Apr 302013
 

(This little round-up is provided to you courtesy of NCS writer DGR.)

MECHINA

Chicago’s Mechina are now close to five months in from their unleashing their excellent release Empyrean. However, they’re not a band to just sit on their laurels and instead have been hard at work on quite a bit of new music. They’ve already discussed a follow-on trilogy of musical releases — which in itself is ambitious as hell — but the group have also been putting out the occasional oddball single/cover and have recently made a couple of them available for free download.

It’s done through a website called WeTransfer, which I’ve never heard of before, but it seems legit and it checked out on the two webrep style programs I use, and neither song has given me any crazy-ass computer sickness as of the thirty minutes ago that I downloaded these things. Plus; if anything does happen we know the band are based in the Chicago area and, really, how hard is it to find four or five guys within a mass of millions, right? Now, let’s discuss the songs.

First up is “Anicetus” – which is an electronica-augmented song that the band proclaims is a “dubstep/whatthehellyoucallit” track made for the hell of it. As someone who has been exposed to an oddly heavy amount of the genre I can say that yes, there are definite elements of it throughout the whole song, so there’s no denying its presence. However, the amount of noise, guitars, electronics, and orchestral elements combine to make something that is oddly compelling. Continue reading »

Apr 302013
 

When I intend to listen to an album with the thought of reviewing it, I usually avoid reading other reviews. I want to form my own impressions based solely on the music and pick my own words to describe it; this may explain why my reviews leave so much to be desired. However, I read several reviews of Ghost’s new album Infestissumam before hearing it, because I wasn’t thinking about reviewing it for this site. After all, the music is barely metal, if it’s metal at all. Also, it has actual singing in it.

The reviews I read weren’t in mainstream publications or on mainstream sites, though Infestissimum has been reviewed in plenty of those places. I was reading reviews on metal blogs. I couldn’t help but notice that even most of the positive reviews had a defensive or apologetic tone, a kind of “they’re good for what they do, as long as you’re not expecting X, Y, or Z”. And the negative reviews panned the album for not having enough X, Y, or Z — whatever the reviewer was demanding but couldn’t find in the music, such as heaviness or gripping riffs.

Some of the negative reviews came from people who seemed to really like Ghost’s first album, Opus Eponymous. This later puzzled me after I listened to Infestissimum, because it’s not like the band made some kind of radical course change without putting on the turn signal.  I don’t think it’s different enough from the first album to turn praise into a pan.

I began to have a sneaking suspicion that Ghost had become the victim of a combination of two things that don’t go over very well here in the underground: success and gimmickry. Continue reading »

Apr 272013
 

I had already put together one daily round-up of new metal for this Saturday (here), but since doing that I found more items I want to share, because sharing is caring (I spit up in my mouth as I wrote that, so it didn’t turn out as funny as I’d hoped). Part of what’s in here involves clean singing; and no, we aren’t entirely bigoted on the subject despite the site’s name. However, I’m sandwiching the clean in between slices of the unclean, just so no one gets the idea that the exceptions have become the rule around here.

THE GREAT OLD ONES

The Great Old Ones are a French black metal band who released their debut album Al Azif last year via Les Acteurs de l’Ombre Productions. To commemorate the one-year anniversary of that album, The Great Old Ones decided to record a cover of a Björk song. Probably wouldn’t have been my pick for a celebratory commemorative, but what the fuck, I decided to check it out — and it’s outstanding.

The band have preserved the song’s melancholy melody through a mix of vibrating tremolo chords and intensified its emotional power and dramatic punch with wrenching black metal vocals, heavy bass, and well-timed drum blasting. In retrospect, I can see how the song’s lyrics would lend themselves to a black metal cover: “I’m a fountain of blood . . . I’m a path of cinders burning under your feet . . . You’re the intruder hand / I’m the branch that you break.” Continue reading »

Apr 242013
 

Here are a few things I’ve been listening to recently. They’ve been bouncing around my head, insisting that I say something about them, and so I am. They have no connection to each other and one of them isn’t even metal at all. But for different reasons all three songs have sunk their claws into the mushy gray matter and won’t let go. Let me know what you think.

TERATISM

I latched on to this Minneapolis band because of the artwork you see above. It’s a Mark Riddick creation for the vinyl LP version of the band’s 2010 album Via Negativa (which was their fourth full-length), and it fuckin’ kills — one of my favorite pieces he’s ever done. The vinyl will be released at some point later this year by Behold Barbarity Records, and the album is available for streaming at the Teratism Bandcamp page. Unfortunately, you can’t download it there but CDs are available here.

But the song that’s been wrecking my head recently isn’t from that album (though the album is massively good). Instead, it’s one I found after the Riddick art drew me to the Teratism FB page. It’s called “Shadows Flee the Burning Sons of Light” and it will be included on a forthcoming vinyl 12″ EP named La Bas, which consists of four previously unreleased Teratism tracks (recorded in 2009) and a cover of “Come To the Sabbat” by Black Widow. And that EP also features this vicious Mark Riddick cover art: Continue reading »

Apr 182013
 

Yesterday turned out to be a banner day for new music videos, and unfortunately I didn’t have time to write about all of the good ones I saw. So I’m making up for lost time by collecting them in two posts, this one being the first. Herewith, for your listening and viewing pleasure, are new videos from Legend (Iceland) and Deathchain (Finland).

LEGEND

I found out about this Icelandic band’s new video via a Facebook post by Sólstafir, who are apparently friends of the two men who make up Legend — Krummi Björgvinsson and Halldór A Björnsson. I confess that neither Legend nor those two gents were familiar to me, and the music isn’t metal, but the song and the video have hooked me right through the gills.

The song is “Benjamite Bloodline” and it’s from the band’s most recent album Fearless. The music is a building swarm of electronica that eventually unfolds into a thunderous beat, with vocals that are mainly clean but ultimately caustic. The strange video is as interesting to watch as the music is to hear — though I make no attempt to describe it. It’s next . . . Continue reading »

Apr 132013
 

I went hunting for new music this morning and found a trio of songs that just cried out to be bundled together. Crying makes me uncomfortable, so I relented. All three songs are exceptions to our rule around here. All three songs reach back into the 60’s and 70’s for their inspiration. None of them is a skull-cleaver or a face-melter, but they’ve nonetheless wormed their way into my head. Before I de-worm myself with something that’s more typical for this site, I’m sharing the experiences.

THE DEVIL’S BLOOD

On January 22 of this year, this occult Dutch group announced that they were disbanding, but would be releasing additional recordings before disappearing into the void from whence they came. The first of those is a full-length album entitled III: Tabula Rasa or Death and the Seven Pillars, which Metal Blade plans to release on June 11.

Selim “SL” Lemouchi has explained that all of the songs are demos recorded in his home recording studio and given only “a simple mix”. The first song from the album that debuted yesterday is “White Storm of Teeth”.  Continue reading »

Apr 082013
 

Continuing what has turned into a content-packed Monday, we’re packaging in this post features on the latest track premiere by Immolation, a new discovery from Greece (Damned Creed), and mysterious new artwork by Paolo Girardi.

IMMOLATION

No one with any sense really needs to be teased further about Immolation’s new album, because all sensible metalheads have already resolved to lay hands on it as soon as possible. But we’re getting teased again anyway.

Not long ago MetalSucks exclusively debuted yet another song from the forthcoming Kingdom of Conspiracy release — and it’s available for free download via the widget on their site. The song is a titanic bruiser powered by tremolo’d grinding, bullet-spitting drumfire, wraithlike soloing, and enough tempo shifts to keep you off balance while your head bangs merrily away. Continue reading »

Mar 292013
 

Time for another round-up of new music. What grabbed my attention this morning were the following new songs from Shade Empire (Finland), Deathember (Sweden), and Moss (UK), plus a small video announcement by Behemoth (Poland).

SHADE EMPIRE

Shade Empire are a Finnish metal band whose massive, 74-minute-long fourth album — Omega Arcane — will be released by Candlelight Records on May 3 in Finland, on May 6 in the rest of Europe, and  sometime in June in North America.

June is so far away that it might as well be Pluto, but although patience will be tested, I’m absolutely convinced the wait will be worthwhile. Why? Because Shade Empire have just released an official video for an edited version of the album’s first single, “Ruins”, and it’s really impressive.

The song is scathing, sweeping, and soaring, a riveting mixture of styles that include elements of black metal, melodic death metal, and doom, with orchestral touches that enhance the drama rather than clog the arteries with cheese. Fans of bands such as Insomnium and In Mourning would do well to pay attention — especially because the video itself is just as magnetic as the music. Beautifully filmed and edited, it’s a badass feast for the eyes. Continue reading »

Mar 282013
 

There’s a song in this little round-up of new stuff that’s an outlier on this site. To make it go down easier, I’ve sandwiched it in between two slices of festering filthiness. You’re welcome.

IMMOLATION

One week ago Immolation debuted the title track from their forthcoming album Kingdom of Conspiracy, which will be discharged on May 14 by Nuclear Blast. I wrote about it then, praising it as a song that sinks its teeth into your neck but transfixes your attention while you bleed out with shifting dynamics and the effective incorporation of infected melodies in the midst of bludgeoning riffage.

Yesterday the band released a lyric video for the song, and while I would have selfishly preferred a new track, this one can stand being heard again (and again). Here’s the new lyric video for “Kingdom of Conspiracy”: Continue reading »

Mar 262013
 

Here’s another installment of things I saw and heard over the last 24 hours while merrily rambling along the by-ways of the interhole. The theme of this installment is METAL ART RULES!

TARDIVE DYSKINESIA

This Greek band’s debut release The Sea of See Through Skins was one of my favorite albums of 2009. One version of the album apparently included a bonus track named “Crawling Through the Mud”, though I don’t think it was on the copy of the CD I bought; at least I don’t see it on my iPod, which is where I transferred the music from the disc before eventually storing the CD away with a gazillion others that my spouse made me remove from our cluttered house.

And that’s all I can say about the wonderful artwork above that mysteriously appeared on Tardive Dyskinesia’s Facebook page yesterday. I don’t know who created it, and I don’t know what music it will eventually accompany. Maybe the band is about to release that bonus track as a single?

Anyway, the band’s 2012 album Static Apathy In Fast Forward ain’t too shabby either. Here’s TD’s cool official video, released earlier this month, for “Time Turns Planets” from that album. Prepare for a spine-jolting, head-scrambling experience. Continue reading »