Oct 112016
 

creatures-cover-le-noir-village

 

Le Noir Village by the French project Créatures is an unusual and ambitious album in numerous ways. Créatures is the solo project of a man who uses the name Sparda. The album (which is Créatures’ first full-length) tells the story of a twelfth-century countryside village that is attacked by terrifying monsters. As in an opera, all the characters in the story are enacted by different vocalists who act as first-person narrators to help tell the tale. The digipack version of the album will be accompanied by a 16-page booklet that includes, in addition to the cover painting by Simon Hervé, a different drawing in a medieval style for each of the album’s six songs along with the texts of this musical horror play.

But the album’s ambitions go further still. Sparda, who composed the music and also plays one of the vocal roles, performs not only guitars and bass but also piano, organ, ocarina, dung chen, singing bowls, gong, and the sounds of singing choirs. And he was aided in the production of the album not only by the 9 other vocal artists but also by other musicians (including drummer Ehrryk) who perform a further array of instruments that includes cello, violin, trumpet, darbuka, and more.

And if you’re not interested in hearing the music by now, that would be surprising. But what you hear may be even more surprising. We have the premiere of a shortened version of the album’s fourth track, “À l’orée du Mal, le Pacte“. Continue reading »

Oct 102016
 

kingdom-sepulchral-psalms

 

On October 28 Godz Ov War Productions will release the third album, Sepulchral Psalms From The Abyss Of Torment, by the Polish blackened death metal power trio Kingdom. Today’s it’s our pleasure to present the premiere stream of the album’s third track, “Forsaken Tribe“.

A song like this warrants a warning: If you have body armor handy, it would be wise to strap it on, and stretching your neck muscles would be a good idea, too. “Forsaken Tribe” is a megaton crusher, and when Kingdom really shift into rampaging gear at the 0:40 mark, it becomes a hell of a headbang trigger, too. Continue reading »

Oct 102016
 

madder-mortem-red-in-tooth-and-claw

 

(Our old friend KevinP has been absent from our pages for an extended hiatus. What brought him back? He’s about to tell you….)

EXCEPTIONS TO THE RULE: Madder Mortem is one of those clean-singing bands we talk about here because they are just so damn worthy of it. Vocalist Agnete M. Kirkevaag may have some of the most tender whispers, but that’s balanced out with violent screams.

Back on June 11, 2015, we featured a 176-second teaser clip of the new album, Red in Tooth and Claw. And now, FINALLY, we have a release date: October 28, 2016. The first single and lead track to that album, “Blood on the Sand“, is available for your listening pleasure below. Continue reading »

Oct 092016
 

sorguinazia-band-photo

 

On their debut demo, Sorguinazia demonstrate impressive skill in conjuring visions of chaos, horror, and inescapable doom. In the space of only three songs, they immerse the listener in maelstroms of dense, violent, suffocating sound while casting dark and mesmerizing spells at the same time. You can easily imagine that the membrane between our own reality and a dimension inhabited by monstrous wraiths is being torn asunder, and we are being inexorably pulled into the vortex where they dwell.

Sorguinazia consists of two members — Axczor (vocals, bass, drums) and Xolaryxis (guitars, vocals). Their location hasn’t been revealed. Their self-titled demo will be released on tape by Toronto’s Vault of Dried Bones on October 31, and today is a good day to spread the word about it, because all three songs have just been made available for listening on YouTube, and we’re bringing all of them to you at the end of this review. Continue reading »

Oct 072016
 

demonos-from-sacred-to-profane

 

The debut EP of the Indian black metal band Démonos is fascinating. It doesn’t fit neatly into any of the usual pigeonholes of black metal. There are common threads that link the songs together, but each of the songs is also quite distinct from the others. Making your way through all four tracks from start to finish proves to be an enthralling and immersive experience — and it’s a trip we hope you’ll take with us as we premiere a full stream of From Sacred To Profane.

It’s tempting to attach adjectives like “avant-garde” and “progressive” to the music, in part because the EP is so varied, unpredictable, and instrumentally imaginative. It plumbs dark depths, with an often solemn and even depressive air, but the songs are also infectious when you first hear them and memorable in their aftermath. Continue reading »

Oct 072016
 

12 Jacket (3mm Spine) [GDOB-30H3-007}

 

The rise of Denver’s Khemmis into the upper echelons of doom has been nothing short of meteoric, thanks in large part to the enormous appeal of their 2015 debut album Absolution. Since that album’s release, Khemmis have confronted what always comes with stellar debuts — the pressures and perils of high expectations by fans for a follow-on album. In two short weeks, that testing time will arrive as 20 Buck Spin releases the second Khemmis album, Hunted. By one measure, Hunted has already met and exceeded expectations — Sam Turner has again created one hell of a metal album cover, with the Khemmis wizard on an armored steed, flanked by death dealers you wouldn’t want to meet in a dark alley. As it turns out, the music meets and exceeds expectations, too.

In 2015 we had the pleasure of premiering a song from Absolution, along with one of the most interesting and entertaining band interviews we’ve ever published. We now count ourselves lucky that we also get to bring you the premiere of a song from Hunted in advance of its October 21 release. Its name is “Beyond the Door“. Continue reading »

Oct 062016
 

cognitive-deformity

 

Our history with New Jersey’s Cognitive dates back to my enthusiastic 2013 review of their debut EP The Horrid Swarm, which attempted to capture its impact with these words:  “By the time it ended, my head had been spun around, like that possessed chick in The Exorcist. You know, all the way around, but somehow still attached.” We spilled still more effusive praise in multiple posts about their self-titled debut album in 2014. And now Cognitive have come roaring back with a second album named Deformity, which will be their first to be released by Unique Leader Records.

To help introduce you to Deformity, we have for you today a lyric video by Scott Rudd for the album’s third track, “Haunted Justice“. Continue reading »

Oct 062016
 

Simulacro album cover

 

In June we had the pleasure of premiering one of the fascinating songs from Echi Dall’Abisso (“Echoes From the Abyss”), the stunning new album by the Sardinian trio Simulacro. The album was released on September 26 by Third I Rex, and now we present a striking video for the album’s sixth “echo”.

The sheer physical and emotional power of “Eco VI” needs no explanation, nor any comprehension of the lyrics or its context within the album to feel its impact. Interpreting the mystery of the video and appreciating its beauty can likewise be left to the imagination and senses of the viewer. But for those who desire a deeper understanding, it may help to read this statement by Simulacro’s drummer and backing vocalist Anamnesi about the conceptual approach of the album: Continue reading »

Oct 052016
 

construct-of-lethe-the-grand-machination

 

On October 7, the death metal band Construct of Lethe will release a new concept EP named The Grand Machination. Not long ago we premiered one of the six tracks on the EP, and today we have for you a full stream (along with a review).

For those who may only now be discovering the band, Construct of Lethe was started as a project of Tony Petrocelly (ex-Bethledeign, Dead Syndicate, Deranged Theory, Xaoc) and now includes a full line-up of Petrocelly (guitars, bass), David Schmidt (vocals), and Swiss lead guitarist Patrick Bonvin (Near Death Condition). Session drums on the EP were provided by the veteran Kevin Talley. Continue reading »

Oct 052016
 

sordide-fuir-la-lumiere

 

The title of the new album by the French black metal band SordideFuir la lumière (escape the light) — is ironic, because the album is a musical bonfire. I was unfamiliar with Sordide before this, and so the album blindsided me like a bolt from the blue. In short order it has become one of my favorite discoveries of this year. The full run through the album is an absolutely exhilarating experience, yet each track in isolation lights its own fire. Today marks the album’s official release by Avantgarde Music, and we have the full album stream at the end of this post. I hope you’ll put it on your listening list without delay.

I’ve already written about the first two advance tracks from the album, one of which we premiered only yesterday. If you think of the album as a magnetic field (and it is damned magnetic), those songs could be considered the opposite ends of its polarity. “Révolte” is a breathtaking race, with a fireball guitar performance that just gets more exuberant and electrifying as the song rushes ahead. On the other hand, “L’ombre” begins at a crawl — a combination of a slow, grim bass riffing and unnerving guitar dissonance — and then becomes a bleak, mid-paced, stomping rocker; it’s hallucinatory and deranged, but no less enthralling than the jet-fueled “Révolte”. Continue reading »