Islander

ANTIGAMA: “WHITEOUT”

 Album Reviews  No Responses »
Jul 192022
 

(Here’s DGR‘s review of a new album by the Polish band Antigama. It was released a few days ago by Selfmadegod Records.)

When discussing Poland’s Antigama one of the chief genre-descriptors applied to the band is grindcore. Antigama‘s songwriting style, ethos, and general blast-fueled approach are fully within that world, but beyond that people get more abstract because the term grind doesn’t fully fit them as well as it should.

There’s more to Antigama than that, and it’s where you’ll often see ideas like “futuristic” and “cybergrind” thrown around, due in large part to Antigama‘s chaotic musical nature. At first pass through any Antigama release it does sound like the group are caught in the midst of an instrumental hurricane, and it’s only afterward when you realize that much of what the band are doing is calculated and controlled.

Not only that, but it also sounds much clearer than most other bands in their genre-sphere. There’s a sharp and angular technicality to Antigama‘s style that is hard to replicate with a production style so clear that it’s scientifically sterile. Whereas many bands bury themselves in reverb, distortion and general noise, everything Antigama have done has been to justify all of that being there – not just something to add to the general atmosphere. Which is why the group’s newest release Whiteout – abstracted artwork and all – is exciting, because even though it’s been five years since the group’s last EP and seven since the last full-length, it is made very clear early on that the group still have complete control of the chaotic maelstrom of sound within. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): BATTLEGRAVE — “CAVERNOUS DEPTHS”

 Album Reviews, Premieres  1 Response »
Jul 182022
 

The Australian duo Battlegrave chose a suggestive name for themselves, one that evokes both warlike savagery and visions of death and all its horrors. Further clues to their music (or at least some aspects of it) are evident in the remarkable hand-painted cover art by Shaun Farrugia for their sophomore album Cavernous Depths. It’s subterranean and supernatural, and has the hallmarks of an instant classic.

But of course these are all merely hints. Of course, other hints are to be found in the band’s previous releases, the 2017 EP To Hell With War and their first album, 2018’s Relics of a Dead Earth, but don’t put too much stock in those hints, because Battlegrave‘s music has evolved from then until now, morphing (as the band themselves have observed) “from more of a Crossover Thrash project to a Thrash/Death project, and now closer to straight-up modern Death Metal”.

One thing hasn’t changed, and you’ll figure it out damned fast when you listen to the new album today in advance of its July 22 release by Bitter Loss Records, and that’s the speed and ferocity of Battlegrave‘s attack. Continue reading »

AN NCS PREMIERE: THE SAW — “NOTHING BUT DARKNESS”

 Premieres  No Responses »
Jul 182022
 

You have to admit (I insist!) that The Saw is a great name for a death metal band. In the lore of horror and the reveling in destruction that inspires so much of the genre, it’s not a tool of carpentry but a weapon of ruination. The teeth don’t cut wood and scatter sawdust but bite through flesh and bone. It’s a wonder that Metal-Archives shows the name as unclaimed… until now.

Who has now claimed it? The answer is a quintet of talented Russians, who first began gathering as a side project of vocalist and lyricist Evgeny Pchelyakov (from the band Анклав Снов) and guitarist and composer Roman Derevyanko (Стальные Нервы) and then expanded through the addition of guitarist Max Nikolaevsky, bassist Dmitry Bichenkov and drummer Yuri Puzanov.

What they’ve achieved together is captured in a debut album named Nothing But Darkness that’s set for release on July 30th by the Ukraine-based label GrimmDistribution, and to help pave the way we’ve got the premiere of the album’s title track today. Continue reading »

SHADES OF BLACK: SCARCITY, RAAT, STEINGRAB, LYCOPOLIS, NOCTU, MANTAR

 Album Reviews, SHADES OF BLACK  1 Response »
Jul 172022
 

 

As you could already deduce from the previous two posts at this site, in recent days I found more than the usual amount of time I could devote to new music. My day job left me alone, or I ignored it, and I shrugged off household chores too. Baseball presented the only serious competition, because a certain team in the Pacific Northwest is on a historic winning streak (and I hope I didn’t just jinx them by mentioning that).

Focusing on black metal for purposes of this column, I settled on one dazzling album, a collection of quite varied “singles” from forthcoming records, and a new video. You’ll also find poetry.

SCARCITY (U.S.)

Scarcity‘s new album Aveilut (a Hebrew word for mourning) is difficult to describe. In part because it’s a single 45-minute composition, and in part because the trip maneuvers and whipsaws us through a spectacular labyrinth, it defies efforts to explain that “this happens, and then that happens, and then this other thing happens”. How tedious that would be, despite the hope that mapping the album would make it easier to comprehend.

Trying to pick out signal moments as illustrations of the music wouldn’t work very well either, because there are so many, and because they dramatically diverge from each other. Continue reading »

SEEN AND HEARD ON A SATURDAY: BLOODBATH, MORBUS GRAVE, HERIDA PROFUNDA, GRANDIOSA MUERTE, IRON DEATH, MONOVOTH

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Jul 162022
 

“Pocket” is a Mozilla app that you can easily install in Mozilla’s Firefox browser. When you do that, a small Pocket icon shows up in the toolbar of Firefox. Wherever you happen to be on the web, if you click that icon it saves the page to your Pocket list. When you then navigate to your Pocket list, you see all the links you’ve saved, along with thumbnail images of the linked pages. Even better, you can access that list from any device that includes the Firefox browser.

This is not an ad for Firefox or Pocket. I mention it because it has made my work for NCS on these Seen and Heard roundups much, much easier.

I used to make endless lists of band names with links to their new songs and videos that I was interested in checking out. Even just typing band names into an online document and copy/pasting the links was time-consuming, since I was usually adding more than a dozen per day, or much more if I fell behind. Not to mention that I kept dozens of tabs open in my browser until I had time to write those lists. Now I use Pocket, and don’t have to type a word or copy any links or keep any tabs open. Continue reading »

SEEN AND HEARD: CONAN, EGO DEPTHS, CLOUD RAT, ESCUELA GRIND, NECRODEITY, BRAHMASTRIKA, ATMAHATYA, BLACK KNIFE, GRAVERIPPER

 Metal News, RANDOM FUCKING MUSIC  5 Responses »
Jul 152022
 

Today’s compilation presents a deluge of new songs and videos, so grab a life-preserver while there’s still time. You should probably continue wearing it, because I have plans for channeling another deluge tomorrow.

To get this done in the time available to me this morning, I’ve again dispensed with most of the cover art and have tried to be brief in my intros. But I did try to organize what’s coming in blocks of sound that companionably fit together, even though the blocks themselves collide with each other.

CONAN (U.K.)

I must begin with the new song and video from Conan (really, as an addict of this band I had no choice). Continue reading »

AN NCS PREMIERE: ABYSSLOOKER — “CHALICE OF GRIEF”

 Exceptions to the Rule, Premieres  No Responses »
Jul 152022
 

Last year the Russian band Abysslooker put out a single called “Maneater“, and it sounded like one. Hell, it was so heavy and hammering it felt like a mountain-eater.

The band combined that titanic pounding with riffing that relentlessly built feelings of tension and misery, plus an amalgam of spine-tingling vocals, which ranged from scraped-raw screams to ghostly crooning, abyssal growls, and maniacal laughter. Unexpectedly, the song also included an interlude of dancing acoustic guitar, mammoth bass grumbling, and gothic singing. A gripping guitar solo led the transition from there back into punishing heaviness.

Turns out that thoroughly riveting song was a prelude to Abysslooker‘s second album Dramaturgy, which is now set for release on July 31st by Symbol Of Domination. Turns out that “Maneater” isn’t the only heavier-than-hell track on that album, but the heaviness comes in different guises, as you’ll learn for yourselves through our premiere today of another one. Continue reading »

WORMROT: “HISS”

 Album Reviews  No Responses »
Jul 152022
 

(We present Wil Cifer‘s review of the new album by Singaporean grinders Wormrot, which was released by Earache Records on July 8th.)

Grindcore in and of itself is not typically my thing. There are bands like Portrayal of Guilt and Nails that I am a fan of who started as grindcore and evolved past the temper tantrums of their youth to find themselves in a dark space in life that they lashed out at with their instruments in a more variable sonic manner. As for Wormrot, I have heard their previous work, which proves them as being one of the most polished acts in the genre.

My ears have to warm up to what they do on the new album, as the first song and the second song run together before these sounds begin to catch my ears, like the briefly sung vocals on “Broken Maze”. This album finds them embracing a wider range of vocal styles. This is one of the album’s strengths; though this is bittersweet, due to the fact the singer parted ways with the band after this was recorded. Rather than a swan song it feels like they are coming into their own as songwriters here, even if the songs are only a minute long. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): CRESTFALLEN DUSK — “CRESTFALLEN DUSK”

 Album Reviews, Premieres  1 Response »
Jul 142022
 

Great volumes of music flow through the back of this portal every year, and smaller but still significant volumes flow through the front of it in our daily recommendations for those who visit the site. The range of genres is broad, reflecting the divergent tastes of those who write here. In combination, our recommendations could be considered head-spinning both in their number and in their diversity. Yet despite that, some bands still stand out like beacons on a nightside hill.

In my case, one of those bands that continually drops my jaw like few others is the Tennessee group Primeval Well, whose fascinating amalgams of black metal and old country/folk music is unlike anything else out there. In reviewing the two Primeval Well albums released to date, I’ve spilled torrents of enthusiastic words about their music in an ongoing struggle to explain what it does and how it makes me feel.

And so when I learned that Primeval Well ‘s vocalist/guitarist Ryan Clackner (also in Vile Haint, Stump Tail, and Spintria) had embarked on a new project, I couldn’t wait to hear the music. He named that new project Crestfallen Dusk, and its debut album shares the name. I wondered how it might compare to Primeval Well, because it was logical to assume there must be some difference, else why begin a new project?

The complete answer comes today, because today we’re sharing a full stream of all six tracks in advance of its July 22 release by Moonlight Cypress Archetypes and Folkvangr Records.

Continue reading »

AN NCS VIDEO PREMIERE: HEXIS — “AMISSUS”

 Premieres  No Responses »
Jul 132022
 

We’ve been enthusiastically writing about the Danish blackened hardcore band Hexis at NCS since 2012. In that time they’ve released two album and an assortment of shorter works, and in combination they’ve shown us a formidable band constantly on the move forward. They’ve now landed at Debemur Morti Productions, which gives us added comfort that we haven’t been entirely crazy all these years in our Hexis enthusiasm, and it’s DMP that will be releasing the band’s third album Aeternum on August 26th.

Anyone familiar with what Hexis have done so far knows that their musical ingredients have increasingly ranged beyond their backbone of hardcore and black metal, and the new album is undoubtedly their most diverse yet. It’s not the kind of album where you can listen to a track or two and figure out what everything else will sound like. As DMP reports, the three years of work on this album have allowed the band “to refocus and redefine their thunderous sound into a truly distinctive beast which merges violent Hardcore, desolate Black Metal, brooding post-Metal and elements of Dark Ambient with the churning ruthlessness of bass-driven Industrial and Grind”.

Not surprisingly, then, three tracks have been released so far in the run-up to the album’s release, and now we bring you a fourth one. These songs display the album’s dynamism and diversity of songcraft, but even four of them don’t provide a complete map of the soundscape that awaits listeners. They are, however, very effective in proving that the album is remarkably intense on multiple levels, and well worth a complete investigation. Continue reading »

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