AN NCS PREMIERE: DEATHSIEGE — “THRONE OF HERESY”

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Sep 062022
 

The origins of Deathsiege may be traced to a filthy rehearsal room in Tel Aviv Hell where drummer and main songwriter A.M. (Har, Kever, and more) began work on the project in 2019. Shortly thereafter he was joined by vocalist and guitarist J.S. (Svpremacist), and the two of them recorded their debut demo Cannibalistic Patricide that same year. If you know anything about the bands those two have on their resumes, it won’t surprise you to know that it was a ferocious and scathing outburst, rendering three tracks in less than seven minutes.

Having lit their flamethrower they kept firing it with another demo in 2020, and that’s where we first discovered their campaign of enraged ruination. Unworthy Adversary raced through seven tracks in less than 12 minutes, and in a review here we acclaimed it as “hellishly good”: “If it had been longer it might have put listeners at risk of adrenaline overload and ensuing stroke”.

Now here we are, on the other side of pandemic hell (or so we hope), and Deathsiege are ready to uncage their debut album Throne of Heresy via their new label Everlasting Spew Records. For this first full-length the original duo are joined by new main guitarist and songwriter T.D., turning the band into a marauding international trio. Continue reading »

AN NCS ALBUM PREMIERE: BIFID CORPSE — “REAL RAW DEATH”

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Sep 062022
 

(In this feature Chris Luedtke introduces our premiere of a new EP by Chicago’s Bifid Corpse, which is being released today via Bandcamp and features a logo by Warhead Art.)

Since 2016 Chicago two-piece Bifid Corpse have been punching out heavy, punishing tunes that largely walk a fine line between death metal and grindcore. Frantic blasts, brutally heavy guitar, gruff throat-ripping screams and growls. On top of that, sprinkle in a little bit of beatdown and the occasional doomy section and you have an idea of what you’re walking into. After a slew of shorter releases, a three-way split with Surfer James and Pythian, it looks like the band decided to go out and smelt a bigger hammer, namely their latest release Real Raw Death.

The title could not be more fitting. Bifid Corpse have cranked up the heaviness and recording quality without sacrificing any of the rawness. Real Raw Death is an immediate sledgehammer shot to the speakers. Opening with “Severed Skewed Consumed” the band lead in blasting and swinging. The heaviness and riding that grind/death wave sets up the album well. Continue reading »

AN NCS VIDEO PREMIERE: VOIDTHRONE — “PYRRHIC VICTORY”

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Sep 052022
 

From virtually the beginning of their career Seattle-based Voidthrone have devoted themselves to creating unsettling and unnerving musical experiences. As they said at the time of their last release (2018’s Kur), “It is our intent to leave both listener and performer drained. Within this receptive exhaustion, we leave a spark — a seed of discontent that rejects normality. A hunger engendered for the other side of the veil. Beyond which — an absolute darkness….”

Those words came back to us after exposure to the discomforting sonic visions housed within Voidthrone‘s new album Metaphysical Degradation, now set for release in October. They preview what it holds in store with these words:

“The fevered revelations of change, in music form. Frenetic stories of warfare, sacrifice, consciousness, duality, infection, theism. Six songs laden with aural sickness, with secret messages to subvert the program running on your wetware. Bathe in the occult thrumming threaded through this oceanic blasphemy.”

As proven by the album’s opening track and first single, “Pyrrhic Victory“, Voidthrone have chosen a diabolically confrontational means of wiping clean the slate of their listeners’ minds and preparing them for something else, something other. As they’ve done before, but done here in spades, they’ve intertwined death and black metal to create a disorienting, disturbing, and even terrifying experience, combining head-spinning intricacy, unsettling dissonance, and raw emotional intensity. Continue reading »

AN NCS PREMIERE: WRITHING — “UNCREATION”

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Sep 052022
 

We’re told that when the Australian band Writhing began to take shape in 2019 the goal was “to combine suffocating heaviness and dissonant atmospherics, while still paying homage to their early death metal influences (Cannibal Corpse, Incantation, Morbid Angel, etc)”.

Eternalised In Rot, their debut demo released the following year by Blood Harvest, demonstrated immediate progress toward that goal.  Just two songs long, it still proved a formidable talent for delivering bone-smashing punishment wreathed in writhing (pun intended) and wraith-like riffage that seemed birthed from some hideous supernatural dimension. Both electrifying and eerily unnerving, it fashioned bizarre and brazen visions of alien derangement while discharging devastating firepower.

Anyone who has heard that demo will now be greedily awaiting the advent of Writhing‘s debut album, Of Earth and Flesh, and the wait won’t be much longer — it’s set for release on September 23rd by Everlasting Spew Records. What we have for you today is the third single from the album, combined with streams of the first two in case you missed them. Continue reading »

AN NCS VIDEO PREMIERE: ASHEN — “RITUAL”

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Sep 022022
 

The four-man Australian death metal band Ashen made an auspicious first strike last year with their Godless Oath EP, a recording that our own Andy Synn celebrated with these words:

“The debut EP from Aussie death-dealers Ashen is one of the finest slabs of meaty, delicious Death Metal goodness I’ve heard all year, showing a reverence for the old-school which, smartly, never crosses over the line into shameless hero worship. With a hefty helping of heavyweight riffs, gargantuan grooves, and brutally barbed hooks, alongside a vocal performance positively dropping with grisly character, it’s one hell of an opening statement, chock-full of clever touches and killer moments, which promises great things for when the band finally drop their full length debut.”

Well, the time for that eagerly anticipated full-length drop is now approaching, with a release date of December 10th set by the same Bitter Loss Records that brought us the EP. The name of the album is Ritual of Ash, and to spread the word about it on this Bandcamp Friday (hint, hint, spend your money!), we’re premiering a video for the album’s first single, “Ritual“ Continue reading »

AN NCS VIDEO PREMIERE: VITTRA — “SATMARA”

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Sep 022022
 

Let’s cut to the chase:

What you’re about to see is a beautifully filmed and edited video that matches the frantic and fluid interpretive dance performance of a pair of lithe ladies with the hard-charging musical performance of the Swedish band Vittra, all of it interspersed with brief slo-mo frames that help make the experience even more interesting. Everyone gets a chance to shine, and shine they do.

The song that’s the subject of the video is “Satmara“, off the band’s debut album Blasphemy Blues, which is set for release on November 11th. Lyrically, it tells a tale of the intoxicating but ruinous powers of succubi. The music turns out to be damned intoxicating too, operating as musical adrenaline for the mind. Continue reading »

AN NCS PREMIERE: ANZV — “ISIMUD”

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Sep 012022
 

The Portuguese band ANZV is only a few years old, but harnesses the talents of experienced veterans. Through their forthcoming debut album Gallas, they explore an incredibly chilling conceptual vision. The description they give is worth reading in full, and we’ll get to that later in this feature, but for now let’s sum it up as a journey into an underworld of nihilism and despair, a free-fall into the surrender of will and self, becoming nothing at all.

In portraying such harrowing visions ANZV intertwine death metal and elements of classic and post-black metal, and they do so in tremendously powerful and gripping fashion. One song from the album (“Inane“) has already had a lyric video premiere, and today we bring you a second song — “Isimud” — which comes with its own cover art that you can see above. Continue reading »

AN NCS PREMIERE: MONDOCANE — “HAMMAREN OCH SKÄRAN”

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Sep 012022
 

Last May I took a blind chance on the music of Mondocane, diving into this Stockholm solo project’s second album Gloria without any previous exposure to Mondocone‘s creations. That turned out to be a winning gamble.

The songs on Gloria range widely in their sensations, and the familiar tropes of black metal play only one role in the musical amalgams. Depending on where you are in the track list (as I wrote then):

“The songs race and they stagger. They slash and they swirl. They brandish a feral, devilish swagger and they weave powerful dark spells. They’re menacing and dismal, cunning and cruel, and they elevate like witches around a bonfire. The riffing is captivating, and the keyboards and electronica are adroitly used. I’m not adept enough to know if the drumming is live or programmed, but their visceral punch, augmented by a heavyweight bass, is magnetic”.

Little wonder, then, that I got excited to discover that Mondocane would be releasing a new EP today. Entitled Enigmata | The Eminent, it includes three new songs (Enigmata), and as a bonus it also includes three songs (The Eminent) first released in 2000 by a band named Goatworship in which Mondocane‘s creator performed drums and keyboards (the band also included two members of Sarcasm). What we have for you today to help spread the word about this split release is the premiere of one of Mondocane‘s new songs, “Hammaren och skäran“. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): SVART VINTER — “MIST”

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Aug 312022
 

Forecasts of a temperature drop radiate from Svart Vinter‘s new album Mist, communicated not only by the band’s name and the record’s title but also from the gray fog blanketing black forests on the album’s cover. Most of the world may be baking in record heat waves right now, but winter is as much a state of mind as a season.

It is, in fact, many states of mind. The season brings gale-force turbulence as well as oppressive chills, death and decay as well as huddled loneliness, and the kindling of fires in an effort to keep the dark and the cold at bay. In some areas it’s also a time of beauty and wonder. In all these ways the season itself reflects and spawns a range of moods. After the roasting many of us are now enduring, it may be more welcome than in many past years at first, before dread and difficulties settle in during the long months until spring.

Mist manages to capture many of the sensations of the dark season, sketching portraits of what happens to the Earth as it turns away from the distant blazing orb, but even more so portraying the human emotions that find their simulacrum in the outer world. Continue reading »

AN NCS PREMIERE: CATACOMBES — “LA BÊTE D’ACIER”

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Aug 302022
 

If you take a close look at the cover photograph for Catacombes’ new album Des Glaires et des Briques you’ll see that it depicts a wine bottle and a corkscrew resting on a rustic table. But you’ll also see that the wine-opener doubles as a knife, and shadows encroach along the borders. The title is rendered in an old gothic or medieval font and beneath it are words which Google Translate renders as follows: “Night falls and darkness seizes the dark alleys and busy onlookers…” Sun & Moon Records, the Transylvanian label releasing the album, invites us to “Pour a glass of wine and explore the genuine atmosphere of medieval obscurantism!”

What is one to make of all this visual and linguistic imagery? It’s suggestive of archaic themes and perhaps a degree of sophistication, but equally suggestive of nocturnal menace and maybe worse. Consider that the members of the band have chosen as their noms de guerre Le Démoniaque, La Damnée, and Le Vilain.

Well, we can’t help but engage in guessing games as a result of such intrigues, but it’s better to let the music speak for itself, and so let’s move directly into “La Bête d’Acier“, the song we’re premiering from the album today. Continue reading »

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