SEEN AND HEARD: GOATCRAFT, DEATHCODE SOCIETY, FLUB, GREY WIDOW

 RANDOM FUCKING MUSIC  10 Responses »
Feb 132014
 

Okie dokie, time for another round-up of new and noteworthy music that I came across in my most recent stumbling around the interhole and my in-box. On almost a daily basis I’m left dumbfounded by the diversity, the creativity, and the skill of the musicians in our beloved genre of music. Today’s playlist is just one more example.

GOATCRAFT

Oh, if you don’t know about Goatcraft, you are in for a treat. Goatcraft is a one-man band from San Antonio, the man being Lonegoat. I did not know about Goatcraft until December of last year, when I included the third track from Goatcraft’s forthcoming second album — The Blasphemer — in this post. The album will be released this year by I, Voidhanger Records.

According to a previously reported announcement, “The album is divided in four sections, each one with a central theme based on William Blake’s art and theological interpretations.” It includes, for example, a four-part piece named “The Great Red Dragon”. Just days ago, I, Voidhanger delivered a second track for streaming that draws on another of Blake’s works as its inspiration — “Satan In His Original Glory”.
Continue reading »

BANJO METAL: ERLING BRONSBERG COVERS DISFEAR

 Exceptions to the Rule, RANDOM FUCKING MUSIC  9 Responses »
Feb 122014
 


It’s been a while since I last wrote about Erling Bronsberg, so to recap: He’s a skilled banjo player based in Örebro, Sweden, and performs with an acoustic group called Six String Yada, who play old-time American mountain music — with some metal and punk in the mix as well. Every now and then, he records a banjo cover of a metal tune on video. Yesterday he e-mailed me about a new one. This time he has picked a Disfear song named “Fear and Trembling” from their 2008 split with Doomriders, All Paths Lead To Nothing, There Is Only Death.

So, how does Swedish d-beat punk sound on the banjo? Damned good, that’s how. Erling has slowed the song into a doomy backwoods ballad that really works. Dude can sing, too.

I didn’t know this until reading his note on the video, but the lyrics are just one long quote from Søren Kierkegaard: Continue reading »

PAPA EMERITUS II UNMASKED? (AND NEW IN-STUDIO GHOST PERFORMANCES)

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  15 Responses »
Feb 122014
 

Part of the popular attraction of Sweden’s Ghost B.C. is their anonymity — and the masks, make-up, and costumes with which the members conceal their features. Fans and music writers have speculated about who the Nameless Ghouls and the band’s frontman really are, but no names have ever been officially revealed. Last September, the current frontman — Papa Emeritus II — appeared without make-up in a mini-documentary about the band. In the clip, he spoke Italian, and, having revealed his face,  it became clear that he had also appeared in Ghost’s official video for “Year Zero”. But he didn’t sing, and there was still some lingering doubt about whether we were seeing the real deal. Any doubts have now been erased. Or have they?

During their recent Australian tour, Ghost stopped by the studio of Music Feeds and played three songs live: “Ritual”, “Year Zero”, and their cover of Roky Erickson’s “If You Have Ghosts” (from their 2013 covers EP). Videos of the three song performances surfaced on YouTube yesterday, and Papa Emeritus II appears without make-up — and yes, it’s the same dude who is interviewed in that mini-documentary.

I still don’t know who the guy is, and his position in the band appears to have a shelf life — one day, there will be a Papa Emeritus III. But the dude can sing, and for all Ghost fans, the following videos will be fun to hear and see. I’ve collected them after the jump, followed by that documentary clip.  (via Blabbermouth).

But… it appears that even Papa’s face without the skull make-up is still… a mask. See for yourself. Clever Ghost trolling. Continue reading »

VIDEOGRAPHY: MANTAR, CHROME DIVISION, BARREN WOMB, BABYMETAL + CHTHONIC

 Exceptions to the Rule, RANDOM FUCKING MUSIC  3 Responses »
Feb 112014
 

Culled here from the ever-flowing effluent of the interhole are four new ear- and eye-pleasing treats, with a bit of impressionistic verbiage. The songs have nothing in common, except my liking for them.

MANTAR

Mantar (above) are a new two-piece band, half German and half Turkish, whose debut album Death By Burning is scheduled for North American release by Svart Records on February 25. I previously wrote about one advance song, “Spit”. Today DECIBEL delivered the premiere of a music video for a second one, “White Nights”.

Men at work, wolves at work, strobes in the studio, shadows in the forest (and something else in the forest), amps and pines. The squeal of feedback, the squall of a fuzz-bombed guitar, riffs that open wounds, vocals that cauterize them, drum strikes that will bring you to your knees. Stripped-down and flesh-stripping, obliterating and head-nodding. Continue reading »

THIS SPLIT WILL RULE: FALLS OF RAUROS / PANOPTICON

 Metal News, RANDOM FUCKING MUSIC  5 Responses »
Feb 112014
 

2014 has barely begun and it has already delivered a slew of mouthwatering new releases. But few have caused your humble editor to salivate in anticipation quite like the forthcoming 12″ split by Maine’s Falls of Rauros and Kentucky’s Panopticon. Finally, it is has been sent to the pressing plant and is now ready for pre-order. I am here (having wiped the slobber from my face) to deliver many enticing details that were just disclosed this morning — including a nearly 17-minute trailer of music.

Detail No. 1:  That fantastic cover art you see above. Click the image to view a larger version.

Detail No. 2:  The Falls of Rauros side consists of two songs: “Unavailing” (11:53) and “The Purity of Isolation” (6:45). The Panopticon side consists of four songs: “Through Mountains I Wander This Evening” (4:33), Can You Loan Me A Raven?” (7:29), “Gods of Flame” (4:26), and “One Cold Night” (7:56). No need to get out your calculator — the split brings a total of more than 43 minutes of music. Perhaps not surprisingly, given the song titles, the music was inspired by the time that both bands spent in Norway.

Detail No. 3:  Bindrune Recordings, which is releasing the split, describes the Panopticon music (in part) as follows: “The mountains, landscapes, and memories of living and studying in Norway have crept into Austin/Panopticon’s ever evolving and vital sound to embody more of a stripped down and dark Norwegian BM influenced atmosphere for this release which harkens back to Panopticon’s more aggressive and raw S/T album…. The 4 songs on this split embrace the pure essence and influence of the 90′s Norwegian black metal movement in all of its driving, chilling and endlessly atmospheric grimness.” Continue reading »

MONDAY MASSACRE: WOCCON, BURIAL HORDES, MORBO, BENIGHTED

 Metal News, RANDOM FUCKING MUSIC  11 Responses »
Feb 102014
 

Happy putrid Monday to one and all. I have a nice little slaughtering playlist for you. All the songs are new, all of them are from forthcoming albums, all of them are very good.

WOCCON

This first item is such a pleasant surprise. It comes from an Athens, Georgia, melodic death metal band named Woccon, whose 2013 release The Wither Fields I enjoyed immensely. Those of you who have dutifully waded through my ongoing list of 2013’s “Most Infectious Extreme Metal Songs” will remember their name, because I included a song from that album (“Our Ashes”) on the list near the end of January (here). Over the weekend I discovered, thanks to a post at DECIBEL’s site, that Woccon will have a debut album named Solace In Decay coming our way this spring.

DECIBEL premiered one of the new songs, a track entitled “Giving Up the Ghost”. It’s something of a departure from the sounds I remember from The Wither Fields — less overtly doom-oriented and more progressively inclined — yet still quite impressive. It begins with a cosmic introduction and ends with a piano melody, and in between you’ll find a contrasting blend of spiraling, reverberant guitar melodies and heavy, blasting thunder. The dark, melodic doom of the band’s previous work is not gone altogether, but the song is a spreading of wings by a group whose talents should take them far. Continue reading »

SHADES OF BLACK: ENTARTUNG, NIGHTFELL, TORTORUM

 Metal News, RANDOM FUCKING MUSIC, SHADES OF BLACK  3 Responses »
Feb 092014
 

I’ve collected in this post two new songs and one new album, all of which I discovered yesterday. As the post title suggests, two of the bands are solidly in the black metal camp and the third, sandwiched between them in this feature, is “blackened” — although their music is a striking amalgam of styles. All three are doing some very exciting things with their music.

ENTARTUNG

As is true of all three bands in this post, Germany’s Entartung ambushed me yesterday. Before then, I hadn’t heard of them. Their debut album Krypteia appeared in 2012 and their second, entitled Peccata Mortalia, is due for release by the World Terror Committee (W.T.C. Productions) on March 8. Two days ago DECIBEL premiered the album’s first advance track, “Blasphemaverit in Spiritum Sanctum”.

The strength of the song lies principally in the powerful tremolo-picked melodies that heave in the music like ocean swells, and in the shifts between the bleak, frigid atmospheres they create and the black, rocking rhythms and other transitions that segment this long song. It’s easy to become immersed in the wintry tale Entartung are spinning. Continue reading »

DISCOVERIES: SARKE AND HAIL SPIRIT NOIR

 Metal News, RANDOM FUCKING MUSIC  12 Responses »
Feb 082014
 


As you may have noticed, we were pretty light on the content yesterday. I even failed to get another installment of our 2013 Most Infectious Song list up on the site. I blame my fucking day job, which has taken me on the road again, with about 36 hours still to go before I can get back to Seattle. I did do some catching up early this morning, and have prepared this round-up of new and notable things, plus that delayed installment for the song list.

I’ve paired these two bands together on purpose, because musically they seem like kindred spirits. Perhaps you’ll soon understand why I think that.

SARKE

Last September I wrote about a forthcoming album by a Norwegian band named Sarke (who will also be playing at Maryland Deathfest this May). All I knew at the time was who was in the band, but that was enough to inspire intrigue about the music:

SARKE (Khold, Tulus), bass.
NOCTURNO CULTO (Darkthrone, Gift of Gods), vocals.
ASGEIR MICKELSON (Spiral Architect, God Of Atheists), drums.
ANDERS HUNSTAD (El Caco, Autopulver, Morten Abel), keyboard.
STEINAR GUNDERSEN (Satyricon, Spiral Architect, System: Obscure), guitar. Continue reading »

SEEN AND HEARD: TRIPTYKON AND MORDBRAND

 Metal News, RANDOM FUCKING MUSIC  12 Responses »
Feb 072014
 

Due to the demands of your humble editor’s fucking day job, we will be a little light on the content at NCS today. We will have this little round-up, a show report from Umeå, Sweden, and (I hope) one more installment in our list of 2013’s Most Infectious Extreme Metal Songs — and that will probably be it. So, to start, here are two items of interest that I commend to your attention.

TRIPTYKON

This morning, Century Media announced that it and Prowling Death Records Ltd. will release the second album by Triptykon on April 14 in Europe and April 15 in North America. The title is Melana Chasmata, which according to Century Media means (roughly) “black, deep depressions/valleys”. It will feature nine songs and a playing time of around 67 minutes. The cover art is above, and yes, we have yet another pairing of HR Giger and Triptykon.

For me, Triptykon’s first album Eparistera Daimones (2010) was a grower rather than an immediate love interest. But come on, how could you not get a bit tingly with anticipation over new music from Tom G Warrior and V. Santura? Continue reading »

DISCOVERIES: PYRRHON AND GRAVEYARD

 Metal News, RANDOM FUCKING MUSIC  7 Responses »
Feb 062014
 

This is just another one of those “Seen and Heard” posts, collecting new and noteworthy things I came upon over the last 24 hours. I was just getting tired of that title.

PYRRHON

Last September we reported that New York’s Pyrrhon had signed a deal with Relapse Records for the release of their second album, The Mother of Virtues, which was tracked and mixed by Ryan Jones (Today is the Day, Mutilation Rites) and mastered by Colin Marston (Gorguts, Dysrhythmia, Krallice). Yesterday the band disclosed the cover art for the new album, created by Caroline Harrison, and it hooked my eyes hard — really excellent.

In addition, the band premiered one of the album tracks, “Balkanized”. It’s a substantially re-worked version of a song that originally appeared on Pyrrhon’s 2012 demo. It will scramble heads, with horror-blasting roars over the top of squalling, shrieking, fret-burning guitars and a bounding rhythm section that justifies a listen all by themselves. It’s both technically impressive and thoroughly unhinged, both complex and carnivorous. And voracious, violently voracious. Continue reading »

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