Aug 042021
 

 

The German black thrashing extremists in Nocturnal should need no introduction. For the last decade-plus, they’ve been scorching eardrums and adrenalizing bloodstreams in ever-more formidable and ferocious fashion, while continuing their quest for the perfect combination of sound and slaughter that best represents their violent and venomous ethos.

On the other hand, Nocturnal don’t pump out albums quickly, and it’s been seven years since their last one, 2014’s Storming Evil, with only one split to fill the space. Thankfully, they’re now ready to release their fourth full-length, Serpent Death, which includes a changed line-up to accompany founding guitarist Avenger.

What we have for you today is the premiere of a blistering track from the new album, one that will jet your energy levels into hyper-drive. Continue reading »

Aug 042021
 

 

At 13 tracks and an hour of music, Hexenklad’s recently released second album Heathenheart is a substantial body of work, and a wide-ranging one. Although “folk/black metal” or “pagan metal” are genre labels you might see attached to the band, Heathenheart moves among episodes of wintry blackened moodiness, warlike savagery, grand pageantry, acoustic folk tales, and a lot more.

As the band themselves report from Ontario, “From the coldness and rawness found in Black Metal to the uplifting and memorable melodies found in Folk Metal, to the hooks and choruses found in Heavy Metal,” the record is a broad representation of the members’ varied influences and personalities, and it brings to mind bands such as Moonsorrow and Dissection, Primordial and Insomnium.

Among all the varying experiences offered by the album, the title track is one that’s truly moving and inspiring, and it’s the subject of a riveting guitar playthrough video that we’re premiering today, which focuses on the talents of Hexenklad guitarist John Chalmers. Continue reading »

Aug 032021
 

 

With their forthcoming sixth album, Revenant, the formidable and fearsome Australian black metal band Pestilential Shadows immerse themselves in death, while imagining an end that brings no rest. Inspired by the riddle “What is dead that doesn’t die?, “the album offers many sonic/spiritual pathways of death, decay, pestilence, and putrefaction” (so says the PR material accompanying the album, and the music leaves no doubt about its truth), but the album’s title signifies that in the band’s conception, what may follow the swinging scythe of the grim reaper are horrors unbounded.

In other words, the darkness in the new album is pitch-black, and shrouded by the supernatural. But what founding vocalist/guitarist Balam and his bandmates have achieved on Revenant goes beyond sensations of bodily degradation and mental terror. The music is even more powerfully haunting because it so powerfully resonates with the core of what it means to be human — the curse of knowing life and knowing that it won’t last, with all the dread, the fear, and the sorrow that can come with that knowledge.

For example, the song we’re premiering today, “Twilight Congregation“, might be experienced as a channeling of the awful gloom and anger of a soul brought back from the grave to dwell in an endless afterlife of torment. But to the ears of this writer, it can also be received as a manifestation of the kind of shattering heartbreak we have all known or will know. Continue reading »

Aug 032021
 

 

More than three years have passed since the release of The Great Adjudication by the Australian band Claret Ash, and even longer since Fragment One of this two-part album first appeared. But the memory of it hasn’t dimmed among those of us who became captivated by it. As our own Andy Synn wrote in a review accompanying our full premiere in April 2018, there’s “a plethora of blackened brilliance on display across the length and breadth of this album”, evoking comparisons to the likes of Wolves In The Throne Room, Der Weg Einer Freiheit, and early-2000s-era Gorgoroth.

The planet has been engulfed in turmoils of unforeseen nature and scope since The Great Adjudication, and it appears that Claret Ash have themselves changed, at least in their line-up, yet The Great Adjudication lives on as a formidable example of riff-heavy aggression melded with soul-stirring melody. As a reminder of what a fine album it was (and is), and perhaps as a sign of something new brewing in the Claret Ash bastion, we’re today presenting a brand new video for a tumultuous yet also captivating track that appeared on Fragment Two of The Great Adjudication — “Like Tears In Rain“. Continue reading »

Aug 022021
 

 

The first song I heard by the blackened death punk band New Hell from Providence, Rhode Island, was a single called “Ashes” off their 2020 EP Phosphorus. It was a super-heated race that left vivid after-images, but in addition to delivering a searing adrenaline kick, there were feelings of tension and angst in those sounds, as well as oppression and bleakness. Now we come back around to new New Hell again, but it’s a different kind of hellishness we have from them today.

What we have now is the premiere stream of a track called “Abuse of Power“, which is being released today as a single but will be included on the band’s forthcoming split with New Hampshire’s The Slow Death of Gaia, which will be released on August 28th by Deciduous Records. Continue reading »

Aug 022021
 

 

The perfectly named Red is the Color of Ripping Death is the first Nunslaughter album in seven years and the first one since the 2015 death of the band’s beloved drummer Jim “Sadist” Konya. For those who knew him, it is clear that he will always be missed, but he would no doubt be smiling along with the rest of us to know that Nunslaughter have forged ahead in such savage and fiendishly seductive fashion.

What we’ve got for you today is the premiere of an album track named “Broken and Alone“, accompanied by a music video that pairs scenes of a serial-killer at work with footage (red-tinged of course) of the band discharging the song like wild animals in the throes of ferocious ecstasy. Continue reading »

Jul 302021
 

 

Porta Magna is an Angolan death metal band formed by Frink Sanda, Manel Kav, Edson Ferraz, Ariel Ricardo, and Claudio Henriques. As Manel Kev tells it, they chose their band name for this reason:

“According to the first part (inferno) of Dante Aligierti’s Divine Comedy is the inscription that is at the entrance to hell. Porta Magna means big gate. An entrance to a mix of emotions. angers, and frustrations of society, and deprivation of liberty. It’s like hell we’re living.”

And surely we have all lived through our own distinctive kinds of hell over the last year and a half, a pandemic time in which Porta Magna was born during a covid outbreak in Angola. Deprived of rehearsals and concert opportunities, they collaborated online. Once restrictions lifted to the point when they could go to a studio, they recorded their first single at Estudio 2 in Luanda, and today we’re premiering a video for it on the day of its release by Mongrel Records. Continue reading »

Jul 302021
 

 

In its debut album Concealment, the Italian band Knowledge Through Suffering (K.T.S.) addresses a vast, esoteric, and traumatic subject, one that could be conceived as the ultimate tragedy, and does so in unearthly and apocalyptic music that is equal to the task.

As the sole creator of K.T.S. explains, “Concealment is a thirty-minute long sermon about God’s own expectations and disappointment for his work of creation”. It is thus “heavy but sacred music”, speaking “holy Words through unholy Sounds; Gloom is the language.” As K.T.S. further elaborates, Concealment consists of “three long songs assembled from the sonic arsenals of bands like Diocletian, Antaeus and Thergothon that will lead in a journey to Godhead’s divine tragedy: Desolation will be the final goal in a mix of Black, Death and Doom Metal.”

This new album is being announced today by Brucia Records, which will release it on September 17, 2021. As a preview of the Desolation that it accomplishes, we’re presenting one of those three long tracks, the one that opens the album. Its name is “God Alone Was Exalted On That Day“. Continue reading »

Jul 292021
 

 

After a nearly six-year hiatus the Spanish extreme metal band Thirteen Bled Promises are returning to the field of battle with a new label and a new EP of hybridized head-spinning hostility. The name of the EP is Foundation, and it’s not only the cover art by Martin de Diego Sábada that’s alien, as you’ll discover through our premiere of an EP track named “A Humanless War” in advance of the record’s release by Lacerated Enemy on October 22nd.

As the new song vividly demonstrates, the music on the EP is like a double helix of sounds whose genetic material is made up of nucleotides from technical death metal, black metal, brutal death metal, and deathcore, and features an unnerving amount of dissonance and discord in addition to a merciless degree of rhythmic and vocal punishment. Continue reading »

Jul 292021
 

 

What is an “unction“? Well, it is the anointing of someone with oil or ointment as a religious rite, or perhaps as a symbol of the investiture as a monarch. In somewhat more archaic terms, it is a treatment with a medicinal oil or ointment.

But here’s a harder question, which sent us scurrying into research: What does “muliebrous” mean? Our investigation tells us that it’s an adjective which refers to something that has the qualities or characteristics of a woman, e.g., something feminine.

As for what a “muliebrous broth” might be, we’ll leave that to your own imagination.

Now that we’ve satisfied your curiosity and improved your vocabulary, let’s turn to the business at hand, and the business at hand is a filthy discharge of clobbering and eviscerating madness as rendered by the Atlanta-area death metal band Occulsed, whose debut album Crepitation of Phlegethon (you’ll have to look up those words yourself) will be vomited forth by Everlasting Spew Records on September 17th. Continue reading »