Nov 032016
 

krepitus-the-eyes-of-the-soulless

 

On November 25 a quartet from Calgary, Canada, named Krepitus will release their debut album, The Eyes of the Soulless. Two exhilarating singles from the album have appeared so far, and today it’s our pleasure to bring you the premiere of a third: “Desolate Isolation“.

When I first heard this song, in the space of a little more than five-and-a-half minutes I went from, “Not bad,” in the opening moments to, “HOLY SHIT!,” by the close of the track’s brain-frying finale. Actually, I mentally exclaimed “HOLY SHIT!” a lot earlier than that. Continue reading »

Nov 032016
 

sorrowful-land-of-ruins

 

On November 7, Solitude Productions will release the debut album of a Ukrainian one-man band named Sorrowful Land. Entitled Of Ruins…, it is the creation of Maks Molodtsov, who leads the gothic/doom band Edenian. We have for you today the premiere of a full stream of this strikingly powerful album.

You may see descriptions of the music on Of Ruins… as “atmospheric doom-death”, and I think that’s accurate, but perhaps to be more focused, I would describe the music as funeral doom of a kind that is reminiscent of the mighty Finnish bands Skepticism and Shape of Despair. Continue reading »

Nov 012016
 

necromorbid-el-dia-de-la-bestia

 

Draped in chains and with grim and murderous countenances, Necromorbid have mounted their warfare against Christ and Christianity from Italy’s ancient and beautiful land. Embracing the lineages of Archgoat, Black Witchery, Morbosidad, and other allied goat-horned purveyors of satanic black/death ferocity, Necromorbid have recorded a debut album fittingly named El Dia De La Bestia, and Caligari Records has sealed it within pro tape for release on November 6. At the end of this post, you will find a player that streams all 10 of its tracks.

The songs on the album are mainly compact, with relatively simple structures and a dedication to a campaign of relentless attacking savagery. A trip through the album is like jumping on a live power line, an experience that also spawns visions of gale-driven wildfires and black cyclones dropping from the skies everywhere you look. Continue reading »

Nov 012016
 

bearstorm-biophobia

 

We discovered Virginia’s Bearstorm last year, and the immediate impression was so positive that we eagerly premiered the band’s 2015 album Americanus. Today, we’re equally happy to announce that Bearstorm have come storming back with a new EP named Biophobia that Baltimore-based Grimoire Records will release on December 9 — AND we have a deliciously named song from the EP to share with you: “Cryptobiotic Filth Destroyer“.

Bearstorm have already proven that they’re genre manglers, and on this new release the music is no more easily classifiable. The band have used the phrase  “blackened southern deathprog”. Grimoire has described the music as “somehow simultaneously inspired by classical music and southern rock — falling somewhere between Enslaved and Russian Circles“. And if all that tends to knot up your neurons, consider the unusual but evocative lyrics for this new song: Continue reading »

Nov 012016
 

metaltower-myopic-dystopia

 

(Our friend, New Zealand writer Craig Hayes (Six Noises) is back with us again with this review of the new album by NZ’s remarkable MetalTower — and the premiere of a full album stream.)

 

New Zealand progressive death metal band MetalTower have shared the stage with international touring acts like Carcass, Krisiun, and Psycroptic. And that trio of bands also happens to be the perfect representation of the musical diversity that the long-running MetalTower exhibit on their latest full-length, Myopic Dystopia. No Clean Singing is proud to be hosting the album’s worldwide premiere, and here’s a few hundred words of praise about Myopic Dystopia to get you started.

Where to start? Well, how about those aforementioned bands. Like Carcass, MetalTower inject a sense of self-awareness into their whirlwind tunes; see Myopic Dystopia’s “Fvk Mourning”. MetalTower also exhibit a Krisiun-like desire to snap necks and shatter spines with hammering riffs and percussion on tracks like “Futility”. And if Psycroptic’s mix of bombarding metal and technical prowess has impressed you before, then you’ll likely admire MetalTower’s combination of ferocity and finesse too. Continue reading »

Oct 312016
 

heron-fire-twin

 

After a self-titled debut EP released in 2015, Vancouver, B.C.’s Heron now return with a new one named Fire Twin. It’s being released today — in fact, it has just today become available for streaming and download on Bandcamp, and you’ll find it down below as well, since we’ve eagerly agreed to help spread it around.

It’s well worth your time, especially if you have a taste for bleak, blasted sludge/doom that’s heavy enough to split concrete and powerfully atmospheric enough to cast a deep and dark spell. Continue reading »

Oct 312016
 

alcoholic-rites-lustrum-split

 

On November 25, Eternal Death Records will release a 7″ split named Drunk and In Charge by two head-wrecking bands of black metal savages, Ecuador’s Alcoholic Rites and Lustrum from New England, and on this Samhain Day we give you a full stream of what they have wrought. Of course, we will first have our say about the music, with a bit of background about the bands.

But first, can we all agree that there’s nothing like being drunk and in charge? In fact, one of the great things about being drunk is feeling in charge, even when you can’t find your ass with both hands (speaking for myself — of course, individual experiences may vary). Continue reading »

Oct 312016
 

scorched-echoes-of-dismemberment

 

We’ve been watching the rapid ascent of Delaware’s Scorched with increasing excitement ever since we premiered a full stream of their self-titled demo in May 2015, which was then about to be released by Unspeakable Axe. And just this past July our Norwegian friend Gorger praised their split with Putrisect (Final State of Existence) in his own distinctive voice. We also made mention of the excellent four-way split they joined along with GatecreeperHomewrecker, and Outer Heaven.

But now the band have reached new heights with their first full-length album, Echoes of Dismemberment, which it’s our pleasure to premiere for you in advance of its November 25 release by Unspeakable Axe.

When I heard the first publicly released song from the album (“Rot In Confinement”) after it premiered at DECIBEL, I ventured the opinion that Scorched were “about to blow up”. Now having heard the full album, I still feel that way — in spades. Continue reading »

Oct 312016
 

gaerea-gaerea

 

This makes the third time we’ve written about Gaerea in recent months, the first time when we premiered a teaser of a song from their forthcoming self-titled debut EP and the second time when we lauded a song from the EP called “Void of Numbness” that premiered at CLVT Nation. Now we have the chance to bring you a full song premiere ourselves, and this one is “Through Time“.

Before getting to the music, consider a couple of quotations. The first is from the band itself:

““Let’s make one thing clear. We need to stress the fact that our era is lost in a huge void of numbness. We are here to bring and present you what your system could not solve by itself. We’ll cover the daylight with ashes and smash the massive skull that’s blocking your brain and will to evolve. We’re GAEREA.”

Continue reading »

Oct 312016
 

woebegone-obscured-st

 

The first two full-length releases by the Danish band Woebegone Obscured were immense albums that immediately established an impressive edifice within the landscape of Funeral Doom — 2007’s Deathstination and 2013’s Marrow of Dreams. Since then the band haven’t yet returned to the full-length format, instead releasing an EP named Deathscape MMXIV through Solitude Productions two years ago and now another EP, this one self-titled. Today is the official release date for the new one, which can be streamed and downloaded at Bandcamp. And we’re helping to spread the word about it through this premiere.

In addition to the fact that the new EP bears the band’s name, so do its two songs. The first is “Woebegone”, the second is “Obscured” — and both are staggeringly powerful. Continue reading »