Sep 192016
 

axioma-monolith-cover

 

Monolith is the title of the first EP by a band from Rome, Italy, named Axioma, and today we present the debut of a song from the EP named “Monolith of Fire“.

The song is a fascinating one. It’s dark as a moonless night and heavy as hell, with dissonant unearthly guitar melodies suggestive of arcane forces at work, and deep, heartless growls that reinforce the sensation of ominous, unseen threat. Yet the song has other facets that reveal themselves as it moves forward along its twisted path. Continue reading »

Sep 192016
 

halshug-sort-sind

 

Halshug (“decapitate”) are from Copenhagen, Denmark. Their first album Blodets Bånd kicked my ass so hard last year that it’s only now recovered its beautiful shapely form. Unfortunately for my ass, Southern Lord is releasing Halshug’s second album on September 30. I’m in the market for ass armor. Overnight delivery would be a big plus.

The new album is named Sort Sind, which appropriately means “black mind” in English. It was recorded live, and you can tell that when you hear the music. It was also mastered by Brad Boatright at Audiosiege, who of course has a very accomplished history of helping bands beat the hell out of their listeners. We have a song from the album to share with you named “Vold” — which means “violence”. I’m already having trouble sitting down. Continue reading »

Sep 192016
 

the-ritual-aura-taether

 

(Austin Weber introduces our premiere of a new song by The Ritual Aura from Australia.)

It’s been an amazing experience to be a small part of what NCS has to offer. I feel like this site is frequently well ahead of many others when it comes to highlighting and exposing talented new bands. It’s a good feeling when this happens, and it seems to been the case for The Ritual Aura, an Australian act I started covering here at NCS in February of last year when we premiered their debut single “Time-Lost Utopia”. We then went on to premiere a second song, “Erased In The Purge”, before their 2015 debut, Laniakea, dropped. While it wasn’t at NCS, earlier this year I also helped the band premiere two new songs from their upcoming album Tæther over at Metal-Injection.

But it’s nice for things to come full circle, so here we are at NCS with another song premiere for the band, this time for a sweet new jam called “Te-no-me”. Continue reading »

Sep 162016
 

swine-overlord-entheogenesis

 

Once upon a time we had a semi-regular feature at this site called “Eye Catchers” in which we chose new music to explore based solely on the album art, testing the hypothesis that cool artwork usually means cool music. This new album, Entheogenesis, by the beautifully named Swine Overlord would have easily qualified for that series. Seriously, gaze for a moment more at the cover art by Chinese artist Yang Guang (Equilibrium, Putridity, Inanimate Existence), who we’ve featured repeatedly in the daily art posts on our Facebook page.

Having been drawn to this album by the artwork and the band’s name, I began to explore the music… and it definitely tends to support the hypothesis of “Eye Catchers”. But judge for yourselves, because we have a sample of Entheogenesis to share with you — the 9th of fourteen tracks on the album: “A Delusion’s Paradise“. Continue reading »

Sep 162016
 

construct-of-lethe-the-grand-machination

 

There is a lot to like about the new EP by Construct of Lethe. The cover art alone is enough to seize attention. And the concept of the EP is equally intriguing: It’s a reimagining of one of Mark Twain’s lesser known and most controversial works, published after his death, named Letters From Earth, in which Twain expressed his disdain for Christianity through essays and a short story consisting of 11 letters written by Satan to the archangels Gabriel and Michael (you can read them here).

And then there is the music itself… which hits like a 10-ton hammer.

The name of the EP is The Grand Machination, and it will be released by the band on October 7. What we have for you today is a stream of the second of six tracks on the EP, a song called “Ascendit Ex Inferos (Ascent from Hell)“. It tells the story of Lucifer’s discovery of Christ’s birth, and his decision to walk among people in human form. Continue reading »

Sep 162016
 

bolt-thrower

 

This has been a great week for the debut of new metal (and the track you’re about to hear continues the trend), but it has also been a particularly sad one, because on September 14 — the one-year anniversary of the death of Martin ‘Kiddie’ Kearns — Bolt Thrower announced that the band would be interred with him.

Bolt Thrower’s music will never die, even though the band will not move forward without Kiddie. BT’s influence on heavy metal, and death metal in particular, has been vast, and it will be timeless. As one sign of this, we bring you a very special premiere. For 24 hours only, we will stream a medley of Bolt Thrower songs recorded by the Swedish death metal band Just Before Dawn, who will be very familiar to readers of this site. The medley is an amazing track and a most fitting tribute to an irreplaceable group. Continue reading »

Sep 162016
 

In the Woods-Pure

 

In recent months we’ve had the pleasure of bringing you two songs from one of the most remarkable “comeback” albums in recent years, and one of the most distinctive and accomplished of this year by any band. The album is Pure, and the band is Norway’s In the Woods…, and today the album is being released by Debemur Morti Productions. To help spread the word, we are bringing you the full stream of the album for the first time.

We have already spilled many words about Pure over the course of our previous song premieres and our full review of the album, and especially because you can now hear it for yourselves, extensive repetition probably isn’t the wisest use of our space. But I do think these excerpts from Andy Synn’s review are worth repeating: Continue reading »

Sep 152016
 

inanimate-existence-calling-from-a-dream

 

The new album by Inanimate Existence is a true musical kaleidoscope, composed of shifting pieces of brilliance that fall into place in unexpected and exciting ways. This won’t come as a shock to people familiar with the band’s first two albums, yet this album is likely to be surprising even to die-hard fans of this Bay Area band.

We have a full stream of the new album at the end of this post. Its title is Calling From A Dream, and it will be released by Unique Leader Records on September 16 — tomorrow. As you’re about to find out, there is truth in this statement from the band about the new album: Continue reading »

Sep 152016
 

lithotome-moros-split-cover

 

When this new split becomes available in physical form, you’ll be able to hold it comfortably in the palm of your hand. Just a little plastic case with spools of tape inside, more fragile than your phone and weighing just a couple of ounces. Such an unassuming little thing… even with that nasty visage gazing back at you from the cover with bleeding eyes. It seems so incongruous compared to the weight and power of the monstrous sound lurking within, waiting patiently for the chance to get at your mind, like the horde of evils in Pandora’s box.

The two Philadelphia-area bands participating in this split are Lithotome and Moros. Both are somewhat secretive; neither has a long history of releases; both are stacked with talent of a particular kind, which is on full display in this split. Both also happen to be bands I’ve been ardently wishing would give us new music, and now they finally have — and you shall hear it right here, in advance of its release by Dullest Records. Continue reading »

Sep 152016
 

Hobbs Angel of Death-Heaven Bled

 

For this listener, the new album by Hobbs’ Angel of Death has been an enormous surprise. From song to song, my smile grew wider and wider when I first heard it, my eyes popping bigger and bigger until I began to fear they’d rocket out of my head and explode against the wall in smears of jelly. The thing is a pure rush of molten metal guitar gold.

I’m sure one reason why the album came as such a huge surprise was that, unlike many of you out there, I was unfamiliar with Peter Hobbs’ history during metal’s glory years in the ’80s, perhaps because bands from Australia in those days labored mainly in the deep underground as compared to their European and North American counterparts.

I’ve learned that his band released two demos in 1987 (Angel of Death and Virgin Metal Invasion From Down Under) and then a self-titled debut album in 1988 on the Steamhammer label. Seven years passed before a second album would emerge (1995’s Inheritance), and then the band broke up.

Hobbs re-formed the band seven more years later, and there have been sporadic festival and tour appearances since then, but only now has Hobbs’ Angel of Death produced an album of brand new music, more than 20 years after the last one. The album’s name is Heaven Bled, and it will be released by Hells Headbangers on October 14. Continue reading »