Islander

Apr 302021
 

 

Today is the day when Satanath Records (Russia) and Dark Terror Temple (Mexico) will release The Emerald Tablets Of Thoth, the latest album by the US band Akhenaten, whose amalgamation of death and black metal with Eastern melodies and traditional Middle Eastern instrumentation has already proven to be an alluring combination.

The new album — the fourth full-length in Akhenaten’s discography and the first since 2018’s well-received Golden Serpent God — focuses on the themes surrounding the mysteries of the Emerald Tablets and the teachings of Thoth the Atlantean, and it carries forward the collaboration between Colorado-based brothers Jerred and Wyatt Houseman, who also join forces in the symphonic black metal band Helleborus.

Later today you will have the opportunity to listen to the entirety of the new album, but for now we bring you the premiere of a lyric video for the second track in the running order — “Halls of Amenti“. Continue reading »

Apr 302021
 

 

(In this new interview, Comrade Aleks has brought us a discussion with one of the members of the Dutch band Urfaust, whose latest album was released by Ván Records on April 16th.)

Black metal never was my cup of tea, but there are bands who hold my attention for years, and Urfaust from the Netherlands is one of them. They are able to perform both atmospheric and quite strict raw stuff, but at the end of the day Urfaust has kept its grim individuality (in secrecy) for years.

Performing as a duet since 2003, VRDRBR (drums) and IX (guitars, vocals) seem to be always busy filling their discography with new recordings and even though their up-to-date full-length Teufelsgeist (2020) saw the light of day in November 2020, the band already has a curious new volume – Compilation of Intoxications — released literally a few days ago as I write this. Teufelsgeist is meditative to some degree, an ambient-laden ritual. Why not to talk about it and other Urfaust-related themes?

VRDRBR is here and he has some enlightening things to say. Enjoy, I’m going to keep hydrating! Continue reading »

Apr 292021
 

 

“The band name ‘Aschenvater‘ is inspired by the universe of Warhammer 40K. The sound is raw and destructive, like the rotting battlefields of the drop site massacre. Oldschool Death Metal is the perfect way for us to bring the content and the energy of the lyrics together with the music. The HM-2 is sculpting the violence and brutality of the fights in clay”.

This is how this German death metal trio introduce themselves, along with references to the inspirations of Bolt Thrower and Hail of Bullets. And to underscore the influence of Warhammer 40K, they named their debut EP Landungsfeldmassaker, in memory of a battle on Istvaan V, the “drop site massacre” as rendered in German, which is the language used for all the EP’s lyrics.

But when you listen to the EP’s seven songs you’ll come away convinced that this is no game, but is instead a viscerally powerful rendering of the mayhem, the bloodshed, and the desolating misery that plagues all human warzones. The grooves in the music are often massive and the riffing often highly infectious, but the overarching atmosphere of the EP is one of shattering decimaton and soul-crushing hopelessness.

And today we invite you to experience all of that for yourselves via our premiere of a complete stream of Landungsfeldmassaker in advance of its April 30 release (tomorrow!) by Dead Center Productions. Continue reading »

Apr 292021
 

The Swedish duo known as Murdryck began musical life in 1999 as a “Blackened Dark Ambient” project, disappeared for a time, and then rejuvenated themselves as a black metal band in 2014. Thereafter, they released two excellent albums, 2016’s Antologi MMXV and 2019’s Födelsen. And then, to the sorrow of Murdryck’s fans, they disbanded. But it turns out that the two men behind Murdryck weren’t finished after all.

That duo — bassist/vocalist Lars Hansson and guitarist Adam Chapman — came back together early last summer, inspired to renew their cooperation in pursuit of fresh ideas. Adopting the name Åskog, they ensconced themselves in a decrepit forest house owned by Lars deep in the woods of Värmland and wrote four songs between July and August, which they released last fall as a demo entitled Varg and which we premiered and reviewed here.

The themes of that music were spawned by the band’s presence in that old forest house, with its own morbid history and its wilderness setting, during a time when the Covid-19 pandemic turned the world into chaos. Åskog told us then: “You only have to watch nature documentaries to realize the natural world is truly a horrific place. The great outdoors is romanticized, but the reality is it is brutal with no room for concession or concern.”

That first demo earned Åskog a lot of well-deserved attention and spurred them to complete work on their debut album Varþnaþer, which again lyrically deals with the dichotomy between good and evil in the context of the natural environment. The album is now set for release on May 12th by Grind to Death Records and Leviaphonic Records (both based in Sweden), with additional physical editions coming in June via Germany’s Corrupted Flesh Records. It’s our pleasure today to reveal the third song to be disclosed from the album so far — a multi-faceted, ravishing, and viscerally frightening track named “”Måne” (moon). Continue reading »

Apr 292021
 

 

(TheMadIsraeli returns to NCS with the following recommendation of a new album released by Chocobo Band from Italy.)

I’ve been working on a big project for the website (hence the lack of activity, but trust that I’ve been keeping up with the music), and I’ve been gaming a lot, so I had a real excuse to just sit down and listen to music. I’m currently replaying through Blasphemous (great game btw) while I check out all the albums I personally give a shit about. I wrote an article this year about the relationship and instances where video games and metal intersect, but I was covering it from the perspective of the video games including the metal and not vice versa.

Todays subject of review, Tales From Other Worlds by Chocobo Band, is the inverse. This is a group of metalheads wanting to express their love for one of the most important landmark gaming franchises of all time, and to pay fitting tribute to Nobuo Uematsu, one of music’s greatest compositional virtuosos of ALL TIME.

A proper attempt by people who understand metal covering Final Fantasy music has rarely been attempted, especially this convincingly. Sure there’s one-man cover guys on YouTube, but it’s just never the same. There is always a disconnect between Westerners’ understanding of metal and translating Japanese works into it that feels like the one covering the music just doesn’t quite “get” it. Continue reading »

Apr 282021
 

 

Way back in 1970, advertising executive Jerry Della Femina wrote a book in which he asserted that advertising is “the most fun you can have with your clothes on”. Advertising? Really? Easy to scoff at that claim, and to conclude that Jerry’s horizons were way too limited. We’d feel much more confident in claiming that listening to the new Bunker 66 album is the most fun you can have with your clothes on, even if it might make you feel like ripping them off and running wild into the streets.

Even for an audience of dyed-in-the-wool metalheads, we know that’s an audacious proclamation. But this new record, Beyond the Help of Prayers, really is a completely exhilarating thrill-ride, and today you’ll have the chance to discover that for yourselves via our full stream of the album in advance of its April 30 release by Dying Victims Productions. Continue reading »

Apr 282021
 

 

(We present Gonzo’s review of the new album by Bongzilla, which was released on April 20th by Heavy Psych Sounds.)

Unlike a fine wine, weed doesn’t age well. Even if you keep it stored at just the right temperature, it’ll lose its potency and flavor at around six months to a year. This is quite obviously a bummer and just proves you should embrace the moment and roll up that joint you were going to smoke. Do it quick, before you forget what you were gonna d… wait, what were we talking about again?

Ah, right. It’s been 16 years since we’ve heard anything new from stoner metal mainstays Bongzilla, but as they fire up the amps and pack a fresh bowl for Weedsconsin, they’ve proven that they’re far more resilient than the ephemeral shelf-life of their favorite substance. Continue reading »

Apr 272021
 

 

On May 25th the Boston-based death metal band Graveborn will be releasing their fourth album, Transmigrator, which they describe as “a continuous play concept about eternal cycles, the ever-changing self, and its place amongst billions of others”. It also reflects the band’s own cycles and the changes in their musical approach that have evolved since the release of their first single in 2012.

Once a deathcore band, Graveborn have moved away from that style and more toward a form of death metal that is in some ways reminiscent of the likes of Fallujah — though they still prove themselves capable of giving listeners a vigorous beating. The song we’re premiering today, which is the album’s title track, is a prime example of the band’s different (and divergent) musical facets, and it comes with a lyric video that makes excellent use of Mark Erskine‘s eye-catching cover art. Continue reading »

Apr 272021
 

 

It seems, as wise people have said for millennia, that all good things must come to an end. And so, after a career that has spanned a quarter-century, the Finnish symphonic black metal band Gloomy Grim will be releasing their final album later this month.

This new and last release is entitled Agathonomicon, and it includes 10 tracks that revel in darkness and horror. So far, two singles from the album have emerged, and today we bring you a third one — “They Are Waiting” — before Satanath Records and MurdHer Records jointly issue the entire release on April 28th. Continue reading »

Apr 262021
 

 

In Part 1 of this column yesterday I promised that Part 2 would includes streams of five complete released I’ve recently discovered and want to recommend. But being short on time, I’ve had to leave the fifth one for another day. Due to the same time constraints, I’ve included only some very high-level impressions of each of the other four by way of introduction, rather than attempting to write more thorough reviews.

RIIVAUS (Finland)

Riivaus is the solo endeavor of Hoath Daemnator, who under different pseudonyms is also a member of Sacrificium Carmen, Wömit Angel, and Nôidva (among other groups). Flying the Riivaus banner, he released a debut album in 2017 (Lyöden taudein ja kirouksin), which I haven’t heard, and about 10 days ago released a compact second full-length named Hehkumaton. Continue reading »