Nov 062017
 

 

On November 10, Dark Descent Records will release, Deliverance From the Godless Void, the latest album by Finland’s Desolate Shrine. Our man Andy Synn recently reviewed the album (along with the band’s preceding three albums), calling it “another triumph of will and wickedness, and well worth getting hold of if you’ve ever had an urge for a truly masochistic metallic experience.”

With “a production that may be more powerful than ever”, Andy wrote, “the band are still as foul and filthy at heart as they have always been, at times bringing to bear a crippling sense of dissonance and discordance,” meshing together “neck-wrecking grooves”, “gnarly, guttural vocals,” “bulldozing riffs,” “strangling bass lines,” and “foul, demonic atmospherics” to produce a truly electrifying experience.

And now Norway-based metal writer and NCS contributor Karina Noctum brings us this interview with L.L., the main man behind Desolate Shrine just days before the album’s release: Continue reading »

Oct 032017
 

 

(Karina Noctum brings us this interview with Gerson “Demonslaught” Toro of the veteran Colombian black metal band Guerra Total, whose latest album Nihilistic Malthusian Manifesto (The Ouroboros Cosmic Indifferentism) was released early this year.)

Guerra Total means Total War in Spanish and it comes right from the country with the longest armed conflict in the world, Colombia. I decided it was time for me to interview a South American band because they do get limited publicity and deserve any kind of support one can give. Besides, I do know of many who appreciate the South American thrash sound and I think for many of them and all others who are into exploring new things it may be interesting to listen to some Blackened Thrash with a Colombian twist like the one Guerra Total offers.

When it comes to South America, Brazil is the country with the most successful, renowned metal bands. But for those who really like Brutal Death Metal, Colombia is the country to choose. The Brutal Death scene is kind of modern, taking into account that the country’s raw and violent metal sound can be traced back to the ’80s. Continue reading »

Sep 082017
 

 

(Greek writer Aggelos Redneck of Rockoverdose.gr brings us this interview of Gunther Theys, founder and still vocalist of the long-running Belgian black metal band Ancient Rites, whose latest album Laguz was released after a long hiatus in 2015. The interview was conducted in anticipation of Ancient Rites’ performance at the Arcane Angels Festival, which will take place in Athens on September 16-17, 2017, alongside such bands as Primordial, Taake, and Zemial.)

 

First of all, we’d like to know your thoughts on the latest album of the band Laguz”. It’s been two and a half years already since its release. How did the fans react to it? Are you fully satisfied with its sound? 

I think Laguz is our most complex album so far from a technical point of view, consisting of many layers. It’s an album that has to grow on the listener, as one keeps on discovering details. On the other hand, all musical elements have intensified, it is an intense album. The fans responded positively, but of course people have their preferences, which is normal when a band exists for as long as we do and each album sounds different.

What I find important is that the essence of our work, the A.R. universe, remains intact. Like a travel through old, forgotten worlds. I still believe in every album we ever did for they all represent important eras in our band’s history. Our musical progress is a natural, organic one, but I wouldn’t mind releasing a very raw, primitive album either. We never plan our sound, we are not influenced by any current trends or external situations. We simply create what we feel, regardless of any commercial feedback. Continue reading »

Aug 252017
 

 

 

(Greek writer John Sleepwalker of Avopolis.gr brings us another interview, and this time we have his e-mail discussion with Alan Averill (Nemtheanga), frontman of Primordial and Dread Sovereign and the once (and perhaps future) Blood Revolt. This interview was conducted in anticipation of Primordial’s headlining appearance at the Arcane Angels festival in Athens on September 16, 2017.)

 

It’s been 3 years already since Where Greater Men Have Fallen. A release considerably dark, compared to the ones that preeeded it. Do you believe Primordial lost a part of their darkness along the way, or maybe it has transormed in more subtle ways? 

Have we lost a part of it? I don’t know about that… the last album is definitely darker, for example, than the debut. Or in my opinion any of the first 4 albums. If we did lose our darkness, then how is the last album darker than the ones before? Strange question. Continue reading »

Aug 162017
 

 

(Comrade Aleks is back, and brings with him this interview of Steve Colca, guitarist/vocalist of Austin-based Destroyer of Light.)

Horror movies, bloody sacrifices, and a bit of smoke – these topics work better when you play slow and low stuff. Just like Destroyer of Light do. That Austin-based band crawls out of their dungeon with seven new tracks entitled Chamber of Horrors.

It’s their second full-length, and the men naturally reached another level in their musicianship, keeping the same grim and hard sound. The feature of this record is a wider range of influences (including a heavier, sludgy sound), yet all of these imprints fit Destroyer of Light’s image well.

Need some darker vibe? Here it comes! “There’s a murder at the altar, So his spirit will arrive!” Continue reading »

Jul 312017
 

 

(Argentinian writer Matías Gallardo rejoins us with this interview of Michael Czerwoniuk, vocalist/guitarist of the UK black metal band Wode, whose new album Servants of the Countercosmos we reviewed here.)

 

After releasing their self-titled debut album last year, British black metal act Wode became one of the most exciting bands around the obscure corners of the underground. With a particular blend of fury and catching melodies that resemble both early ‘90s Norwegian legends and classic heavy metal heroes, the Manchester-based quintet started a path that was followed earlier this year with the release of their sophomore album, Servants of the Countercosmos.

Released by the renowed Italian label Avantgarde Music, Servants… is a massive and violent sequel plagued with some of the best and most extreme riffs you’ll hear this year. In barely 31 minutes, Wode managed to craft another piece of chaotic blackness. Below you can read the chat vocalist/guitarist Michael Czerwoniuk had with NCS. Continue reading »

Jul 212017
 

 

(In the fifth and final part of a week-long series of interviews by Andy Synn, he talks with Scott Mellinger of the Pittsburgh band Zao, whose late-2016 album The Well-Intentioned Virus was reviewed by Andy here.)

Last, but by no means least, in my retrospective on some of 2016’s unsung heroes we have a band who are probably the most well-known out of all five, though still nowhere near enough in my estimation!

After a seven year break Zao returned in 2016 with The Well-Intentioned Virus, their tenth/eleventh full-length album (depending on whether or not you count the 2003 re-recording of All Else Failed), which proved to be one of the finest slabs of music the band had ever produced.

Now, a little over half a year later, I wanted to catch up with the band and welcome them back to the land of the living, as well as grill them on their time away, and what it took to produce an album which may well go down as their magnum opus. Continue reading »

Jul 202017
 

 

(Continuing his week-long series of interviews focusing on un-sung bands with stellar 2016 albums, Andy Synn today talks with guitarist Piotr Chmielecki of the Polish band Koronal.)

Fit to bursting with twanging, tensile riffs and gigantic, gigawatt grooves, Flicker Away, the debut album by this powerhouse Polish quintet, rapidly rocketed its way to the top of my “most listened to” list soon after I discovered it at the tail-end of 2016/start of 2017.

In fact I loved it so much that I was more than happy to state that I actually preferred it to the new Meshuggah album, The Violent Sleep of Reason… an opinion which I still stand by today!

But whether you’re onboard with that statement or not, I ‘m pretty certain that you’ll still agree when I say that Flicker Away was (and is) one heck of an album, and one which definitely deserved a lot more praise and attention than it actually received.

So, with that in mind, please give it up for Koronal! Continue reading »

Jul 192017
 

(In the third installment of Andy Synn’s week-long series of interviews, he talked with members of the Vancouver BC band Riftwalker — guitarist/vocalist Miles Morrison, bassist/vocalist Spencer Atkinson, and drummer Zan Petrovic — whose 2016 album Andy reviewed for us here.)

Progressive/Technical Death-Thrash combo Riftwalker wowed a number of people with the release of their debut album, Green & Black, in October last year – and I can only imagine that number would have been even higher if that band hadn’t flown under the radar quite so much.

But right now we have an opportunity to correct that (at least a little bit) by bringing the band another dose of well-deserved attention! Continue reading »

Jul 182017
 

 

(In the second installment in a week-long series of interviews, Andy Synn talks with members of the Norwegian band Endolith, whose 2016 debut album he reviewed here.)

For the second in this interview series on some of the “unsung heroes” of 2016, we’re travelling to Tromsø, Norway, to discuss Metal and metaphysics with progressive death-groovers Endolith, who released their fantastic debut album, Voyager, in December of last year.

******

First question – nice and simple – how are you guys doing at the moment?

Frode: Hello, we are doing fine. In fact we’re actually in the middle of writing our sophomore album, and we’re more than halfway through. We’ve been working continuously since the release of Voyager and it’s looking good!

Spirits are high, and we feel that we are honing our sound further, trimming some of the fat that may naturally accumulate on a debut album, and making perhaps more cohesive material. Continue reading »