Apr 092013
 

We’re way past the end of our typical posting day, but this news can’t wait: The Black Dahlia Murder and Metal Blade have revealed the album cover and release date for the band’s new album Everblack and have given all of us the first new song from the album for streaming: “Into the Everblack”.

The album will be released on June 11 and has now become available for pre-order here. The cover art, which is just fuckin’ delicious, is by none other than New Zealand’s Nick Keller. If you hang around this site with any regularity, you’ll know who he is because we’ve repeatedly raved about his work for NZ’s Beastwars, among other accomplishments.

Other luminaries were involved in the album’s creation — mixing by Jason Suecof (with Ryan Williams) and mastering by Alan Douches — and the album will include for the first time a song (“In Hell Is Where She Waits For Me”) that’s actually about the famous, unsolved 1947 “Black Dahlia murder” of Elizabeth Short from which the band took its name.

And that brings me to the just-released new song . . . Continue reading »

Apr 092013
 

I had time this morning to snoop around the web and my e-mail inbox in search of interesting new music and new videos. Unfortunately, at the moment my fucking day job isn’t allowing me enough time to listen to everything I found, much less write about it.

I thought to myself, wouldn’t it be great if I could find a whole album’s worth of songs I could listen to in about 82.8 seconds, with a video to go along with it?

And wow, what an amazing coincidence! Just as those thoughts crossed my mind I found a whole album of music lasting only 82.8 seconds (including the spaces between songs) AND a video to go with it! Yeah, it happened just like that.

How do you get 13 songs on an 82.8 second album? You fuckin’ griiiiiind, that’s how. Here’s the track list (plus run times for each song) for what Earache Records is billing as “The World’s Shortest Album”: Continue reading »

Apr 082013
 

Continuing what has turned into a content-packed Monday, we’re packaging in this post features on the latest track premiere by Immolation, a new discovery from Greece (Damned Creed), and mysterious new artwork by Paolo Girardi.

IMMOLATION

No one with any sense really needs to be teased further about Immolation’s new album, because all sensible metalheads have already resolved to lay hands on it as soon as possible. But we’re getting teased again anyway.

Not long ago MetalSucks exclusively debuted yet another song from the forthcoming Kingdom of Conspiracy release — and it’s available for free download via the widget on their site. The song is a titanic bruiser powered by tremolo’d grinding, bullet-spitting drumfire, wraithlike soloing, and enough tempo shifts to keep you off balance while your head bangs merrily away. Continue reading »

Apr 082013
 

In this post are three new things I found yesterday and this morning that I found interesting. The first is a brand new video by Norway’s Shining and the next two are new tracks released as teasers for new albums by Aborym (Italy/Norway) and Zolle (Italy).

SHINING

Shining’s new album One One One is out today in Norway and will be released in North America and Europe in late May or early June, but will be available digitally beginning April 23. Today also saw the premiere of the band’s official video for “I Won’t Forget”. The sharp-edged, industrial-tinged song rocks really fuckin’ hard, and of course it includes a 21st century schizoid sax solo.

The video is also fantastic. The colors, the lighting, the editing, the headbanging, the boobs, they’re all just excellent. Watch it right after the jump. Continue reading »

Apr 082013
 

(Andy Synn wrote this post. I obviously need to give Andy some lessons in blatant self-promotion, since he devotes most of this post to plugging the competition!)

So here we go again… time for a blatant plug to abuse my position here at NCS for the benefit of my band. Deal with it. Also, please go here and vote for Bloodguard because we would quite like to play Bloodstock this year, and this is one way for us to attract attention from the individuals responsible for booking the bands!

Now one of the issues to navigate with being in this competition is balancing my role as a “musician” (parentheses intended) with my role as a “journalist/critic” (parentheses probably even more intended). So I have to try and separate these two sides of myself. There’s an issue that being critical about other bands (warranted as it may sometimes be) might reflect badly on me and my band mates, and might adversely affect our chances.  But why let that fear strangle honest opinion and debate? Do you agree? Disagree? Don’t care either way?

Still, looking through the veritable host of bands signed up to the competition, a few trends have become clear (mentioned some of them last time around as well). Continue reading »

Apr 042013
 

On March 22, 2013, Sweden’s Hypocrisy performed at a record release show in Stockholm for their new album End of Disclosure, which is out now on the Nuclear Blast label. Director Ville Lipiäinen was on hand to film some of what transpired. Lipiäinen was also the director of Hell Over Sofia, the band’s live 2011 performance DVD, and today Nuclear Blast released his video of Hypocrisy performing “Tales of Thy Spineless”.

There’s a lot of old-school, thrashing, grinding death metal in this track, but with a nice little catchy melody that sneaks into the front and back of the song. Actually, the song is like a Hypocrisy sandwich, with one song sandwiched in between parts of another quite different one. I’m happy with both parts (listen for dat base in the middle segment).

The video is, of course, well done. It was filmed from multiple camera angles, including one trained on the front row of the audience. Watch it after the jump. Continue reading »

Apr 042013
 

Meshuggah now have an official video for the song “I Am Colossus” from Koloss that adds layers of the alien and the grotesque to the song’s atmospherics. Or perhaps the video merely brings out elements of the alien and the grotesque that were present in the song all along.

The video is an animation created by Magnus Jonsson, who is to be congratulated for a really amazing job.

That’s really all I have to say . . . now be good to yourselves and watch “I Am Colossus” after the jump. Continue reading »

Apr 032013
 

On most days at this site I try to pull together a round-up of new music, album art, and/or news that most interested me over the preceding 24 hours. It’s usually in the range of 3-5 items, packaged together in one long post. Today, just for the hell of it, I’m spreading what interested me over the course of the whole day, one item at a time.

Grift are a two-man Swedish band formed in 2011 (consisting of Perditor on vocals and strings and J. Hallbäck on drums) whose music I just discovered yesterday. They’ve recorded a four-song debut EP, Fyra elegier, that’s scheduled for release on April 15 by the Nordvis label. And what I heard yesterday is a song from the EP named “Dödens dåd”.

The song begins with a mournful, folk-inspired violin solo set against the sound of falling rain . . . or maybe the hiss and crackle of an old platter of vinyl on the turntable . . . and then it rapidly transitions to a different kind of bleak atmosphere, one that unfolds to the muffled rumble of drums, the winding chords of tremolo guitar, and the anguished, scarring cries of Grift’s vocalist. Both stately and intense, the song reminds me of mid-stage Burzum, and its melancholy sounds have infected my head.

The EP can be pre-ordered here. Listen below. Continue reading »

Apr 032013
 

On most days at this site I try to pull together a round-up of new music, album art, and/or news that most interested me over the preceding 24 hours. It’s usually in the range of 3-5 items, packaged together in one long post. Today, just for the hell of it, I’m  spreading what interested me over the course of the whole day, one item at a time.

And so the morning begins Finnish style. I started with Finntroll’s new video and now move on to a new track from Kalmah called “Windlake Tale”. And not just a new track — I’m also happy to share the news that Spinefarm will release a new Kalmah album on June 17 and that its name is Seventh Swamphony.

And no, that isn’t a typo. What else would you call a symphony by a bunch of metal swamp lords?

Man, is this new song hitting me in the sweet spot . . . you know the one I mean . . . the spot that gets engorged when listening to racing, rollicking, Finnish-style melodic death metal with flashing guitar solos, folk-influenced melodies and rhythms, caustic vokills, and a big injection of catchy-as-fuck-ness. You should hear it. You can hear it . . . next: Continue reading »

Apr 032013
 

On most days at this site I try to pull together a round-up of new music, album art, and/or news that most interested me over the preceding 24 hours. It’s usually in the range of 3-5 items, packaged together in one long post. Today, just for the hell of it, I’m trying something different, something more like what certain other metal sites do — spreading what interested me over the course of the whole day, one item at a time.

A renowned tribe of Finnish trolls have emerged from their underground lairs for another round of pillaging and plundering, spreading their wicked humor and destructiveness like the plague. In other words, Finntroll’s new album Blodsvept is out now, everywhere (on Century Media).

This morning Finntroll premiered an official video for one of the new songs,”Häxbrygd”, which apparently means “witch broth” or “witch stew”. The song goes straight to our list of candidates for 2013’s most infectious extreme metal songs. Music to jump to, music to bounce to, music to fornicate to. A little bit of accordion, a little bit of brass, a whole lotta nasty.

And the video? A feast for the eyes, the trolls decked out in their finery with pointy ears a-flapping, tricking out their own special ride. Ready, set, GO . . . Continue reading »