, I’m actually currently in the process of getting rid of a host of shirts, to various good homes and good people, because I feel like I’ve amassed a rather unnecessary collection, many of which I never/rarely ever wear. So I’ve been winnowing through my wardrobe, selecting the ones I don’t really have a need for, and simultaneously identifying my favourites, all of which plays nicely into this column.

Ok, so we’ll go in some sort of sartorial order, shall we? Continue reading »

Feb 132013
 

(Here’s Part 3 of a 5-part series about metal culture by guest contributor David Mollica, a trained cultural anthropologist and dedicated metal head. This series is based in part on David’s Master’s dissertation and the interviews he conducted in preparation for writing it. The previous Parts of the series can be found here.)

Lets talk about sex and heavy metal…Get your mind out of the gutter, I mean gender, not how to spawn while listening to Slayer. It’s a pretty universal truth that there are more male metal heads than female. Of course anyone can rattle off a huge list of metal bands that have some women in them, like Into Darkness, and even a few all female acts such as Derketa or Mortals (all of which are pretty sweet bands), but these groups tend to be exceptions to the rule. The field is male dominated and always has been. I found this to be one of the most difficult things to inquire about during my study because I got a different answer from every guy I interviewed and the few female metal heads I knew at the time didn’t want to do an interview. My conclusions on the subject didn’t entirely satisfy me, as most of them are speculative and one can even be construed as vaguely sexist, so I hope this post spurs some healthy discussion.

First, think about the social environment at your average metal venue. If it’s even a halfway decent night there is going be yelling, pushing, drinking, headbanging, and mosh pits. According to Beth Winegarner, who has contributed to Invisible Oranges, she never liked to go to concerts because of that sort behavior. However, she still felt the emotional connection to metal that many people reported when I asked them why they liked the music. In other words, Beth is a fan even if she doesn’t socialize with the group all that often. She felt uncomfortable about being around what she saw as the aggressive behavior of male fans. Obviously this sort of feeling doesn’t account for everyone — one of my most gnarly pit-related black eyes was administered by a girl who looked to be about 16 — but it might be a contributing factor to why so many gigs end up being sausage fests. Continue reading »

Feb 132013
 

On February 11, 2013, the night before Enslaved received their seventh Norwegian Grammy nomination, I had the pleasure of seeing them perform in Seattle at a bar called The Highline, which is rapidly becoming my favorite place in town to hear live metal. Somehow, despite its very small size, it’s booking some really amazing tours. It’s a clean, cozy, comfortable place with cool people working there (Dylan Desmond from Bell Witch was behind the bar this night, and I’m pretty sure I saw his bandmate Arian Guerra helping out, too), and they make some good cocktails.

Enslaved weren’t the only draw for what turned out to be a jam-packed audience. Three bands who had breakout years in 2012 were also along for the ride: Arkansas’s Pallbearer was the direct support, preceded by Ancient VVisdom from my hometown of Austin and Atlanta’s Royal Thunder.

I was somewhat familiar with Ancient VVisdom’s music (having featured them in this post at the end of 2011), but I must be the only metal blogger in creation to have missed Pallbearer’s critically acclaimed 2012 album Sorrow and Extinction, and I think I’ve previously heard a grand total of one song by Royal Thunder. So yeah, I was pretty much there for Enslaved.

Nevertheless, I and my friends got to the Highline early enough to grab places to sit on a raised area that runs down the left side of the floor against the wall. We were so far forward that we were almost — but not quite — on the side of the stage, as you’ll see from the angle of the photos I took. And yes, I’m sorry to tell you that this review, as usual, will include a lot of my amateur concert pics. Continue reading »

Feb 132013
 

Phro has reviewed the music of UK-based Chemical Tomb for us before. Amazingly, they sent him their new 7″ split with Corrupt Humanity, which was released January 15. Allegedly, you can pick it up from GRINDFATHER PRODUCTIONSBlack Lake Records, and Aural Onslaught Records & Distro. You can also stream it on Bandcamp. The cover art is by Skillmatik.

Phro delivered unto me another of his now-legendary video reviews. Go ahead. Watch it: Continue reading »

Feb 122013
 

You know you’re in for a treat when the only version of a band’s video on YouTube is marked “Censored”. That’s how Aborted’s new video for “Expurgation Euphoria” is labeled. But who would want to watch a censored video? I view the “censored” label as merely titillation for the uncensored version, which is now streaming on Vimeo.

It’s also now streaming here. And it really won’t make you want to expurgate; it’s relatively tame in its use of gore and disgusting imagery. I just wanted to use “expurgate” twice in a post title. Who knows when I’ll have that chance again?

Although fans of horror movies won’t be upset by this, it is NSFW. It’s an interesting twist on the usual scenario of abuse in mental institutions, and of course it will leave you wondering — is this real, or is it in the mind?

The song, as you know, is great. It appears on the band’s 2012 album, Global Flatline. Watch the video next . . . Continue reading »

Feb 122013
 

Yeah, I’m going back to the “Seen and Heard” caption for these round-up posts. But probably just for today. Here are items of interest I spied over the last 24 hours, including new music, that I thought were worth sharing.

NE OBLIVISCARIS

We’ve talked about this Australian band a lot at NCS. Their 2012 album Portal of I made several “Best of 2012” lists we posted in our Listmania series. And so it was sweet indeed to see this morning’s announcement that NeO have been signed by Season of Mist. The press release I received also included this delicious piece of news: “The band is currently in the middle of writing their Season of Mist debut with plans to record late 2013.”

Congrats to Ne Obliviscaris!

DRAGGED INTO SUNLIGHT

This news will disappear shortly. Yesterday, the UK’s Dragged Into Sunlight, about whom we have also posted endlessly, announced that they have now begun work on a follow-up to their 2009 album Hatred For Mankind (last year’s Widowmaker was less a follow-up than something written and recorded more or less in parallel with the first album). In addition, DIS began streaming what they described as “a collaboration with our fellow wrongdoers in Gnaw Their Tongues.” But the stream is going to end any minute now . . .  Continue reading »