Apr 012014
 

Yesterday Nuclear Blast announced that Sweden’s hugely popular and hugely influential Meshuggah would be returning to North America this summer for a tour celebrating their “25 Years of Musical Deviance”, with support from Between the Buried and Me. As originally announced, the tour consisted of only 12 dates, two of which were festival appearances. But today the band announced a significantly expanded schedule of tour dates, going well beyond the original 12 cities.

Inconsistent explanations have been offered for the change. In today’s official announcement frontman Jens Kidman is quoted as follows:

“This is our 25th anniversary tour of the North American market, which has been an enormous factor in the success of our band — probably the single biggest factor. Of course, we always planned to make this the biggest tour we’ve ever mounted. To do anything else would have been churlish.

“That miserably tiny run of dates our label announced yesterday was supposed to have been an April Fool’s joke, but as we like to say in Umeå, someone at Nuclear Blast “screwed the pooch” by releasing it a day early. We sincerely apologize to our North American fans for the confusion. The expanded schedule we’re rolling out today will make all the butthurt go away like a big tube of Preparation H.”

Continue reading »

Mar 312014
 

Here are a handful of new songs and videos I found this morning that I thought were worth passing along.

WRONG

I got interested in this new two-man black metal band because the vocalist and drummer is Phlegeton from the excellent Spanish metal band Wormed. His partner, who plays guitar, bass, and piano, goes by the initials DP and is a member of The YTriple Corporation and Neverdie. Their second album, Pessimistic Outcomes, is coming out in April.

In January I featured a Wrong video for a song from their first album, and what I found today is a just-released video for the new album’s title track. The song is slow-moving and depressive, with squalling tremolo guitars and methodically pummeling percussion that moves between rock beats and rolling thunder. Incorporated within this bleak, atmospheric music are two contrast points — ugly, distorted, bile-spewing vocals and eerie, ethereal piano notes. Continue reading »

Mar 312014
 

I’ve been unable to check the NCS in-box for a few hours. In more plain-spoken English, what this means is that the intrepid NCS pigeon aeronauts who deliver our metal-oriented mail were distracted by some old dude with popcorn on a park bench. I’ve tried to reason with them about the importance of prompt deliveries, but if you’ve ever tried to reason with a pigeon, you know it’s a daunting task.

Anyway, they finally made it to the NCS HQ, and one of the missives caught my eye immediately: The mighty Meshuggah have announced that they will be returning to NorthAm this summer “to celebrate their 25th year of musical deviance with festival appearances, Canadian dates, and clubs that will fill to capacity.”  Opening for them (on all but the two festival dates) will be North Carolina’s Between the Buried and Me.

For people lucking enough to reside within striking distance of any of the following 12 cities, this is strikingly good news: Continue reading »

Mar 302014
 

For those of you who, like us, were overjoyed at the 2013 comeback of West Virginia’s Byzantine, we bring you more joyous news. We received the following notification yesterday:

“According to Chris Ojeda, frontman for Byzantine, the band has begun writing material for album 5, due out early 2015. Ojeda states, ‘We have been playing some regional shows in support of our last album and, although it’s been a blast, we really need to buckle down and see how we can keep the momentum going from our last record. I was looking to putting out an EP with a few new songs, a few old songs rerecorded and maybe a cover to release this year but the rest of the guys were pushing hard for another full length of new music and they are right.’

“This album will be recorded late summer of this year and will be once again partially funded through Kickstarter. Next week, Byzantine will be releasing a very limited Vinyl release of their last album complete with brand new artwork. Pre-orders are still being taken through www.byzmerch.bigcartel.com.”

Early 2015 is a long way off, but it’s both a relief and an expectant pleasure to learn that Byzantine are forging ahead with another album. Their self-titled comeback was so very strong, and in case you still haven’t discovered it, listen to this: Continue reading »

Mar 282014
 

Here are a few notices sent my way by my NCS colleagues that we agreed were worth mentioning.  They concern forthcoming albums.

ANATHEMA

Following up on their well-received 2012 album Weather Systems, the UK’s Anathema revealed this morning that their new album will be named Distant Satellites and will be released by the Kscope label on June 9. The album art was created by Korean new media artist Sang Jun Too and was based on his “Distant Light” installation. Some of the songs were mixed by Steven Wilson. The band’s announcement also included these words:

Distant Satellites is the culmination of everything ANATHEMA been working up to so far in our musical path. It contains almost every conceivable element of the heartbeat of Anathema music that it is possible to have. Continue reading »

Mar 282014
 

I spent some time last night searching for new music worth recommending. Found quite a lot. Damaged my ear drums in the process, but oh so worth it. (They were so screwed up beforehand that it didn’t really matter. As for you, play this stuff loud enough to cause pain, so I don’t feel lonely in my deafness.)

There’s a lot of music in here — I could easily have spread it across five posts today — but there probably won’t be many other posts on this Friday because I’m on the road again. So, take your sweet time with it.

LORD MANTIS

We already reviewed Death Mask. We’ve heard it all, but most of you haven’t. Some of you will want to run away from it, some of you will eat it up like whatever it is you can’t stop eating even when you know you should. I’m in the latter category — it has made an indelible mark, as deep as all the black tattoos that beautify my limbs. Continue reading »

Mar 272014
 

I don’t have the data at my fingertips. It’s possible that we’ve written about some other band more than we’ve written about Iceland’s Sólstafir over the years — but I’d be surprised if that were true. And so it’s a foregone conclusion that I’m posting the following announcement of the band’s first “North American” tour, even though some literary license has been taken with the term “North American”:

Icelandic rock heathens Sólstafir have announced a string of North American tour dates. The band’s first-ever North American trek starts on May 15 in Brooklyn, NY and will continue through the band’s stop at this year’s Maryland Deathfest on May 23. Support on these dates comes from JUNIUS. A full list of confirmed tour dates can be found below.

SOLSTAFIR North American tour dates
5/15 Toronto, ON @ Hard Luck
5/16 Brooklyn, NY @ Saint Vitus Bar
5/17 Philadelphia PA @ Underground Arts
5/18 Boston, MA @ Middle East
5/19 Springfield, VA @ Empire
5/23 Baltimore, MD @ Maryland Deathfest Continue reading »

Mar 272014
 

I’ll spare you the why’s and wherefore’s, but your humble editor has fallen behind in monitoring developments in the world of metal.  As a result, the collection of new songs is even more random than usual. Nevertheless, I think all the music is very good, and it’s diverse enough that it should please a range of tastes.

AUTOPSY

Tourniquets, Hacksaws And Graves is the name of the seventh studio excrescence by the mighty Autopsy. Ever since the Wes Benscoter album art and April 21 release date were disclosed by the Peaceville label back in February, I’ve been waiting for a taste of the music, and we finally got it yesterday, with the premiere of “The Howling Dead” at Noisey.

I’m not surprised at how good this song is, but I’m surprised at how wretchedly good it is. That driving beat at the beginning, shrouded in dense distortion, is just killer. So is the thoroughly horrific doom slow-down that follows it. So is the lurching, rocking stomp that comes next. And so on… Chris Reifert’s vocals have never sounded more horrific, the riffs are as putrescent and grisly as they’ve ever been, and the closing guitar solo oozes decay. Fantastic! Continue reading »

Mar 262014
 

(Austin Weber brings us another round-up of music and metal news, featuring The Conjuration, D’Arkestra, Divine Realm, Winter of Sin, and Posthumous Blasphemer.)

THE CONJURATION

After a long wait, The Conjuration’s new album, Surreal, has finally emerged—and it’s a gloriously twisted avante-garde beast that lashes out in progressive and schizophrenic fits. This is death metal turned upside down. Corey Jason has proved once again that he doesn’t need a band, only himself. He composed all of it, played all the instruments, did the vocals, and handled the production himself, too.

On Surreal, Corey skillfully pushes the limits of what a one-man death metal act is capable of creating. Most acts of this nature that play death metal are lacking compositionally and all too often create music that is too samey in the songwriting, and too often lacking a vital creative spark. By contrast, Surreal really does sound like the work of multiple people whose different ideas and approaches led to a diverse group of songs. Continue reading »

Mar 242014
 

NO CLEAN SINGING is proud to sponsor the forthcoming North American tour by Abigail Williams, Lecherous Nocturne, and Panzerfaust. This promises to be a string of nights that metal fans are going to remember, as soon as they dig out of the rubble left in the wake of this onslaught.

Since we originally the announcement of the tour last week, there have been some changes in the schedule, and so in addition to posting the updated tour flyer you see above, we’ve got the revised calendar and list of locales after the jump (this is now current as of April 25).

And because we always like to have music whenever possible at this site, we’re including music videos of one song from each  bands’ latest album. Continue reading »