Feb 092014
 

I’ve collected in this post two new songs and one new album, all of which I discovered yesterday. As the post title suggests, two of the bands are solidly in the black metal camp and the third, sandwiched between them in this feature, is “blackened” — although their music is a striking amalgam of styles. All three are doing some very exciting things with their music.

ENTARTUNG

As is true of all three bands in this post, Germany’s Entartung ambushed me yesterday. Before then, I hadn’t heard of them. Their debut album Krypteia appeared in 2012 and their second, entitled Peccata Mortalia, is due for release by the World Terror Committee (W.T.C. Productions) on March 8. Two days ago DECIBEL premiered the album’s first advance track, “Blasphemaverit in Spiritum Sanctum”.

The strength of the song lies principally in the powerful tremolo-picked melodies that heave in the music like ocean swells, and in the shifts between the bleak, frigid atmospheres they create and the black, rocking rhythms and other transitions that segment this long song. It’s easy to become immersed in the wintry tale Entartung are spinning. Continue reading »

Feb 082014
 


As you may have noticed, we were pretty light on the content yesterday. I even failed to get another installment of our 2013 Most Infectious Song list up on the site. I blame my fucking day job, which has taken me on the road again, with about 36 hours still to go before I can get back to Seattle. I did do some catching up early this morning, and have prepared this round-up of new and notable things, plus that delayed installment for the song list.

I’ve paired these two bands together on purpose, because musically they seem like kindred spirits. Perhaps you’ll soon understand why I think that.

SARKE

Last September I wrote about a forthcoming album by a Norwegian band named Sarke (who will also be playing at Maryland Deathfest this May). All I knew at the time was who was in the band, but that was enough to inspire intrigue about the music:

SARKE (Khold, Tulus), bass.
NOCTURNO CULTO (Darkthrone, Gift of Gods), vocals.
ASGEIR MICKELSON (Spiral Architect, God Of Atheists), drums.
ANDERS HUNSTAD (El Caco, Autopulver, Morten Abel), keyboard.
STEINAR GUNDERSEN (Satyricon, Spiral Architect, System: Obscure), guitar. Continue reading »

Feb 072014
 

Due to the demands of your humble editor’s fucking day job, we will be a little light on the content at NCS today. We will have this little round-up, a show report from Umeå, Sweden, and (I hope) one more installment in our list of 2013’s Most Infectious Extreme Metal Songs — and that will probably be it. So, to start, here are two items of interest that I commend to your attention.

TRIPTYKON

This morning, Century Media announced that it and Prowling Death Records Ltd. will release the second album by Triptykon on April 14 in Europe and April 15 in North America. The title is Melana Chasmata, which according to Century Media means (roughly) “black, deep depressions/valleys”. It will feature nine songs and a playing time of around 67 minutes. The cover art is above, and yes, we have yet another pairing of HR Giger and Triptykon.

For me, Triptykon’s first album Eparistera Daimones (2010) was a grower rather than an immediate love interest. But come on, how could you not get a bit tingly with anticipation over new music from Tom G Warrior and V. Santura? Continue reading »

Feb 062014
 

This is just another one of those “Seen and Heard” posts, collecting new and noteworthy things I came upon over the last 24 hours. I was just getting tired of that title.

PYRRHON

Last September we reported that New York’s Pyrrhon had signed a deal with Relapse Records for the release of their second album, The Mother of Virtues, which was tracked and mixed by Ryan Jones (Today is the Day, Mutilation Rites) and mastered by Colin Marston (Gorguts, Dysrhythmia, Krallice). Yesterday the band disclosed the cover art for the new album, created by Caroline Harrison, and it hooked my eyes hard — really excellent.

In addition, the band premiered one of the album tracks, “Balkanized”. It’s a substantially re-worked version of a song that originally appeared on Pyrrhon’s 2012 demo. It will scramble heads, with horror-blasting roars over the top of squalling, shrieking, fret-burning guitars and a bounding rhythm section that justifies a listen all by themselves. It’s both technically impressive and thoroughly unhinged, both complex and carnivorous. And voracious, violently voracious. Continue reading »

Feb 062014
 

As many of you know, NCS writer Andy Synn is the frontman for a UK band named Bloodguard — or rather they used to be named Bloodguard. As of today, the Bloodguard name has been laid to rest. Henceforth, the band shall be known as Beyond Grace. And in addition to spreading the word about that change, we’re delighted to bring you the intergalactic premiere of the band’s new video for the song “Panopticon”, which is also being released via Bandcamp as a single.

But before premiering the video I’m going to turn this post over to Mr Synn, who explains the name change, future plans for the band, and other news. — Islander

********

So… where to start? The decision to change our name was not an easy one to make. We realise it comes with potential costs, but it also has a host of benefits we just couldn’t overlook.

Why the new name? A lot of reasons really. The old one doesn’t really suit us anymore, it fits awkwardly in some ways, and is surprisingly hard to get people to remember. Whereas the new name suits the lyrical direction – more socio-political, more transhumanist – and the new sound of the band – heavier, more technical, more death metal – much better.

Plus it sounds way cooler when you growl it onstage.

Bloodguard is no more… Beyond Grace is born. Continue reading »

Feb 052014
 

For your audio-visual enjoyment, here are two brand new songs I just heard. I did not group them together randomly. I grouped them together because they make a one-two punch of merciless destruction.

HERESIARCH

Heresiarch are a New Zealand band whose last EP, Hammer of Intransigence, I reviewed here. “In the main,” I wrote, “Heresiarch’s EP is designed to provide unmitigated sonic violence, a thorough immersion in warlike atmospheres, and in that it succeeds in striking fashion…. If I’d only known, I’d have stocked up on some radiation sickness medicine before listening.”

I was stoked to learn this morning that Iron Bonehead Productions will be releasing a new Heresiarch 7″ EP named Wælwulf this coming March (the killing cover art is above), and that one of the three new tracks is now streaming on Bandcamp. “Endepræst” is the name of the song and it’s about 6 minutes of militaristic black/death, beginning as a march and moving into a frontal charge, with cannons blasting and the air filled with tremolo’d shrapnel and the howls of ravening wolves. The song devolves into a gruesome golem stomp of massive proportions, the guitars continuing to buzz like wasps, the vocalist continuing to roar and howl like something inhuman. Continue reading »

Feb 052014
 

Here are a couple of quick update items about Japanese bands we’ve written about in the past.

BABY METAL

Long-time readers of the site know that we have a thing about Baby Metal. A non-pervy thing, I hasten to add. If you’re new to the site, you can find all our prior blathering here. The breaking news is that Baby Metal, at long last, have announced they will be releasing an album. Entitled BABYMETAL, it will become available on February 26 via iTunes and assorted other sites (for CDs), which you can find via the band’s FB page or their web site.

The band have released a trailer for the album. It’s mainly just a string of clips from previous videos, but I’ll stick it up here anyway: Continue reading »

Feb 052014
 

You may have noticed that about the only metal news we focus on here concerns new songs, forthcoming album details, and tours. Even then, we make no effort to be comprehensive. If you want to find a place that relentlessly copy/pastes press releases, talks about the latest bass player to quit his band, or gossips about the metal scandal of the day, this ain’t it. However, I’ve been peppered with reader messages about the two “scandals” in this post, so I’m relenting.

AMON AMARTH

I would enthusiastically fork over money to see the current Deceiver of the Gods Tour with Amon Amarth/Enslaved/Skeletonwitch if it came within spitting distance of Seattle. But it isn’t, so I won’t. However, I can easily imagine the magnitude of my hot smoking rage if I had paid to see this tour In Charlotte, NC, on January 29. The event was to have occurred at a place called The Fillmore, but the venue cancelled the show 6 hours before doors.

Why did they cancel it? Well duh, because of the polar vortex gripping Charlotte — as evidenced by the above photo taken by Johan Hegg from the window of Amon Amarth’s tour bus. Here’s the statement that appeared on The Fillmore’s FB page:

“Due to inclement weather, local road conditions and the current State Of Emergency in NC the Amon Amarth show scheduled for tonight at The Fillmore Charlotte has been CANCELLED. All online and phone orders will be refunded. Other tickets may be refunded at their place of purchase. We’re sorry for any inconvenience. Stay safe NC.” Continue reading »

Feb 042014
 

I’m in catch-up mode for new things. This is the second round-up of news and new music for today, and there will probably be a third. The first one is here. The following collection should keep you off-balance.

SEPTICFLESH

Yes, it appears that the band have decided to join the two words of their name into one, but a rose by any other name will smell just as sweet. Or, in this case, will sound just as sweet. I saw this announcement on the band’s Facebook page this morning:

“We have completed the recordings of our upcoming full length album. The album will consists of 10 songs that were recorded once again at Devasoundz Studios Athens Greece and at Prague with the collaboration of the Prague Philharmonic Orchestra and Choir. The album will be released this summer via Season of Mist for Europe and via Prosthetic Records for America.

“We are really exhausted, but also very proud from the result. We worked very hard with Logan Mader (former MACHINE HEAD and SOULFLY guitarist that has worked considering album sound, with bands as CAVALERA CONSPIRACY, FEAR FACTORY, GOJIRA) to bring you the ultimate death metal soundtrack for your darkest dreams. The compositions are progressive with a lot of emotional peaks, while at the same time the songs sound very aggressive. Also we had the chance to work for the first time with a full children choir, beside the regular adult choir, and that helped us dive deeper into darker cinematic atmospheres.”

Continue reading »

Feb 042014
 

I mentioned in my last post that I didn’t spend much time with new music debuts over the last day or two. I’ve learned the hard way that if I snooze for even 24 hours, I miss a lot of worthwhile stuff. And so I’m hoping to get a couple of round-up posts written for today, because I found a metric fuck ton of worthwhile goodies while catching up this morning. Let’s start with some perty pitchers, shall we?

IMPETUOUS RITUAL

I saw that dark piece of artwork this morning, the one at the top of this post. Profound Lore Records says it’s the cover for Unholy Congregation Of Hypocritical Ambivalence, which is the name of an album due out sometime in April by Impetuous Ritual. The band’s first album, Relentless Execution Of Ceremonial Excrescence, was released back in 2009. This is clearly a band with a pronounced fondness for multisyllabic utterances. I can get behind that.

Impetuous Ritual are from Brisbane, Australia, and their ranks include members of Portal and Grave Upheaval. That makes me interested. This music from their last album also makes me interested: Continue reading »