Islander

AN NCS ALBUM PREMIERE (AND A REVIEW): VOIDOATH — “ASCENSION BEYOND KOKYTUS”

 Album Reviews, Premieres  2 Responses »
Sep 262022
 

Some fans of extreme music are also fans of interesting album concepts and well-written lyrics, perhaps because such things are so few and far between in the great and continuing flood of new releases, like finding a scattering of diamonds in your sock drawer. Other fans could really care less about that, focusing instead on the music and the vocals (where the words are rarely decipherable anyway). But today we’re going to begin with concept and words, and perhaps you’ll soon understand why.

The inspiration for Ascension Beyond Kokytus, the debut album by the Costa Rican band VoidOath, was deeply rooted in the lore created by John W. Campbell Jr. through his 1938 science fiction novella Who goes there? and the novel-length version of that story, Frozen Hell, which was discovered and published after Campbell‘s death, as well as the 1982 film The Thing, John Carpenter’s classic adaptation/remake of the Campbell story. Continue reading »

MÆNTRA: “KUNDALINI RISING”

 Album Reviews  No Responses »
Sep 262022
 

(As you’ll see in DGR‘s review below, Mæntra‘s debut album has been perched on his shoulders for a long time, and while it might be easier at this point just to dispense with a write-up, the album wouldn’t allow that.)

I feel that every year I must commend my fellow writers around the hovel that is the NCS office space for having a sense of when to just cut things off and accept that you won’t be able to get around to it in time. It takes a strength of character that, frankly, I just don’t have.

Every year there will be two or three albums that I feel like I have to write about, even as the review backlog grows larger and larger with new discoveries and bigger releases. These releases rest on my shoulders for what seems like forever until I either find the time or finally, shoulders slumped in defeat, admit that yes, I too will not get around to something and the time to shit or get off the pot has long since passed.

Hell, I still occasionally toy with the idea of reviewing a release that came out in January of last year now that I’ve found an easy-to-listen-to copy of it. On the opposite end though, goddamn does it feel good to finally free yourself of the need to speak of a release, when you can find that gap to do so and let the world be damned if they have anything to say about it. Continue reading »

AN NCS INTERVIEW: NORILSK

 Interviews  No Responses »
Sep 262022
 


photo by Nick Richer

(Here we have Comrade Aleks‘ new interview of Nicolas Miquelon from the Québec band Norilsk, who released a new EP this past spring to tide us over ’til the next album.)

NCS’ constant followers should remember Norilsk. It’s a Canadian death-doom band who integrated elements of post metal into their music, and we interviewed Nicolas Miquelon (all instruments, vocals) a few years ago. But in case you forgot that, let me remind you of some facts about Norilsk.

The band is named after the world’s northernmost city and the second-largest city (after Murmansk) inside the Arctic Circle. Norilsk and Yakutsk are also the only large cities in the continuous permafrost zone. So you see the reason why Nicolas and his band-mate Nick Richer (drums) entitled their first album The Idea of North (2015). Then Hypnotic Dirge Records released the albums Le passage des glaciers (2017) and Weepers of the Land (2018). And then… then there was silence.

The Beyond the Mountains EP is the first band’s recording in four years, and that’s quite a long break for such an active act. These two tracks bring the hope that Norilsk are going to get rid of their relatively new passion toward post-metal, as here we have good old death-doom as it was in ’90s. What else could we expect if one of the songs is an Officium Triste cover? So just one really new song after four years? Well, not. This interview was intended for Dark City magazine, but here it is. A chance to dig deeper into the idea of North again. Continue reading »

SEEN AND HEARD ON A SATURDAY: FELL RUIN, LYKOTONON, UNGFELL, NYTT LAND, PUTRID, HEXORCIST, IMPLORE, ASBEST

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Sep 242022
 


Fell Ruin

Yesterday, September 23rd, was the first day of autumn in the northern hemisphere, as defined by the September equinox. And so we begin the inexorable march toward the Winter Solstice (with the autumnal equinox in between, when all the spooks come out).

I thought about focusing today on music with a cloudy and wintry cast, but it still seems too early to be that blinkered in the choices. I also thought about focusing solely on music released on the first day of fall, especially since I did a shit job keeping up with press releases and other sources of new music this past week. It would have been easier just to make selections from the top of the pile. But this morning I did manage to do a lot of catching up, and made some selections from earlier days too.

FELL RUIN (U.S.)

We’ve been waiting with bated breath for something more from this Detroit band over the five long years since the release of their debut album, To the Concrete Drifts. At last that “something more” is here, in the shape of a new album intriguingly named Cast in Oil The Dressed Wrought. Last week brought the first song from the album, “Stain the Field“, along with a video that makes a frighteningly intense and extravagantly twisted song even more nightmarish. Continue reading »

AN NCS PREMIERE: HUSSAR — “DISSONANT WEEPING OF A THOUSAND WIDOWS”

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Sep 232022
 

For the third day in a row we’re helping spread the word about a new album whose release is fast approaching from the wonderful I, Voidhanger Records. We’ve previously had the pleasure of putting our spotlight on new albums by Acausal Intrusion (U.S.) and Voak (Greece), and today we’re fixated on All-Consuming Hunger, the bombshell debut album by Toronto’s Hussar. I, Voidhanger introduces it this way:

“The effect on the listener’s eardrums is that of a tank that proceeds inexorably breaking through everything it encounters. The metaphor is not out of place, given that in All-Consuming Hunger HUSSAR tell stories of war, denouncing its inhumanity and horrors, the sacrifice of soldiers sent for slaughter by their superiors, the paranoia of the troops in the trenches, the frustration of the war widows, the disfigured faces of those who found themselves too close to an exploding mine…”

With that prelude you’ll already have an insight into the subject matter of the song we’re presenting today — “Dissonant Weeping Of A Thousand Widows“. Continue reading »

AN NCS PREMIERE: FROM THE VASTLAND — “THE CROWNED OF OSHIDARN”

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Sep 232022
 

From the Vastland‘s steady rise to prominence in the global realms of black metal began in the spring of 2013 when its then sole creator Sina journeyed from his homeland in Iran to perform at Oslo’s Inferno Festival, backed by a group of black metal luminaries from Norway. It happened to be a performance that our own Andy Synn witnessed and memorialized here. From then, and following Sina‘s immigration to Norway, From the Vastland has put out one impressive album after another, and we’ve continued following the band’s progress all along.

From the Vastland‘s most recent album was 2020’s The Haft Khan, a work that the same Mr. Synn lauded here as “pleasingly raw, yet mercilessly melodic”, delivering “great riffs”. “hideously infectious grooves”, “bold, bombastic hooks which, nevertheless, absolutely bristle with blackened menace”, and an obvious passion for a hallmark style of Norwegian black metal developed in the late ’90s and early 2000s.

Throughout From the Vastland‘s rise, Sina has drawn thematic inspiration from wellsprings of Persian history and mythology, and he continues doing so on a new album (the band’s seventh) named Taurvi, which will be released on October 7th by the band’s new label, The Crawling Chaos Records. Continue reading »

MOTHER OF GRAVES: “WHERE THE SHADOWS ADORN”

 Album Reviews  No Responses »
Sep 232022
 

(On October 14th Wise Blood Records will release the debut album of Indianapolis-based Mother of Graves, an album mastered by Dan Swanö and with cover art by Paolo Girardi, and below you’ll find Todd Manning‘s review of this new opus.)

Mother of Graves has picked the perfect time to drop their debut full-length, Where the Shadows Adorn. First of all, anyone who heard their excellent EP, In Somber Dreams, has been dying to get their hands on more material from this great band. In addition, there is something about this particular brand of death/doom that just seems to herald the changing of the seasons. The music feels autumnal, or even winter-ish. Like black metal, this type of forlorn music feels connected to the seasons. Continue reading »

AN NCS PREMIERE: VOAK — “FÜR JEDE WUNDE EIN PFEIL”

 Premieres  No Responses »
Sep 222022
 

For the second day in a row (and there will be a third tomorrow) it’s our pleasure to premiere a song from a forthcoming album on one of our favorite labels, the always distinctive I, Voidhanger Records. Yesterday it was Acausal Intrusion, and today the focus is the Greek black metal band Voak and their debut album Verdrängung.

The musical drive of Voak is fueled (as the label explains) by their concerns over “societies shaken by racial tensions, sexual discriminations and extremisms of all kinds”. They chose for the title of their album a German word that refers to the suppression of inner feelings and conflicts, which can lead to inaction in the face of wrongs. They write:

“The presence of our inner conflict shall trumpet over the mesmerizing melody of our comfort and fear of quarrel. To identify ‘Verdrängung’ as such, is a step to be taken in order to be able to fight among others, after fighting against the causes of our own inertia…. The oppressed and the ones struggling against the ‘Verdrängung’ may live in different prisons, but they are the majority… And in unity there is hope.” Continue reading »

AN NCS PREMIERE: SFEERVERZIEKER — “MASTERS OF INSANITY”

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Sep 222022
 

In its debut album Death is the Desired Ending, the Dutch solo project Sfeerverzieker invites you to “Embrace depravity, Embrace brutality”. Consistent with that invitation, the songs’ lyrical themes are themselves centered on “brutality, misery, negativity, and the destruction mankind brings to this world”.

But as is sometimes true of metal spawned by such negative and nihilistic thoughts, the music of Sfeerverzieker, which broadly could be summed up as an atmospheric amalgam of sludge, doom, and post-metal, expresses them in ways that are often brimming with vitality and stunning in the scale of their power. Wide-ranging in their variations, the songs are often unmistakably disturbing and devastating in both their sonic force and their emotional impact, but also relentlessly captivating.

We have two striking examples of these accomplishments today, one of them a song that has already debuted but which you might have missed, and the other a track we’re presenting for its first public airing. Continue reading »

CONCERT REVIEW: HEILUNG LIVE IN SEATTLE, SEPT. 20, 2022

 Concert Reviews  14 Responses »
Sep 222022
 

 

(Our editor Islander [that would be me] wrote the following concert review and took all the photos that accompany it.)

The literature of anthropological evolution (in which I’m a dabbler rather than an expert) makes a convincing case that much of our behavior is rooted in instincts that evolved over a vast span of time, instincts geared toward the survival of the species. Unfortunately, it’s also pretty clear that in the “modern age” those instincts no longer function very well as instruments of preservation and advancement. Instead, they lead to behavior that’s just plain dumb, or worse yet self-destructive, or still worse yet, dangerous to the survival of the species as a whole.

Unlike almost all other creatures on the planet, our big sophisticated brains give us the ability to override instinct for the better. Sometimes we actually behave in genuinely altruistic ways. Sometimes we’re able to extricate ourselves from dangerous predicaments through the exercise of reason when instinct alone would fail. We just don’t do any of that as often as we should, and there’s a case to be made that time is running out.

These thoughts bubbled to the surface as I reflected on the performance of Heilung I was lucky enough to witness in Seattle on the night of September 20th. On the one hand, the intense primal attraction of the show was a vivid reminder that “primitive man” still dwells within us. On the other hand, it was a testament to the willed creativity of which we’re capable, and the capacity to create beauty and magic. Continue reading »

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