Feb 222018
 

 

The yearning for death on a mass scale horrifies most people, and these days that yearning is for most people probably associated with the kind of psychosis that leads to the detonation of suicide vests, the use of delivery trucks as guided missiles plowing through packed bodies out for an evening stroll, the massacre of children in their schools with easily bought weapons of war. We can, of course, remember instances of human slaughter on unimaginably larger scales; it’s probably happening again somewhere on earth right now.

But the desire for death made real in instances such as these pales in their scope when compared to the extinction-scale invocations of anti-cosmic extreme metal. Only a tiny sliver of humanity outside such circles would comprehend the attraction of such philosophies. The fraction is probably only slightly larger even within the ranks of metaldom. Yet the concept of vast, terrifying forces entering our dimension from nightmarish shadow realms and consuming all life — and being invited to do so — has animated powerful forms of death and black metal, challenging their creators to attempt to capture such daunting conceptions in sound, with results that have attracted the allegiance of many thousands of listeners. Continue reading »

Feb 212018
 

 

When you listen to the new Scumpulse album — and you damned well should — you won’t have time for any deep breaths. But the music is such a high-powered, adrenaline-triggering rush that you won’t miss the oxygen. Hyperventilation will take care of that for you. You can rest later.

The name of the album is Rotten, and it will be released by Gore House Productions in just two days, but you can listen to it today. You will find this Scottish band’s attack to be relentlessly pulse-pounding, but although its feral ferocity is indeed capable of taking a listener’s breath away, the band have packed the music with turn-on-a-dime changes, creating a genre-hybrid that’s a serious eye-opener. Continue reading »

Feb 212018
 

 

(Here’s Andy Synn’s review of the new album by the Ukrainian band Devildom.)

 

In my line of work I encounter a lot of bands straddling the Black/Death divide, often pulling from the same pool of influences – Dissection, Dark Funeral, Morbid Angel, Behemoth, At The Gates… the list goes on – and often, for the most part, sounding relatively competent but largely interchangeable.

Every now and then though I stumble across a band who do it just that little bit better, with just that little bit extra style and panache.

A band like Devildom. Continue reading »

Feb 212018
 

 

In the first part of today’s two-part round-up of recommended new music I selected songs that included clean as well as harsh vocals. In this one, it’s all unmitigated savagery… but the savagery comes in varied exciting forms. I really, really like all six of these tracks, and hope you’ll get just as fired up about them as I have.

ROTTEN SOUND

The Finnish grind merchants Rotten Sound, who are favorites around our crumbling domain here at NCS, have a new EP named Suffer to Abuse slated for release by Season of Mist on April 13th in Europe, and on May 18th in North America, because the bastard step-children must apparently wait their turn. Fortunately, we were served at the same time as everyone else with the EP’s first single, “Harvester of Boredom“. Continue reading »

Feb 212018
 

 

I don’t know if I’ll manage to follow through, but my plan for today is to post two round-ups of new music, this one being the first. As the post title suggests, I carved these songs away from the others and pulled them in here because the vocals in each of them aren’t solely of the kind that would suit the (demonstrably porous) rule in our site’s title. That’s right (gasp), there are some clean-sung melodies in these tracks… combined in each song with harsh ones.

Of course, to my ears the tracks have many other things to recommend them or I wouldn’t have asked you to listen. But the varied voices in these tracks are part of what made them stand out to me.

AILS

In April of last year I came across and wrote about a song from a two-track demo by a Bay-area band named Ails, whose line-up included two former members of the sorely missed Ludicra — vocalist Laurie Sue Shanaman and guitarist/vocalist Christy Cather — as well as guitarist Sam Abend (Desolation, Abrubt, Scurvy Dogs), drummer Colby Byrn (One In The Chamber, 2084, Aequorea), and bassist Jason Miller (Apocryphon, Cretaceous, Phantom Limbs). At the time, Ails was in the process of mastering their full-length debut and were seeking label support — and they got it, to no surprise of mine or anyone else who heard that demo. Continue reading »

Feb 202018
 

 

(In this new interview Comrade Aleks brings us an extensive discussion with Kat Shevil (ex-Blessed Realm), the vocalist/drummer of the British death-doom band Uncoffined.)

 

Uncoffined was raised on the ruins of the traditional doom metal outfit Blessed Realm in 2011. Blessed Realm existed as Tears from 1993 ’til 1994 and then the band acted under its blessed name ’til 2002. It was split without even a full-length album in its discography, but in July 2017 At War With False Noise released Doomography 1993-2002, a collection of demos and unreleased tracks.

Besides that, three ex-Blessed Realm members — Kat Shevil (drums, vocals), Gory Sugden (bass), and Jonny Rot (guitars) created the horror-movie-influenced satanic death-doom metal outfit Uncoffined together with guitarist G.Hall. Well, how much of death is in their doom? Do they still hold on to the traditions? Kat knows better, let’s give her the floor. Continue reading »

Feb 202018
 

 

Last November, Unique Leader released the latest album by Pittsburgh’s Signs of the Swarm, whose musical concoctions straddle intersecting lines of brutal death metal, slam, and deathcore. The seventh track on that 10-track release was “Nightcrawler“, and that song is the subject of the music video we’re premiering in this post.

There are chiming notes in this song that surface here and there. They sound like a child’s music box, one that has somehow continued to play in a mechanized war zone. It’s an eerie sensation, one haunting remnant of innocence in a landscape given over to violence. Continue reading »

Feb 202018
 

 

The first track on the new Rebel Wizard EP, “The sickness of all knowledge“, begins with an excerpt from a recording of a public talk given in 1981 in Amsterdam by the philosopher, speaker, and writer Jiddu Krishnamurti (b.1895 – d.1986). It reads as follows:

So knowledge has become all important
but knowledge is never complete.
Knowledge about anything is still incomplete,
will always be incomplete.
Therefore knowledge always goes with ignorance,
knowledge always lives within the shadow of ignorance.

Except you never make it to the final word “ignorance” at the opening of this EP. The word is cut off by a shocking explosion of sound. It’s as if you were calmly unlocking the door to your home while thinking deep thoughts, and becoming immolated by a blast furnace upon opening it. Continue reading »

Feb 202018
 

 

(We present DGR’s review of the new album by the Swedish/Finnish trio Afgrund, which was released last month.)

 

There’s already been a couple of victorious return-from-the-ashes releases so far in 2018, and one of the earliest — after a long period of silence — was on January 5th, courtesy of Swedish/Finnish grind collective Afgrund.

Still somewhat embroiled in a dispute with others in their history over who owns the name has resulted in potentially two versions of the band existing. The three-piece group presented here consists of founding and long-time members Andy, Pat, and Panu, who among the three of them were with the band in one form or another from their first releases up to the 2012 album, The Age Of Dumb. On January 5th, this group returned under the Afgrund banner with a new album, eleven tracks jammed into a little over twenty-three minutes, delivering a dark and pessimistic fiery blast of grind-and-punk under the title The Dystopian.

The Dystopian feels like Afgrund returning home in more ways than one, not only because the lineup consists of founding members but also in the way The Dystopian moves and what it consists of. It sounds like Afgrund knocking down all of their old favorites all over again, reaching into a comfortably familiar bag of tricks in order to dispense high-speed blasts and yells about the world of today. The Dystopian is Afgrund performing a delicate balancing act, viewing the world through a current lens yet throwing themselves back in time in order to effectively restart the band. Continue reading »

Feb 192018
 

 

The wolven brotherhood When Blood Falls Down come our way from the city of León in Guanajuato, Mexico. Their debut album P A N D AE M O N I U M will be released later this year by Transcending Records, and today we have for you an official video for a song from the album called “Serpens Circulum Albidus“.

The song could be thought of as a manifestation of satanic blackened deathcore. While creating an atmosphere that’s persistently ominous and arcane — a feeling that’s enhanced by the shadowy, occult-themed video — the band mete out a serious beating capable of leaving welts, bruises, and more than a few loose teeth. Continue reading »