Apr 162022
 

I hope your weekend is off to a good start. I got my good start at a baseball home opener last night, arrived home late, and spent a chunk of the morning texting with fellow Mariners fans, still reveling in the ass-whipping they administered to the much-loathed Astros. Which is to say that this roundup will be a relatively short one.

A regrettably short one, because this past week was huge for new metal. I did a fairly good job making lists of new stuff I spotted, and it sure seemed like the torrent was greater than average. I basically just took random shots at some bands who have already proven themselves, and a few that seemed intriguing. To make the quick search a bit easier, I left all the black metal options to explore for tomorrow’s usual column. Be forewarned that this includes a couple exceptions to our rule about singing.

EXOCRINE (France)

To lead off we’ll go with a new Exocrine song, which two of my NCS comrades enthusiastically pushed my way. It’s the title track from the band’s fifth album, The Hybrid Suns, which Unique Leader plans to release on June 17th. Continue reading »

Apr 142022
 

 

I intended to complete and post this round-up yesterday, but my fucking day job rudely interfered. In the meantime I’ve been alerted to a bunch of other new songs and videos that surfaced yesterday. Trying to include them now would result in further delay, so I’ll just have to save them for later. Almost half of what you’ll find below came my way via DGR, and one more from a friend and former NCS writer, and the rest I somehow found on my own.

THE HALO EFFECT (Sweden)

“IT’S GLORIOUS. I mean this is like it fell right out of a time machine from the Colony sessions.” That’s what DGR wrote when he alerted some of his fellow NCS slaves to the existence of this first song, which is the title track to The Halo Effect‘s new album, Days of the Lost. And if you don’t know, one reason for the Colony reference is that this band includes a bunch of former In Flames members (Jesper Strömblad, Niclas Engelin, Peter Iwers, and Daniel Svensson) plus Dark Tranquillity‘s Mikael Stanne behind the mic. Continue reading »

Apr 092022
 


Mantar – pic by Matthis van der meulen

 

I was a hamster last week, racing along the treadmill at my day job, with the only apparent signs of progress being motion and the cage filling up with shit. Oh lordie, while I was spinning that wheel the NCS in-box and other message accounts filled up with a lot of shit too — the good shit!

Based on my pawing through it this morning, I found a lot to share, as you’re about to discover in a very wide-ranging musical excursion. But since I’ve now got to go scrub my paws with lye you won’t find my frothy words or cover art in as much abundance as usual.

MANTAR (Germany)

Let’s begin with a new song and video from one of our favorite bands. I have a long list of people (none whom I personally know) that I’d like to hang low so the rats can get ’em because they make life more miserable by their existence. I’d like to beat and scorch them with this song before they take the drop, though they won’t deserve the song’s great chorus. Continue reading »

Apr 062022
 

(Andy Synn gazes into the abyss once more and finds four excellent albums gazing back!)

The debate about what is or isn’t “Black Metal” is probably one that’s never going to end.

And, honestly? That’s ok. Because as long as the debate is still going on it means that no-one has successfully codified and constrained the genre, leaving it free to continue to explore and expand its artistic boundaries.

Truth be told, I have less of an issue with bands being called “Black Metal” when they aren’t than I do with this weird idea some people (and bands) seem to have that slapping the label “Black Metal” on something somehow makes it good, or gives it some sort of veneer of credibility.

Let’s be honest, there are quite a few groups out there – some of them quite well-known – whose music would be just as good with or without the tenuous “Black Metal” tag which has been applied to them, but whose fans would riot and protest (online, anyway) if you tried to take it away from them, because they feel like they’d be losing something in the process.

Thankfully we don’t have to play any such semantic games with the four artists/albums I’ve selected for today’s article, as they are all clearly Black Metal, while also showcasing the vivid variety of both voice and vision which the genre embraces.

Continue reading »

Apr 022022
 

 

I had a hellish work-week at my fucking day job, which caused me to fall behind again in listening to candidates for this weekend round-up. I’ve also got an appointment for a second booster jab coming up soon this morning. Putting those two things together means this round-up will be shorter than I’d like. As is becoming something of a habit, I also included a curveball at the end.

JUST BEFORE DAWN (Sweden)

These Swedish favorites of mine have always chosen themes that focus on war, mainly WWII. They’ve repeatedly demonstrated a talent for channeling not just the mad exhilaration and explosive destructiveness of armed conflict but also the pain and grief it brings. It’s not surprising, therefore, that they would record a song for the victims of Russia’s invasion of Ukraine. Continue reading »

Mar 292022
 

 

I’m sure some of you noticed that I didn’t post anything at NCS last weekend, neither a new-music roundup on Saturday nor a Shades of Black column on Sunday. I was in my hometown of Austin, Texas, which was only my second departure from Washington since the pandemic began (the other one being a trip to Iceland last fall for Ascension Festival).

No reason to go into details about that trip, other than to say that it was packed with activities that led to late nights and hungover mornings, and I had no time to write anything for this site. I did have a little time to myself on Friday afternoon and used that to check out some new songs and videos. From that I assembled a tentative collection for a Saturday roundup, and even though I couldn’t get that done, I decided to stick with the list for today.

I enjoyed the hell out of all these songs when I first heard them — my kind of ear candy. I hope you’ll have fun with them too.

DARKENED (International)

This group of all-stars put out a hell of a debut album in 2020’s Kingdom of Decay, and early signs are that their new record will also be a rousing a success. Continue reading »

Mar 242022
 

 

High intensity is the hallmark of all the new songs and videos I’ve collected in this round-up, even in the one song I’ve included that’s not like any of the others.

KANONENFIEBER (Germany)

The real-world footage compiled in the video for Kanonenfieber‘s new song “Stop the War” is so powerful that it could be accompanied by a child singing a nursery rhyme and it would still be moving. But the song is every bit as powerful as the imagery. Continue reading »

Mar 192022
 


Ufomammut – photo by Francesca De Franceschi Manzoni

I hope your weekend is going well. Mine got off to a very good start this morning as I made my way through songs and videos that surfaced over the past week or so. By sheer good fortune, almost everything I listened to struck a chord, and the ones that rang loudest made its way into this big round-up.

I organized the selections in a way that made sense to me, capped by a shot of pure adrenaline. I’ll briefly tell you what to prepare for.

UFOMAMMUT (Italy)

Prepare for: a slow burn, a dreamy but sinew-triggering trip reminiscent of an old Pink Floyd space odyssey, with an increasingly fiery slug-fest as its destination. Continue reading »

Mar 152022
 

 

Drowning in new music and regrettably short on time to listen and write about it, I’ve decided to just grab five of the new things I’ve recently seen and heard to share with you today.

MISERY INDEX (U.S.)

I don’t know what came first in the creation of this new Misery Index song, the words or the music, or whether they were conceived together, but both are enraged. The politically charged lyrics begin this way:

Ancient ways ensnared in the monetary grip
Sons and daughters slaved by the wage and the whip
Our way of life crushed, as our lives drown in work
Is this what we’re to think, that a human life is worth? Continue reading »

Mar 122022
 

I spent hours yesterday (no exaggeration) assembling a list of new songs and videos that surfaced just since Monday. I kept at it, even knowing full well that as the list grew I was just making it harder on myself in deciding what to include in this Saturday round-up.

And then I remembered the legend of Alexander the Great and how he solved the seemingly insurmountable problem of untying a knot in the palace of the former kings of Phrygia at Gordium, a feat that was prophesied to make the knot-solver the eventual ruler of all Asia: He cut the knot in half with a single stroke of his sword.

I cut my own Gordian knot by deciding to focus on advance songs (all of which were revealed just yesterday) from just one label’s forthcoming releases. It’s a special label, as anyone knows who has indulged in its many past releases. In December its future became clouded with uncertainty when the label owner (Luciano) fell prey to covid and was hospitalized in intensive care, with his life hanging by a thread. Continue reading »