Mar 092016
 

veneficium cover

 

Even though we’re about to premiere a full stream of the debut self-titled demo by Veneficium, I don’t know who is in the band. They are reputed to be veterans of New Zealand’s metal underground, and that’s entirely believable because this demo is masterful at what it does. What it does is unleash a hellish cataclysm of abyssal black/death savagery — but with the kind of flair and dynamism that make this a bewitching terror.

The demo is produced in a way that gives it an immensely powerful and harrowing sound; you feel the bones in your skeleton vibrate down to your feet, and the earth beneath them seems to quake in massive tremors. Yet while the storm of distortion in the stringed instruments and the reverb effects in the vocals are what you would expect for this kind of sonic warfare, the production is perhaps surprisingly sharp; the murk is not so thick as to obscure all the interesting ingredients that make the music so riveting (and unsettling). Continue reading »

Mar 092016
 

Hemotoxin-Biological Enslavement

 

(In this post Allen Griffin provides brief reviews of a pair of forthcoming albums.)

If Ripper’s fantastic new album Experiment of Existence (reviewed here) wasn’t proof enough, Unspeakable Axe is releasing two more records that show they have somehow tapped a special vein of Old School Death and Thrash Metal, all of which seem to mine Science Fictional lyrical themes. To a certain degree, naysayers may try to argue that these bands bring nothing new to the table, yet if hindsight is truly 20/20, these hybridizations of Metal’s past are certainly able to produce excellent material that stands on its own in this current musical climate.

HEMOTOXIN

First up is California-based unit Hemotoxin and their second full-length release Biological Enslavement. Much like the aforementioned Ripper, Hemotoxin draw much of their influence from the era when Thrash was transitioning into Death Metal, but also add their own highly technical spin to their material. But where Ripper look toward groups such as Kreator and Merciless, Hemotoxin seem to be a bit more rooted in Bay Area classics, but are well-indebted to early Death Metal as well. Continue reading »

Mar 092016
 

High Priest of Saturn-Son of Earth and Sky

 

(Grant Skelton reviews the new album by High Priest of Saturn.)

I frequently come across new doom or sludge bands who only seem interested in replicating Matt Pike’s Dopesmoker guitar tone and failing miserably at said replication. Nothing wrong with worshipping your idols, and imitation is indeed the sincerest form of flattery. But sometimes we don’t want (or need) a replica. Sometimes we want a diamond in the proverbial rough. Even if that diamond might be a sugar cube served with a hallucinogenic dollop of some kind of esoteric elixir.

Trondheim, Norway’s High Priest Of Saturn are a band I randomly stumbled upon. I hadn’t even heard their name, let alone their music. Perhaps it was their monicker, or the interstellar artwork for their new album Son Of Earth And Sky that initially drew me in. But one drop from their vial was all my palate needed before I yearned for another dose. Continue reading »

Mar 082016
 

tragedy

 

(In this post DGR combines reviews of three recently released albums, by The Howling Void, thenighttimeproject, and Embrace the Darkness.)

As of this writing there’s a pretty hot chance that we’ve already run the little collection of grind groups that I’ve been blasting the last few months [yes, we did]. Truth be told, I’ve actually been working on these two collections side by side, but as the best plans are often wrecked at the last minute, this one began as one review, only to be expanded out to three as I kept finding new stuff that needed to be archived.

All three of the acts here are of the slower and melancholy sort, the type that we use as the amplifier of moods for the grey skies that may be outside, and in this case we’ll be committing absolute heresy because two of the three are pretty much entirely clean sung — hell, one is more depressive rock, but that’ll explain itself as soon as you read who is involved, with the third being a more traditional melodoom band who are getting their feet off the ground. The first clean-sung one, I actually didn’t expect to be that way because of the precedent set by the previous releases, and the other one I did, but as a fan of the musicians involved I felt it had to be shared out there.

Let’s begin with one that might have bred some familiarity amongst our readers, as we last touched bases with the project in December of 2013! Continue reading »

Mar 082016
 

Lord Mantis-Nice Teeth Whore

 

(Andy Synn reviews the new EP by Lord Mantis.)

Here at NCS we really try our best to stay out of all the inter- and intra- band drama that goes on within the metal scene, and that goes double when we’re friendly/familiar with some of the parties involved.

Still, I have to acknowledge that it’s practically impossible to talk about the new Lord Mantis EP without addressing the acrimonious, and very public, split that occurred in the band’s ranks not long after the release of 2014’s phenomenal Death Mask, with both Charlie Fell and Ken Sorceron decisively cutting ties with the group, even as drummer Bill Baumgardner and guitarist Andrew Markuszewski vowed to continue on without them.

As a result of this division, lines were drawn, sides were chosen, old alliances torn asunder… with fans on both sides of the divide pulled (willingly or otherwise) into one very un-civil war.

But, despite all this, the one question which matters more than any other is… how does the music on Nice Teeth Whore stack up to the band’s previous releases? Continue reading »

Mar 072016
 

Diabolus Amator-Despotic Conjuring of the Soulless

 

Despotic Conjuring of the Soulless is the second album by Diabolus Amator, a black metal project created by a multi-instrumental musician now based in Virginia who goes by the name Abyss, with vocals provided by Lörd Matzigkeitus of the Canadian band Idolatry. It consists of 11 original songs and an excellent cover of Inquisition’s wonderful “Desolate Funeral Chant”. For me, the album came out of left field, but it has proven to be a very welcome and highly prized surprise. I’m very glad we have the chance to share with you a stream of the whole album.

The first time I heard the album, I thought I had it figured out by the end of the first three songs — which is the point at which there comes a break in the action, provided by the ominous, groaning ambient track “Invocation of the Abyssic Dragon”. But I was wrong. Not only does the album display different facets of sound and style the deeper you go into it, the best tracks may lie in the second half — though the first half is damned good, too. Continue reading »

Mar 072016
 

Sadism-Alliance

 

(In this post our guest Kunal Choksi, owner/editor of the Transcending Obscurity webzine and record label, recommends releases by four death metal bands from Chile.)

 

SadismAlliance (Toxic Records/Mechanix Records)

Long-running and probably the most overlooked Chilean band of all time, Sadism have interestingly released a new album late last year, which is a must for fans of the band in general and those who’re into the Floridian style of death metal propagated by bands like Monstrosity, Diabolic, Eulogy, and Malevolent Creation – perhaps only darker.

There’s something that comes with the soil that makes the music sound all the more evil and menacing in comparison to the American counterparts, and it definitely helps that the band members are technically proficient, as was evident with the release of gems like Summon and A Dwelling of Gods a decade or so back. It’s worth revisiting the band’s past catalogue. Continue reading »

Mar 072016
 

Wolvserpent band
Wolvserpent

You may have noticed that over the weekend I only posted one article on our site, despite the fact that for more than 6 years I’ve been obsessed with posting something every day of every year, weekends and holidays included. I think Saturday was only the 7th or 8th day when I’ve completely fallen down on the job since I started the site, and I had wanted to do more than one post on Sunday. As sometimes happens (but rarely), I just got too overwhelmed by personal obligations and the demands of my fucking day job to focus on NCS.

I’ve actually been kind of overwhelmed since the middle of last week. One of the things I’ve been unable to do is post round-ups of new music that I like. I did attempt to fly through the interhole and the NCS in-box from time to time and make a list of songs I wanted to check out as time permitted. When I looked at the list yesterday, it had new songs from 30 bands on it — all of which appeared just within the last week!!! Continue reading »

Mar 042016
 

Cravedog8pFolder

 

Anger as Art’s new album Ad Mortem Festinamus (“We Hurry Into Death”) is a non-stop thrill ride, and today we’re giving you the chance to experience it for yourselves one week before the official release date through our premiere of a full album stream.

This is the fifth full-length released by a veteran group of musicians who’ve paid dues in other bands, and it’s the sort of album that fully displays the experience, the song-writing talents, and the top-shelf performance skills of people with a deep knowledge and love of heavy metal. But it’s also full of fire and fury, as you would expect from a band named Anger As Art. Continue reading »

Mar 042016
 

Agostino Arrivabene-cover for Howls of Ebb

 

(We present Wil Cifer’s review of the new album by Howls of Ebb.)

Finally there is some motion in the ocean, as the albums I’ve been looking forward to going into 2016 have begun to creep into my inbox. This project out of San Francisco brings a sense of adventure back to death metal. There is little in the way of rehashing what Incantation and Morbid Angel have already done. No time is wasted digging into the meat of the metal on this one. The trippy grooves and atmosphere are still intact, as the double-bass hammers beneath the rubbery bass lines. The aggression is not conveyed in the manner you expect from death metal. Their guitar tones are not saturated in distortion; they give an organic quality to the chaos bubbling within these songs. Continue reading »