Jan 062012
 

I’m sure that eye-catching cover art up there looks familiar to you — less than a month ago I splashed it across this site in a post that featured the first single from this UK band’s forthcoming album, And So It Came To Pass, which will be released on Feb 27 by Siege of Amida Records. Well, now Dyscarnate have not only premiered a second track from the album, they’ve also given us an official music video to go with it.

The new song is called “The Promethean”, and it’s a killer explosion of technically oriented, groove-heavy death metal, with great vocals, jolting rhythms, galvanizing guitar work — and even a breakdown that works.

By the way, I’ve now got this album in my greedy clutches, and I’m very fucking sold on Dyscarnate. Whenever I can kick my ass into higher gear, there will be a review . . . But for now, headbang to “The Promethean” video after the jump. Continue reading »

Jan 062012
 

We first made the acquaintance of Mickael André in the early days of this blog when we developed a fascination for the French metal band of which he is the bassist — Eryn Non Dae.. I counted, and we’ve posted about them seven times since 2010, most recently here. The band’s own description of their music is one I would endorse: “Complex and brutal structures, black and apocalyptic moods, an obscure music where dissonant compositions carry an in-your-face, aggressive vocal style… A trip into the depths of the soul.”

I asked Mika if he would share with us a list of the metal he enjoyed most during 2011, and he responded with a list, which I’ll come to eventually. But this post also gives me an excuse to feature music from the many projects in which Mika is involved. Eryn Non Dae. is only one of those projects, though it’s Mika’s main one. The latest news from END. is very sweet news indeed — they are now beginning to record their second album. Their 2009 Metal Blade release, Hydra Lernaïa, was a remarkable debut, and I’m really curious to hear what the band will come up with next.

But END. is not Mika André’s only musical project. He’s also the guitarist for an instrumental band called Nojia (that’s their photo at the top of this post), who recently released a fascinating debut album called Solarchitect. (available here).

The album starts with a 6-minute overture and then proceeds through four long songs, ranging from 11 to 18 minutes in duration. It was recorded live, with all the musicians performing together in the studio — and when you hear the range and complexity of the music, you’ll appreciate even more what that means. I’ve embedded a music player later in this post that will stream the entire album — listening is an intense, mesmerizing experience. Continue reading »

Jan 052012
 

I think the first time I listened to Sweden’s Avatar was after Andy Synn reviewed a show they played in Oslo as support for Dark Tranquillity (here). I only listened to a couple of songs, but based on what I heard, I thought Andy summed up the music pretty well in his show review:  “a strange mix between Judas Priest-esque trad metal, Sentenced-style melancholy, and the upbeat folkery (?) of latter day Amorphis.”

Today’s press releases in the NCS in-box brought the news that Avatar has been signed by eOne Music for the North American distribution of their next album, Black Waltz, which will be released on February 14 in the U.S. There’s also a brand new music video for the album’s title track. And yes indeed, it’s interesting to watch.

It was professionally filmed at night in what’s billed as Sweden’s largest amusement park, and although it’s sort of fun watching Avatar’s face-painted front man spinning gleefully in a brilliantly lit carnival ride, it’s Hellzapoppin who steal the show. They’re a long-running group of performers who model themselves as a circus side-show act, and they contribute a variety of eye-catching stunts to the video.

As for the song itself, the title is a big clue. It is indeed a kind of metal waltz, a blending of melodic death metal and the cadences of the classical dance and a bunch of other shit thrown in the mix, too. My first reaction was that it was a bit too weird, a bit too schizophrenic, a bit too cheesy for my tastes. But then I noticed that the damned melody had gotten stuck in my head and I found myself listening to the song again. I may have to give this album a chance when it arrives. Check out the video after the jump. Continue reading »

Jan 052012
 

Swallow the Sun blend melodic doom and death about as well as it can be done. We’ve been eagerly awaiting their new album, Emerald Forest and the Blackbird, which is due for release on February 13 by Spinefarm. We already posted a preview of what the album holds in store at this location. And now, we have a first taste of the music.

Today, Terrorizer premiered an official video for the song “Cathedral Walls”, which features the vocals of Anette Olzon (Nightwish) in the chorus.

The first half of this nearly 7-minute song is all melancholy, the sorrow of bereavement, all clean vocals from Mikko Kotamäki and Olzon. Pretty and atmospheric. And then as the ashes fall to the ocean, the shit gets heavy, and it’s the heavy side of StS that I wait for in their songs. It’s usually worth the wait, and I’ve even come to enjoy the build-ups and the denouements.

No big surprises here — it’s Swallow the Sun doing what they do — but it’s a satisfying introduction to the new album. Watch and listen after the jump. Continue reading »

Jan 032012
 

Okay, the headline of this post is a bit of an exaggeration, but I think you’ll forgive me after you hear the music.

The news is this: Iron Maiden guitarist Adrian Smith has joined forces with former SikTh frontman Mikee Goodman for a new studio project. It’s called Primal Rock Rebellion, and the duo have finished recording an album that will be released on February 27 by the Spinefarm label.

The songs were all co-written by Smith and Goodman, with Smith playing both guitar and bass. Session musicians who also contributed to the forthcoming album include Abi Fry of Bat For Lashes, plus original SikTh member Dan ‘Loord’ Foord on drums, among others.

Spinefarm and the band have just released a song from the album called “I See Lights”. It’s dark and nasty, and the guitar and bass riffage get their hooks in you pretty fast. Listen to it after the jump — and if you like what you here, you can download it for free. Continue reading »

Jan 022012
 

The new year has started off with a bang here at the NCS island. We’ve been swamped with new music in just the last couple of days — too much for me to take in all at once, but I thought I’d pick out a random sampling to throw at your faces on this first Monday of 2012. Both of these songs come from relatively new bands, and both are damned impressive. So, while we’re still not finished with our Listmania look-backs at 2011, let’s also start looking at what the new year has in store for us.

BLOODSHOT DAWN

This is a band with members scattered around Portsmouth and Hampshire in the UK. They’ve completed a self-titled debut album scheduled for release on January 26 that contains 11 tracks and more than 50 minutes of music — and as you can see, it features some typically terrific Par Olofsson artwork on the album cover. The band have just made available a single from the album for free download as a taste of what the album offers. It’s called “Godless”, and man, it lit me up like fireworks exploding on New Year’s Eve.

The song is a double-barreled blast of melodic death/thrash with flashy riffing and a headstrong rhythm that’s immediately galvanizing. But what really got me enthusiastic was the instrumental extravagance that takes over in the last third of the song — one head-spinning guitar solo after another. It comes your way right after the jump. Continue reading »

Jan 012012
 

I’ve been spending more time than usual over the holidays with IntoTheDarkness, one of the two other people who were with me at NCS when we started this site, but one who has found many other things to do with his life than write for NCS, despite my nagging (yeah, amazingly, he has a life). I got an earful from him yesterday. He thinks I’ve become a “metal elitist”, that I’ve fallen sway to the influence of NCS readers, and spend too much of my time listening to things like . . . black metal.

In particular, he thinks I’ve completely turned my back on music I used to like (along with him), such as deathcore. He sends me band names every now and then, and has discovered that I don’t listen to them. I try to explain that my listening time just seems to evaporate. In general, this is the big problem with life: If you really try to live it, instead of letting it live you, there’s just not enough fucking time. This excuse fell on deaf ears.

Well, I’m going to prove him wrong soon. But not at the immediate moment. I’m afraid this post may simply reinforce his conclusions. Except, I do ask myself this: can you really call a mole who burrows deeper into the metal underground an elitist? That doesn’t sound right. There should be a different word for a burrowing metal mole (other than the obvious word — filthy). And besides, what is a metal elitist anyway? I’ve never thought of myself that way. After all, I pop wood for every metal band on the planet. Someone said that about me once.

Where was I?  Oh yeah. So yesterday, a friend asked me for recommendations about metal blogs to read. Two of the many names I gave him were The Living Doorway and From the Dust Returned. These are blogs I don’t read nearly as often as I’d like (see above about not enuf fucking time). They tend to cover metal that’s even deeper underground than my burrowing has yet taken me; I don’t recognize many of the bands they write about, but the writing is so damned good that I like to read them anyway.

I read them yesterday, for example. In doing so, I made two wicked discoveries which got me so enthused that I feel compelled to share: music from Wrathprayer and Antichrist. Mind you, I knew nothing about either of these bands before yesterday. I still don’t know much — except I know I like the music I’ve heard. Continue reading »

Jan 012012
 

This post comes your way from our friend groverXIII (The Number of the Blog).

Over at TNOTB, I talked about Cut Your Teeth with fair regularity. They originally approached us with a video to a song from their self-titled EP, and I became infatuated with their energetic blend of thrash metal and old-school hardcore. Then, this past year they released their first full-length, CYTII, and that infatuation turned into totally heterosexual, not-at-all gay love. (Okay, maybe a little gay.) CYTII made my end-of-year list (forthcoming in the next few days), and their ‘Stallion’ video is one of my favorites of the year, capturing the raw power of these New Yorkers perfectly.

And then, a few days ago, Cut Your Teeth released a new song and video called ‘If It’s Loud’, and it’s fast, angry, thrashy, and, well, loud. It’s not a long song by any means, clocking in at just a hair under two and a half minutes, but it just plain fucking rips, and that’s what it’s all about. With the thrash revival, there are a lot of bands out there playing thrash metal, but with many of them you kind of wonder if they’re just going through the motions. Cut Your Teeth may not be the most talented band in the world, but their intensity and sheer energy cannot be questioned.

Seriously, metal needs more bands like these guys, toiling away in obscurity but still giving it their all. I’d rather have one band like Cut Your Teeth than five bands like Disturbed, Godsmack, All That Remains, or whatever else passes for radio metal these days. There’s no pretension here, no posturing, just good old-fashioned, kick you in the nuts punk/metal. And isn’t that what it’s all about?

‘If It’s Loud’, like all of their material, can be found at their Bandcamp page, and like all of their material, it’s free. Do yourself a favor and check them out. (video after the jump . . .) Continue reading »

Dec 312011
 

I know that most of you will be like me tonight. You’ll curl up with a romance novel and a box of chocolates and have a quiet, dreamy evening that may or may not last long enough to watch New Year’s Eve fireworks on television before you drift into a restful slumber, awakening cheerful and refreshed on New Year’s Day. For those very few of you who plan to get wrecked, piss yourselves, and wake up bleeding in a pool of your own vomit with a thermonuclear hangover and missing teeth — this post’s for you, motherfuckers!!!!  It’s time to griiiiiiiiiinnnnnndd!!!!!

Today, we’re featuring brand new and recent releases from (respectively) Fuck the Facts and Brutal Truth, but first, what better way to start this special day/night than with a band called

TOTAL VOMIT EXPERIENCE

This band is from — where else? — Finland. I first heard their name (and once you’ve heard it, how could you forget?) when doing a little research about the excellent new death metal band Magenta Harvest for this post last May. Magenta Harvest includes a guitarist named Timo Hanhikangas, who was then a member of Total Vomit Experience, too, and that’s how I heard the name. Eventually, I checked out their online sites and found this list of “artists we also like” on TVE’s facebook page:

Carcass, Napalm Death, Rotten Sound, Repulsion, Entombed, Pink Floyd, Frank Zappa, Celtic Frost, Hellhammer, Throbbing Gristle, Fields of the Nephilim, Current 93, Discharge, Extreme Noise Terror, Master, Anticimex, Godflesh, Swans

Now, of course, having good taste in metal doesn’t mean you can make metal that tastes good, even if you have an awe-inspiring band name like Total Vomit Experience. But it turns out that TVE definitely can make the tasty metal. Continue reading »

Dec 282011
 

Last night and this morning I saw two new music videos that made an impression. By chance, both bands are from Russia — Impact Fuze and Welicoruss. Though the videos could hardly be more different from each other, both musically and visually, joining them together here just struck me as the right thing to do (and I haven’t even been hitting the vodka) — two sides of a Russian coin: the urban and the rural, the new and the old, a forest of skyscrapers and a forest of pines, the bustle of mechanization and a clash of swords.

IMPACT FUZE

TheMadIsraeli sent me a link to this band’s video for a song called “Moscow”. Impact Fuze consists of three extremely talented musicians — guitarist Fedor Dosumov, bass-player Anton Davidyants, and a French drummer named Damien Schmitt. “Moscow” isn’t really metal. The musical style is closer to jazz/rock fusion, but the performances are so extraordinary that I couldn’t resist this video.

Dosumov’s guitar playing reaches jaw-dropping levels of dexterity and creativity, reminding me of great ones like Pat Metheny, Allan Holdsworth, and Alex Skolnick (when he’s performing with his Trio). Schmitt is equally amazing, especially when he’s on his feet, hitting the skins while spinning like a top. And Davidyants is a match for them on the bass, bounding but tight as a drumhead.

The black-and-white video for the song is also an amazing achievement. It was produced and directed by Vladimir “voff” Youdanov, Tamara Cengic, and a team from a company called Voffilms. The imagery moves as fast as the performers, with time-lapse film of modern Moscow on the move interspersed with a visual kaleidoscope of the band performing the song. It’s an inspired union of music and film, one of the best videos I’ve seen all year. Continue reading »