Oct 232013
 

This has been a very full day at the site, but I wanted to add one more post about the last two pieces of music I heard this morning. They pulled me in two very, very different directions, but they each made an emotional connection. And since blogs exist so that extroverted personalities never have to keep anything to themselves, I’m sharing.

LUMBAR

Without ever hearing the music, there have been powerful reasons to believe that Lumbar’s first (and maybe last) album — The First and Last Days of Unwelcome — was going to be very heavy. As you’ll know if you read our interview of the band’s founder and instrumentalist Aaron Edge, the songs were written as he was being afflicted by the pain of what would ultimately be diagnosed as multiple sclerosis, and the lyrics were written after he had spent 40 days bed-ridden with the disease, as he was beginning to come to terms with what had happened to him. I still find his description of the music evocative and gripping:

“Imagine three people, a small band or tribe. A storm is coming and it forces the small party into the ground, into caves. The spaces are small, cramped and dark. As the three huddle together, they hear/feel the approaching roll of nature’s foul breath, as it tears trees up from their roots, pushing huge boulders from their resting spots and dumping rain across the land. The tribe, without light and much hope, shudder. Feet stomp in panic. Teeth chatter. The wind howls, the rain becomes rivers and starts to fill up every hole in the earth. Air is thin. Breathing becomes harder, labored and louder. All these sounds and rhythms, the shared feelings of both paranoia and claustrophobia, the fear smelled in the sweat of these three… that’s what Lumbar sounds like.” Continue reading »

Oct 232013
 

Devil You Know is a new band that includes some old and respected names: Howard Jones (former frontman for Killswitch Engage and Blood Has Been Shed); Francesco Artusato (solo artist and guitarist with All Shall Perish); and John Sankey (drummer for Devolved and formerly with Divine Heresy). Today brought the announcement that this new “supergroup” has signed with Nuclear Blast for release of their debut album next year.

Within the last hour, the band also began streaming a demo version of a new song from the album, “Shut It Down”. And if you think you know what it’s going to sound like based on Howard Jones’ previous work with Killswitch Engage, you’re likely to be wrong. He does bring out the clean vox, but the extremity in his harsh vocals — especially combined with the gut-busting heaviness of the riffs and John Sankey’s spine-jarring drum assault — will strip paint from the walls. The dude lets it all hang out. Continue reading »

Oct 222013
 

We are way past the end of our usual posting day, but I just heard something that made me too anxious to wait until tomorrow morning. It’s a new lyric video for a new song by Pestilence named “Necro Morph”, the first music to be heard from the band’s next album Obsideo. I have a few immediate reactions.

First, it sounds HUGE. Second, it’s absolutely decimating — a high-speed flurry of pneumatic riffs and weaponized percussion, with a punishing, stomping mid-section and writhing, alien lead guitar machinations. Third, Patrick Mameli’s vocals sound filthy (in a good way). And fourth, all those Pestilence fans who were hugely disappointed by Doctrine (and I wasn’t one of them) will breathe sighs of relief. This is brutal.

Listen to it next, and feel free to share your thoughts in the Comments. If you happen to have any Kevlar body armor lying around, you might want to strap it on before listening to “Necro Morph”. Actually, never mind. That won’t be enough to stop what this fires at you. Continue reading »

Oct 222013
 

I’m going to make this little round-up short. I’ve been trying to catch up on reviews today instead of the usual hours spent surfing my in-box and the interhole for new discoveries. But I did notice these items that you might have missed.

INQUISITION

Seems like we’ve been posting about every little thing that has emerged in the run-up to release of Inquisition’s new album, Obscure Verses For the Multiverse, because it is shaping up to be one of 2013’s true highlights. But today’s development is the biggest event yet: The entire album is now streaming on Bandcamp, where’s it’s also available for purchase in various formats (the official release is October 24). And because it’s on Bandcamp, we can put it . . . right . . . HERE: Continue reading »

Oct 222013
 

 (Long-time NCS supporter and guest writer SurgicalBrute brings us this collection of metal to enhance your Halloween experience. The bands are Ctulu (Germany), Malichor (Australia), Orloff (US), Attic (Germany), and Demon Lung (US).)

Its been far too long since I’ve written an actual guest post for No Clean Singing. Part of that has to do with a combination of work, friends, and my own personal laziness, but the bigger reason has been I just haven’t felt like the site has really needed any input on band recommendations… and that’s awesome. It really says a lot about how great this site is, with its ability to cover such a wide variety of metal styles, that even a self-proclaimed curmudgeon like myself is satisified.

So what’s got me writing a post today? Well hell, that’s easy… it’s October and my favorite holliday is just a few weeks away. I love Halloween. Whether it’s the gothic imagery, the cheesy horror movies, or the child-like glee of picking a pumpkin, I cannot get enough of this time of year and everything that goes with it. Now, when it comes to Halloween the music is always important, and for metalheads there’s plenty to choose from…bands like King Diamond, Mercyful Fate, Deceased, and Electric Wizard probably all spring to mind. But for those of you looking to add a few more albums to your Halloween rotation, give these bands a try. Continue reading »

Oct 212013
 

I thought I’d make you aware, if you aren’t already, of a handful of full-album streams that became available in recent days. I’ve heard bits and pieces of most of these albums, enough to believe they’re all worth hearing straight-through. So here goes (and if you know of other recent streams that we should be noticing, leave a link in the Comments):

PROTEST THE HERO

I’m not nearly as zealous a fan of this band as other people I know, but I’m finding the tracks previously released from their next album — Volition — interesting enough that I think the album as a whole will be worth the time. It comes out on October 29th via Razor & Tie and can be pre-ordered here. Here’s your full stream of the album (via Metal Sucks):


Continue reading »

Oct 202013
 

I’m on the tail end of that four-day retreat I mentioned yesterday, still largely metal-deprived, and with a long plane flight home looming on the horizon. But I hate to let a day go by without posting something. Yesterday I put up some videos from an unusual Japanese band. So I thought, in keeping with the theme, that I ought to look for something equally off the beaten path. And my wishes were answered.

I happened to see a link posted by a Facebook friend to a recent interview that Kim Kelly conducted with trombonist Dan Blackberg about his band Deveykus. They’re a Hasidic doom metal band. I thought, fuck yeah, that sounds way off the beaten path. In the interview, Blackberg explained:

“The music we make is based on traditional Hasidic wordless melodies called nigunim (or nign in the singular) that are meant to be sung over and over again until your spirit either reaches some transcendent state, or your vocal chords give out. Hasidic culture, like a lot of cultures based around religious fundamentalism, has a ton of totally fucked up things about it, and then some seriously amazing music! One of the great traits of the culture is that they put singing these melodies above praying as a way to get your spirit lifted towards some divine energy. I can get behind that. Another great thing they do is appropriate all kinds of music with the excuse that they’re “reclaiming some divine spark in the melodies.” I think it’s great to turn that around and “reclaim” these melodies that almost no one outside of that world would ever hear for everyone!”

Continue reading »

Oct 182013
 

Here’s a collection of items I spotted on a quick dash through the interhole today.

GOJIRA

I saw that the gents at Metal Sucks premiered a new Gojira video. It’s a professionally filmed live performance of “The Gift of Guilt”, from last year’s L’Enfant Sauvage, at London’s O2 Brixton Academy. I confess that when the first finger-tapped notes of the melody began, I got chills and a flood of beautiful memories of the live Gojira shows I’ve been lucky enough to attend. The video is also fresh evidence that Mario Duplantier is one of the best drummers in metal today.

To watch the clip, jump over to this location.

On top of that, MS reported that Roadrunner Records has released a live EP that includes three Gojira songs (including “The Gift of Guilt” and three songs by Norway’s Kvelertak, and it can be yours for the price of an e-mail address. To stream and or download it, go here. This is the track list: Continue reading »

Oct 172013
 

In this post we bring you two excellent new videos that premiered this morning.

KATAKLYSM

The new video from Canada’s Kataklysm is for a new song — “Elevate” — that will appear on this veteran band’s latest album, Waiting For the End To Come. The song is somewhat surprising, in that it’s a bit of a departure from what might be considered the band’s typical style. It still thunders and howls, but as my colleague Andy Synn put it, it’s a lot more spacious and has a big central melody. There were even moments near the song’s end when I was thinking “melodic black metal”. I haven’t listened to the song more than twice yet, but so far it is solidifying my impression that Kataklysm are coming back strong and that Waiting could be one of their best albums in a long time.

The video itself is also excellent. Its jerky-jerky motion and dramatic atmosphere suit the music, and it’s really well-made and interesting to watch. Also, zombies.  You can’t go wrong with zombies. Continue reading »

Oct 172013
 

Most metalheads I know are good-hearted people (maybe because I steer clear of the assholes). Most metalheads I know also live from paycheck to paycheck — if they’ve got a paycheck. So when someone asks metalheads to spend money on a charitable cause, there needs to be an extra incentive; worthy causes are almost endless, but disposable income is in short supply. Offering something tangible that people are going to be tempted to buy anyway — and then donating all the proceeds to a good cause — that’s the kind of idea that should succeed. And that’s what Norway’s Extol and their record label have just done.

I assume you know who Extol are — but if not, they’re a progressive death metal band who’ve made one of this year’s standout albums (self-titled, and glorified in this NCS review). What they and their label Facedown Records have done is to make a special shirt available for sale, with all profits donated to New Life Mission Aid for use in helping homeless children in Kenya. As the band’s Peter Espevoll explains in a video for this project, New Life Mission Aid is a Norwegian charitable organization dedicated to providing food, shelter, and education to homeless kids in Kenya.

The shirt, as you can see, is badass. The design was created by Dave Quiggle. It’s dedicated to the new album’s opening song “Betrayal”, which in itself was inspired by the plight of those homeless children. Continue reading »