Jul 312015
 

Bittered-Hubris Aggression

 

Today, Friday, July 31, Virginia’s Lost Apparition Records will release Hubris Aggression, the debut album of Bittered from York, PA, and we have a full stream of it to share with you.

Bittered was spawned in 2014 by Paul Folk, founder and long-time guitarist for the Maryland death metal band Exterminance and drummer Dennis Matos, both of whom had played together in other bands that had their roots in punk and grind. Paul Folk and Bittered’s vocalist Kasey Harrison are also members of a grind band called Police State. But although Bittered’s lyrical themes share a political focus with some of the members’ other projects, the music goes off in different musical directions — and there’s not much light at the end of those tunnels. Continue reading »

Jul 282015
 

RAISING THE VEIL - 2015-CD-COVER

 

In the wake of a successful crowd-funding campaign this past spring, the multinational group Raising the Veil are now releasing their debut album Bosonic Quantum Phenomena,. Last month we premiered a single from the new album, and today we’re helping bring you the premiere of a full album stream.

This new album is the band’s second release overall, following their 2012 EP Yucatanimvs, and the limited CD version of the album not only includes eight new tracks but also a re-mastered version of the three songs from the EP. Our stream includes all 11 songs.

If you’re not familiar with this band, their membership includes Austrian vocalist George Wilfinger (Monument of Misanthropy, Disfigured Divinity, ex-Miasma), Canadians Daniel McLellan (guitar) and Denis Landry (bass), and Necrophagist drummer Romain Goulon from France. This is one of those cross-border collaborations that would not have been possible without the advent of such things as home studios and file-sharing technologies. But although such creative partnerships may have become more common with the advance of those technologies, the results in this case are unusually good.

Actually, “jaw-dropping” and “head-spinning” would be better adjectives. Continue reading »

Jul 282015
 

Clay Davis-BCGC

 

We tend to pay close attention around these parts to the releases of Baltimore-based Grimoire Records, not only because the label’s owner Noel Mueller takes the unusual step of actually recording the music of the bands he releases, but also because the string of performance/recording collaborations the label has released has been so consistently good. And now we have one more coming our way — the 10-track debut by a grindcore duo who call themselves Clay Davis (a name that will resonate for fans of The Wire). The title of this new release is B.C.G.C., and while half the tracks have been previously released for streaming, we’re bringing you a full blast of all 10 of them right now.

You did read that correctly — Clay Davis are a duo. You could guess that one of them (Mike Barth) is a drummer. You might not correctly guess what the other one (Thor Buntin) does, but here’s a hint: The band’s motto is “No Gods. No Guitar Players.”

So, what kind of racket do a grind drummer and bassist get up to on B.C.G.C.? You’re about to find out, but here are some further hints: Continue reading »

Jul 282015
 

Hollow World-The Wrath Kept WIthin

 

One thing leads to another, and in this case three good things have led to five.

Yesterday my comrade DGR praised the first three songs he had heard from the second EP by Australia’s Hollow World (here). That led to some communication with the band, and now we get to bring you a premiere of all five tracks in advance of the EP’s official release on July 31.

In case you missed DGR’s write-up, I’m going to quote part of what he had to say about the three tracks he heard, and then toss in my two cents on the two we’re adding to the collection in this premiere. Continue reading »

Jul 272015
 

Internal SUffering 2014

 

(Austin Weber introduces our premiere of the title track to a forthcoming album by the mighty Internal Suffering.)

It’s been nine grueling years of waiting for a new Internal Suffering record, but finally all the pieces are in place for a fall/winter release of their new full-length, Cyclonic Void Of Power, through Unique Leader Records. Some of you may remember the lyric/song video premiere for “Vanished From Cosmos” that we presented last year here at NCS, which was the first glimpse of this ravenous release and triumphant return by the band. And now we have a second song/lyric video to bring your ears and eyes: “Cyclonic Void Of Power”, the decimating title-track from the new record.

While it’s not the most important thing to say about this band or this new song, it’s worth recognizing that they were so far ahead of their time that even now their unique brand of  brutal, technical death metal as captured well more than a decade ago sounds modern, and just as face-melting in all its twisted glory. As far as hyper-blasting, brutally minded metal bands with a hint of slam go, they are in a sense the grandfather of the current crop of bands playing in these styles. If you’re interested in death metal that’s a full-throttle stampede, and also somehow memorable along the way, then draw near to your speakers and prepare to headbang. Continue reading »

Jul 242015
 

Destruktor-Opprobrium

 

Today is the day, the day when Hells Headbangers opens the cage door and allows Destruktor’s new album Opprobrium to run rampant across the world. It’s the band’s first full-length since Nailed emerged in 2009, and it’s one hell of an album.

The first minute and a half of “Priestiality” might seem at first blush to function as a statement of intent, its slow, dismal chords and funereal drum rhythm casting an aura of gloom right from the start. But slow and dismal isn’t really what Opprobrium is about. It’s about ripping big bleeding holes in your body while giving your head the kind of enthusiastic whipping it deserves.

With the exception of a few astutely placed breaks in the onslaught, Destruktor deliver one furious, fast-paced blast of energy after another, mixing together elements of black metal, thrash, and death metal into music that’s vicious but tremendously infectious (in both senses of the word). Continue reading »

Jul 232015
 

CD BEZ OPISU

 

The Polish death metal band Ogotay have completed a new album (their second) named Dead God’s Prophet that will be released by their new label Selfmadegod Records on August 1. We were given the opportunity to premiere a new song from the album of our own choosing. After listening to the album and liking it a lot, I agreed.

But picking the song turned out to be more difficult, because there is a lot of good stuff to choose from on this release, and the songs certainly aren’t all alike. The one I eventually chose was “Entering the Void”, which is the album’s fourth track. Continue reading »

Jul 222015
 

Coffincraft-In Eerie Slumber

 

Alexander L. Brown’s cover art for the debut album by Finland’s Coffincraft will ensure that it gets noticed. But although eye-catching album art doesn’t always go hand-in-hand with ear-pleasing music, it certainly does in the case of In Eerie Slumber. And by “ear-pleasing”, I mean “skull-cleaving savagery”. If you doubt my word, dive into the song we’re about to premiere from the album — “Impious Spawn“.

In Eerie Slumber follows two previous EPs released by the band, 2010’s Bestial Conclusions and Shockwave of Truth from 2012. As before, Coffincraft channel the undead spirit of original Swedish and Finnish death metal from the early-to-mid ’90s, with a tip of the hat to bands like Bolt Thrower and Carcass as well. But the new album reflects an even more powerful mastery of the sound and style, and an approach to song-writing and execution that makes it sound vibrantly alive — and lethally evil. Continue reading »

Jul 222015
 

In Dread Response-Heavenshore

 

(We premiere a full stream of the new album by New Zealand’s In Dread Response, with the following introduction by TheMadIsraeli.)

Melodic death metal and metalcore have been intersecting with each other for quite a while now. I’ve been a proponent of the idea that this has mostly produced mediocre music that should be of little interest, often resulting in little more than watered-down melodic death metal with clean pop vocals, riffing that lacks any technical edge, and a boring breakdown here and there. But In Dread Response have always consistently done it right, taking exactly the best aspects of both styles. The technical edge, ferocity, and speed of melodic death metal are in play, combined with metalcore’s emotive sense of melody, energy, and a vocal style that comes off as more emotionally charged. Think of early Killswitch Engage with Jesse Leech, except IDR are definitely about the more ferocious aspects of heavy music. And there are no breakdowns or clean vocals to be found here.   Zero.

Heavenshore is the band’s third album, and their best. I’ve not heard metal of the melodic sort this emotionally charged or this vicious in a long time. It’s also one of the few instances in which I truly feel an album is “perfect”, in the sense that there is no filler on it. Every song is distinct and equally great, and I never have an urge to skip to the next track at any point. This is as repeat-listenable as Alive Or Just Breathing or Slaughter Of The Soul, and I’ve been treating it as an album of like prestige since the IDR guys sent me the promo of it. Continue reading »

Jul 222015
 

Perverse Devolution

 

(Austin Weber introduces our premiere of a new song by Breeding Filth from Lafayette, Indiana.)

Back in March, I helped premiere the first single from Breeding Filth, a Lafayette, Indiana-based technical brutal death metal act. For those who didn’t catch my post before, the band includes members of fellow Indiana tech-death wunderkinds Dawn of Dementia, which should tip you off to the talent and quality involved with their music.

While the band has yet to set a release date for their debut album, Perverse Devolution, they’ve tentatively stated to me that it will be dropping toward the end of the year. To ease the burden of this long wait, we at NCS are proud to show you another song off their record called “Pronounced Cancer”.

If you like your death metal frantic yet full of finesse, then consider “Pronounced Cancer” a metastasizing treat, aurally akin to being helplessly dropped into a fucking war zone. Continue reading »