Apr 122013
 

Life can be summed up as follows: You don’t get what you pay for, and then you die. Which is why getting things for free is so damned important. It gives you that little flicker of hope that maybe things will balance out before your tiny spark gets sucked into the void. Of course, it’s a false hope, but the capacity for self-delusion is vital in leading a happy life.

Okay, now that I’ve got you in a cheery mood, here’s some a that free shit.

“DEATH TO ALL” TICKETS

The Death To All tour, which pays tribute to late legendary vocalist and guitarist Chuck Schuldiner and raises money for the Sweet Relief charity, is starting its 2013 run tomorrow night in West Hollywood and will continue through the end of this month. Unlike last year’s inaugural edition, this tour will feature one line-up, the Humanera Death lineup consisting of guitarist Paul Masvidal, bassist Steve DiGiorgio, and drummer Sean Reinert (with Max Phelps of Exist providing the vocals). The set list will focus on Human and the three Death albums that came before it, Scream Bloody Gore, Leprosy, and Spiritual Healing

And guess what? Thanks to Live Nation, we have two sets of two tickets to give away for the tour’s April 24 stop in New York City at Irving Plaza. Continue reading »

Apr 112013
 

I think we’re very broad-minded around here. For example, in our last post we let Andy Synn talk about five excellent bands, most of whom integrate clean singing into their music. However, balance must be maintained. And therefore in this post we return to news and new music from the frontlines of sonic obliteration, with Murder Made God (Greece), Hate Meditation (multi-national), and Crocell (Denmark).

MURDER MADE GOD

This Greek band have recorded a new album named Irreverence, which is emblazoned with that eye-catching cover art you see above, and as of today it became available for pre-order from the Brutal Bands label (here). Also, I’ve learned that package orders placed with Brutal Bands before May 31 will be fulfilled with a free “Throne of Derision” shirt designed by Mike Majewski of Devourment. Check out his piece of nasty work, big as life, right after the jump: Continue reading »

Apr 112013
 

(Andy Synn is back with yet another of his five-item lists of favorite things.)

TheMadIsraeli’s review of the newest Killswitch album (which I still haven’t actually gotten around to listening to) got me thinking, mostly about missed chances and wasted potential. As a fan of KsE, even I have to acknowledge that, due to a variety of factors, some beyond their control, some due to their own decision-making, the band may have squandered some of their early potential.

That may sound rather harsh; it’s not meant to be but it may sound it. But I think it’s unfortunately an accurate assessment of things as they stand. Losing Jesse, the stalling of their initial momentum while they recruited Howard, the more simplistic, mainstream leanings that sanitised their most recent work… all these combined with the general state of the music industry and some unfortunate timing, have meant that the band never reached the “megastar” status which was, however fleetingly, hinted at by their early potential.

Now I know what you’re thinking. Killswitch Engage are pretty damn mainstream, at least by metal standards, right? Well that’s kind of my point… we often forget, we proud underground warriors, that for most bands, being part of the metal “mainstream” means fuck all to the “actual” mainstream. Bands with legitimate underground cred who get the merest sniff of wider exposure are immediately attacked for “selling-out” even when they’ve not changed a thing, they just happened to be in the right place at the right time.

But what I’m talking about here are five bands who had the possibility, however slight, of achieving real recognition (mainstream or otherwise), real status, without sacrificing their integrity or identity, but for whom it never quite “happened”. Continue reading »

Apr 112013
 

I’m really slow in spreading the word about this event — my man Vonlughlio tipped me to it the day it happened. In a nutshell, Suffocation, Exhumed, Jungle Rot, Rings of Saturn, and Adimiron performed live at the Saint Vitus Bar in Brooklyn, NY, on the night of April 5. That was the second night of the Despise the World 2013 North American Tour, which is still in progress. The Saint Vitus show was webcast live, as it happened, on Gander.tv.

But the show was also recorded as it was happening, and the entire thing can still be streamed.

Even better, the stream of the live performance is embeddable, which means I can stick it right here at NCS for as long as the stream lasts — all 5 hours of it.

I don’t know how many people would choose to watch the entire show — I skipped around, myself — but it’s pretty damned cool just to have it available. Also, Exhumed played a new song called “The Rotting” from their next album, which should be out in the summer. Check out the show right after the jump. Continue reading »

Apr 102013
 

Now that I have your attention, thanks to that new album cover above, I have three more random pieces of new music to share with you today.

BOB MALMSTRÖM

It’s been way too long since we’ve featured anything by Finland’s Bob Malmström here at NCS. I first tumbled to them in December 2011 after catching their official music video for a song called “Eliten”, which was a kind of searing, headbanging, thrash/hardcore/punk onslaught, as rendered by a bunch of dudes in suits sipping champagne. For a fair amount of background about the band’s politically incorrect philosophies and interests, you might check out the post I wrote at that time.

Today brought a fresh reminder of how much ass this band kick: the debut of a lyric video for the title track from a new Bob Malmström album entitled Punkens framtid, which, according to Google Translate, means “Punk future” in Swedish. The new song rocks so hard it nearly knocked me flat, but I somehow kept my feet despite bouncing around in a solo mosh pit of my own making. Continue reading »

Apr 102013
 

Here’s a round-up of a few of the things I saw and heard in the last 24 hours.

HANG THE BASTARD

I heard a new song by a London-based band named Hang the Bastard. NCS writer Andy Synn sent me a link to this song. I love this song with a deep and abiding love, not a platonic kind of love but a rough, messy, sweat-and-fluid-drenched, up-against-the-wall kind of love, with clothes ripped off and strewn around the floor and some blood smear left on the paint from all the scratches.

The name of the song is “Sweet Mother”, and Hang the Bastard released it a couple of weeks ago. It has huge, beefy, fuzzed-as-hell riffs coming out of every orifice. It squalls and crushes and lacerates. It maketh my head to bang so vigorously that I’ve been left in a permanent bobble-head condition.

The vocalist sounds like he gargled with gasoline and then ate a lit match before tracking his part; I hope the other guys had the decency to stick a fire extinguisher down his throat when he was done. Continue reading »

Apr 092013
 

We’re way past the end of our typical posting day, but this news can’t wait: The Black Dahlia Murder and Metal Blade have revealed the album cover and release date for the band’s new album Everblack and have given all of us the first new song from the album for streaming: “Into the Everblack”.

The album will be released on June 11 and has now become available for pre-order here. The cover art, which is just fuckin’ delicious, is by none other than New Zealand’s Nick Keller. If you hang around this site with any regularity, you’ll know who he is because we’ve repeatedly raved about his work for NZ’s Beastwars, among other accomplishments.

Other luminaries were involved in the album’s creation — mixing by Jason Suecof (with Ryan Williams) and mastering by Alan Douches — and the album will include for the first time a song (“In Hell Is Where She Waits For Me”) that’s actually about the famous, unsolved 1947 “Black Dahlia murder” of Elizabeth Short from which the band took its name.

And that brings me to the just-released new song . . . Continue reading »

Apr 092013
 

I had time this morning to snoop around the web and my e-mail inbox in search of interesting new music and new videos. Unfortunately, at the moment my fucking day job isn’t allowing me enough time to listen to everything I found, much less write about it.

I thought to myself, wouldn’t it be great if I could find a whole album’s worth of songs I could listen to in about 82.8 seconds, with a video to go along with it?

And wow, what an amazing coincidence! Just as those thoughts crossed my mind I found a whole album of music lasting only 82.8 seconds (including the spaces between songs) AND a video to go with it! Yeah, it happened just like that.

How do you get 13 songs on an 82.8 second album? You fuckin’ griiiiiind, that’s how. Here’s the track list (plus run times for each song) for what Earache Records is billing as “The World’s Shortest Album”: Continue reading »

Apr 082013
 

Continuing what has turned into a content-packed Monday, we’re packaging in this post features on the latest track premiere by Immolation, a new discovery from Greece (Damned Creed), and mysterious new artwork by Paolo Girardi.

IMMOLATION

No one with any sense really needs to be teased further about Immolation’s new album, because all sensible metalheads have already resolved to lay hands on it as soon as possible. But we’re getting teased again anyway.

Not long ago MetalSucks exclusively debuted yet another song from the forthcoming Kingdom of Conspiracy release — and it’s available for free download via the widget on their site. The song is a titanic bruiser powered by tremolo’d grinding, bullet-spitting drumfire, wraithlike soloing, and enough tempo shifts to keep you off balance while your head bangs merrily away. Continue reading »

Apr 082013
 

In this post are three new things I found yesterday and this morning that I found interesting. The first is a brand new video by Norway’s Shining and the next two are new tracks released as teasers for new albums by Aborym (Italy/Norway) and Zolle (Italy).

SHINING

Shining’s new album One One One is out today in Norway and will be released in North America and Europe in late May or early June, but will be available digitally beginning April 23. Today also saw the premiere of the band’s official video for “I Won’t Forget”. The sharp-edged, industrial-tinged song rocks really fuckin’ hard, and of course it includes a 21st century schizoid sax solo.

The video is also fantastic. The colors, the lighting, the editing, the headbanging, the boobs, they’re all just excellent. Watch it right after the jump. Continue reading »