Jun 222014
 


Photo © Metal Chris

You may have noticed that I haven’t written anything for our site for a few days.  I’ve been hanging out with family and friends in Austin, Texas, the hallowed place of my birth.  There has been much eating, drinking, and merriment, but almost no time for metal. I’m thinking I can get back to my normal routine after getting back to Seattle tonight. But although I haven’t been listening to much music, I do have a few things to spread around today.

SÓLSTAFIR

Today is the last day of HELLFEST in Clisson, France. The French site Arte.tv has been webcasting performances from the festival, and I thought I’d mention that Iceland’s Sólstafir will be performing today. As best I can figure, their set will start at 1:00 pm Pacific Time and 10:00 pm local time in Clisson.

I’ve seen Sólstafir perform live on a grand total of one occasion, but based on that experience I highly recommend you watch this.  I’ve embedded the stream player after the jump, but in case that doesn’t work for you, go HERE.

UPDATE:  Sólstafir’s set has obviously now been completed, but I’ve substituted the archived footage of the show after the jump. Continue reading »

Jun 222014
 

(In this post we have Austin Weber’s interview of Youri Raymond, guitarist/vocalist of Montréal’s Unhuman, whose debut album Austin reviewed here.)

Except for a group of hard-core devotees and super-geeks like me, last year’s independently released self-titled Unhuman record came out of absolutely nowhere, catching the majority of the technical death metal scene by surprise. Yet that record was actually a very long time coming, with the majority of the songs originally dating back to 1999 and 2001.

I wanted to get the story behind what caused the album’s delay and all other things Unhuman related. While French is his principal native tongue, Unhuman’s main composer, guitarist, and vocalist Youri Raymond did a fine job deciphering the garbled language I speak and answering back in English. After the interview you can find links to some of the bands Youri mentioned in the interview.

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Continue reading »

Jun 212014
 

(Guest contributor Old Man Windbreaker returns to NCS after an extended absence with the following quirky commemoration of this seasonally significant day.)

Mellow greetings, fellow sapients. Old Man Windbreaker greets you, indeed. Old Man Windbreaker is also sleep-deprived and febrile. Old Man Windbreaker decided to write something for this year’s day of the Northern Solstice. And no, it is not an installment of the promised “A Tredecennium of Metal” series.

Anyway, let us get on with it — a review of Wagner, Wagner Reloaded, and Wagner Revolutions. In addition to finding out whether that is a real thing, you will find here enclosed in this non-existent envelope the non-existent answers to the big questions: “Where do we come from?” “What are we?” “Where are we going?” “Will it blend?” {Cue Immortal and their invisible oranges}

Firstly, there is no trilogy of feature films or musical works titled “Wagner”, “Wagner Reloaded”, and “Wagner Revolutions”. We shall be considering only the music recording titled Wagner Reloaded by Apocalyptica with the MDR Symphonic Orchestra, with the corresponding dance performance choreographed by Gregor Seyffert.

Secondly, One shall wish you to have a great time on this year’s day of the Northern Solstice, which also happens to be World Music Day. One shall not apologise for the irrelevance of the music review to the event of the Northern Solstice.

Finally, One shall make no further mention of the answers to the big questions, other than to say this: “Yes, it will blend.” Continue reading »

Jun 202014
 

(Guest writer Ben Manzella wrote the following review of the June 6 performances by Meshuggah and Between the Buried and Me in L.A. and took the photos as well.  The delay in posting the review is due entirely to the ineptitude of our pathetic editor.)

A Friday night was upon the metal loyal and ignorant alike in Los Angeles, and to pretty much everyone’s approval Meshuggah was in the building. It was the first date of the 25 Years Of Musical Deviance North American tour, and it was sure to be a night to remember. I had seen Meshuggah on the Obzen tour with Cynic and The Faceless, but I knew this night would have a different “feel” to it.

The whole night there was an atmosphere of coming together. Dino Cazares (Fear Factory) and Chris Broderick (Megadeth) were seated together at a table in the floor area of the Wiltern Theatre, chatting and enjoying a night out seeing some friends; metalheads of all ages wore the uniform sporting the more extreme side of metal, with Morbid Angel, Immortal, etc., emblazoned on their chests, and even some of the so-called”false” metal bands such as Five Finger Death Punch and Disturbed.

No matter your status, age, or even residence (in line for the wristband that allowed attendees to drink, I saw multiple IDs from out of state), we were all there for one purpose: to celebrate Meshuggah’s legacy as they possibly killed anyone with the slightest inkling of epilepsy in their DNA (the lighting for their set was insane!)

On to the music. Continue reading »

Jun 202014
 

In this round-up I’ve collected a few new songs and videos I noticed over the last 24 hours from a variety of metal sub-genres. I really like all of ’em. Hope you will, too.

HORNED ALMIGHTY

This Danish black metal band have recorded their fifth album, and the first since 2010’s Necro Spirituals. The new one is named World of Tombs and it’s projected for release waaaay down the road on September 1, 2014, by the band’s new label, Scarlet Records. Yesterday brought a stream of one of the new tracks, “Diabolical Engines of Torment”, and it kills.

It kills in two ways — with electrifying thrash riffs and punk rhythms (which will grab you by the neck right from the first second), and with a down-paced pounding so irresistible that heads cannot help but bang. The vocalist alternately sprays acid and roars like a death metal beast, and the production makes the music sound especially powerful (and clear). Continue reading »

Jun 192014
 

EDITOR’S NOTE

In this post, Dane Prokofiev returns to NCS with the first new installment in his Keyboard Warriors series in more than a year. But what a comeback it is. Here, he interviews Keith Spillett — history teacher, basketball coach, father, and the man behind The Tyranny of Tradition, the best satirical metal site on the web and one of the best satire sites you could find regardless of focus. Not surprisingly, his responses to Dane’s questions are more literate and twisted than the average interview we post at this sinkhole.

 

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Interplanetary Manhunt for Devin Townsend Impersonator

Tyranny of Tradition founder Keith Spillett impersonates Earth’s operatic extreme metal musician Devin Townsend in an online acceptance speech.

 

By DANE PROKOFIEV

ZILTOIDIA 9 — For the first time ever, Earth’s FBI has issued an interplanetary manhunt for a keyboard warrior. Keith Spillett, founder of metal satire website The Tyranny of Tradition, is the intelligence agency’s target.

Spillett, 109, is wanted for impersonating operatic extreme metal vocalist extraordinaire Devin Townsend in an online acceptance speech after winning the Metal Hammer Golden Gods first-ever “King of the Internet” award.

FBI director Leonardo CiDaprio said, “Never before has a keyboard warrior been so bold. Whenever keyboard warriors impersonate metal musicians online, like whoever was posting as “Tim Lambesis” on MetalSucks.net, the FBI used to do a Nick Fury and let them off. But this is the first time one has actually dressed up as the one and only Devy, imitated Devy’s voice pitch-perfectly, and filmed himself giving an acceptance speech for some dumb award. It has taken cyber identity theft to a new level.”

Inhuman entities have also expressed anger at Spillett’s crime. Continue reading »

Jun 192014
 

(DGR catches up with the latest offering of grind from Finland’s Spawn From Deceit.)

Sometimes, you want some music that you can not only scream along with but also scream at in a white-knuckle rage. I went through this a huge amount last year, and the feeling has been sticking around since then. It sent me on a massive grind kick (of the loud, banging, DIY Punk style, about as close to Nasum and Rotten Sound as I could get with every band) and wound up covering a variety of bands.

Finland’s Spawn From Deceit were probably the most punk of the grind bands that I covered when I launched that vast swath of reviews in the genre late last year. Since then though, I haven’t done my due diligence to see what the guys have been up to. Should’ve known better, because grind is a genre that lends itself to fairly prolific releases, and lo and behold, Spawn From Deceit have another six-song face-to-the-grinding-wheel release out called New Thrones — though I don’t think there is any way to get your hands on it at the moment. Continue reading »

Jun 192014
 

I’ve collected here new music from three bands. As suggested by the title of this post, the songs have something in common, though they are different in other respects: They all include certain instrumental elements that are very, very fast. Your hair may be singed. The skin on your face may bubble like a broiled fetus. You may void your bowels. I myself only experienced the last of these effects, but I thought it best to provide a complete set of warnings.

FALLUJAH

Damn, but I surely do love that album cover, don’t you? It’s a collaborative effort between Polish artist Tomasz Alen Kopera, whose work I’ve featured about a dozen times in the daily art posts on our Facebook page, and the band’s vocalist, Alex Hofmann. The album’s name is The Flesh Prevails and it’s due for release by Unique Leader on July 22.

What I heard yesterday was a new song named “Carved From Stone”. It’s an interesting song. Certain instrumental tracks are moving at about 1,000 mph. The kick drums eject shells at the rate of am M134 minigun, and the riffs whip like hurricane winds and pummel like a jackhammer. On the other hand, Mr. Hofmann growls his lyrics as if patiently telling a bedtime story, presumably to a brood of orcs. And the lead guitar carefully unspools an eerie atmospheric melody like a coil of razor wire. Continue reading »

Jun 182014
 

I haven’t yet listened to all of Allegaeon’s new album (Elements of the Infinite), but my comrade TheMadIsraeli has. He says it’s their best album yet. I’m not going to contradict him without hearing it, especially because the three songs I’ve heard so far tend to substantiate his claim. Those three are “1.618” (streaming here), “Threshold of Perception” (streaming here), and the one that debuted today in video form — “Our Cosmic Casket”.

The video for “Our Cosmic Casket” is Part 2 of a story that began in the video for “1.618”. There will allegedly be two more parts coming our way. Whereas “1.618” brought us the highly amusing Wheel of Sub-Genres, “Our Cosmic Casket” bring us the event horizon of a black hole approaching Earth, with the song’s instrumental pyrotechnics delivering the kind of adrenaline flow you’d get in the final minutes before the atmosphere got sucked into a wormhole, assuming you didn’t decided to beer up for the final cataclysm. Continue reading »

Jun 182014
 

(DGR reviews the new release by Deceptionist from Rome, Italy.)

Deceptionist are a band I discovered via the Hideous Divinity Facebook page a few weeks back. Hideous Divinity are one of the bands that grew off of the Hour Of Penance tree, and their vocalist Enrico H Di Lorenzo was posting about how he had provided guest vocals on Deceptionist’s song “Through The Veil” on their new EP.

Deceptionist are a new band hailing from Rome and consisting of Andrea Di Traglia on vocals (usually in a middle- to low-range growl), Antonio Poletti on guitars, and drummer Claudio Testini, who is frightening behind the kit and whose name must now be added to the ever-growing ranks of Italian blast masters. Di Lorenzo described them as being a tech-death band with a light electronic element, using them in an industrial form to add to their overall sound. He also mentioned that this new EP, their first, bears the name of The Beginning (Promo CD 2014) and that it was available at “name your own price” on Bandcamp.

To ballpark a comparison band, Deceptionist veer into the spectrum of tech-death that Spawn Of Possession seem to inhabit by themselves. Instead of going for the intensely low-end, humongous sound with all of the whirs and whistles on top of it, Deceptionist go with the knife-sharp, machine-typed-out and mathematically precise playing that Spawn dish out in spades. This means that their promo EP should be very familiar to fans of the latter group, because Deceptionist’s promo sounds like a swarm of angry insects being delivered into your eardrums via a tech-death funnel. Continue reading »