Mar 132014
 

Almost exactly two years have passed since Italy’s Hour of Penance delivered their last album, Sedition. Recently the band announced details about the release of their next album, the name of which is Regicide. It’s due for release by the Prosthetic label on May 13 in North America (May 12 in the UK and EU, May 16 in Germany). And today we got an official lyric video for the album’s first advance track — “Resurgence of the Empire”. You can watch and hear it after the jump.

The lyrical themes of the album revolve around tearing down the walls of ignorance and fear erected by religion and other “dysfunctional authorities” so that freedom might bloom. “Resurgence of Empire” by itself would serve quite well as a battering ram in that demolition project. It would work well on actual walls as well as metaphorical ones. You’ll find out why I say that momentarily. Continue reading »

Mar 132014
 

That album cover up there is one I want on a fuckin’ shirt ASAP. It was unveiled today by Century Media and it will adorn the second album by the mighty Vallenfyre, which is entitled Splinters. The artist is Brian D’Agosto. The album is now scheduled for release on May 12 in Europe and May 13 in North America.

I’m really, really eager for this album. We were early adopters of this band beginning when the first whispers of their existence surfaced back in 2010, and their debut album A Fragile King (2011) fully justified our early optimism. If you are somehow unaware of Vallenfyre, the band consists of Greg Mackintosh (Paradise Lost) on vocals and lead guitars, Hamish Glencross (My Dying Bride) on rhythm and lead guitars, Scoot (Doom, Extinction of Mankind) on bass, and drummer Adrian Erlandsson (At the Gates, Paradise Lost, The Haunted).

Today also brought the first taste of music from the new album. It comes in the form of a studio video that includes a minute and a half of the song “Scabs”. Continue reading »

Mar 122014
 

(In this jumbo post Austin Weber puts the spotlight on recommended recent music from nine (9!) bands plus some tour news about a tenth.)

By now you know the drill, I’m going to throw a bunch of music your way and see if any of it sticks. While 2014 has seemed sort of slow, release-wise, so far, I managed to find a number of under-the-radar goodies and I’ve also included two established-band updates. As usual, you are free to loathe or love all or none of it. While I usually only listen to ambient grindcore, I’ve been branching out lately. So, lots of different kinds of music besides ambi-grind are included below. With deathqueef making up more of the music mentioned this time, but also delving into colostomy-bag-fueled post-electronic, instrumental scat, and nu-grunge.

EMBRYONIC DEVOURMENT

With their latest release Reptilian Agenda, Embryonic Devourment have even further embraced old school death metal tendencies into the fold of their technical brutal carnage that warns of the true reptilian nature of reality. This is a big step up for them, and fans of old school death metal should certainly give this a listen. In spite of its swarming Origin-meets-Malignancy veneer, a lot of the riffs are superbly evil, meaty, and groovy in an old school way.  Continue reading »

Mar 112014
 

I have a lot of new discoveries from the preceding 24 hours that I want to share with you today in between the two premieres we have scheduled. I’ve divided them into two of these “Seen and Heard” posts. In this first one I tried to mix things up. Some of what’s here isn’t metal, but it’s all good.

ENTHRONED

As I previously reported in these pages, Agonia Records will be releasing the 10th studio album by Belgium’s Enthroned on April 15. The title is Sovereigns, and it’s now available for pre-order at this location. Earlier, I featured the first advance track from the album (“Of Feathers and Flames”), and today Noisey premiered another one — “Of Shrines and Sovereigns”. This one is ravaging and rapacious, but it also includes  a somber interlude, something similar to Gregorian chant that transforms into a black metal processional, and it really makes the song.

Enthroned’s Facebook page can be accessed through this link. Here’s the new track: Continue reading »

Mar 102014
 

Collected in this post are new songs from three black metal bands that I want to recommend for your listening pleasure.

NEFANDUS

Nefandus are a satanic black metal band from Sweden whose third album, Reality Cleaver, is scheduled for release by Daemon Worship on April 30.  Though the band’s line-up has evolved over time, they trace their roots back to the mid-90s, with their first album coming out in 1996. However, my first exposure to the music came from the two new songs that Daemon Worship recently began streaming on Bandcamp — “Qayin’s Hunt” and “Reborn As Wolf”.

The first of those songs is a mid-paced procession, almost stately in its cadence and in the grandeur of its dark, minor key melody, yet thoroughly occult in its atmosphere (due in no small part to the filthy vocal delivery). The second track, “Reborn As Wolf”,  quickly accelerates into a gallop, the whirring melody needling like a drill bit seeking flesh within the teeth, though the song also exudes a kind of infernal majesty similar to “Qayin’s Hunt”. Very nice. Continue reading »

Mar 082014
 

I’m still away from home doing job-related stuff that has left almost no time for searching out new metal, listening to music, or blogging.  I will be going home tomorrow, with hopes that NCS life will return to normal after that. I’m about to dive back into another day-long bout of job-related stuff, but before doing that I thought I’d throw a few things your way.

CVLT NATION FREEBIES

CVLT Nation has recently unveiled a series of free compilations that are well worth exploring. The first, which was released two days ago, is a compilation of Black Sabbath covers: Seven different bands perform the eight songs on Sabbath’s 1971 classic, Master of Reality. The bands are:

Primitive Man
Rorcal
Cult of Occult
Bongripper
Graves At Sea
Albino Python
Usnea Continue reading »

Mar 072014
 

I intended to get this roundup posted yesterday, but obviously my word is no good. So it comes today

BLOODLET

The artwork at the top of this post grabbed my attention. It was created by Aaron Turner (of Isis fame, and a prolific graphic artist) for a 12″ release coming on Record Store Day from A389 Recordings. The title is Bloodlet – Live on WFMU-FM (03.23.95), and as the title suggests it’s a previously unreleased live recording from about 20 years ago that was recently mastered for this release.

Bloodlet is a name I’ve heard before, though I can’t remember if I ever heard their music. They made a name for themselves in the 90s as a metallic hardcore band (long before the “metalcore” label came into currency). They’ve been on hiatus since 2003, but reunited to play the A389 Records X Anniversary Bash in Baltimore on January 18, 2014.  Continue reading »

Mar 062014
 

As previously advised, I’m on the road again in the grasp of my fucking day job, but I did carve out some time to make the rounds in search of new things and, as usual, found quite a lot to like. Because time is short, I’ll divide what I found into two posts, this being the first.

HOUR OF PENANCE

Almost exactly two years have passed since Italy’s Hour of Penance delivered their last album, Sedition, which was excellent. Today the band announced details about the release of their next album: The name is Regicide, and it will be coming our way via the Prosthetic label on May 13 in North America (May 12 in the UK and EU, May 16 in Germany).

From a previous Facebook post by the band, I know that the album art was created by the same Gyula Havancsák (Hjules Illustration and Design), whose work for Arkona’s new album we featured here recently. He also created the covers for HoP’s Sedition and Paradogma. Continue reading »

Mar 052014
 

I’m headed for the airport again this morning, and then winging my way back to sunny Southern California for my day job, returning to sodden Seattle on Sunday. This will again restrict my blog time. Before leaving, I wanted to share a few recent discoveries.

THANTIFAXATH

This Toronto band, whose three members prefer to remain anonymous, released a self-titled EP in 2011, and now they have a debut full-length on the way. Entitled Sacred White Noise, it’s coming out on April 15th via Dark Descent. Not long ago the band premiered an advance track named “The Bright White Nothing At the End of the Tunnel”.  I’ve been meaning to check it out, and finally did so last night — and I’m in love.

There’s a writhing, dissonant guitar lead that begins almost immediately and then intermittently continues to whip and squirm its way throughout the rest of the song, and once heard it’s hard to forget. But that’s only part of the music’s attraction. The song also includes hammering percussion, scalding riffs, bestial black metal vocals, and a load of other strange but magnetic repeating motifs. Continue reading »

Mar 052014
 

I would guess that established metal bands face a quandary every time they begin work on a new album. By “established metal bands” I mean those who have put out enough records over a long enough period of time that they have a well-defined sound and, by metal standards, a large and relatively devoted fan base. I’m guessing, because I’m not in an established metal band and don’t know anyone who is. Fortunately, lack of first-hand knowledge has never held me back from expressing opinions.

Here’s the quandary: You can continue to do the same kind of thing you’ve done before. This is the safe route. You know you will probably please the die-hard fans, because you’re giving them what they’ve liked in the past. You’ll please your record label, because whatever pleases your established fan base most likely means predictable sales. And because it’s the same kind of music you’ve done in the past with success, you can be reasonably confident that you won’t fuck it up.

But maybe it’s not so safe. Because there’s a difference between writing good new songs that are recognizably YOU and… coasting. Coasting is risky, and I would guess (see above re my complete lack of personal knowledge) that it’s also boring for the people in the band. And when people in a band start to get bored, they’re on the brink of a death spiral. Continue reading »