Jun 202020
 

 

In many weeks the title of this round-up hasn’t been entirely accurate, because although I post them on Saturdays, sometimes I’ve listened to the songs before Saturday has arrived. Not this time.

This time I let the entire week go by without listening to much new music other than what I had agreed to premiere. My day job has been unusually annoying this week, and I continue to be distracted by the unnerving daily news of what’s happening in the world around us. This time, after gulping a couple of cups of coffee, I started the day by trying to catch up, and these selections survived that Saturday morning sifting process.

Needless to say, I didn’t make much headway in my giant list of things I wanted to check out from the past week (and the weeks before), but I had really good luck with what I did decide to check out.

PRIMITIVE MAN

I contend that there’s no better “intro” to a Primitive Man song than the gashing of ears with feedback, because what usually happens next is an ugly and unnerving experience. Why sugarcoat it? Continue reading »

Jun 192020
 


The just-discovered original handwritten “Juneteenth” military order informing thousands of people held in bondage in Texas that they were free

 

Today is Juneteenth, the oldest nationally celebrated commemoration of the ending of slavery in the United States. It was on June 19, 1865, that Union soldiers landed at Galveston, Texas with news that the war had ended and that the enslaved were now free. To help celebrate the day, Bandcamp has announced that “from midnight to midnight PDT, and every Juneteenth hereafter, for any purchase you make on Bandcamp, we will be donating 100% of our share of sales to the NAACP Legal Defense Fund.”

To be clear, this isn’t the same as what Bandcamp did on June 5th (and will do again on July 3rd), when it waived its share of sales of digital music and merch on the site. Today it will still collect its share, but it is promising to donate that share to a cause that aligns with the Juneteenth celebration. And that provides an added reason to consider purchases on Bandcamp today.

It also provides a reason for me to do what I’ve been meaning to do for a couple of weeks — to spread the word about some recently released compilations of underground music on Bandcamp. I know that I probably overlooked some, but these are the ones I made note of when I saw them. If you know of others, please leave a Comment. (Some of these are name-your-own-price downloads, but if yoiu kick in some money for those, Bandcamp’s pledge will still apply.) Continue reading »

Jun 132020
 

 

I am always behind in listening to what I want to explore, but have fallen further and further behind this week, chiefly due to the malaise that many of us have felt from the protracted lockdown, which is only just beginning to lift where I live.

In genuinely random fashion I decided to listen to only two releases this morning out of the hundreds I could have chosen, both of them peaking my interest for different reasons. And I made the gamble of recording in words what I was hearing as both releases unfolded, not knowing in advance whether that effort would be worth the time, because I wasn’t sure going into them how I would feel about their worth.

It was a gamble that paid off. Both of these choices proved to be very good ones, and well worth recommending to you. As it happened, both are also very dark and dolorous, albeit in very different ways. Along with the recommendations, I’ll share the notes I made, not that you need them, but because I generally hate to throw anything away.

HOLY DEATH

The first release I chose is a 20-minute song named Celestial Throne ov Grief by the death/doom trio Holy Death, who came to us out of the Nevada desert by way of Los Angeles. It was digitally released on June 5th. I picked it because (as I explained here) I was so impressed with the band’s second EP (released in March), Supreme Metaphysical Violence. And now for my notes: Continue reading »

Jun 102020
 

 

To borrow the words of Mark Twain, reports of the death of melodic death metal are greatly exaggerated. Granted, there have been times over the last decade when it seemed the genre was on life support, but every now and then a band will come along and slam on the defibrillators with exhilarating effects. Meridian Dawn are one of those bands, a small collective of experienced musicians with differing nationalities who’ve been united by a passion for that hard-to-kill genre, and with the talent to give it a high-voltage kick-start.

Originally formed as a side project by vocalist Antony Hämäläinen (Nightrage, Armageddon, Crystal Tears) and guitarist/bassist Nick Ziros (Into The Moat, Remembering Never), Meridian Dawn released their debut EP in 2014, and now, six years later, they’re returning with a debut album. Entitled The Fever Syndrome, it will be released by Seeing Red Records on July 10th, and today we’re in the fortunate position of presenting a lyric video for its electrifying first single, “Iconic“. Continue reading »

Jun 082020
 

 

If you’re seeing this before seeing the first two Parts of the round-up, I hope you’ll check out Part 1 and Part 2. After a lot of singing in Part 2, we’re moving back into music that’s more in line with the site’s name.

BLACK CROWN INITIATE (U.S.)

The kaleidoscopic opening track in this collection moves from mystical and mesmerizing sounds into the embrace of humming low tones and head-hooking beats (and singing), and from there into a grim, ravaging, bullet-spitting attack, augmented by doses of vocal ferocity (as well as flaring melody and soaring song). Skittering, darting, and delirious fretwork and blaring chords propel the song to fiery heights, and the singing becomes spine-tingling. A welcome return from these talented dudes…. Continue reading »

Jun 072020
 

 

I’m not as prone as some writers around here to make exceptions to our rule about singing (I’m looking at you Mr. Synn), but I fell prone before all the singing voices in this selection of songs, and the music that accompanies them. But don’t worry… in the next installment of this post I’m sure I’ll revert to the usual nastiness.

OCEANS OF SLUMBER (U.S.)

I guess most people know by now that Cammie Gilbert has a stunning voice. If you don’t know, you’ll find out through this first song and video. You’ll also find out she has some very talented people behind her, including drummer Dobber Beverly, who plays in a lot more extreme bands than this one and delivers a beautifully nuanced performance. Continue reading »

Jun 072020
 

 

I’m way behind in putting together compilations of new music and videos that I want to recommend. Yesterday, after hours of listening, I assembled more than two dozen of them that I discovered just over the last week. I had the fantasy of presenting all of them in alphabetical order in this Overflowing Streams format (short on words and visual art but long on music).

This morning I realized that would be a herculean task, and I’m no Hercules. So I abandoned the alphabetical idea and have arranged the collection with different ideas in mind and divided the post into Parts — because I’m not sure how far I’ll get. There should be at least one or two more installments today.

By the way, I decided to do this instead of the usual SHADES OF BLACK post today, though I’ve made sure to include new black metal in the collection, beginning with…

AKVAN (Iran)

The Persian tar (a type of four-stringed lute) is the star of this first song, along with the mesmerizing, melancholy melody that it voices. It provides the beating heart of the song even after the music rises into a tumultuous storm of thundering drums, scathing riffs, and scorching vocals. Fascinating, fierce, otherworldly, and glorious, the song is a tremendous thrill to hear. Continue reading »

May 292020
 

 

This has been a weird week: Until now, I haven’t managed to assemble a single round-up of new music and videos. I have written a dozen premieres, some of those full albums or EPs, as well as getting other people’s writings ready to post, so it’s not as if I’ve been a complete slug. But even with all that, in a normal time I’d still manage to curate a collection or two of new things.

Instead, this week I’ve noticed that after mid-day I tend to fall into a malaise, and find it difficult to do much of anything except force myself to tend to the occasional demands of my increasingly not-very-demanding day job. I think I know why this is happening, and might explain it tomorrow. But for now I’ve roused myself enough to get this round-up completed before giving up again. I’m way behind and hope to do more tomorrow.

SELBST

In this first kaleidoscopic selection, you’ll be engulfed by riotous drumming and cascades of harrowing and blazing guitars, whose multi-textured sounds channel feelings of grim devastation and flashes of feral ebullience. The deep roaring vocals have a tormented countenance, and the dense sounds that surround them have a sweeping quality, creating a mixture of mayhem and extravagant brilliance. Continue reading »

May 262020
 

 

(So far, Neill Jameson (Krieg, Poison Blood) has shared with us (here and here) two playlists of musical suggestions to help us get through the current plague time, and today he follows those with a third selection.)

I’ve been a little slower than I wanted to be with this third quarantine playlist, slow to the point where the country decided the virus is like black metal and moved on to grind.  Or something like that, I’m probably mixing my irritations up. But much like your desire to hug all the homies “when this is over” these playlists aren’t going away. Well, after the fourth one it will, but let’s suspend disbelief for a minute because these are TRYING TIMES and my inability to get a haircut makes it illegal for me to be in close proximity to a school. Catch-22 though, there’s no kids in there anyway.

Moving on. I think the format to this is pretty much established, especially since I see a few people biting off it, terminology and all, so let’s get into it. Continue reading »

May 232020
 

 

We’re now continuing on with the mega-collection of new songs and videos we began here yesterday, resuming our march through the alphabet beginning with the letter S.

SEROCS (International)

To begin, we’ll throw your brain into a blender set to puree. “Building A Shrine Upon Vanishing Sands” is a brutalizing, electrifying, high-speed carnival ride. The percussive power of the song is punishing, and the vocals (also discharged at high speed) are rabid, while the darting and swirling fretwork is wild and exultant. The guitar soloing is nothing short of spectacular, and propels a song that was already an ecstatic thrill-ride way up into the stratosphere. If the track doesn’t leave you with an ear-to-ear grin, the virus may have mutated and given you facial paralysis. Continue reading »