Sep 052021
 

 

You want to know how the sausage gets made? Okay, I see one hand at the back of the room and that’s all I need even though the rest of you are recoiling.

When I woke up at 4:30 a.m. this morning I had about half a dozen candidates I was considering for this column based on previous listening. But I didn’t stop with that. After feeding the cats, caffeinating myself, and smoking a couple cigarettes, I collected links to more than 20 other possibilities, some of them from tabs I’d opened on my computer during the past week and some I found from crawling through arrivals in the NCS email in-box over the last few days, which I hadn’t perused carefully until yesterday afternoon.

I then copied all those links into the NCS WordPress editor and opened them again at a computer in our house that has shitty wi-fi. The one with a decent internet connection is in the “family room” where the TV is, and my wife was in there catching up on the news (she wakes up ridiculously early too). Even with headphones on, I can’t listen to metal in that room when she’s there. I have to crank up the volume, and her ears are so sensitive that she can hear the sound leaking through the headphones. It annoys her because she can’t stand extreme metal. I strongly prefer that she not be annoyed. Continue reading »

Sep 012021
 

 

(DGR prepared the following trio of reviews for 2021 releases that don’t require a lot of your time but make a big impact nonetheless.)

It still feels strange when we get to use the “Short But Sweet” review tag for the purpose it was designed for instead of the usual ‘these reviews will be shorter than usual’ style that I favor, but when you combine the total time of the three releases we’re discussing here you wind up with a little under twenty-five minutes worth of music. Two are short because they’re the usual suspects – grindcore groups smashing out music with reckless abandon – and the other is brief because the whole release consists of only two songs, but serves as a fantastic addendum to an excellent album released earlier this year.

The Amenta – Solipschism EP

Solipschism is the newest release from Australia’s The Amenta, a two-song EP consisting of tracks that were initially part of the run for their earlier-in-the-year return album Revelator – in case the continued portmanteau in the song naming wasn’t enough to tip you off. It serves partially as an addendum to that previous release, unleashing one crushingly heavy almost song recorded during the Revelator sessions that seems to exist solely to ratchet up in intensity while at the same time burying vocalist Cain within an abrasive wall of sound, and one quieter experiment, both of which fall perfectly in line within that album’s current run.

As to specifically where? It’s hard to tell, but they currently do a great job stitching themselves right onto the end of an album that is already difficult to describe at times, given its tendency to murder its own momentum for the sheer fun of it and try to create haunting soundscapes out of the rubble left behind. Continue reading »

Sep 012021
 

 

On September 10th Horror Pain Gore Death Productions will release Suffering of the Dead, the second full-length by the death/thrashing barbarians in Philadelphia’s Seeds of Perdition. As the label accurately forecasts, it delivers a barrage of raw intensity yet also creates the kind of atmosphere that simultaneously makes it “a terror stricken journey into the darkness of mankind”. We have the pleasure of letting you experience this pulse-pounding trip for yourselves today as we premiere a full stream of the album.

Straddling a line between rough and ravaging and sharp and cutting, the fleet-fingered riffs are lividly savage and slashing. They’re anchored by viscerally thrilling work by the band’s rhythm section, who propel the songs with skull-snapping snare-work, war-zone double-kicks, and gut-slugging bass lines. And at the vehement vanguard of the attack are rabid (yet clearly intelligible) vocals that roar, bark, screech, and howl at the moon, occasionally doubled in ghastly duets; in all their ferocious manifestations they’re electrifying. Continue reading »

Aug 302021
 

 

Antediluvian‘s first album in more than eight years is a hydra-headed black/death monster. More than an hour in length, spread across 11 tracks, The Divine Punishment thematically explores ranging manifestations of carnal deviance and perversion, reveling in manifold forms of sexual blasphemy through sound. And what sounds these are!

The heads of this hydra writhe, changing places in your mind’s eye and also joining together to create visions of ultimate horror and depraved ecstasy. The music has an experimental quality, as if searching for the perfect potion of degradation and desire. Its contortions are unpredictable, its effects multifarious, its overarching impact both nightmarishly unnerving and wickedly seductive.

The album defiantly challenges attempts to describe it in conventional terms, though of course we’ll nevertheless throw caution to the winds and add further impressions. But thankfully we also have a full stream of the album just a few days before its September 1 release by Nuclear War Now! Productions. Continue reading »

Aug 292021
 

 

Time to blacken the christian Sabbath again, as is our want. I decided to be lazy yesterday rather than compile the usual Saturday round-up of new songs and videos, but I did devote some time to browsing blackened metal, including some music that’s been out in the world (but not in my head) for many months, and you’ll find the results below.

I would say there’s a more disturbing and depressive feel to these choices than might usually be the case. I’m not in therapy so I don’t know for sure if this is a reflection of changes in my usually sunny mood, though I wouldn’t be surprised if that were true. It might just be that the first song took me down that path, and everything else simply fell into place.

DEADSPACE (multinational)

We lamented the split-up of Deadspace when that was announced last year, but celebrated their final album, A Portrait of Sacrificial Scars, as the band’s best work of all. Happily, however, Deadspace have reunited, though I somehow overlooked that announcement, first disclosed in March, until yesterday. I also overlooked that in June the band released a video for a new song named “Moksha“. Continue reading »

Aug 272021
 

 

As I hoped, I had time to compile a second round-up on this Friday… and I have ideas for a third one tomorrow, so do check back. There’s no sandwich this time, unlike the first compilation today, just a severe case of whiplash as you go from the first song into what comes next.

DAWN OF SOLACE (Finland)

It appears that the revival of Dawn of Solace by Tuomas Saukkonen will be a lasting one, because a new album named Flames of Perdition is now set for release on November 12th via the Noble Demon label, and the first item I chose for this collection is a video for its first advance track, “White Noise“.

The emotional power and intensity of the song absolutely floored me. The intensity builds steadily, from its soft and wistful beginning through grim, heavy chords, neck-cracking drums, darting riffs, and the soaring, spine-tingling voice of Mikko Heikkilä (of Kaunis Kuolematon). It reaches a zenith of dark and moving impact via a stunningly beautiful and deeply moving guitar solo by Jukka Salovaara. Continue reading »

Aug 262021
 

 

As you can see, I found time to stitch together another round-up of new music today. As usual, it barely scratches the surface of new songs and videos I’ve spotted this week, but I thought the choices would collectively give our visitors whiplash, and it pleased me to think so.

The music I’ve chosen for today comes from three pre-established personal favorites and one newcomer that’s already made a very positive first impression.

GOAT TORMENT (Belgium)

We begin with a supercharged adrenaline rush, a track that delivers storming, Marduk-like sonic warfare which marries bullet-spitting and bomb-throwing drums, wild, incendiary riffing, dominating vocal savagery, and an exotic wailing solo with an Arabian flare. Continue reading »

Aug 252021
 

 

(Our old friend Justin C returns to NCS with the following review of the new album by the re-named Seattle band Filth Is Eternal, which will be released on August 27th by Quiet Panic.)

We’ve all been there. Grandma wants to hear some of the rock ‘n roll music the crazy kids are making these days, and Fucked and Bound is an obvious choice. Grandma needs a shot of adrenaline, not some droning doom, after all! But will the name be too off-putting? Especially after church?

Well, the band has made your life a little easier now with a new name, Filth Is Eternal. No, they haven’t changed the name in a craven attempt at Top 40 success, or probably even for Grandma. It just turns out that getting the word out about all your hard work during a pandemic, with no live shows plus social media platforms flagging you left and right for potentially being naughty content, your choice might come down to a name change or complete obscurity, as the band explained to Decibel last month. Continue reading »

Aug 252021
 

(Andy Synn would like to remind you all that only Death (Metal) is real)

I was doing an interview recently where I was asked “what makes a good Death Metal band?”

And, you know, for a moment I was stumped.

You see, they weren’t just asking about tuning, or tempo. Nothing so prosaic as that. They wanted something fundamental, something that transcended styles and sub-genres, something beyond technicality or brutality or melody.

But, eventually… it hit me.

It’s not about how fast you can blast, how low you can go, how huge you can groove… it’s all about love.

You heard me right. Underneath it all Death Metal is driven by love. Specifically the love of Death Metal.

And it’s the ability to convey and communicate that love, no matter what forms it takes, how technical or brutal, how melodic or symphonic, how dissonant or discordant or slam-tastic, which makes – or breaks – a band.

So let it be written, and let it be known… these three bands really love Death Metal.

Continue reading »

Aug 252021
 

 

The seasons trace a cycle of death and re-birth in the natural world. Winter is commonly regarded as the season of death, the descent of bitter cold and stricken leaves, of creatures in hiding and comforts lost. These days, of course, death seems more ever-present than ever, with no regard for seasons, even as we think of baking heat and burning landscapes rather than frigid domains. Sometimes it seems that we’re in the midst of an endless winter of the soul.

Winter is the main protagonist of the forthcoming second album by the Italian band Veil of Conspiracy, and when you hear the band’s mesmerizing amalgam of doom, death, and black metal, you can easily understand it as a transfixing portrait not only of the season but of the darkness of our own freezing journeys through grief, despair, and solitude.

Echoes of Winter is the album’s name, and today we have a full stream of it for you in advance of its release this coming Friday by BadMoodMan Music. Continue reading »