Jan 292022
 

 

I spent the first part of this morning pulling together the second-to-last installment of our Most Infectious Song list, which hasn’t left a lot of time for me to make my way through the typically giant list of songs and videos which surfaced over the last week that I thought might be worth recommending. I jumped around that list like a hummingbird (if hummingbirds moved at the pace of sloths). Here’s what I came up with:

MESHUGGAH (Sweden)

Even a blind hummingbird would know to stop and taste the nectar of a new Meshuggah song, and I’m not blind. Nor are the 150,000 people who’ve listened to the song’s YouTube stream in the last two days. But what to make of “The Abysmal Eye“? Continue reading »

Jan 272022
 

(Andy Synn takes over SEEN AND HEARD to present a trio of tracks you should pay attention to.)

Sadly Islander has, as is not uncommon, been swamped by the pressures of his day job (being a world-class rocket-sled racer is a high pressure career after all) so it has fallen to me to pull something together for the end of the day.

Thankfully I had two of these recommendations already waiting in the chamber, with the third making an appearance as I was writing it, so there’s still more than enough metallic goodness to go around, even if this particular edition of “Seen and Heard” is a little more abbreviated than normal.

So, without further ado…

Continue reading »

Jan 242022
 

(Andy Synn would like to tempt you all with a taste of the new album from  Slowbleed)

We all have our guilty pleasures, right?

Case in point, I’ve recently been enjoying a fun little show by the name of Dishmantled (hosted by the inimitable Titus Burgess) which tasks two chefs to recreate a specific dish… after it’s been blasted at them by a cannon.

It’s a ridiculous premise, obviously, but what makes it even more ridiculous is that the contestants are blindfolded during the first stage of the competition, meaning they can’t see what’s being blasted at them, they can only touch and taste whatever they manage to scrape off the walls.

There’s lots of reasons I like the show (it’s short, undemanding, and undeniably entertaining), but it also reminds me of what writing about music can feel like sometimes – blindly groping around trying to guess what different influences contribute to a band’s sound in the hope that you can then communicate this to your audience.

So, in that spirit, please join me on an audio-culinary journey as I try to suss out exactly what ingredients make up this particularly piquant platter of meaty Metallic Hardcore from Californian crossover crew Slowbleed.

Continue reading »

Jan 222022
 

 

I hope you’re having a good weekend. I hope to make it better by sharing a dozen new songs and videos I picked after sliding down the interhole for hours early this morning. I made an effort to provide a broad span of genres, and to arrange everything so as to take advantage of the contrasts. I’ve also put every damned one of these tracks on my list of candidates for 2022’s Most Infectious Songs.

Also, when a round-up swells to these proportions I usually don’t take time to download/upload the artwork, but I made an exception today because there’s a lot of good cover art in this group, beginning with Eliran Kantor‘s stupendous painting for the new Immolation. Speaking of which….

IMMOLATION (U.S.)

Does anyone need any more reason to get stoked over a new Immolation album? I don’t see any hands up. I guess I could have skipped this first song and video. I guess you could skip over it too. But I’m getting more and more near-sighted, so I could have missed a hand, so here goes. Continue reading »

Jan 202022
 

 

Here are a half dozen new tracks and videos from forthcoming records that caught my attention over the last 24 hours, and are worth your attention. I think you’ll find that altogether they make for an interconnected playlist that flows well.

KRALLICE (U.S.)

If there is now any kind of reliable forecast for new music from Krallice, it is to expect the unexpected. It seems evident that the many creative forces within the band are simply uninterested in plowing the same furrow twice, and instead they give free rein to what interests them and how they’re feeling at the moment. Like all good mavericks, the impulse to shake things up also seems to be alive and well. Continue reading »

Jan 172022
 

 

As explained yesterday in Part 1 of this immense round-up, I made an initial cull of 23 songs and videos, most of which surfaced during the last week. I had intended to sift through those more carefully to reach a more manageable number, but due to lack of time I decided to just throw the whole boiling mass at your face. And I actually added another track last night to make the total an even two dozen.

I alphabetized the list by band name and then cut the mass in half, which might have made it a little easier on your senses and your time; we begin today with the letter “I”. Unlike most of my round-ups I also didn’t have time to include the usual links, artwork, or much commentary — mainly just small bits of info about the releases. Continue reading »

Jan 162022
 

 

This weekend hasn’t been conducive to my NCS plans. I didn’t have time yesterday morning to post a round-up of new songs and videos, only time enough to share some artwork and news. During Saturday afternoon I plowed through a lot of new tracks and videos that mostly surfaced over the last week, and found a whopping 23 of them that I enjoyed to varying degrees.

Obviously, that’s way too many to post about, even for an OVERFLOWING STREAMS type of round-up. Some sifting was required. But sifting takes time, and for reasons I won’t bore you with it turns out that free time has been in very short supply this weekend. What to do?

Well, what I decided to do was just to say Fuck It and foist all 23 of those songs and videos upon you, with almost no commentary about the music and not even the usual links and artwork, just a small amount of info about the releases that include them. Even with that approach I’m dubious that I’ll get everything ready to go before I have to depart my computer for the rest of the day. So I alphabetized everything by band name and cut the group into two parts.

Part 2 might come tomorrow instead of later today. Sadly, I won’t have time for a SHADES OF BLACK column, though there is some black metal sprinkled through this giant collection, along with music across a big range of other sub-genres. Continue reading »

Jan 102022
 

 

Tomorrow the Finnish label Elitbolaget will release …And Then the Rains Came, the debut album by the multinational band Varoshan, whose members are divided among Helsinki (Finland), Berlin (Germany) and Leeds (UK). But you won’t have to wait until then to absorb what it has to offer because we are now presenting its complete streaming premiere.

What it has to offer is a stylistic amalgam that combines the ethos of hardcore with diverse sonic vibes that bring to mind (as Elitbolaget suggests) the likes of Neurosis, slow-burning Converge, sludge-era Tombs, and Soilent Green covering Black Sabbath, i.e., music that’s “slow, dark, and gritty”. Continue reading »

Jan 082022
 

 

I had grandiose ambitions for this Saturday round-up, but remembered at the last minute that I had to join a Zoom meeting this morning for the job that pays the bills around here. After that ended I didn’t have time to pull together any more music than what you’ll find here from a quartet of bands. But these four have enough high-energy intensity to keep your heart-rate elevated from start to finish (and probably for a while afterward too).

VASTATUM (Canada)

The whining sounds of this first song swells over turbulent drumming and throbbing bass notes, and then swirls like wind-driven flames. Fiery vocals join the fray as the riffing generates a sound that’s both tormented and glorious. The incendiary intensity of the music subsides, and it becomes more mysterious and hypnotic, and then it roils again, with a feeling that’s beleaguered and desperate, as the vocals become even more shattering in their tortured extremity. The lead guitar whirls once more in a mad dance as the sound fades away…. Continue reading »

Jan 062022
 

 

There was a modest but noticeable slowdown in the release of new songs and videos over the holidays, but things have kicked back up into high gear again, as evidenced by the enormous number of tabs I’ve opened up for new music and video streams just since last weekend. I’ve made my way through many (but not all) of those and made the following selections across many metal sub-genres in the hope of brightening (and darkening) your day.

HUMAN HARVEST (Sweden)

A dozen years after the release of their second demo this death metal band (now the formidable duo of Jonny Pettersson and Jon Rudin) has crawled from its crypt again and fashioned a debut album named Flesh Sermons that’s been set for release on January 31st by Iron, Blood and Death Corporation. Last Monday saw the discharge of the album’s first advance track, a macabre monstrosity called “Blasphemy“. Continue reading »