May 262013
 

Many of you already know how this MISCELLANY game works, but for everyone else, here’s what it’s about: Using no rhyme or reason whatsoever, I pick bands whose music I’ve never heard (usually bands whose names I’ve never heard either), I listen to one recent track from each of them (though sometimes I cheat and listen to more than one), I write my impressions, and I stream the music for you so you can judge for yourselves.

Every other musical feature on this site, other than this one, involves metal that I or the other writers have heard in advance and want to recommend. MISCELLANY, on the other hand, is a shot in the dark. I don’t know what these selections will sound like. We’ll both find out together. Today’s bands are from all over: Serpent Omega (Sweden), Crematoria (Denmark), Purefilth (Ukraine), and Asphodel (Greece).

SERPENT OMEGA

I found out about this relatively new Swedish band via a Facebook recommendation from another band whose doings I follow. They’ve recently released a self-titled debut album via the Mordgrimm label, and it turns out that they have a female frontperson (Pia Högberg). I decided to check out their music in part because of that recommendation but mainly because I thought the new album’s cover art was cool. Continue reading »

May 222013
 

In this post I’ve collected a small group of new songs that I came across while wandering through the interhole over the last 24 hours.

COPROLITH

I’ve been keeping an eye on this Finnish band (pictured above) since hearing their 2012 EP Hate Infected. When I reviewed it, I characterized the music as “the military-industrial complex of the nether regions, an effective fusion of titanic death metal might and melodic black metal hooks” and compared the band to the likes of Behemoth and Hate. They now have a new album on the way entitled Death March, which will be released in the fall of this year by Violent Journey Records.

Yesterday they released a music video for one of the new songs, “Life=Disease”, which is now available digitally through Amazon and probably elsewhere. The song reminds me less of those Polish behemoths than Hate Infected. It has more of an old-school death metal flavor, with a bit of a charred crust. It hammers and howls forcefully, with teeth bared and claws raking. Continue reading »

May 142013
 

Here’s one of those posts that causes people unfamiliar with our site to become confused. It concerns Norway’s Leprous, who create music vastly different from the vast majority of music we cover here.

I am providing this post as a public service, because I know some of our other writers and many of our readers were quite taken with this band’s last album, Bilateral. The new one, entitled Coal, is scheduled for release on May 28 in North America and May 20 in Europe by InsideOut Music. I really like the cover art, by Jeff Jordan.

Today, Leprous released an official video for one of the new songs, “The Cloak”. Fittingly, it was filmed in a mine — the Konnerud Hill Mines in Norway, to be precise.

The song is languid, pared-down, ethereal, haunting, and memorable — and Einar Solberg unquestionably has got a set of quality pipes, if you’re into pipes that aren’t corroded beyond recovery. There’s some heaviness in the riffs, too, which I appreciate.

So, have a look and a listen while I go hunt for some metal that will strip paint from the walls. Continue reading »

May 142013
 

We like having you around here, but I’m afraid I’ll have to ask you to leave. That’s because a quartet of new songs debuted yesterday that I’m recommending to you, but you’ll have to go elsewhere to check them out. They’re exclusively streaming at other sites, so I can’t embed them here. Actually, I could, because no page code is safe from me, but I’m being atypically respectful.

MAN’S GIN

Man’s Gin is the brainchild of New York-based Erik Wunder, who is also one-half of another band I like a lot — Cobalt. He’s joined in Man’s Gin by New Yorkers Scott Edward and Josh Lozano. I thought Man’s Gin’s debut album Smiling Dogs (2010) was fascinating, and it seems the same will be true of the second one, Rebellion Hymns. It’s scheduled for release by Profound Lore on June 25. The new song that premiered yesterday is “Deer Head & The Rain”.

This song isn’t our usual fare. The vocals are more clean than unclean and the music is more folk than metal, though it’s not exactly folk music either. There’s a disturbing undercurrent in the music, and from the acoustic-guitar-and-hand-drum intro straight through to the discordant electrified finish, it’s been relentlessly tunneling through my head since yesterday. Continue reading »

May 112013
 

Here are three things I read yesterday that I thought were worth recommending. And because we always have to have music in our posts, I’m ending this one with a couple of videos by UK post-punk legends Killing Joke, one old one and one that just premiered yesterday.

“THE TEN MOST METAL DEATHS OF METAL MUSICIANS”

Yeah, that headline caught my eye, too. It appeared on the online music blog of The Riverfront Times, a St. Louis alternative newsweekly that’s been around since 1977. As the headline suggests, the writer (Rick Giordano) compiled stories about 10 metal musicians who died in metal ways. Here’s Rick’s introduction and disclaimer:

Death has always been one of the most dominant themes in heavy-metal music, taking a back seat maybe only to Satanism. Death, disease, murder and chaos have accompanied heavy riffs since Sabbath first began playing them back in ’68. This dark subject matter is part of what has always made metal controversial — revolting to some, but appealing to those musicians interested in facing the things we all fear. But there’s often a strange irony that comes into play when we have to realize that these musicians are also human beings, capable of falling victim to the very horrors they seem to embrace. Continue reading »

May 082013
 

Although I’ve been temporarily distracted by such things as Tim Lambesis getting arrested for soliciting murder, Frank Palmeri getting his shit zapped in Russia, and this guy (who used to play some licks for Obituary and Six Feet Under) getting arrested for running a meth lab — after calling the cops himself — I finally remembered that metal is about the music. So here’s some actual music and music news that I came across this morning.

IMMOLATION

Unless you’ve been living in a cave, you know that NYDM legends Immolation have a new album (Kingdom of Conspiracy) coming out on May 13. Although I’m the sort of fan who would buy the album without hearing any of it (because it’s fuckin’ Immolation, and they seem to just get stronger with age), others may wish to hear it first. And you can now do that because today the full album went up for streaming exclusively at Terrorizer. Go HERE to listen.

ARCKANUM

Sweden’s Arckanum also have a new album coming. Entitled Fenris Kindir, it’s due for North American release by Season of Mist on May 14. Explaining the album’s name and concept, Arckanum main man Shamaatae is quoted as saying this: “The sounds and music on this album are my auditory vision of the march of Fenrir convoyed with his hordes of giant wolves from the depths of the underworld to face Ragna Rök with warlike glory – deformed giant-wolves swarming in thousands. This is my tribute to the wrathful, harsh and untamed anti-nature of Fenrir’s mighty essence! The anti-cosmic enemy of the worlds! Heill Tungls Tjúgari! Heilir Fenris Synir!” Continue reading »

May 072013
 

I’m hoping everything in this post will tickle your fancy. It includes four quite diverse songs that I heard this morning. They’re nothing alike, but I thought they were all cool . . . and not the kind of thing you’re likely to come across elsewhere (at least not packaged together and hand-tied with a pink bow, like I’m doing for you).

HAGGIS AND BONG

Still one of the best metal band names ever. And still some of the most stirring bagpipe-injected metal you can find. Haggis and Bong come not from Scotland but from South Africa, and they’ve been a favorite topic of mine here at NCS dating all the way back to January 2010, when the band was just a duo of pipers and a drummer (you can find all of my blathering about them over the years via this link).

Since those early days they’ve expanded themselves into a genuine metal band — but one in which the pipes still play a prominent role — and today they’ve released a free single that’s their heaviest work yet. In addition to including some mosh-worthy distorted riffing and pounding rhythm work, “Battle Destroyer” incorporates the pipes in an unusual way — no jigs or reels this time. Check out the song after the jump and go download it here if you dig it as much as I do. Continue reading »

May 062013
 

(Andy Synn brings us another edition of THE SYNN REPORT, focusing on a band who’s off our usual beaten path.)

Recommended for fans of: Nine Inch Nails, Ulver, A Perfect Circle

So this will be the third Synn Report in a row emanating from the British Isles… I’m not sure why… possibly some sort of deeply repressed guilt or sense of ingrained responsibility to the UK metal scene? Who knows. Don’t worry though, I’ve already set out who the next edition is going to focus on, and they’re not from the UK, so I think we’re safe from any pro-imperialist accusations.

After two distinctly death metal flavoured editions in a row we’re heading into more unusual waters this time around, with a band who come to NCS from a rather different direction.

Forming in 1998, Sunna have had a very up and down career in the British underground. Arriving at the tail end of the nu-metal years the group were lucky enough to avoid being tainted with the same artificially-angsty brush, while also benefitting from a renewed interest in more arty and more dramatic forms of rock/metal (which some would say was a counter-counter-culture response to the more… clunky… forms of mainstream metal at the time).

Dealing in a sound somewhere between the industrial groove of early Nine Inch Nails, the pulsing ambience of Massive Attack, and the soaring riffage of A Perfect Circle – with underlying influences from both Bowie and The Beatles (at their most psychedelic) – the group delivered their well-received debut in 2000, before completely and unexpectedly falling off the radar. It was over nine long years later that the group would return with their follow-up record, continuing even further along their esoteric, industrial/electro-ambient path.

By the release of their third album the band were essentially a solo project of vocalist/guitarist Jon Harris (along with contributions from a number of notable other musicians), but continued to deal with their themes of inner turbulence and turmoil through the medium of their complex compositions and thought-provoking, often painfully honest, lyrics. Continue reading »

May 012013
 

(In this post we deliver unto you a full-stream of the new album by Sweden’s Means End, which we preface with the following introduction by NCS writer TheMadIsraeli. And yes, it’s an exception to our usual rule . . . the one about singing.)

Yes, it’s that time again.  It’s time for more thall.

Means End are the final link in a triad of bands who are all conjoined by “that word”, mainly because Vildhjarta, Uneven Structure, and Means End have all shared members at some point or another.  Something about this seems to have produced a certain magic that’s undeniable.  All three bands have taken a style of metal that at this point, in other hands, has become trite, overdone, and less appealing than chugging a jug of smegma and rotten milk, and somehow managed to rejuvenate it while establishing distinctive identities for themselves.  Means End certainly have a sound all their own.  Yes, they have recognizable influences (and who doesn’t in this day and age?), but what they do with those influences really shines and stands out.

The Didact is fifty-one minutes of jazzy, funky, rhythm-driven, progressive groove metal with one of the best vocalists in metal right now.  The music is cinematic, enigmatic, but still seething, with fangs dripping in battery acid.  It’s this band’s sense of dynamics, moving between the gorgeous and moments when they bring the hammer of thall down upon you, that really stands out.  The soft parts don’t really feel “soft” per se, because this band’s tendency toward ever-evolving key transitions produces more a sense of unease than a simple break from the heaviness.  However, when the heaviness does hit, it pretty much implodes your intestines. Continue reading »

Apr 302013
 

Yeah, hairless cats. We don’t have enough hairless cats here at NCS. Actually, the only other time we had a hairless cat at NCS was in this post from three years ago, of which I’m still awfully damned proud. But today I saw some hairless cat photos that just seemed to cry out for a feature.  Voila!

POTERGEIST

The first photo is up above. It was taken by none other than Seth Siro Anton (Septic Flesh), and the subjects are Alex S. Wamp of Greek “swamp metal” band Potergeist and Sethi. That’s Sethi on top. I think it’s a badass pic.

Before seeing it I didn’t know anything about Potergeist, but now I know that they have a new album on the way named Swampire and that Mr.Anton will be doing the cover art for it. In hunting for Potergeist music, I found two things that I liked. The first is a cover they recently recorded of Black Sabbath’s “The Wizard”, which appears on a Greek tribute to Sabbath named Sabbath Cadabra that Metal Hammer Greece is giving away with issue #340 (it went on sale April 2). Some fuckin’ juicy riffs in this thing, not to mention a sweet blues harmonica, a nice guitar solo, and some squalling vocals.

Before I get to the second thing I found, here’s another photo of Alex and Sethi: Continue reading »